scholarly journals TINJAUAN ARKEOLOGI RELIGI PADA MAKAM RAJA SAOSAO DAN RAJA LAKIDENDE DI KEN DARI SULAWESI TENGGARA [Review of Archaeology Religy in Saosao Tomb and Lakidende Tomb in South East Sulawesi]

2018 ◽  
Vol 9 (2) ◽  
pp. 161-182
Author(s):  
Muh. Subair
Keyword(s):  
Archaeological Remains ◽  
Literature Study ◽  
The Past ◽  
History Of

Civilization of a city can be seen from archaeological remains. Kendari city is known as a city whose society is religious. The purpose of this paper is to know the history of the entry of Islam in Kendari and archaeological remains of the evidence of the entry of Islam in Kendari. The method used is literature study, interview and survey. Islam in Kendari was brought by Islamic religious teachers, Muslim traders and ulama, this is known from the existence of tombs of religious figures o f Islam in the past Kendari.  ABSTRAKPeradaban suatu kota dapat dilihat dari tinggalan-tinggalan arkeologi. Kota Kendari dikenal sebagai kota yang masyarakatnya religius. Tujuan penulisan ini adalah untuk mengetahui sejarah masuknya Islam di Kendari dan tinggalan-tinggalan arkeologi yang menjadi bukti masuknya Islam di Kendari. Metode yang digunakan adalah studi pustaka, wawancara dan survei. Islam di Kendari dibawa oleh guru agama Islam, pedagang muslim dan ulama, hal ini diketahui dari keberadaan makam tokoh-tokoh agama Islam Kendari pada masa lalu.

scholarly journals CAGAR BUDAYA SANG PENUTUR MASA SILAM CULTURAL HERITAGE THE TELLER OF THE PAST

Kebudayaan ◽  
2019 ◽  
Vol 14 (1) ◽  
pp. 27-42
Author(s):  
I Made Sutaba
Keyword(s):  
Cultural Heritage ◽  
Past History ◽  
Literature Study ◽  
The Past ◽  
Past Life ◽  
History Of ◽  
Research Goal ◽  
The Many ◽  
Religious Aspects ◽  
Typology Analysis

Archaeological researches in Indonesia have discovered a number of various historical and archaeological artifacts that belong to cultural heritage. As historical evidences, this cultural heritage is an important source of the plural information and messages of the past life of our society. It is remarkable that this cultural heritage has some problems for example problem of typology, function, meanings, and the other for the society. Studying the problems, it is interesting to do research on its function as a teller of the past history that contained various aspects of the life of our society that not yet studied until today. By learning the problems, this research goal is to find the answer of the problems. To reach this goal, we do this research gradually by collecting data through literature study and field observation along with interviews. The next step is analysis carried out through methods of typology analysis, contextual, functional analysis, ethno archaeological and ethno historical approach. Finally the result showed that the function of our cultural heritage is as teller of the many-sided aspects of the past history of our artifacts such as technological aspects, social, and religious aspects but it is impossible to get full completed information due to some reasons. Keywords: archaeological and historical artifacts, cultural heritages, teller of the past.  AbstrakPenyelidikan arkeologi di Indonesia sudah berhasil menemukan artefak sejarah dan arkeologi yang beraneka ragam, yang tergolong sebagai warisan budaya. Sebagai bukti-bukti sejarah, warisan budaya ini adalah sumber informasi dan pesan-pesan kehidupan masyarakat masa lalu yang bersifat pluralistik. Menarik perhatian, bahwa warisan budaya ini mempunyai permasalahan yaitu, permasalahan tipologi, fungsi dan makna dalam kehidupan masyarakat. Mempelajari masalah ini, sangat menarik untuk melakukan penelitian mengenai fungsinya sebagai penutur sejarah masa silam, yang mengandung aneka ragam, aspek kehidupan masyarakat, yang belum dikaji sampai sekarang. Dengan mencermati permasalahan ini, maka tujuan penelitian ini, adalah untuk meneliti permasalahan tadi. Untuk mencapai tujuan ini, penulis melakukan penelitian secara bertahap melalui pengumpulan data dengan metode kajian pustaka dan observasi lapangan yang disertai dengan wawancara. Langkah selanjutnya, adalah melakukan analisis dengan analisis tipologi, kontekstual, analisis fungsional, pendekatan etnoarkeologi dan etnohistori. Hasil penelitian ini menunjukkan bahwa cagar budaya itu berfungsi sebagai penutur kehidupan masa silam yang mengandung aspek yang bersfiat jamak, adalah aspek teknologi, sosial dan religi, tetapi tidak mungkin untuk mendapat informasi yang lengkap karena berbagai faktor.Kata kunci: peninggalan sejarah dan purbakala, warisan budaya, penutur masa silam.

