scholarly journals On the Protection of Intangible Heritage of Russian Folk Oral Music in the Context of Intercultural Communication (Hulunbuir, Inner Mongolia)

2021 ◽  
Vol 5 (3) ◽  
pp. 177-192
Author(s):  
L. Ping ◽  
M. A. Yuyshin ◽  
I. A. Arzumanov
Keyword(s):  
Cultural Heritage ◽  
Ethnic Group ◽  
Intercultural Communication ◽  
Organizational Support ◽  
Inner Mongolia ◽  
Chinese Society ◽  
Intangible Cultural Heritage ◽  
Russian Immigrants ◽  
Musical Creativity ◽  
The City

The article discusses the issues of preserving the genre of Russian folk oral musical creativity in the village of the Argun and the city of Hulunbuir, Inner Mongolia, located in the northern part of China. The issue is viewed in the context of intercultural communication between descendants of Russian immigrants and Chinese locals. The article considers the factors in the formation of the ethnic group of Chinese Russians in Hulunbuir, an area of Russian immigrants’ compact settlement, and the markers of their distinct ethnic identity. Chinese Russians are a specific ethnic group since over several generations they fused with the local ethnicities yet preserved their unique cultural background. One of the peculiar aspects of Russian culture observed within the community of Chinese Russians is chastushka, or ditty, a short witty song expressing an individual’s attitude to any happening. The authors give records of the texts of ditties on various subjects, such as love, daily life, politics, etc. The folk genre of chastushka indicates intercultural communication between China and Russia and the integration of ethnic Russians into Chinese society. The article reveals the problems of protection of the Russian chastushka in the region and possible measures of state provision of its protection as intangible cultural heritage. Both national and local authorities take steps to ensure the continuity of various identities within the national identity of China. Several proposals have been put forward for the protection of the local heritage of this genre of the city of Hulunbuir. Such measures may include further research of cultural materials, enhancing tourism in the region, and incorporating ditties into local festivities Based on the historical and cultural significance, the research points to the real impact of Russian folk oral musical creativity in the processes of Russian-Chinese intercultural communication. The authors underline the significance of the ditty as intangible cultural heritage and the need to include the ditty in the list of the cultural heritage of Chinese Russians. The need to create conditions and state-organizational support for various forms of popularization of this genre, especially for those studying the Russian language, to preserve the oral folk musical creativity of Chinese ethnic Russians is substantiated.

scholarly journals Safeguarding Intangible Cultural Heritage – The Krakow Bobbin Lace

2021 ◽  
Vol 33 (2) ◽  
pp. 191-200
Author(s):  
Justyna Łukaszewska‑Haberkowa
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
The Third ◽  
Unesco Convention ◽  
Definition Of ◽  
The City

In the first part of this paper the definition of the protection of intangible cul­tural heritage is introduced, based on the 2003 UNESCO Convention as well as the Polish legislation concerning the protection of items on the national list of intangible culture. The second part shortly characterizes the Krakow bob­bin lace tradition along with its guardians, both present and past. In the third part it is systematically described what is being done to protect the tradition and craft in the Podgórze Culture Center thanks to the initiatives undertaken by certain guardians, and in the Historical Museum of the City of Krakow.

scholarly journals El Patrimonio cultural inmaterial de la Plaza Baquedano en Santiago de Chile = The Intangible Cultural Heritage of Plaza Baquedano in Santiago de Chile

2018 ◽  
pp. 74
Author(s):  
Karina Orozco Salinas
Keyword(s):  
Cultural Heritage ◽  
Public Space ◽  
El Paso ◽  
Intangible Cultural Heritage ◽  
The Public ◽  
Secondary Sources ◽  
Santiago De Chile ◽  
Open Discussion ◽  
The City ◽  
Over Time

ResumenEsta investigación parte de la necesidad de poner el foco en los espacios públicos identitarios, en los cuales la constante congregación espontánea y masiva de la ciudadanía, ha construido un patrimonio cultural inmaterial en ellos, a la hora de celebrar colectivamente en la ciudad. Desde este enfoque, se aborda el caso de la Plaza Baquedano en Santiago de Chile, mediante una metodología propia que contrarresta fuentes secundarias, principalmente periodísticas, con fuentes empíricas. Por lo que seaplican encuestas y entrevistas, con el fin de comprender el fenómeno desde el contexto urbano, social, celebración y patrimonio del lugar. Asimismo, lograr la perspectiva interna y externa del estudio de caso.Los resultados obtenidos confirman la existencia del patrimonio inmaterial y el carácter de identidad, que se ha generado con el paso del tiempo en este espacio público y, tanto la visión interna como la externa, consideran que debería ser catalogado como patrimonio cultural del país. Sin  embargo, esta mención no ha sido otorgada por alguno de los  instrumentos vinculantes en Chile. Por lo cual es una discusión abierta,ya que en la opinión de expertos consultados la complejidad de otorgar una figura de protección inmovilizaría el dinamismo que ha constituido a este lugar como tal.AbstractThis research departs from the need to focus in the public identitary spaces, in which the constant congregation spontaneous and massive of citizenship, has built an intangible cultural heritage in them, when it comes to celebrating collectively in the city. From this approach, is addressed the case of Plaza Baquedano in Santiago de Chile, through our methodology that combine secondary sources, mainly journalistic, with empirical sources. So that, surveys and interviews are applied in order to understand thephenomenon from the urban, social, celebration and heritage context’s.In addition, to achieve internal and external perspective of the case. The results collated confirm the existence of heritage and the identity character, which has been generated over time in this public space and both vision internal and external, consider that it should be cataloged as country’s cultural heritage. However, this mention has not been granted by some of the binding instruments in Chile. Therefore it is an open discussion, since in the opinion of the experts consulted the complexity of granting a protection figure would immobilize the dynamism that has built this place as such.

