scholarly journals Theater Festivals - a Collective Archive

2019 ◽  
Vol 9 (2) ◽  
pp. 216-223
Author(s):  
Ramona-Petronela Iacobuţe

Abstract Theatre can also be viewed as a collective archive that we go to when we need to better understand the world around us, artistic movements and trends, the state of mankind. Each participant in a theatrical act, whether spectator or creator, loads it with emotions and, therefore, with memories. Theatre, in all its forms, strengthens communities, and theatre festivals are a very good opportunity to popularize theatrical productions, from the level of some small communities, to the macro level. Diversity is an essential ingredient for stimulating imagination and a better understanding of an area of interest. This is why a theatre festival with international coverage, such as the International Theatre Festival for Young Audiences in Iasi (FITPTI), should make for its audience as many referrals as possible to the context and artistic life of a community as a whole. In order to achieve such an objective, in addition to the scenic representations, theatrical exhibitions, book launches, interactive installations, theatrical critique seminars, residences for young playwrights, reading shows are more than necessary. If we refer to the collective memory enriched by theatre, we could say that theatre shows have a short life. But, most of the times, those that really have a major impact and their creators are also found in books. And, it is known, books have a much longer life. FITPTI organizers understood this from the beginning and gave the theatre book an important place in the event.

2022 ◽  

India has long occupied an important place in Tibetan medicine's history and development. However, Indian Himalayan practitioners of Tibetan medicine, or amchi, have largely remained overlooked at the Tibetan medical periphery, despite playing a central social and medical role in their communities. Power and legitimacy, religion and economic development, biomedical encounters and Indian geopolitics all intersect in the work and identities of contemporary Himalayan amchi. This volume examines the crucial moment of crisis and transformation that occurred in the early 2000s to offer insights into the beginnings of Tibetan medicine's professionalization, industrialization, and official recognition in India and elsewhere. Based on fine-grained ethnographic studies in Ladakh, Zangskar, Sikkim, and the Darjeeling Hills, Healing at the Periphery asks how the dynamics of capitalism, social change, and the encounter with biomedicine affect small communities on the fringes of modern India, and, conversely, what local transformations of Tibetan medicine tell us about contemporary society and health care in the Himalayas and the Tibetan world. Contributors. Florian Besch, Calum Blaikie, Sienna R. Craig, Barbara Gerke, Isabelle Guérin, Kim Gutschow, Pascale Hancart Petitet, Stephan Kloos, Fernanda Pirie, Laurent Pordié


2021 ◽  
pp. 113-130
Author(s):  
Galina Sidorova

The artistic images of cultural heroes play a special role in the preservation and transmission of the cultural code. Using statistical, comparative and hermeneutic methods, the article retrospectively reveals male images of Soviet cinema, perceived by the female audience as cultural heroes and «real men» (sex symbols). The research showed that the selected male images embodied the collective memory of the «masculine» and «spirit of the times», but the status of «cultural hero» and «real man» did not always coincide.


Author(s):  
V. Getman

Biosphere and ethnic unity is the main factor of life existence on the Earth. Life process of any nation should harmonize with general evolutionary biosphere development. Otherwise it will be thrown away over the board by centrifugal force. Ethnic interaction with natural environment is noticed mainly on the village level and encloses not only industrial but spiritual sphere. The mentality of the Ukrainian ethnos has been forming on the base of countryside affection. Loss of this affection is an equivalent to the loss of identity of native population that has lived on the territory of modern Ukraine from the immemorial times. The diversity and resilience of natural ecosystems (picturesque nature) determine their performance and viability of the social system entities providing efficiency of labor and intellectual potential of people. Ultimately, all this provokes an energy charge, passionarity (by L.N. Gumilev), strength of national character. On the cultural position, we note that since Tripoli culture (Aratta), Russ (Kyiv) state, Hetmanshyny, Ukrainian land receives and stores still positive information (materials of archaeological excavations chronicle evidence, etc.) of people who vitally concerned about the social organization of the state, care for its unity, greatness and power among the people and countries of the Ecumene during that times. Since then our land has been infected with passion to create a state, the idea of fighting for independence and Ukrainian unity. The strength of feeling of homeland, highly emotional relationship to your native land, your native home, all that is known and is area of interest of the local geography. It has an important place in system of human values. If the fate of the Earth is the lot of human than environment starts flourishing, otherwise there will be loss of control over the natural environment and the disappearance of nation (ethnicity), as evidenced by numerous examples from the long history of entire nations and even civilizations. The strength of the Earth in its spiritual energy. Black arable of an autumn field, as a prototype of our bitter past, gives nutritious juice to spring’s green shoots. Spirit of the land is in black bread, which we consume, in breast milk, in the character of a young child, in the wisdom and will of the new generation of Ukraine!