scholarly journals PENGARCAAN DEWA WISNU PADA MASA HINDU-BUDDHA DI BALI (ABAD VII-XIV MASEHI)

2019 ◽  
Vol 32 (1) ◽  
pp. 51
Author(s):  
I Kadek Sudana Wira Darma
Keyword(s):  
Data Collection ◽  
Data Processing ◽  
Cultural Influence ◽  
Raw Material ◽  
Literature Study ◽  
The Past ◽  
Social Restriction ◽  
History Of ◽  
Erwin Panofsky

Figurine of goddess Vishnu is an archaeological remain of Hindu-Buddhist period that rarely found in Bali. This research examines the variation of iconography, as well as the role and the position of Vishnu in the Hindu-Buddhist period in Bali in VII-XIV Century AD. The purpose of this research is to reconstruct the history of Balinese culture in the past, especially in the religion aspect. The methods of data collection are literature study, observation and interviews as well as data processing through the analysis of comparative iconography, and iconoplastic. The theory that used to assist analysis is a theory of religious iconology and iconography of Erwin Panofsky. Based on the results of the study found that there is a variation of the iconography on the statues of Vishnu in Hindu-Buddhist period in Bali. The variation can be seen in the variety of depictions of jewelry, clothing, “laksana” and posture. There are also variations for the iconography that caused by the factors of the ability and creativity of the artists, social restriction, cultural influence and raw material of the statue. The role and position of Vishnu in the Hindu-Buddhist period in Bali as a protector and preserver. His position is important although it is not as high as the god of Shiva. Arca Dewa Wisnu merupakan tinggalan arkeologi dari periode Hindu- Buddha yang sangat sedikit ditemukan di Bali. Penelitian ini meneliti variasi ikonografi, serta peranan dan kedudukan Dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Tujuan penelitian ini adalah untuk merekonstruksi sejarah kebudayaan masyarakat Bali pada masa lalu terutama aspek religinya. Penulis menggunakan metode pengumpulan data seperti studi pustaka, observasi dan wawancara serta pengolahan data melalui analisis ikonografi, ikonoplastik dan komparatif. Teori yang digunakan untuk membantu analisis adalah teori ikonografi dan ikonologi Erwin Panofsky. Berdasarkan hasil penelitian ditemukan bahwa terdapat variasi ikonografi pada arcaarca dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Variasi terlihat pada ragam penggambaran perhiasan, busana, laksana, dan sikap tubuh. Adapun variasi ikonografi disebabkan oleh faktor kemampuan dan kreativitas seniman, batasan sosial, pengaruh budaya dan bahan baku arca. Peranan dan kedudukan dewa Wisnu pada masa Hindu-Buddha di Bali yaitu sebagai dewa pelindung dan pemelihara, kedudukannya sangat penting walaupun tidak setinggi Dewa Siwa.

scholarly journals PERSEBARAN ARCA BERCORAK SIWAISTISDI KOTA DENPASAR, BALI

2017 ◽  
Vol 29 (2) ◽  
pp. 93
Author(s):  
I Wayan Sumerata ◽  
Dewa Gede Yadhu Basudewa
Keyword(s):  
Qualitative Analysis ◽  
Research Result ◽  
Religious Activities ◽  
Literature Study ◽  
Human Culture ◽  
Development History ◽  
The Past ◽  
Alteration Process ◽  
The People ◽  
History Of

