Kritik Sosial dalam Stand Up Comedy (Analisis Semiotika Show “Pragiwaksono World Tour”)

This study discusses the stand up comedy that is popular among the people. Stand up comedy itself is a singular comedic art whose contents from ordinary jokes contain social criticism. Pandji Pragiwaksono is one example of a comic where he likes to bring stand up comedy material containing social criticism where there are some social problems that we are experiencing in the form of comedy. The theory used by researchers is the theory of mass communication, mass media, social criticism, stand up comedy. This study uses a qualitative approach with the semiotic analysis technique method Ferdinand De Saussure which divides the selected sign into two namely signifier and signified. In this study it was found that the show stand up comedy made by Pandji Pragiwaksono namely Pragiwaksono World Tour slipped a number of social criticisms in which social criticisms were presented including criticism of children's names, criticism of children 's Youtubers, critics of PSSI chairmen, critics of the profession of people, criticisms of humanity , criticism about fans, criticism about animals, and criticism of the attitude of Indonesian citizens. The result is stand up comedy is not just a tool to entertain the public but can also slip social criticism in the form of comedy criticism delivered by Pandji made with satire and comedy so that the message received can be captured easily by his listeners.Penelitian ini membahas tentang stand up comedy yang sedang populer dikalangan masyarakat. Stand up comedysendiri merupakan seni melawak secara tunggal di mana isi dari lawakan berupa kritik sosial. Pandji Pragiwaksono menjadi salah satu contoh komika di Indonesia yang membawakan materi stand up comedyberisi kritik sosial terhadap beberapa masalah sosial. Teori dan konsep yang digunakan peneliti adalah komunikasi massa, media massa, kritik sosial, stand up comedy. Penelitian ini menggunakan pendekatan kualitatif dengan metode teknik analisis semiotika Ferdinand De Saussure yang membagi tanda menjadi dua yaitu signifierdansignified. Penelitian ini menemukan bahwa pertunjukan stand up comedyPandji Pragiwaksono yaitu Pragiwaksono World Tourmenyelipkan beberapa kritik sosial antara lain kritik nama anak, kritik youtuberanak-anak, kritik ketua PSSI, kritik tentang profesi orang, kritik kemanusiaan, kritik tentang fans, kritik tentang satwa, dan kritik sikap warga Indonesia. Kesimpulan dari penelitian ini yaitu stand up comedybukan menjadi alat untuk menghibur masyarakat namun juga menyelipkan kritik sosial dalam bentuk komedi kritik yang dibuat dengan satir dan komedi sehingga pesan yang diterima dapat ditangkap dengan mudah oleh pendengarnya.

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Pesan-Pesan Dakwah dalam Film 3 Idiots

Ilmu Dakwah Academic Journal for Homiletic Studies ◽

10.15575/idajhs.v10i2.1556 ◽

2016 ◽

Vol 10 (2) ◽

pp. 290-304

Author(s):

Ropingi El Ishaq

Keyword(s):

Education System ◽

Social Criticism ◽

Qualitative Approach ◽

Social Value ◽

Semiotic Analysis ◽

Ferdinand De Saussure ◽

The Social

The 3 Idiots is a movie of India. This movie has launched at 2009th and as a favorite movies in Bollywood. The 3 Idiots get appreciate of international movies. It’s movies adopt from best seller of novel by Chetan Bhagat, “Five Point Someone”. The 3 Idiots bring the social criticism about social and cultural, like about social value. By that argue, this study aims to explore the sign and message of Islamic value in the movies. Qualitative approach used in this study. Specially, semiotic analysis of Ferdinand De Saussure use in this study. Both point of Ferdinand De Saussure semiotic are; signifier and Signified, Langue and Parole, so Syntagmatic and Associative. For message analysis of da’wa will be doing to explore an message of da’wa in the movies. It’s movies share an five message of da’wa; first, theologies as such represented how to motivate about awareness to God. Second, about the education, as such the criticism for education system. Thirt, the solidarity. In solidarity does explore how to help to brother or friends. Fourd, a harmony of religiousity. Five, amar ma’ruf nahi munkar or the motivated to do the possitive value and then be counter to negative value. The messages did constructed as beautifully. Signifier and signified or symbol had used to represent of meaning. The langue and parole has constructed with syntagmatic and association for to present the grand message, as such ‘idiots attitude’. All signs constructed systematically and beautifully. So, the audience can to get the meaning.