Author(s):  
Meha Pant

The areas in and around India have always had a close association in building up of events which with time have attained historical and cultural prominence. In this study of cultural association the today's neighboring countries of Pakistan and Afghanistan have served as a passage of the influx of various cultures into the Indian subcontinent. The end of the Cold War highlighted the new threats which had emerged, not bound in the notions of safeguarding the integrity and sovereignty; they were way beyond territorial demarcations. These new threats were transnational in form with a much larger impact on the masses of the state. The rise and fall of Taliban in Afghanistan and the Anti India Islamic forces in Pakistan with the rise of India as a new regional power has led to new perspectives in concerns for the diplomatic and bilateral relations between these countries. What remains to be pointed is the level of porosity of borders and the ancient passes which have been routes for trade and inter cultural affiliations among these countries. The period of 2009-2015 was marked by various incidents which rocked the subcontinent bringing in strategic concerns to a new level. This article would study the historical linkages and cultural affiliations which binds the area of Afghanistan, Pakistan and India into a deeper relationship. Along with dwelling into the political scenario defined by bilateral and diplomatic ties which has taken up an important place in the times of changing perspectives of war and conflict.


2021 ◽  
Vol 20 ◽  
pp. 5-33
Author(s):  
Rafał Hryszko

Contribution of Alfonso V the Magnanimous to the Popularization of Catalan Culinary Customs in the Kingdom of Napl es in the 15th century The wars for Naples ended in 1442 with the victory of Alfonso V the Magnanimous, the ruler of the Crown of Aragon (1416–1458). The emergence of foreign authority in southern Italy entailed the transfer of the Catalan culture, language and customs to the area of Italian Mezzogiorno. In this process, Catalan culinary traditions which developed at the end of the fourteenth century also occupied an important place. One of them was a separate sweet snack, referred to by the Catalan term col·lació (collatio in Latin). The organization and celebration of col·lació became an important form of ostentation for the Catalan ruling and financial elites. In this article, the author discusses excerpts from historical sources whose authors include, among others, Antonio Beccadelli, Jordi de Centelles, Vespasiano da Bisticci, Giovanni Pontano, as well as the ambassadors of Barcelona and Portugal and other anonymous authors writing about the times of Alfonso V the Magnanimous. The data provided by these sources clearly indicate that this ruler followed the custom of eating sweet colazione known in Italy at this time and gave it a new meaning at least as early as in the 1440s. Thanks to this ruler of Aragon and new Neapolitan king, the sweet snack became one of the instruments of the ostentation of wealth and prestige for the new rulers of the southern part of Italy and soon after also for other princes and lords of the area.


2021 ◽  
Vol 14 (1) ◽  
pp. 22-38
Author(s):  
Bernardita Munoz-Chereau

Narratives for children about Augusto Pinochet's dictatorship in Chile (1973–89) written by the sons and daughters of that era constitute a recognised genre. For the most part the genre features boy characters who not only have voice and choice, but also unrealistically win the fight against the oppressors. This paper examines two of the rare works with girl protagonists, paying attention to how their voices are constructed: Mariana Osorio Gumá's Tal vez vuelvan los pájaros [Maybe the birds will return] (Mexico, 2013) and Matilde by Carola Martínez Arroyo (Argentina, 2016). I apply Deleuze's theories about the gaze to girls to identify patterns that afford the construction of ‘lucid’ protagonists in terms of recurring modes of language production (silence, ordered discourse, invention), giving rise to inquisitive girls. Through the construction of a girl's lucid gaze, which can withstand and narrate the horrors of the dictatorship, these novels offer young audiences a powerful space for historic and collective memory.


2018 ◽  
Vol 13 (02) ◽  
pp. 238-259
Author(s):  
M. Ulil Abshor

Qur’anic Interpretation has an important place in the development of Muslim intellectual traditions and Islamic civilization in general. As a major source of Islamic teachings, Muslims have for centuries ago tried to understand the meaning of the Qur'an to fit the needs of the times, one of which is by the way of contextualization. In this case the author tries to explain the style of contextual interpretation initiated by Abdullah Saeed. In principle, Saeed explained that the tradition of interpreting the Qur'an contextually had existed since the beginning of the 1st century H and 2nd H, which was initiated by the friend of Umar Ibn al-Khattab (w.23 / 644). Because the socio-historical setting when the text of the Qur'an goes down is very possible to be interpreted contextually, so that the steps offered by Abdullah Saeed in addition to having a theoretical foundation in his interpretive style eat the steps offered by him. First, preliminary considerations (the Qur'anic world, the World of readers including life experiences and linguistic or linguistic aspects. Second, beginning the task of interpretation. Third, Identifying the meaning of the Text before interpretation includes lingistics, literature, types of texts, relationships with parallel text. Fourth, linking the interpretation of the text with the current context (understanding the context of the link, interpreting it through the next generation in succession, modern context analysis, comparison of contexts one and two, adopting relevant interpretations and checking the feasibility of interpretation.


