scholarly journals JILBAB DALAM AL-QUR’AN DAN AL-HADITS SERTA APLIKASINNYA PADA PENDIDIKAN ISLAM PERSPEKTIF TEORI HABITUS PIERRE BOURDIEU

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Katni Katni

Hijab is long jumpsuit that covers the entire face except for physical wrists and feet wore by Muslim women. The headscarf is prescribed in Islam to instill a thorough tradition (universal) and critical in uprooting the roots of moral damage was bad. Laws of hijab or clothing its essence is to close the Association. the terms jilbab/clothing for Muslim women is the following: first, was labeled a cover the whole body except the face and palms. Second, Loose so as not to dazzle the shape of a woman's body. Third, clothes or a scarf made from fairly thick so it can hide the underlying flesh and skin color and shape of a woman's body. Fourth, no flashy colored the same, meaning that by showing off the body and draw the attention of others. Fifth, do not resemble the clothing of women non-Muslims or infidels sixth, did not resemble the clothing of men. Educational applications veiled and dressed in an Islamic perspective on the education theory of Habitus Piere Borde have great opportunities and relevant thing to do on the development of education dressed and veiled good institution formal education such as school/madrasah of levels of primary, secondary or higher education. It can also be conditioned through informal education at home and the Muslim community, so the trend created through policies, rules or habits will be firmly entrenched in the hearts of Muslimah, and perceptions the structured model in mind, the clothes he wore, bought and not easily deterred by the current negative culture from outside. Habitus veiled and dressed can be passed down to the next generation so that the generation born astrology al-Kitab and dressed in the Islamic community in forming the main Islam approves by Allah SWT. 

2017 ◽  
Vol 12 (2) ◽  
pp. 151-170
Author(s):  
Ratna Wijayanti

Al Qur'an is the holy book of Islam, in which there are many rules of Allah, one of which is the rule about the ethics of Muslim women wearing Jilbab. God's command of the veil contained in the Qur'an always begins with the words of a believing woman. this phrase shows how the hijab's position is based on the faithful women. According to Abdul A'la Al-Maududi as quoted by Quraish Shihab, the basis of all forms of obedience and obedience in Islam is Faith. It is clear that it is faith alone that simply binds a person to remain obedient, obedient to the law of God in all their affairs of life. Therefore, Islam first teaches mankind to believe and strengthen the faith to be imprinted in the hearts of men. It is implanted earlier before taught related to worship, muamalah and morals including in it are morally dressed or veiled contained in al-Qur'an and Al-Hadith. From historical analysis, munasabah analysis, and language analysis of the veil it can be concluded that the veil in general is a wide, loose, and covering the entire body. Meanwhile, the commentators differ on the meaning of "Let them stretch out their veils to their whole bodies." Among their interpretations of the verse are: covering his face and head, and only showing his left eye; cover the entire body and half the face by showing both eyes; and extend the cloth to cover the head to the chest. Thus, we can know that commentators from the past until now have agreed that the hijab is a religious duty for women. They agree on the obligation to wear the hijab and differ on the meaning of extending the veil: whether it extends throughout the body except one eye, extends to the whole body except for two eyes, or extends to the whole body except the face.


2022 ◽  
Vol 41 (1) ◽  
Author(s):  
Marina L. Butovskaya ◽  
Victoria V. Rostovtseva ◽  
Anna A. Mezentseva

