scholarly journals PENGARCAAN DEWA WISNU PADA MASA HINDU-BUDDHA DI BALI (ABAD VII-XIV MASEHI)

2019 ◽  
Vol 32 (1) ◽  
pp. 51
Author(s):  
I Kadek Sudana Wira Darma
Keyword(s):  
Data Collection ◽  
Data Processing ◽  
Cultural Influence ◽  
Raw Material ◽  
Literature Study ◽  
The Past ◽  
Social Restriction ◽  
History Of ◽  
Erwin Panofsky

Figurine of goddess Vishnu is an archaeological remain of Hindu-Buddhist period that rarely found in Bali. This research examines the variation of iconography, as well as the role and the position of Vishnu in the Hindu-Buddhist period in Bali in VII-XIV Century AD. The purpose of this research is to reconstruct the history of Balinese culture in the past, especially in the religion aspect. The methods of data collection are literature study, observation and interviews as well as data processing through the analysis of comparative iconography, and iconoplastic. The theory that used to assist analysis is a theory of religious iconology and iconography of Erwin Panofsky. Based on the results of the study found that there is a variation of the iconography on the statues of Vishnu in Hindu-Buddhist period in Bali. The variation can be seen in the variety of depictions of jewelry, clothing, “laksana” and posture. There are also variations for the iconography that caused by the factors of the ability and creativity of the artists, social restriction, cultural influence and raw material of the statue. The role and position of Vishnu in the Hindu-Buddhist period in Bali as a protector and preserver. His position is important although it is not as high as the god of Shiva. Arca Dewa Wisnu merupakan tinggalan arkeologi dari periode Hindu- Buddha yang sangat sedikit ditemukan di Bali. Penelitian ini meneliti variasi ikonografi, serta peranan dan kedudukan Dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Tujuan penelitian ini adalah untuk merekonstruksi sejarah kebudayaan masyarakat Bali pada masa lalu terutama aspek religinya. Penulis menggunakan metode pengumpulan data seperti studi pustaka, observasi dan wawancara serta pengolahan data melalui analisis ikonografi, ikonoplastik dan komparatif. Teori yang digunakan untuk membantu analisis adalah teori ikonografi dan ikonologi Erwin Panofsky. Berdasarkan hasil penelitian ditemukan bahwa terdapat variasi ikonografi pada arcaarca dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Variasi terlihat pada ragam penggambaran perhiasan, busana, laksana, dan sikap tubuh. Adapun variasi ikonografi disebabkan oleh faktor kemampuan dan kreativitas seniman, batasan sosial, pengaruh budaya dan bahan baku arca. Peranan dan kedudukan dewa Wisnu pada masa Hindu-Buddha di Bali yaitu sebagai dewa pelindung dan pemelihara, kedudukannya sangat penting walaupun tidak setinggi Dewa Siwa.

scholarly journals Variasi Ikonografi Arca-Arca Perwujudan Perunggu Koleksi Museum Bali Dan BPCB Bali-Nusa Tenggara

HUMANIS ◽  
2018 ◽  
pp. 41
Author(s):  
Putu Pradnyana Adi Putra ◽  
I Wayan Redig ◽  
A. A. Gde Aryana
Keyword(s):  
Data Collection ◽  
Data Processing ◽  
Social Factors ◽  
Archaeological Remains ◽  
Literature Study ◽  
Causal Factors ◽  
Body Postures ◽  
Erwin Panofsky ◽  
Collection Methods ◽  
Data Processing Methods

The so called ‘’Dead Portrait’’ statues are kind of archaeological remains from the Hindu-Buddhist period that is very much encountered in Bali. So far the sculptures of the much-studied are the statues made from stones, while the bronze statues are still very little known. This study examines the iconographical variation and its causal factors on the so-called bronze dead portrait statues collection of Bali Museum and BPCB Bali-Nusa Tenggara. The author uses data collection methods such as observation, interview and literature study and data processing methods through the analysis of iconography, iconometry, iconoplastic, and iconology. The theory used to refine the interpretation of the results of the analysis is the Theory of Iconography and Iconology of Erwin Panofsky. Based on the research results found that there are variations of iconography among the bronze dead portrait collection of Bali Museum and BPCB Bali-Nusa Tenggara. The iconographic variations can be seen in the variety of jewelry, dress, body, and body postures. The iconography variation itself is caused by the ability and creativity of artists, social factors, and religious factors and beliefs.