This research aims to reconstruct the history of human culture, and the depiction of alteration process of man’s culture in the past as well as contribute data about development history of figurine art, particuarly figurine with siva characteristic in Denpasar. Data were collected using observation, interview, and literature study method and were analyzed using qualitative analysis and iconography. The research result shows that figurines with siva characteristic in Denpasar distributed in ten sanctuaries. The types of siva character figurine are Durga, Ganesha, linga yoni, linga, yoni, holy priest, and nandi. Up to now those figurines are still functioned by the people for religious activities and as media to connect with God Almighty. Penelitian ini bertujuan untuk merekonstruksi sejarah kebudayaan manusia masa lampau, dan penggambaran proses perubahan budaya manusia masa lampau, serta memberikan sumbangan data mengenai sejarah perkembangan seni arca, khususnya yang bercorak Siwaistis di Kota Denpasar. Pengumpulan data menggunakan metode observasi, wawancara, dan studi kepustakaan dan dianalisis menggunakan analisis kualitatif dan ikonografi. Hasil penelitian menunjukkan bahwa arca bercorak Siwaistis di Kota Denpasar tersebar pada 10 tempat suci. Jenis arca bercorak Siwaistis yang ditemukan seperti arca Dewi Durga, arca Ganesha, lingga yoni, lingga, yoni, arca pendeta, dan arca Nandi. Sampai saat ini arca-arca tersebut masih difungsikan dan dimanfaatkan untuk kegiatan keagamaan sekaligus sebagai media untuk menghubungkan diri kepada Tuhan Yang Maha Esa.

scholarly journals Syair Perahu Karya Hamzah Fansuri Dalam Kaitannya Dengan Budaya Maritim di Singkel

PANALUNGTIK ◽  
2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Laila Abdul Jalil ◽  
Nuralam
Keyword(s):  
Life History ◽  
Data Collection ◽  
Historical Archaeology ◽  
Research Use ◽  
Literature Study ◽  
Literary Works ◽  
The Past ◽  
Maritime Culture ◽  
History Of ◽  
The Relationship

Hamzah Fansuri lived in the early era of the peak of the Aceh Darussalam kingdom. The Kingdom of Aceh Darussalam at that time visited by many traders from Arab, Parsi, Turkish, Bengal (India), Siamese, Portuguese, and Spain. Hamzah Fansuri is a Sufism scholar who developed Islamic teaching trough his poems. One of his poems is Syair Perahu. Syair Perahu besides containing Sufism also is related to the trade and wealth of Singkel sea. The discovery of foreign ceramics along the Singkel river is one proof of trade in the past. This research use method of manuscript study. The reason for choosing text studies is because Hamzah Fansuri produced many literary works in the form of poetry. The approach used in this study is historical archaeology to reveal the maritime culture of Singkel trough Syair Perahu by Hamzah Fansuri. Data collection is done trough literature study by collecting books, documents, and paper relating to the life history of Hamzah Fansuri and and literary works that he produces. The purpose of this reseach is to determine the relationship between Syair Perahu and maritime culture of Singkel. Based on a study of Syair Perahu, it is known that Hamzah Fansuri not only discusses the Sufism but also provides information about Singkel and trade in its time.

scholarly journals Up Close and Personal: Feeling the Past at Urban Archaeological Sites

2016 ◽  
Vol 23 ◽  
pp. 43-55 ◽  
Author(s):  
Tracy Ireland
Keyword(s):  
Archaeological Sites ◽  
Colonial History ◽  
Archaeological Remains ◽  
Complex Matrix ◽  
Social Emotional ◽  
The Past ◽  
History Of ◽  
Personal Feeling ◽  
The City