Abstract Background In this paper, we investigate facial sexual dimorphism and its’ association with body dimorphism in Maasai, the traditional seminomadic population of Tanzania. We discuss findings on other human populations and possible factors affecting the developmental processes in Maasai. Methods Full-face anthropological photographs were obtained from 305 Maasai (185 men, 120 women) aged 17–90 years. Facial shape was assessed combining geometric morphometrics and classical facial indices. Body parameters were measured directly using precise anthropological instruments. Results Sexual dimorphism in Maasai faces was low, sex explained 1.8% of the total shape variance. However, male faces were relatively narrower and vertically prolonged, with slightly wider noses, narrower-set and lower eyebrows, wider mouths, and higher forehead hairline. The most sexually dimorphic regions of the face were the lower jaw and the nose. Facial width-to-height ratio (fWHR), measured in six known variants, revealed no significant sexual dimorphism. The allometric effects on facial traits were mostly related to the face growth, rather than the growth of the whole body (body height). Significant body dimorphism was demonstrated, men being significantly higher, with larger wrist diameter and hand grip strength, and women having higher BMI, hips circumferences, upper arm circumferences, triceps skinfolds. Facial and body sexual dimorphisms were not associated. Conclusions Facial sex differences in Maasai are very low, while on the contrary, the body sexual dimorphism is high. There were practically no associations between facial and body measures. These findings are interpreted in the light of trade-offs between environmental, cultural, and sexual selection pressures.


2019 ◽  
Vol 1 (11(41)) ◽  
pp. 26-31
Author(s):  
Хоботова Наталія Володимирівна ◽  
Єхалов Василій Вталійович

Compression asphyxia is a type of mechanical asphyxia when breathing stops with external pressure on the body, which leads to the absence of respiratory movements and disrupts venous return from the head. With a strong compression of the chest, a reflex spasm of the glottis occurs, which contributes to an increase in intrathoracic pressure, reverse venous blood flow and an obstruction of venous flow to the heart occur. A sharp increase in intracranial pressure and venous congestive congestion / hemorrhage deepen central respiratory failure. Mild degree: mental agitation; puffy face, slight cyanosis; individual conjunctival petechiae; tachypnea. Medium degree: light or heavy stunning, lost orientation; the face is puffy, cyanotic; swelling of the cervical veins, acrocyanosis; multiple petechiae that spread across the face, neck, conjunctiva of the eyes, inspiratory dyspnea, visual impairment. Severe degree: stupor or coma, sharp cyanosis of the whole body, exophthalmos; swelling of the face, neck and shoulder girdle, arms, multiple petechiae of the face, neck, arms, legs, conjunctiva of the eyes, swelling of the cervical veins, cyanosis and edema of the upper half of the body; superficial breathing, frequent, in the absence of treatment passes to agonal and apnea. Intensive care includes analgesia, oxygenation or mechanical ventilation, anticonvulsant, dehydration and decongestant therapy, prevention of acute kidney damage, DIC, septic complications, and treatment of posthypoxic encephalopathy.


2021 ◽  
pp. 0094582X2110207
Author(s):  
Julia Margaret Zulver

The Asociación de Mujeres Afro por la Paz (Association of Afro Women for Peace—AFROMUPAZ) is an organization of displaced Afro-Colombian women now based in Bogotá. The organization represents a differential brand of feminism in the face of historical and ongoing violence and provides community, support, and employment opportunities for dozens of women and their families. Its “feminism with a woman’s body and face” is part of the landscape of popular feminism in the region, but its specific social location and its actions cannot be understood without a deliberate and critical understanding of race. La Asociación de Mujeres Afro por la Paz (AFROMUPAZ) es una organización de mujeres afrocolombianas desplazadas ahora radicadas en Bogotá. La organización representa un tipo distinto de feminismo frente a la violencia histórica y continua, y ofrece oportunidades comunitarias, de apoyo y de empleo para decenas de mujeres y sus familias. Su “feminismo en cuerpo y cara de mujer” es parte del panorama del feminismo popular en la región, pero la comprensión de su ubicación social específica y acciones requiere de un acercamiento deliberado y crítico de la cuestión racial.