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Representasi Kekerasan Non Fisik Pada Film Joker (Analisis Semiotika Ferdinand De Saussure)

Koneksi ◽

10.24912/kn.v5i1.10195 ◽

2021 ◽

Vol 5 (1) ◽

pp. 127

Author(s):

William William ◽

Septia Winduwati

Keyword(s):

Mass Media ◽

Research Method ◽

Physical Violence ◽

Main Character ◽

Semiotic Analysis ◽

The Public ◽

Ferdinand De Saussure ◽

The Mass Media ◽

Selection Of

The Joker film is a film with the psychology genre by director Todd Phillips which is produced by the Warner Bros. studio with Joaquin Phoenix as the main character. The story of this film tends to be dark and dark and is considered to also affect one's psychology. Most of the communication and information obtained by the public comes from the mass media. Mass media is a form of media or means of communication used to disseminate information or news to the public or the public. The method used by the researcher is qualitative using the research method with semiotic analysis of Ferdinand De Saussure which analyzes the existing signs with documentation techniques carried out by the researcher. This study focuses on the process carried out to prove the existence of representations of non-physical violence in the Joker film. The researcher aims to show that there is an element of non-physical violence representation through the selection of scenes, text and images. The results of this study can be concluded that violence can be done non-physically, such as slander, abuse, and made jokes for those around him. Film Joker merupakan film dengan genre psikologi karya sutradara Todd Phillips yang diproduksi studio Warner Bros dengan Joaquin Phoenix sebagai pemeran utama. Kisah dari film ini cenderung kelam dan gelap serta dinilai juga bisa mempengaruhi psikologi seseorang. Komunikasi dan informasi yang diperoleh masyarakat sebagian besar berasal dari media massa. Media massa merupakan salah satu bentuk media atau sarana komunikasi yang digunakan untuk menyebarluaskan informasi atau berita kepada publik atau masyarakat. Metode yang digunakan oleh peneliti merupakan metode kualitatif dengan melakukan analisis semiotika Ferdinand De Saussure, yang menganalisa tanda-tanda yang ada dengan teknik dokumentasi yang dilakukan oleh peneliti. Penelitian ini berfokus pada proses yang dilakukan untuk membuktikan adanya representasi kekerasan non-fisik pada film Joker. Peneliti bertujuan menunjukkan adanya unsur representasi kekerasan non-fisik melalui pemilihan scene-scene, teks dan gambar. Hasil dari penelitian ini menunjukkan bahwa kekerasan bisa dilakukan secara non-fisik seperti difitnah, dimaki, dijadikan bahan tertawaan bagi orang di sekitarnya. Individu yang lemah kemudian mempertahankan dirinya sendiri dalam keinginan untuk melukai atau mengikuti orang. Ini membuat individu menjadi tertekan, dan depresi. Tindakan perundungan atau bullying dalam bentuk kekerasan non-fisik dapat menyebakan permasalahan serius yang seharusnya lebih diperhatikan masyarakat seperti depresi, anti sosial, kecemasan, dan lainnya.

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Makna Kesinambungan Kampanye Green Beauty oleh Kosmetik Garnier

Koneksi ◽

10.24912/kn.v5i1.11021 ◽

2021 ◽

Vol 5 (1) ◽

pp. 209

Author(s):

Neldy Maria Lesilolo ◽

Rustono Farady Marta ◽

Rewindinar Rewindinar

Keyword(s):