In this article I focus on the emotional, sensory and aesthetic affordances of urban archaeological remains conserved in situ and explore what these ruins ‘do’ in the context of the layered urban fabric of the city. I am concerned with a particular category of archaeological remains: those that illustrate the colonial history of settler nations, exploring examples in Sydney and Montreal. Using Sara Ahmed’s concept of ‘affective economies’ – where emotions work to stick things together and align individuals with communities – I tease out some of the distinctive aspects of this particular form of social/emotional/material entanglement, that appears to create stable objects of memory and identity from a much more contingent and complex matrix of politics, social structures, and the more-than-human materiality of the city. I argue that an understanding of the affective qualities of ruins and archaeological traces, and of how people feel heritage and the past through aesthetic and sensuous experiences of materiality, authenticity, locality and identity, bring us closer to understanding how heritage works. 

scholarly journals JEJAK-JEJAK PERADABAN KUNO DI DESA GETASAN

2016 ◽  
Vol 28 (2) ◽  
Author(s):  
I Nyoman Sunarya
Keyword(s):  
Data Analysis ◽  
Cultural History ◽  
Study Data ◽  
Qualitative Approach ◽  
Archaeological Remains ◽  
Literature Study ◽  
Ancient Civilization ◽  
History Of ◽  
Descriptive Qualitative

Indication that ancient civilization has ever developed here is supported by archaeological remains found in Getasan Village. This research aims to understand the development of Getasan civilization in order to provide the information needed to reconstruct the cultural history of Bali. Data were collected through observation, i.e. excavation and survey, interview, and literature study. Data analysis was done through identification of archaeological remains, associated with the concepts of civilization. The results of analysis were presented using descriptive-qualitative approach. The result of this research shows that the findings of the structure in Getasan Village indicates the development of ancient civilization. The trails of civilization which were found there was a continuity from the previous culture. The interpretation is supported with the findings from survey that covers several locations in Getasan Village.Indikasi bahwa di Desa Getasan pernah berkembang peradaban masa lalu didukung juga dengan tinggalan-tinggalan arkeologinya. Penelitian ini bertujuan untuk mengetahui perkembangan peradaban di Desa Getasan agar mampu melengkapi informasi dalam merekonstruksi sejarah kebudayaan Bali. Pengumpulan data dilakukan melalui observasi, meliputi ekskavasi dan survei, wawancara, serta studi kepustakaan. Analisis dilakukan melalui identifikasi tinggalan arkeologi yang dikaitkan dengan konsep-konsep peradaban. Hasil analisis kemudian disajikan secara deskriptif-kualitatif. Hasil penelitian menunjukkan bahwa temuan struktur di Desa Getasan mengindikasikan pernah berkembangnya peradaban kuno di wilayah ini. Desa Getasan memiliki jejak-jejak peradaban yang merupakan kelanjutan dari kebudayaan sebelumnya. Penafsiran tersebut didukung dengan temuan-temuan hasil survei yang dilakukan di beberapa lokasi di wilayah Desa Getasan.

scholarly journals WOWINE DALAM KEBUDAYAAN MARITIM WAKATOBI BUTON: ANALISIS PIERRE BOURDIEU

2019 ◽  
Vol 2 (1) ◽  
pp. 267
Author(s):  
Sumiman Udu
Keyword(s):  
Field Study ◽  
Pierre Bourdieu ◽  
Field Observations ◽  
Literature Study ◽  
The Past ◽  
Maritime Culture ◽  
History Of ◽  
Strategic Position ◽  
The Government ◽  
Condition Of Women

Wowine (female) has a very shining and very sad footprint in the history of maritime culture Wakatobi Buton. Wowine's glorious times were when Queen Wakaa-kaa and Ratu Bulawambona came to power in Buton (Zahari, 1977/1978; Zaenu, 1984). At that time, wowine has a very strategic position in the government system of the Sultanate of Buton. Wowine's involvement in the government system of the Sultanate of Buton, not only occupied his role as queen but also became one of the conditions worthy or not someone become Sultan. The idea of wowine in the maritime culture of Wakatobi Buton was born from the research using Pierre Bordiau approach to see the habits, the realm of maritime Wakatobi Buton in the past, present, and future. This paper shows that the involvement of women in the Sultanate government system of Buton is responsible for the welfare and salvation of the empire. In the life of Buton people, women are responsible for several things, (1) taking care of the child, (2) seeking sustenance together with husband, (3) educating children, and (4) doing deeds, “amala or hope” to protect the husband's safety while in outdoors. It is further explained that the empress in the Sultanate of Buton served to: (1) become the head of Sarana Bawina, (Head of the Women's Council of the Sultanate of Buton), (2) safeguard the welfare and health of the sultan, and (3) educate the women in the sultanate. The findings were based on the method used, namely literature study and field study. Library study (script) to find information about the existence of women in the maritime culture Wakatobi Buton in the past. Field observations and interviews to determine the current condition of women in the maritime culture of Wakatobi Buton.