2021 ◽  
pp. 1-31
Author(s):  
Michael D'Alessandro

In April 1885, a New York Herald journalist rushed to Madison Square Garden for a special reception highlighting Jo-Jo, the Dog-Faced Boy. A feature of P. T. Barnum's traveling show, Jo-Jo was confounding scientists who had requested a stand-alone inspection of the mysterious attraction. Accordingly, the reporter provided an anthropological description of the boy: “He stands about five feet high. . . . His whole body is covered by a very thick growth of long, tow colored hair . . . and the peculiar formation of his head [is] very suggestive of the Russian dachshund.” At first, Jo-Jo appeared docile, but as the scientists prodded him more and more, he started “snarling, showing his three canine teeth” and asked his guardian if he could bite the inspectors. Jo-Jo was decidedly not a dog-boy, or not exactly. He was, in fact, a Russian teenager suffering from hypertrichosis, a condition causing excessive hair growth all over the body, including nearly every surface area of the face. Barnum had signed him to perform a year earlier, and the boy made quite an auspicious debut. However, Jo-Jo was simply the latest in a long line of supposed hybrid species and exotic curiosities that Barnum had been displaying since midcentury. The famed showman built his name in part by presenting human creation itself as a continual spectrum. Barnum's attractions ranged from live tigers and giraffes to enigmatic simian performers to wax statues of America's degraded lower classes. As much of a draw as he became, even Jo-Jo had to share a bill with Tattooed Hindoo Dwarfs, Hungarian Gypsies, Buddhist Priests, as well as a menagerie of animals including baby elephants, kangaroos, lions, and twenty-foot-long “great sinewy serpents.” But Jo-Jo's specific appeal was tied to his inexplicability. Even given the closer inspection of the dog-faced boy, “none of the physicians present would hazard an opinion as to his ancestry.”


PLoS ONE ◽  
2021 ◽  
Vol 16 (8) ◽  
pp. e0254905
Author(s):  
Satoshi Yagi ◽  
Yoshihiro Nakata ◽  
Yutaka Nakamura ◽  
Hiroshi Ishiguro

Expressing emotions through various modalities is a crucial function not only for humans but also for robots. The mapping method from facial expressions to the basic emotions is widely used in research on robot emotional expressions. This method claims that there are specific facial muscle activation patterns for each emotional expression and people can perceive these emotions by reading these patterns. However, recent research on human behavior reveals that some emotional expressions, such as the emotion “intense”, are difficult to judge as positive or negative by just looking at the facial expression alone. Nevertheless, it has not been investigated whether robots can also express ambiguous facial expressions with no clear valence and whether the addition of body expressions can make the facial valence clearer to humans. This paper shows that an ambiguous facial expression of an android can be perceived more clearly by viewers when body postures and movements are added. We conducted three experiments and online surveys among North American residents with 94, 114 and 114 participants, respectively. In Experiment 1, by calculating the entropy, we found that the facial expression “intense” was difficult to judge as positive or negative when they were only shown the facial expression. In Experiments 2 and 3, by analyzing ANOVA, we confirmed that participants were better at judging the facial valence when they were shown the whole body of the android, even though the facial expression was the same as in Experiment 1. These results suggest that facial and body expressions by robots should be designed jointly to achieve better communication with humans. In order to achieve smoother cooperative human-robot interaction, such as education by robots, emotion expressions conveyed through a combination of both the face and the body of the robot is necessary to convey the robot’s intentions or desires to humans.


2020 ◽  
Vol 1 (15) ◽  
Author(s):  
Alma Paškevičė ◽  
Jūratė Požėrienė

Research background. Physical activity is considered to be one of the most important opportunities for the realization of non-formal education, considering the groups of the most vulnerable persons, i.e. refugee children and young people. Physical activity and sport shape the development of human mobility and at the same time develop and strengthen all systems of the body. So the question arises, how does the development of personality occurs in the process of non-formal education? How is physical activity recognized through internal and external training / motivation factors? The above-mentioned aspects form the basis for the scientific problem of this study. The article analyses the contextualization of non-formal education development, deepens the basis of internal and external motivation in order to reveal informal education of refugee children and youth through physical activity.The aim was to analyse the non-formal education of refugee children and youth through physical activity.Method. The method of scientific literature analysis was used in the study.Results and conclusions. When analysing the development of personality in the process of non-formal education, the conclusion is that non-formal education has its own origins and history, in which a flexible curriculum is suitable and freely available to such a target group as refugees. There is also a factor of internal and external motivation in the educational process, which could address the shortcomings of teaching / learning motivation, the difficulties of social adaptation, which is important in the analysis of non-formal education of refugees.Keywords: non-formal education, refugees, physical activity, children and youth. 