2021 ◽  
Vol 1 (195) ◽  
pp. 174-178
Author(s):  
Vasyl Zorin ◽  
◽  
Olena Borovytska ◽  
Iryna Yuldasheva ◽  
◽  
...  

One of the leading groups of genres in which the interaction of vocal and instrumental principles is possible is chamber-vocal works, where one of the participants in the creative dialogue is the piano. The development of chamber and vocal works demonstrated the vitality and leading importance of the genre for musical culture. In the context of the history of music, we can distinguish various forms of interaction between voice and piano. The field of chamber and vocal creativity has repeatedly attracted the attention of scientists. However, due to the fact that it has been developing since the XIX century, the period of its existence to this day often remains little studied. Accordingly, the question of the formation of chamber and vocal piano works is a problem that opens a significant field for studying aspects of the formation of this group of genres. The combination of vocal and instrumental principles has an extremely long history. For a long period of time, vocal was given priority over the instruments that accompanied it. Regarding the question of the unity of vocal and instrumental principles in one work, it was present as early as the times of ancient cultures. As a rule, the instrumental accompaniment played a secondary function in relation to the voice, providing support, tuning, shading the voice or simply filling in the pauses necessary for the rest of the vocalist. With the advent of the Renaissance and the development of various secular vocal genres, there are various works, both purely vocal (polyphonic) and vocal-instrumental. Among the polyphonic genres can be distinguished barcarole, villanelli, frottoli, madrigals, canzones. They are dominated by a polyphonic composition, which provides for «equality» of all voices. Chamber-vocal piano works occupy an important place in the singer's activity. The process of forming a duet of voice and piano had a long prehistory. The stage of the final formation of this genre falls on the XVIII century, and this is facilitated by a number of factors – the arrival of the piano to replace keyboard instruments, its predecessors, and the worldview of the Classicist era. A very important factor is the formation of dialogue between the instrument and the voice, which changes the priority of the vocals. During this period, a kind of summary of the achievements of previous centuries is carried out and conditions are laid for the following directions, in which chamber vocal-instrumental piano works will acquire a fundamentally different quality level.


2018 ◽  
Vol 12 (1) ◽  
Author(s):  
Enas Salim Abdul-Ahadd ◽  
Rana Mazin Mahdi

An architectural local practice facing a crisis associated with losing the local intermediated feature for local heritage and rapid development, which is a feature of the current era.The research focuses on the case of intermediation in   expression between  heritage privacy (as it cannot be denied the whole heritage or accept the whole) and the expression of the spirit of the times and new techniques to ensure the continuity of architectural output achieved in time and space thus The research problem absented of equilibrium expressionist architectural output arises between the ancient and the modern..Proceeding from the need Establishment the successes of architectural based inherited to attributes of the positive image associated with sense and collective memory and without verbatim copying or repeat boring of its components may represent objective of this research offering mechanics to harness developments technological era to achieve the balancing expressive with local heritage to ensure re-line local architectural back on track right through emphasize in their possession on elements and traditional forms of obstetric capacity for new forms stating the design process and architectural practice as a whole.


Author(s):  
Martin Kämpchen

Rabindranath Tagore visited Germany three times and professed a special affinity to the German people and their culture. In 1930, his final visit, the Indian poet met the German couple Paul and Edith Geheeb, who had started the Odenwaldschule in 1910. They fled from Germany (from the Hitler regime) in 1934 to Switzerland and led their new school, the Ecole D’Humanité, until their death. They followed the innovative education of the Reformpädagogik (New Education Movement) which gave maximum freedom to children to choose their education. Tagore recognized a striking similarity to his school in Santiniketan. Both educators, working in two different cultures and historical situations, came to the same basic conclusions about how education of children should be like in this modern age. The book first discusses the personalities of Paul and Edith Geheeb and offers a brief delineation of their school’s genesis. The meeting with Rabindranath Tagore and its aftermath is given special attention as it still occupies an important place in the collective memory of the Ecole d’Humanité. After a study of the pedagogical principles which guided Tagore and Geheeb, a comparative study of its similarities and dissimilarities follows. Geheeb’s two schools generated Indo-German cultural activities, especially in the field of Sanskrit studies. The schools had numerous Indian guests and Paul and Edith corresponded with several Indian personalities. Edith developed an interest in the activities of the Ramakrishna Mission. In 1953, Indira Gandhi and her sons stayed in the Ecole. In 1965–6, when Edith was 80, she visited India, especially Tagore’s Santiniketan and Belur Math, the headquarters of the Ramakrishna Mission.


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