scholarly journals Syair Perahu Karya Hamzah Fansuri Dalam Kaitannya Dengan Budaya Maritim di Singkel

PANALUNGTIK ◽  
2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Laila Abdul Jalil ◽  
Nuralam
Keyword(s):  
Life History ◽  
Data Collection ◽  
Historical Archaeology ◽  
Research Use ◽  
Literature Study ◽  
Literary Works ◽  
The Past ◽  
Maritime Culture ◽  
History Of ◽  
The Relationship

Hamzah Fansuri lived in the early era of the peak of the Aceh Darussalam kingdom. The Kingdom of Aceh Darussalam at that time visited by many traders from Arab, Parsi, Turkish, Bengal (India), Siamese, Portuguese, and Spain. Hamzah Fansuri is a Sufism scholar who developed Islamic teaching trough his poems. One of his poems is Syair Perahu. Syair Perahu besides containing Sufism also is related to the trade and wealth of Singkel sea. The discovery of foreign ceramics along the Singkel river is one proof of trade in the past. This research use method of manuscript study. The reason for choosing text studies is because Hamzah Fansuri produced many literary works in the form of poetry. The approach used in this study is historical archaeology to reveal the maritime culture of Singkel trough Syair Perahu by Hamzah Fansuri. Data collection is done trough literature study by collecting books, documents, and paper relating to the life history of Hamzah Fansuri and and literary works that he produces. The purpose of this reseach is to determine the relationship between Syair Perahu and maritime culture of Singkel. Based on a study of Syair Perahu, it is known that Hamzah Fansuri not only discusses the Sufism but also provides information about Singkel and trade in its time.

scholarly journals KEBERADAAN BATIK TUTUR BLITAR KARYA EDDY DEWA

2019 ◽  
Vol 16 (1) ◽  
Author(s):  
Rengga Kusuma Nawala Sari
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Data Processing ◽  
Cultural Heritage ◽  
Research Methods ◽  
Interaction Analysis ◽  
Literature Study ◽  
The Past ◽  
Surrounding Environment ◽  
Processing Data

<p align="center"><strong>ABSTRAK</strong></p><p> </p><p>Batik Tutur merupakan hasil pengembangan dari motif batik <em>Afkomstig Uit Blitar 1902</em>, warisan budaya masyarakat blitar pada masa lampau yang dikoleksi museum belanda. Saat ini batik tutur memiliki 15 motif dengan berbagai macam nama sesuai motif dan makna, nama pada setiap motif mengandung pesan moral atau pitutur yang ingin disampaikan Eddy Dewa sebagai pencipta motif kepada pemakainya. Tujuan penelitian ini yaitu latar belakang penciptaan batik tutur karya Eddy Dewa. Metode yang digunakan adalah metode penelitian kualitatif dengan pengumpulan data dan pengolahan data. Pengumpulan data meliputi observasi, wawancara, dan studi pustaka, sedangkan pengolahan datanya menggunakan interaksi analisis,hasil analiss dari penelitian ini yang didapat adalah batik tutur memiliki fungsi sebagai sarung dengan pola motif yang sama dengan pola sarung yang memiliki tumpal tengah, dan makna yang terkandung merupakan intepratasi Eddy Dewa dalam memaknai lingkungan sekitar.</p><p> </p><p><strong>Kata kunci: </strong>Revitalisasi, Batik<strong> </strong><em>Afkomstig Uit Blitar</em>, Batik Tutur.</p><p> </p><p> </p><p align="center"><strong><em>ABSTRACT</em></strong></p><p> </p><p><em>Batik Tutur is the result of the development of batik motif Afkomstig Uit Blitar 1902. It is the cultural heritage of Blitar community in the past which was collected by the Dutch museum. Currently, batik </em>tutur<em> has 15 motifs with various names according to the motives and meanings. The name of each motif contains a moral mes-sage or a message that Eddy Dewa wishes to convey as the creator of the motif to the consumers. The purpose of this study is to know the background of batik </em>tutur<em> creation by Eddy Dewa. The research used is qualitative research methods with data collection and data processing. Data collection includes observation, interviews, and literature study, while the data processing uses interaction analysis. The results of this re-search tells that batik </em>tutur<em> has a function as a sarong with the same motif pattern as a sarong pattern that has a middle tumpal. The meaning contained tells about Eddy Dewa’s interpretation in handling interpreting the surrounding environment.</em></p><p> </p><p><strong><em>Keywords: </em></strong><em>Revitalization, Batik Afkomstig Uit Blitar, Batik Tutur.</em></p>