Qualitative Approach ◽

Analysis Method ◽

Semiotic Analysis ◽

The Public ◽

Ferdinand De Saussure ◽

Environmental Friendly ◽

Responsible Attitude ◽

The Subject ◽

The One ◽

Real Action

The Garnier green beauty campaign conveys a message to the public through advertising media. The message is conveyed to the public regarding environmental activities that have a sustainable meaning. The green beauty campaign through advertising media shows Garnier's environmental friendly actions. Cause consumer behavior that turns into a form of responsible attitude. The purpose of this study was to determine the meaning of the sustainability of the green beauty campaign through Garnier's cosmetic advertising media. Researchers used a qualitative approach with Ferdinand de Saussure's semiotic analysis method which was signifier and signified. Methods of data collection with the method of documentation. The object of research was through the green beauty campaign advertisement and the subject of Garnier. The one-minute green beauty campaign ad is divided into seven scenes. The results of this study found the meaning of sustainability, by taking real action to become green beauty. Being green beauty is explained through verbal and non-verbal signs. Marked by each scene of the Garnier green beauty campaign advertisement, the meaning of sustainability is found. The real action starts from the production process to processing Garnier cosmetic waste.Kampanye Garnier green beauty menyampaikan pesan kepada masyarakat melalui media iklan. Pesan yang disampaikan kepada khalayak mengenai kegiatan peduli lingkungan yang memiliki makna berkesinambungan. Kampanye green beauty melalui media iklan menunjukan aksi nyata Garnier yang ramah lingkungan. Menyebabkan perilaku konsumen yang berubah menjadi wujud sikap yang bertanggung jawab. Tujuan penelitian ini untuk mengetahui makna kesinambungan dari kampanye green beauty melalui media iklan kosmetik Garnier. Peneliti menggunakan pendekatan kualitatif dengan metode analisis semiotika Ferdinand de Saussure secara signifier dan signified. Metode pengumpulan data dengan metode dokumentasi. Objek penelitian melalui iklan kampanye green beauty dan subjek Garnier. Iklan kampanye green beauty yang berdurasi satu menit dibagi menjadi tujuh scene. Hasil Penelitian ini menemukan makna kesinambungan, dengan melakukan aksi nyata menjadi green beauty. Menjadi green beauty dijelaskan melalui tanda secara verbal dan non verbal. Ditandai melalui setiap scene iklan kampanye Garnier green beauty memiliki makna kesinambungan yang ditemukan. Aksi nyata dimulai dari proses produksi sampai pengolahan limbah kosmetik Garnier.

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Representasi Kritik Sosial dalam Film Parasite (Analisis Semiotika Roland Barthes)

Koneksi ◽

10.24912/kn.v5i2.10387 ◽

2021 ◽

Vol 5 (2) ◽

pp. 381

Author(s):

Vanessa Salim ◽

Gregorius Genep Sukendro

Keyword(s):

Mass Communication ◽

Social Problems ◽

Communication Theory ◽

Social Inequalities ◽

Social Criticism ◽

Lower Class ◽

Roland Barthes ◽

Analysis Method ◽

Semiotic Analysis ◽

Analysis Technique

Social criticism is considered as a form of deep communication that aims or controls a social system. Parasite is a film that represents sharp social inequalities and contains social criticism about social problems that occur in South Korea. This study uses various theories, namely mass communication theory, film, semiotics, representation and social criticism. By using a descriptive qualitative approach with Roland Barthes' semiotic analysis technique which consists of denotation, connotation and myth, this study aims to determine the representation of social criticism in the film Parasite. The method used in this research is semiotic analysis method. In this study, it was found that the message conveyed by the director as a communicator in the film Parasite regarding social problems was packaged with a dark comedy genre film that included some social criticism in it. Social criticisms depicted in this film include criticism of poverty which is depicted through living and living with unemployment, criticism of crimes committed by lower-class families by falsifying documents, and uneven urban planning.Kritik sosial dianggap sebagai bentuk komunikasi mendalam yang bertujuan atau mengendalikan suatu sistem sosial. Parasitemerupakan sebuah film yang merepresentasikan kesenjangan sosial yang tajam dan mengandung kritik sosial mengenai masalah sosial yang terjadi di Korea Selatan. Penelitian ini menggunakan berbagai teori yaitu teori komunikasi massa, film, semiotika, representasi dan kritik sosial. Dengan menggunakan pendekatan kualitatif yang bersifat deskriptif dengan teknik analisis semiotika Roland Barthes yang terdiri dari denotasi, konotasi dan mitos penelitian ini memiliki tujuan untuk memiliki tujuan untuk mengetahui representasi kritik sosial dalam film Parasite. Metode yang digunakan dalam penelitian ini adalah metode analisis semiotika. Dalam penelitian ini ditemukan bahwa pesan yang disampaikan oleh sutradara sebagai komunikator dalam film Parasite mengenai masalah sosial, dikemas dengan film bergenre komedi gelap yang menyelipkan beberapa kritik sosial didalamnya. Kritik sosial yang digambarkan pada film ini antara lain kritik terhadap kemiskinan yang digambarkan melalui tempat tinggal dan hidup dengan pengangguran, kritik terhadap kejahatan yang dilakukan oleh keluarga kelas bawah dengan memalsukan dokumen, dan pembangunan tata kota yang tidak merata.