scholarly journals HAKIKAT PURWAKARMA DALAM TEKS SARASAMUCCAYA

2017 ◽  
Vol 1 (2) ◽  
pp. 465
Author(s):  
Ni Made Indrayani
Keyword(s):  
Qualitative Research ◽  
Natural Law ◽  
Value Theory ◽  
Text Structure ◽  
Literature Study ◽  
The Past ◽  
The World ◽  
History Of ◽  
The One

<p><em>The Sarasamuccaya text is the essence of Asta Dasa Parwa abstracted by Bhagawan Wararuci. In the text of Sarasamuccaya there is one of the teachings of Purwakarma, Purwakarma is a deed in the past lifetime. The former act will inevitably be felt by the one who made or did the karma. Karmaphala that determines where and where the human must be lived which is certainly adjusted by the good old deeds in the life of the world. Through the description above, then the formulation of the problems discussed in this study include: 1) Sarasamuccaya text structure, 2) the concept of Purwakarma in Sarasamuccaya text, 3) The philosophical value contained in the concept of Purwakarma in Sarasamuccaya text.</em></p><p><em>The theory used in this research is the theory of hermeneutics and value terori. The hermeneutic theory refers to Ricoeur's opinion that hermeneutical understanding is based on text and utilizes the dichotomy of langue and parole and seeks to position explanations and understanding in an interpretation. Value theory refers to the opinion of Notonagoro that everything that comes from reason (ratio, mind, cipta) is the value of truth, everything that comes from the element of human feeling is the value of good that comes from the element of human will itself, something that comes from trust Or human belief in the creator is a religious value (religion). This type of research is qualitative research using batat technique (reading and recording) and literature study. This research is descriptive that emphasizes the ground of meaning or philosophy.</em></p><form><p><em>The discussion of the overview discusses the history of the Sarasamuccan text, the summary and the importance of studying the Sarasamuccan text. Discussion of the structure of the text discusses the form, structure, and teachings of Purwakarma in the Sarasamuccaya text. Discussion of the concept discusses about the concept of Purwakarma in the review of natural law, the concept of Purwakarma in the influence of Tri Guna, Purwakarma concept in the sense of previous deeds. Discussion of philosophical value discusses the value of truth, goodness value and religious value.</em></p></form>

scholarly journals FUNGSI DAN MAKNA TINGGALAN ARKEOLOGI DI SUBAK BUBUNAN SUKAWATI GIANYAR, BALI

2018 ◽  
Vol 31 (1) ◽  
pp. 15
Author(s):  
Dewa Gede Yadhu Basudewa
Keyword(s):  
Data Collection ◽  
Rice Field ◽  
Qualitative Approach ◽  
Archaeological Remains ◽  
Literature Study ◽  
Functional Theory ◽  
Community Activities ◽  
The Past ◽  
Observation Method