PERANCANGAN SISTEM INFORMASI INFENTARIS SPAREPART HANDPHONE BERBASIS PHP DAN MYSQL DI PLANET PHONE

2019 ◽  
Vol 3 (1) ◽  
pp. 49-61
Author(s):  
Fitriani Dwi Ratna Sari ◽  
Amin Suryana
Keyword(s):  
Information System ◽  
Data Collection ◽  
Data Processing ◽  
Inventory Data ◽  
Literature Study ◽  
Know How ◽  
Internet Connection ◽  
To Come ◽  
Quantitative Descriptive ◽  
Descriptive Method

Research that the author did aim to know how to design inventory system on Planet Phone.The method used is quantitative descriptive method. Data collection techniques used are literature study, observation, and interviews. From the research conducted found that there is a problem on inventory data processing. The process of inventory data processing only by writing using a general ledger. So this causes inaccuracies and delays in reports. Therefore the authors make the information system by using PHP and MySQL database. This system consists of inputting inventory data, inventory reports, sales reports and income reports. As for some suggestions given to tackle the problem is by connecting the system with internet connection, for employees more quickly and effectively in penginputan inventory data and owner can also know the sales reports and income reports more quickly without having to come directly to the store.

scholarly journals Nilai Pendidikan Tattwa Pada Tutur Parakriya

2020 ◽  
Vol 4 (1) ◽  
pp. 14
Author(s):  
I Wayan Arya Adnyana
Keyword(s):  
Data Collection ◽  
Data Processing ◽  
Qualitative Data ◽  
Primary Data ◽  
Literature Study ◽  
Data Collection Methods ◽  
Primary Data Source ◽  
Library Research ◽  
Data Source ◽  
Collection Methods

<p><em>This study aims to: increase a deeper understanding of the value of tattwa education in Tutur Parakriya. This data is obtained using a method, and this method must also be precise so that the data obtained can be accurate and support the research results. This type of research is qualitative because it is a text research or library research whose primary data source is Tutur Parakriya which has been transcribed into text / text form. Literature study and interviews are used as data collection methods and then descriptive qualitative data processing is performed. As far as researchers know, no one has researched about this papyrus, so it is only based on text / text transcripts. This research uses the concept foundation to describe the problems to be discussed, and as a scalpel uses the theory of meaning and hermeneutic theory.</em><em> </em><em>The results of Tutur Parakriya's research contain the value of tattwa education, that is advice or advice to teach Hindus to be able to get the perfection of birth and mind.</em></p>

scholarly journals CAGAR BUDAYA SANG PENUTUR MASA SILAM CULTURAL HERITAGE THE TELLER OF THE PAST

Kebudayaan ◽  
2019 ◽  
Vol 14 (1) ◽  
pp. 27-42
Author(s):  
I Made Sutaba
Keyword(s):  
Cultural Heritage ◽  
Past History ◽  
Literature Study ◽  
The Past ◽  
Past Life ◽  
History Of ◽  
Research Goal ◽  
The Many ◽  
Religious Aspects ◽  
Typology Analysis

