scholarly journals ”In Memory of the Snow Queen” – Hans Christian Andersen Recalled and Retold

2019 ◽  
Vol 27 (1) ◽  
pp. 35-50
Author(s):  
Aldona Zańko
Keyword(s):  
Short Story ◽  
Fairy Tale ◽  
Narrative Strategies ◽  
Innovative Strategies ◽  
American Writer ◽  
Hans Christian Andersen ◽  
And Gender ◽  
Gender Criticism

Abstract The main focus of the present paper is the so-called “intertextual revision”, explored as one of the most recent and innovative strategies employed while reviving the legacy of the Danish fairy-tale classic Hans Christian Andersen. In order to illustrate this practice, I discuss a short story entitled Travels with the Snow Queen (2001), by an American writer Kelly Link, which is a reworking of Andersen's worldfamous fairy tale The Snow Queen (1844). Link’s take on Andersen’s tale represents one of the leading directions within revisionary fairy-tale fiction, inspired by feminism and gender criticism. The analysis is centered around the narrative strategies employed by the author in order to challenge the gender logic incorporated into Andersen’s account, as well as the broader fairy-tale tradition it belongs to.

scholarly journals Gender and Migrant Roles in Italian Neorealist and New Migrant Films: Cinema as an Apparatus of Reconfiguration of National Identity and ‘Otherness’

Humanities ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 71
Author(s):  
Marianna Charitonidou
Keyword(s):  
National Identity ◽  
Urban Studies ◽  
Italian Cinema ◽  
Main Argument ◽  
Narrative Strategies ◽  
National Narratives ◽  
The Status ◽  
And Gender ◽  
Post War ◽  
The Relationship

The article examines an ensemble of gender and migrant roles in post-war Neorealist and New Migrant Italian films. Its main objective is to analyze gender and placemaking practices in an ensemble of films, addressing these practices on a symbolic level. The main argument of the article is that the way gender and migrant roles were conceived in the Italian Neorealist and New Migrant Cinema was based on the intention to challenge certain stereotypes characterizing the understanding of national identity and ‘otherness’. The article presents how the roles of borgatari and women function as devices of reconceptualization of Italy’s identity, providing a fertile terrain for problematizing the relationship between migration studies, urban studies and gender studies. Special attention is paid to how migrants are related to the reconceptualization of Italy’s national narrations. The Neorealist model is understood here as a precursor of the narrative strategies that one encounters in numerous films belonging to the New Migrant cinema in Italy. The article also explores how certain aspects of more contemporary studies of migrant cinema in Italy could illuminate our understanding of Neorealist cinema and its relation to national narratives. To connect gender representation and migrant roles in Italian cinema, the article focuses on the analysis of the status of certain roles of women, paying particular attention to Anna Magnagi’s roles.

scholarly journals An Analysis on The Chrysanthemums based on the Perspective of Archetypal Criticism

2021 ◽  
Vol 3 (5) ◽  
pp. 217-220
Author(s):  
Xiuyun Chen
Keyword(s):  
Short Story ◽  
Narrative Structure ◽  
John Steinbeck ◽  
American Writer ◽  
The Third ◽  
Archetypal Criticism ◽  
Central Image

The Chrysanthemums is a short story written by John Steinbeck, a modern American writer. The short story reveals the heroine’s inner pain and spiritual pursuit by taking the chrysanthemums as a central image and clue. The paper aims to analyze the short story based on the perspective of archetypal criticism. It mainly includes three parts: the first one is about archetypes of images and characters, the second part is to analyze the archetype of motif, and the third part is about the archetype of narrative structure.

scholarly journals Recursos cinematográficos na prosa pop de André Sant’Anna

2015 ◽  
Vol 4 (7) ◽  
pp. 45
Author(s):  
Antonio Eduardo S. Laranjeira
Keyword(s):  
Short Story ◽  
Creative Process ◽  
Contemporary Literature ◽  
Literary Discourse ◽  
Narrative Strategies ◽  
Pop Literature