scholarly journals DEVELOPMENT OF THE INTANGIBLE CULTURAL HERITAGE IN THE CITY OF PORTO-NOVO: THE PLACE OF DANCE WITHIN TOURISM

2020 ◽  
Vol 05 (01) ◽  
pp. 295-308
Author(s):  
Akogbeto Nadine B. ◽  
Houenoude Didier ◽  
Vissin Expedit W. ◽  
Houssou Christophe S.
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
The City ◽  
Porto Novo

scholarly journals ANALISA STANDARISASI MUSEUM BATIK DENGAN PENDEKATAN KEARIFAN LOKAL BUDAYA ARSITEKTUR SURAKARTA

Jurnal Patra ◽  
2021 ◽  
Vol 3 (2) ◽  
pp. 127-137
Author(s):  
Maysitha Fitri Az Zahra ◽  
Ully Irma Maulina Hanafiah ◽  
Febri Toni Setiawan
Keyword(s):  
Cultural Heritage ◽  
Spatial Planning ◽  
Raw Materials ◽  
Intangible Cultural Heritage ◽  
Research Focus ◽  
Fabric Materials ◽  
The City

Batik, which is rich in symbols and philosophies for the Indonesian people, has now been recognized by UNESCO as a Representative List of the Intangible Cultural Heritage of Humanity. The beginning of the emergence of batik in Indonesia is in the city of Solo, and comes from the Pajang kingdom 400 years ago. With the passage of time, batik continues to grow and produces various variations and innovations, from raw materials to the drawn motifs. However, it is very unfortunate that not all of the previous heritage batik can be maintained. Recently, there has been a batik museum created by individuals or institutions, but in the design, some interior elements are less than optimal in their arrangement. So they don't affect the batik stored or on display. In this research, focus of the discussion is on standardization which discusses spatial planning, facilities, collections, lighting, ventilation, acoustics and museum security, which are combined with local wisdom of Surakarta architecture, so that the data becomes a batik museum with character and can preserve the stored batik. This research uses a case study of the Surakarta batik museum, and the final results of this study can be used as a guide for designing a museum with fabric materials in it.

Cultural Heritage and Digitalization in City Branding

2022 ◽  
pp. 467-483
Author(s):  
Oya Yildirim ◽  
A. Celil Çakici
Keyword(s):  
Cultural Heritage ◽  
Historical Development ◽  
Global Environment ◽  
Intangible Cultural Heritage ◽  
City Branding ◽  
Unesco World Heritage ◽  
Fundamental Feature ◽  
World Heritage List ◽  
The Impact ◽  
The City

In today's competitive global environment, cities are striving to stand out and be attractive to investors, visitors, and residents. City branding is an important tool to differentiate the city from its competitors and to be preferred by visitors. Every city has its own characteristics resulting from its historical development, the influence of its geography, and its social, cultural, and economic past. Therefore, the tangible and intangible cultural heritage of cities is vital for their promotion and branding. This study aims to show the importance of their cultural heritage, which is the most fundamental feature to differentiate themselves from their competitors in city branding. It is emphasized that the cultural events organized in cities or the assets specific to cities, most of which are on the UNESCO World Heritage List, have a significant impact on city branding. In addition, the chapter explains the impact of digitalization, which is one of the most important developments of our time, on city branding and cultural heritage.

INTANGIBLE HERITAGE AS A SOCIAL FACTOR OF THE DEVELOPMENT OF URBAN AREAS IN A SERVICE ECONOMY

2016 ◽  
Vol 10 (3) ◽  
pp. 18-25 ◽  
Author(s):  
Светлана Хуснутдинова ◽  
Svetlana Khusnutdinova ◽  
Мария Сафонова ◽  
Mariya Safonova
Keyword(s):  
Cultural Heritage ◽  
Urban Areas ◽  
Social Factor ◽  
Creative Industries ◽  
General Level ◽  
Intangible Cultural Heritage ◽  
Intangible Heritage ◽  
City Tourism ◽  
The Republic ◽  
The City