Archaeological researches in Indonesia have discovered a number of various historical and archaeological artifacts that belong to cultural heritage. As historical evidences, this cultural heritage is an important source of the plural information and messages of the past life of our society. It is remarkable that this cultural heritage has some problems for example problem of typology, function, meanings, and the other for the society. Studying the problems, it is interesting to do research on its function as a teller of the past history that contained various aspects of the life of our society that not yet studied until today. By learning the problems, this research goal is to find the answer of the problems. To reach this goal, we do this research gradually by collecting data through literature study and field observation along with interviews. The next step is analysis carried out through methods of typology analysis, contextual, functional analysis, ethno archaeological and ethno historical approach. Finally the result showed that the function of our cultural heritage is as teller of the many-sided aspects of the past history of our artifacts such as technological aspects, social, and religious aspects but it is impossible to get full completed information due to some reasons. Keywords: archaeological and historical artifacts, cultural heritages, teller of the past.  AbstrakPenyelidikan arkeologi di Indonesia sudah berhasil menemukan artefak sejarah dan arkeologi yang beraneka ragam, yang tergolong sebagai warisan budaya. Sebagai bukti-bukti sejarah, warisan budaya ini adalah sumber informasi dan pesan-pesan kehidupan masyarakat masa lalu yang bersifat pluralistik. Menarik perhatian, bahwa warisan budaya ini mempunyai permasalahan yaitu, permasalahan tipologi, fungsi dan makna dalam kehidupan masyarakat. Mempelajari masalah ini, sangat menarik untuk melakukan penelitian mengenai fungsinya sebagai penutur sejarah masa silam, yang mengandung aneka ragam, aspek kehidupan masyarakat, yang belum dikaji sampai sekarang. Dengan mencermati permasalahan ini, maka tujuan penelitian ini, adalah untuk meneliti permasalahan tadi. Untuk mencapai tujuan ini, penulis melakukan penelitian secara bertahap melalui pengumpulan data dengan metode kajian pustaka dan observasi lapangan yang disertai dengan wawancara. Langkah selanjutnya, adalah melakukan analisis dengan analisis tipologi, kontekstual, analisis fungsional, pendekatan etnoarkeologi dan etnohistori. Hasil penelitian ini menunjukkan bahwa cagar budaya itu berfungsi sebagai penutur kehidupan masa silam yang mengandung aspek yang bersfiat jamak, adalah aspek teknologi, sosial dan religi, tetapi tidak mungkin untuk mendapat informasi yang lengkap karena berbagai faktor.Kata kunci: peninggalan sejarah dan purbakala, warisan budaya, penutur masa silam.

scholarly journals TINJAUAN ARKEOLOGI RELIGI PADA MAKAM RAJA SAOSAO DAN RAJA LAKIDENDE DI KEN DARI SULAWESI TENGGARA [Review of Archaeology Religy in Saosao Tomb and Lakidende Tomb in South East Sulawesi]

2018 ◽  
Vol 9 (2) ◽  
pp. 161-182
Author(s):  
Muh. Subair
Keyword(s):  
Archaeological Remains ◽  
Literature Study ◽  
The Past ◽  
History Of

Civilization of a city can be seen from archaeological remains. Kendari city is known as a city whose society is religious. The purpose of this paper is to know the history of the entry of Islam in Kendari and archaeological remains of the evidence of the entry of Islam in Kendari. The method used is literature study, interview and survey. Islam in Kendari was brought by Islamic religious teachers, Muslim traders and ulama, this is known from the existence of tombs of religious figures o f Islam in the past Kendari.  ABSTRAKPeradaban suatu kota dapat dilihat dari tinggalan-tinggalan arkeologi. Kota Kendari dikenal sebagai kota yang masyarakatnya religius. Tujuan penulisan ini adalah untuk mengetahui sejarah masuknya Islam di Kendari dan tinggalan-tinggalan arkeologi yang menjadi bukti masuknya Islam di Kendari. Metode yang digunakan adalah studi pustaka, wawancara dan survei. Islam di Kendari dibawa oleh guru agama Islam, pedagang muslim dan ulama, hal ini diketahui dari keberadaan makam tokoh-tokoh agama Islam Kendari pada masa lalu.