<p><strong>Resumo</strong>: No discurso literário pop, é notável a fusão de linguagens e<br />referências. Considerando-se o texto pop pós-moderno de André Sant’Anna como objeto, é possível observar de que maneira os recursos cinematográficos são utilizados no processo de construção das narrativas “Aquarius”, conto publicado em Amor e outras histórias, e Sexo, romance subseqüente. Com base nos estudos de Marinyze Prates de Oliveira sobre a ficção de João Gilberto Noll, a partir da sistematização do uso dos recursos cinematográficos na literatura contemporânea, é possível afirmar que a prosa pop de André Sant’Anna é perpassada pela presença de estratégias narrativas do cinema.</p><p><strong>Abstract</strong>: The fusion of languages and references is remarkable in pop literary discourse. Taking as subject André Sant'Anna's post-modern pop text, it's possible to see how cinematographic strategies are used in the creative process of the narratives Aquarius, a short-story published in Amor e outras histórias, and Sexo, Sant'Anna's subsequent novel. Based on the researches by Marinyze Prates de Oliveira about João Gilberto Noll's fiction, and on the systematizing of the uses of cinematographic strategies in contemporary literature, it's possible to state that André Sant'Anna's pop prose is marked by the presence of narrative strategies of cinema.</p><p><strong>Keywords</strong>: pop literature; cinema; André Sant'Anna.</p>

scholarly journals Imperatyw konkretyzacji

2021 ◽  
Vol 27 (1 (51)) ◽  
pp. 27-52
Author(s):  
Arkadiusz Luboń
Keyword(s):  
Short Story ◽  
Original Version ◽  
Human Society ◽  
Literary Works ◽  
Polish Literature ◽  
American Writer

Imperative of Concretization: Translational Shifts and the Models of Reception of Howard Phillips Lovecraft’s Prose – The Case Study of "The Outsider" and its Polish Versions The Article discusses translational reception of Howard Phillips Lovecraft’s prose in Poland on the example of his short story The Outsider. The gothic tale of a mysterious recluse visiting human society, in its original version, has no explicit interpretation due to the fact that the maincharacter’s identity is intentionally left by Lovecraft without precise and unambiguous explanation for its readers to determine. Polish versions, however, modified in the process of interlinguistic transfer, are aimed at concretization of the text, and thus solving this interpretational puzzle with different answers given by five translators (Grzegorz Iwanciw, Robert Lipski, Ewa Morycińska-Dzius, Mateusz Kopacz and Maciej Płaza), influenced by a variety of factors: image of the American writer, knowledge of his other literary works, implied readers of the translations and artistic trends popular in Polish literature.

scholarly journals Roxane Gay’s An Untamed State: A Caribbean Rhizomatic Novel Reflecting the New Transmodern Paradigm

2021 ◽  
Vol 29 ◽  
pp. 69-79
Author(s):  
Laura Roldan-Sevillano
Keyword(s):  
Fairy Tale ◽  
Literary Genres ◽  
Realist Novel ◽  
American Writer ◽  
Cultural Paradigms ◽  
The Social ◽  
Haitian American ◽  
New Millennium

This article explores Haitian American writer Roxane Gay’s An Untamed State (2014) as a novel that represents our intricate and rhizomatic transmodern era. In order to prove this contention, it focuses on the novel’s amalgamation of different literary genres and modes from previous cultural paradigms—namely, the postmodern fairy-tale retelling and the social realist novel—with Euro-American as well as Haitian/Caribbean literary and sociocultural elements. The result of this mélange is a complex narrative of multiple interconnections that offers a nuanced portrait of new millennium Haitian diasporas and locals, and that most especially, recuperates subaltern Haitian voices so as to denounce the “untamed state” of the country. The article concludes by arguing that Gay’s hybrid and relational text effaces an either/or episteme which, although considerably used in Western and postcolonial theories for a while, has now become obsolete and inoperative in such a globalised and entangled world.

scholarly journals Appropriating Stereotypes of Kin, Romance and Gender: An Ethnographic Study of Filipina Migrants  Married to or in De-Facto Relationships with New Zealand Men

2021 ◽  
Author(s):  
◽  
Hollie Alexandria Doar
Keyword(s):  
New Zealand ◽  
Identity Work ◽  
Ethnographic Study ◽  
Narrative Strategies ◽  
Marriage Migration ◽  
Negative Stereotypes ◽  
Area Of Interest ◽  
Mail Order Brides ◽  
Transnational Marriage ◽  
And Gender

<p>Transnational marriage migration is an emerging area of interest in anthropology, and contemporary scholars have written extensively on the international movements of Filipina women who have married non-Filipino men. Extending this research into an antipodean context, this thesis is based on interviews with Filipina migrants married to or in de-facto relationships with New Zealand men. Through an examination of narratives of love and romance, identity, and kinship, this work highlights the ways participants undertook identity work in their interviews. In particular, this thesis reveals the strategies employed by Filipina migrants in constructing narratives in which they distance themselves from negative stereotypes, while incorporating more positive typologies into their identities. Stereotypes included Filipina women as mail-order brides, domestic workers, subservient wives, and good family members. These narrative strategies demonstrated the ways participants sought to control and manipulate stereotypes in order to present themselves as successful and virtuous migrants. This thesis applies current scholarship on identity work and stereotypes. It also contributes to literature on marriage migration by expanding a contemporary focus on participant agency through acknowledging how migrants utilise identity resources, in this case stereotypes, available in their host society.</p>

scholarly journals ʿĀʾisha al-Kaʿbī’s “The Ladies’ Fitting Room”: Translation with an Introduction