Author(s):  
S., Syamsiar

<p align="center"><strong><em>ABSTRACT</em></strong></p><p><em>This artistic research is conducted to explore face and body painting techniques. Its application to the model in fashion batik fashion show. Face painting is a painting that only uses the face as a medium (the field to be painted), while the body painting medium is the whole body from the neck to the feet. The creation process model refers to contemporary art in which art barriers are not limited to a combination of face and body painting, batik fashion art wear, dance art and music art, which is packaged in the form of a fashion show. Kind of batik fashion art wear is selected batik carnival fashion, glamorous batik fashion, Fashion Batik Klasic and fashion batik casual. The four forms of fashion batik is chosen because it is often displayed in the event of a major fashion show in the city of Solo.</em><strong><em></em></strong></p><p><em>Creation methods include Exploration (Observation, exploration of objects and the subject of creation), Improvisation (Experiments to make sketches of face design and body painting), Embodiments (creation of works and Fashion show performances). Creation of the work of face and body painting is expected to be able to produce artwork face and body painting the right model used in batik fashion art wear fashion, and able to add artistic batik fashion art fashion wear.</em><strong><em></em></strong></p><p><strong><em> </em></strong></p><p><em>Keywords: Face painting, body painting, fashion, batik, artistic, art wear.</em><em></em></p>


1976 ◽  
Vol 15 (05) ◽  
pp. 248-253
Author(s):  
A. K. Basu ◽  
S. K. Guha ◽  
B. N. Tandon ◽  
M. M. Gupta ◽  
M. ML. Rehani

SummaryThe conventional radioisotope scanner has been used as a whole body counter. The background index of the system is 10.9 counts per minute per ml of sodium iodide crystal. The sensitivity and derived sensitivity parameters have been evaluated and found to be suitable for clinical studies. The optimum parameters for a single detector at two positions above the lying subject have been obtained. It has been found that for the case of 131I measurement it is possible to assay a source located at any point in the body with coefficient of variation less than 5%. To add to the versatility, a fixed geometry for in-vitro counting of large samples has been obtained. The retention values obtained by the whole body counter have been found to correlate with those obtained by in-vitro assay of urine and stool after intravenous administration of 51Cr-albumin.


2020 ◽  
Vol 99 (4) ◽  
pp. 379-383
Author(s):  
Vasily N. Afonyushkin ◽  
N. A. Donchenko ◽  
Ju. N. Kozlova ◽  
N. A. Davidova ◽  
V. Yu. Koptev ◽  
...  

Pseudomonas aeruginosa is a widely represented species of bacteria possessing of a pathogenic potential. This infectious agent is causing wound infections, fibrotic cystitis, fibrosing pneumonia, bacterial sepsis, etc. The microorganism is highly resistant to antiseptics, disinfectants, immune system responses of the body. The responses of a quorum sense of this kind of bacteria ensure the inclusion of many pathogenicity factors. The analysis of the scientific literature made it possible to formulate four questions concerning the role of biofilms for the adaptation of P. aeruginosa to adverse environmental factors: Is another person appears to be predominantly of a source an etiological agent or the source of P. aeruginosa infection in the environment? Does the formation of biofilms influence on the antibiotic resistance? How the antagonistic activity of microorganisms is realized in biofilm form? What is the main function of biofilms in the functioning of bacteria? A hypothesis has been put forward the effect of biofilms on the increase of antibiotic resistance of bacteria and, in particular, P. aeruginosa to be secondary in charcter. It is more likely a biofilmboth to fulfill the function of storing nutrients and provide topical competition in the face of food scarcity. In connection with the incompatibility of the molecular radii of most antibiotics and pores in biofilm, biofilm is doubtful to be capable of performing a barrier function for protecting against antibiotics. However, with respect to antibodies and immunocompetent cells, the barrier function is beyond doubt. The biofilm is more likely to fulfill the function of storing nutrients and providing topical competition in conditions of scarcity of food resources.


Sign in / Sign up

Export Citation Format

Share Document