Neither Eyewitnesses, Nor Windows to the Past, but Valuable Testimony in its Own Right: Remarks on Iconography, Source Criticism and Ancient Data-processing

2007 ◽  
Author(s):  
CHRISTOPH UEHLINGER
Keyword(s):  
Data Processing ◽  
Conceptual Framework ◽  
Visual Art ◽  
State Of The Art ◽  
Case Examples ◽  
The Past ◽  
Ancient Israel ◽  
History Of ◽  
Alternative Approaches ◽  
Potential Use

This chapter explores the potential use of visual sources, together with the methods employed for studying them, such as iconography or iconology, for the history of ‘ancient Israel’. It describes the theoretical and conceptual framework, particularly the notion of ‘eyewitnessing’, and considers the method, particularly iconography. The chapter also presents case examples chosen from monuments which are so well known to historians of ancient Israel that they are well suited to illustrate both the pitfalls of more conventional interpretations and the potential of alternative approaches. Before turning to the sources – namely visual evidence that may be related to the history of ancient Israel and Judah – the chapter discusses the state of the art among fellow historians in neighbouring disciplines, including those belonging to the so-called ‘humanities’ (or arts and letters). It also considers visual art and history, the metaphor of legal investigation, the balancing of testimony, and the particular status of an eyewitness.

scholarly journals Prasasti Batu Jimbar di Dusun Bet Ngandang Desa Intaran: Kajian Epigrafi

HUMANIS ◽  
2018 ◽  
pp. 191
Author(s):  
Ni Putu Kurnia Saraswati ◽  
I Ketut Setiawan ◽  
Ida Bagus Saptajaya
Keyword(s):  
Data Collection ◽  
Data Processing ◽  
Social Aspects ◽  
Literature Study ◽  
Script Language ◽  
Data Collection Methods ◽  
Social Organizations ◽  
Cultural Aspects ◽  
The Social ◽  
Collection Methods

The purposed this study is to know linguistic aspects of the Batu Jimbar inscription which includes script, language, spelling, and affixation. Furthermore, the research also discussed about the social aspects contained. Data collection methods used in this study were observation, literature study, and interviews with data processing through qualitative, interpretative, and epigrafi analysis. Based on the analysis of Batu Jimbar inscription, it can be known that the inscription used the ancient Balinese letters with the Old Javanese language. Batu Jimbar inscription used spellings that had been developed in the previous era, such as prefixes para-, ma-, pa-, ka-, sa-, um-, a-, and ha-, suffixes –?n, -nya, -an, and confixes (pa- + -ma), (ma- + -an), (a- + -an), (ka- + -an), ( ka- + -nya), (maka + -an). Socio-cultural aspects contained in the Batu Jimbar inscription is about the rights and obligations and social organizations that exist in it such as the rights and obligations that must be implemented by Indrapura residents by worshiping Bhatara (Gods) at Bukit Unggal (Hill).

Fads in Market Research: A Reality or Just a Distortion of Remembered History Due to Telescoping and Salience Effects? - A Reply to Humphrey Taylor

2009 ◽  
Vol 51 (3) ◽  
pp. 1-6
Author(s):  
Clive Boddy
Keyword(s):  
Data Collection ◽  
International Research ◽  
Market Research ◽  
Data Collection Methods ◽  
The Past ◽  
History Of ◽  
Collection Methods

This article responds to Humphrey Taylor's suggestion (89298) that a history of market research fads should be written. The author has reviewed journal titles over the past 24 years and found that there were fewer fads than expected. Main themes have been: improving data collection methods, improving market research in practice, international research. ‘Faddish’ themes have been mainly ethnography and semiotics.

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