2018 ◽  
Vol 6 (2) ◽  
pp. 51
Author(s):  
O. Ishaq Tijani ◽  
Imed Nsiri
Keyword(s):  
Short Story ◽  
Arabian Gulf ◽  
Cultural Issues ◽  
Women And Gender ◽  
Narrative Technique ◽  
And Gender

This article features a translation of “Ghurfat al-qiyās” (2007, The Ladies’ Fitting Room), a short story by the emerging Emirati female writer ʿĀʾisha al-Kaʿbī (1973-). The Introduction provides some brief comments on the content of the story in order to show how, while foregrounding the portrayal of some women’s obsession with their looks, the narrative reflects some of the socio-cultural issues that concern women and gender in contemporary Emirati and Arabian Gulf societies. The story is very minimalistic in the exploration of its subject-matters, but it is this narrative technique that makes its content—especially the sub-text, or the un-said aspects of the story—much more intriguing than its form.

‘Forlorn on the Fringe of Life’: Exploring Working-Class Childhood in Katherine Mansfield’s Short Stories

2022 ◽  
Author(s):  
Argha Kumar Banerjee
Keyword(s):  
Short Stories ◽  
Working Class ◽  
Short Story ◽  
Short Fiction ◽  
Verbal Abuse ◽  
The Other ◽  
Parental Rejection ◽  
Narrative Strategies ◽  
Childhood Experiences ◽  
The One

Abstract In Katherine Mansfield’s short story ‘Life of Ma Parker’, the old, widowed charwoman is plagued by ‘unbearable’ thoughts of her deceased grandson Lennie: ‘Why did he have to suffer so?’ Lennie’s unfortunate death in the story is not a solitary instance of tragic portrayal of working-class childhood in Mansfield’s short fiction. In several of her tales she empathetically explores the marginalized existence of such children, occasionally juxtaposing their deplorable existence with their elite counterparts’. From social exclusion, child labour, parental rejection, infant and child mortality on the one hand to physical and verbal abuse, bullying in the school and appalling living conditions on the other; Mansfield's exploration of the working-class childhood in her short fiction is not only psychologically complex but sociologically significant. Focusing on the relevant short stories in her oeuvre, this brief analysis intends to closely examine such depictions of marginalized childhood experiences, particularly in light of the oppressive societal conditions that validate their repressive alienation and sufferings. Tracing various biographical circumstances that may have fostered Mansfield’s deep empathy with the children’s’ predicament, this analysis also draws attention to her subtle oblique narrative strategies that effectively represent the plight of working-class children in a convincing and an ingeniously nuanced manner.

Epilogue

2017 ◽  
Author(s):  
Tuire Valkeakari
Keyword(s):  
Identity Formation ◽  
African Diaspora ◽  
Life Experiences ◽  
Middle Passage ◽  
The West ◽  
Innovative Strategies ◽  
Diasporic Identity ◽  
Historical Origin ◽  
And Gender ◽  
Geographical Locations

The epilogue affirms that the old Anglophone African diaspora in the West is characterized by considerable ethnic, national, socioeconomic, sociocultural, religious, and political diversity as well as by markedly different interplays of race, class, and gender in different geographical locations and microcontexts. Black diasporic sensibilities perpetually renew and transform themselves in response to the limitless variety of life experiences in the diaspora. Nevertheless, rather than merely emphasizing black diversity for its own sake, this book has repeatedly brought the discussion back to the original propellers of the old African diaspora. This book’s diasporic hermeneutics have highlighted the historical origin of the old African diaspora in the Middle Passage and slavery and the cultural mediation of the collective memory of this ur-event. This emphasis on the old African diaspora’s origin in an event has anchored this book’s approach to diaspora in a racially antiessentialist understanding of black diasporic identity formation. Middle Passage narratives both mourn the lives that were lost as a result of the Atlantic slave trade and highlight the survivors’ innovative strategies of survival, acclimatization, and resistance. These themes, in modified yet recognizable forms, are also powerfully present in the novels about later black migrations analyzed in this book.

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