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Membedah Komodifikasi Isi Pesan Mini Drama Line “Nic and Mar”

Jurnal Penelitian Komunikasi ◽

10.20422/jpk.v19i2.63 ◽

2016 ◽

Vol 19 (2) ◽

pp. 151-164

Author(s):

Indra Hutami Negoro ◽

Freddy Yusanto ◽

Catur Nugroho

Keyword(s):

Data Analysis ◽

Qualitative Approach ◽

Message Content ◽

Semiotic Analysis ◽

Exchange Value ◽

Data Analysis Technique ◽

The People ◽

Analysis Technique

Line's mobile mini-drama "Nic and Mar" are made to fulfill the needs the people of Indonesia for entertainment that can be enjoyed anytime, anywhere for free just by using gadget. However, the facts behind the mobile mini-drama that can also be enjoyed for free was able to bring a large economically profit to Line. The purpose of this study was to discover the form of commodification Line's mini-drama "Nic and Mar" message content in the audio and visual aspect, as well as the form of commodification of the message in audio-visual aspects of the Line's mini-drama "Nic and Mar" that can transform usefulness value into exchange value, by using the qualitative approach through semiotic analysis to analyze the objects studied. The data analysis technique based on the theory by John Fiske's "The Codes of Television". Based on the results of this study concluded that the mini-drama formed under visual and audio aspects and become the show, but the signs in it are processed into a product so that the scenes in this mini-drama are formed into commodities.

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Representasi Kemiskinan dalam Film Korea Selatan (Analisis Semiotika Model Saussure pada Film Parasite)

Koneksi ◽

10.24912/kn.v3i2.6480 ◽

2020 ◽

Vol 3 (2) ◽

pp. 478

Author(s):

Michelle Angela ◽

Septia Winduwati

Keyword(s):

Mass Communication ◽

Semiotic Analysis ◽

Decent Work ◽

Economic Sectors ◽

Ferdinand De Saussure ◽

Film Representation ◽

Analysis Technique ◽

Small House ◽

The Difference ◽

Poverty Indicators

This study discusses the social problems that occur in South Korea that represents poverty in the film Parasite by identifying the signs used in the film. The director as a mass communicator makes a film as a mass message delivering a message to a mass audience or audience about their representation of reality. The theory used in this research is the theory of mass communication, film, representation, discourse, and poverty. This study uses a qualitative approach with Ferdinand de Saussure semiotic analysis technique which divides the signs into two, namely signifier and signified. In this study it was found that the film Parasite represented poverty depicting the figure of a family who lived a difficult life, a small house that was dirty and cramped, difficulty in finding decent work, living in a slum area, a house flooded. Kim's family poverty in this film is relative poverty which explains even though their basic needs are met, but the difference is clearly seen when compared to the economy with the Park family. Some poverty indicators according to the World Bank are portrayed in the film such as land ownership and limited capital, limited infrastructure needed, development bias in cities, differences in human resources and economic sectors, poor living culture and poor governance. Penelitian ini membahas tentang adanya masalah sosial yang terjadi di Korea Selatan dalam sebuah film yang merepresentasikan kemiskinan dalam film Parasite dengan mengidentifikasi tanda-tanda yang digunakan dalam film tersebut. Sutradara sebagai komunikator massa membuat film menyampaikan pesan kepada audiens massa atau penonton tentang representasinya terhadap realitas. Teori yang digunakan penelitian ini adalah teori komunikasi massa, film, representasi, wacana, dan kemiskinan. Penelitian ini menggunakan pendekatan kualitatif dengan teknik analisis semiotika Ferdinand de Saussure yang membagi tanda menjadi dua yaitu signifier dan signified. Dalam penelitian ini ditemukan bahwa film Parasite merepresentasikan kemiskinan menggambarkan sosok keluarga yang hidup sulit, rumah yang kecil kotor dan sempit, kesulitan dalam mencari pekerjaan yang layak, tinggal di daerah yang kumuh, rumah yang kebanjiran. Kemiskinan keluarga Kim dalam film ini adalah kemiskinan relatif yang menjelaskan meskipun kebutuhan pokok mereka terpenuhi, namun perbedaan terlihat jelas jika dibandingkan dengan ekonomi dengan keluarga Park. Film seperti kepemilikan tanah dan modal yang terbatas, sarana prasarana yang dibutuhkan terbatas, pembangunan yang bias di kota, perbedaan sumber daya manusia dan sektor ekonomi, budaya hidup yang jelek serta tata pemerintahan yang buruk.