The article is devoted to study the role of intangible cultural heritage in the development of modern urban areas. Modern cities are experiencing a transformational load associated with the transition from industry to the post-in- dustry – service industry comes on the place of the plants, and one of the leading sectors becomes tourism. Social and environmental factors on the one hand, reflect the general level of development of the city and, on the other hand, in a post-industrial economy are the main actors in the development of all areas, including city tourism. Intangible cultural heritage is seen as a social factor, the formation of which is related to the environment (natural- ecological spheres), and history of the city. Intangible cultural heritage serves as a catalyst for the creative economy and the events of the city, which in turn have a positive impact on city tourism. The city squares, streets, parks are becoming the immediate territorial areas, where the intangible cultural heritage are demonstrated to the citizens and tourists and their level of status, comfort and attractiveness depends largely on the implementation of the tourism potential of the intangible heritage. Cities skillfully combining the intangible heritage, creative industries, event and educational tourism receive an additional impulse for the development of city tourism and the whole economy of the city. The Republic of Tatarstan last decade is actively moving towards the formation of territorial attractive tourism product. Kazan has ranked among the leading cities of domestic tourism sector. Moreover, any tourism city is interested in attracting more tourists for longer periods, which is possible due to the diversity of the program in the city or region. Intangible cultural heritage can play an important role in solving this problem. In the article using the example of the three cities of the republic – Kazan, Chistopol and Elabuga – is shown as a combination of social factors, such as intangible cultural heritage, and natural factors can create an attractive tourism route. Publication of the article was supported by Russian Humanitarian Research Foundation and government of the Republic of Tatarstan as part of scientific project № 15–13–16004.

scholarly journals Project "Digital Cultural and Historical Heritage of Plovdiv Municipality" - Problems and Solutions?

2021 ◽  
Vol 7 (1) ◽  
pp. 53-68
Author(s):  
Lora Hristozova ◽  
◽  
Bilyana Popova ◽  
Sofiya Kovacheva ◽  
◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Main Part ◽  
Intangible Cultural Heritage ◽  
Specific Field ◽  
Cultural Properties ◽  
Problems And Solutions ◽  
Historical Heritage ◽  
The City

The purpose of this article is to study and analyze the results of the project "Digital Cultural аnd Historical Heritage оf Plovdiv Municipality". A main part is the formulation of the problems during and after the project and the possible solutions. An important element of the study is the realization of a field expedition in the Roma neighbourhoods in Plovdiv and summarizing the results from it. All of this is a contribution to and experience in the field of digitization of cultural and historical heritage in the museums and galleries (following the example of Plovdiv Municipality). The basis of the study is the website www.digital.plovdiv.bg, the participants in the project and the specific field expedition. More than 50,000 movable cultural properties have been digitized. Part of the immovable properties of the city, as well as the intangible cultural heritage of the Roma are added to them. Keywords: Digitization, Cultural and Historical Heritage, Plovdiv, Museums, Roma, Field Expedition

scholarly journals The Gastronomic Experience: Motivation and Satisfaction of the Gastronomic Tourist—The Case of Puno City (Peru)

2021 ◽  
Vol 13 (16) ◽  
pp. 9170
Author(s):  
Franklin Cordova-Buiza ◽  
Edwin Gabriel-Campos ◽  
Lucía Castaño-Prieto ◽  
Lucía García-García
Keyword(s):  
Cultural Heritage ◽  
Daily Life ◽  
Decisive Factor ◽  
Fundamental Aspect ◽  
Intangible Cultural Heritage ◽  
Travel Destination ◽  
Tourist Satisfaction ◽  
Travel Experience ◽  
The City

Gastronomy is a fundamental aspect of culture in daily life, through which tourists can discover the cultural heritage of the places they visit. Therefore, culinary pleasure is a decisive factor in choosing a travel destination; at the same time, it is essential for shaping tourists’ satisfaction regarding their travel experience. This research seeks to study the gastronomic experiences of foreign tourists visiting the city of Puno (Peru) during the celebration of the festival of the Virgen de la Calendaria, recognized as an Intangible Cultural Heritage event by UNESCO. The results of this research highlighted the existence of three groups of tourists (referred to as survivors, enjoyers and experiencers) based on their perceptions of gastronomic experiences in the city. We also concluded that there are significant differences in each of the groups in terms of their motivation for visiting the city, based on gastronomy. Finally, the results allow us to conclude that the levels of tourist satisfaction are different, depending on their attitude toward gastronomy, as classified by the groupings obtained.

scholarly journals YESTERDAY AND TODAY OF KAZAKH KUY

2019 ◽  
pp. 34-37
Author(s):  
Bazheneyeva S.
Keyword(s):  
Cultural Heritage ◽  
Ethnic Group ◽  
20Th Century ◽  
General Context ◽  
Intangible Cultural Heritage ◽  
Spiritual Values ◽  
Traditional Art ◽  
History Of

The article discusses the history of the performance of the Kazakh kuy throughout the history of the separation of Kazakhs into a separate ethnic group to the present. Examples are provided to familiarize readers with the general context. Especially we focus on the Kazakh traditional forms of music-making.Since in the 20th century kuy appeared on the stage and was placed within the framework of a European-style concert, this could not but leave an imprint on how kuy was perceived, influenced the situation in the life of the once nomadic society, in the system of its spiritual values and the viability of kuy, especially in an urban environment.Now that the “Kazakh traditional art of dombra kuy” has been included in UNESCO's representative list, stakeholders need to take measures to safeguard the element of intangible cultural heritage.

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