This research was conducted based on the findings of archaeological remains in Subak Bubunan Sukawati rice field by the community in 2014 when cutting down the banyan tree. After doing data collection and description, it is followed by a more in-depth discussion, which aims to know the functions and meanings for the community. The data collection in this research is done using observation method, interview, and literature study through qualitative approach which then analyzed using functional theory and semiotics theory. The results show the function of the past and present archaeological remains in Subak Bubunan Sukawati based on the mythology, origin, and community activities are not completely the same, and some have changed the function. Meaning of Archaeological Remains in Subak Bubunan Sukawati is known based on the signs they have such as decoration (attributes), mythology, and community activities in utilizing the archaeological remains. Some of the meanings that are successfully examined are the meaning of fertility, the meaning of power, and the meaning of religion. Penelitian ini dilakukan berdasarkan atas temuan tinggalan arkeologi di kawasan sawah Subak Bubunan Sukawati oleh masyarakat pada tahun 2014 ketika menebang pohon beringin. Tinggalan arkeologi yang telah dilakukan pendataan maupun pendeskripsian ini dilanjutkan dengan pembahasan lebih mendalam, yang bertujuan untuk mengetahui fungsi dan maknaannya bagi masyarakat. Pengumpulan data dalam penelitian ini dilakukan menggunakan metode observasi, wawancara, serta studi kepustakaan melalui pendekatan kualitatif yang selanjutnya dianalisis menggunakan teori fungsional dan teori semiotika. Hasil penelitian menunjukkan fungsi masa lampau dan sekarang tinggalan arkeologi di Subak Bubunan Sukawati berdasarkan atas mitologi, asal usul, dan aktivitas masyarakat tidak seutuhnya sama, bahkan ada yang mengalami perubahan fungsi. Makna Tinggalan arkeologi di Subak Bubunan Sukawati diketahui berdasarkan tanda-tanda yang dimilikinya seperti hiasan (atribut), mitologi, dan aktivitas masyarakat dalam memanfaatkan tinggalan arkeologi tersebut. Beberapa makna yang berhasil ditelisik adalah makna kesuburan, makna kekuasaan, dan makna religi.

scholarly journals Interculturalism in The Eyes of Marege Performance

2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Alif Anggara
Keyword(s):  
Qualitative Method ◽  
Northern Australia ◽  
Literature Study ◽  
Sea Cucumbers ◽  
Sociological Approach ◽  
The Past ◽  
Intercultural Performance ◽  
Personal Experiences ◽  
Arnhem Land ◽  
History Of

AbstractThe Eyes of Marege is a surreal drama which consists of two acts with fourteen scenes. It is an intercultural performance that raises the history of relations between Makassar and Aborigines in the past. The research aims to know the basic idea of creation, the concretization stages, as well as the structure and texture of the performance. This research applies a qualitative method with a sociological approach. Observations were started from DVDs of the performance and drama script of The Eyes of Marege. Data were collected from interviews with some respondents and literature study. The Eyes of Marege is inspired by folklore, myths, songs about Makassarese coming to Arnhem Land - Northern Australia to find sea cucumbers. It was the place where Julie Janson had lived for thirty years and was raised by the Yolngu family. In addition, Julie Janson got some other inspirations from several readings and personal experiences when visiting Makassar.Keywords: Eyes of Marege; Makasarese folklore; Julie JansonAbstrakInterkuluralisme dalam Pertunjukan The Eyes of Marege. The Eyes Of Marege merupakan drama absurd atau surealis yang terdiri dari dua babak dengan empat belas adegan. Penelitian ini bertujuan untuk mengetahui ide dasar penciptaan, tahapan konkretisasi, serta struktur maupun tekstur pertunjukannya. Penelitian ini menggunakan metode kualitatif dengan pendekatan sosiologi. Penelitian dilakukan dengan cara pengamatan pertunjukan dan analisis naskah drama diikuti dengan wawancara dan studi pustaka. Berdasarkan penelitian dapat disimpulkan bahwa drama ini terinspirasi dari cerita rakyat, mitos, nyanyian-nyanyian tentang orang Makassar yang datang ke Arhemland – Australia Utara untuk mencari teripang. Tempat itu adalah tempat di mana Julie Janson pernah tinggal selama tiga puluh tahun dan diasuh oleh keluarga Yolngu. Drama ini dapat digolongkan sebagai pertunjukan interkultural yang mengangkat masalah sejarah hubungan antara suku Makassar dan suku Aborigin yang pernah terjalin di masa silam.Kata kunci: Eyes of Marege; folklore Makassar; Julie Janson

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