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History, Stigma, and Adiluhung Values Reyog Obyog (Cultural Studies in Indonesia)

Psychology and Education Journal ◽

10.17762/pae.v58i2.2128 ◽

2021 ◽

Vol 58 (2) ◽

pp. 995-1002

Author(s):

Rido Kurnianto, Nurul Iman, Sigit Dwi Laksana

Keyword(s):

Data Analysis ◽

Data Collection ◽

Data Reduction ◽

Qualitative Approach ◽

Performance Model ◽

Historical Aspect ◽

Data Presentation ◽

The Public ◽

Analysis Technique ◽

Depth Interviews

This study aims to describe Reyog Ponorogo from the historical aspect, the negative stigma that has accompanied its development, and local wisdom that spreads to all its components. This problem is studied using a qualitative approach. Data collection techniques using in-depth interviews with data collection tools is the researcher himself as a key instrument. The data analysis technique used in this research is descriptive analytical with the process of data reduction, data presentation, and conclusion drawing. The findings of this study are as follows; (1) Reyog Obyog is an important and inseparable part of Reyog Ponorogo. In fact, it is very possible that Reyog Obyog is the origin of the Reyog Ponorogo which has developed and is known to the public today; (2) Reyog Obyog performance model which tends to be free, not bound by standards, is performed in the audience and is predominantly filled with entertainment, in its development various negative stigmas have emerged in the community, namely eroticism, drunkenness, and mystical performance rituals; (3) The Reyog Obyog has a great value in the form of a noble life guidance which is strategic enough to be used as a medium for building civilization.

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Stand Up Comedy Indonesia as Anecdote Text Learning Media in Senior High School: Study of Critical Discourse Analysis

Budapest International Research and Critics Institute (BIRCI-Journal) Humanities and Social Sciences ◽

10.33258/birci.v2i2.248 ◽

2019 ◽

Vol 2 (2) ◽

pp. 171-177

Author(s):

Ginanjar Arif Wijaya ◽

Sarwaji Surwandi ◽

Sumarwati Sumarwati

Keyword(s):

High School ◽

Critical Discourse Analysis ◽

Secondary Data ◽

Social Criticism ◽

Primary Data ◽

Text Learning ◽

Stand Up Comedy ◽

Analysis Technique ◽

Literary Sources ◽

Data Collection Technique

This research is a descriptive qualitative study that examines the relevance of social criticism on Stand Up Comedy Indonesia towards anecdotal text learning in high school. Stand Up Comedy is a form of comedy or comedy that is delivered monologically to the audience. Stand Up comedy is not only an entertaining spectacle, but every material that is aired is criticized or the message delivered. The purpose of this study was to identify the relevance of social criticism on Stand Up Comedy Indonesia towards anecdotal text learning in high school. The data in this study are in the form of a Stand Up Comedy Indonesia video. The primary data source in this study is Stand Up comedy Kompas TV documents and videos on YouTube. While secondary data sources are relevant primary books, international journals, papers, etc. that are needed in the study of theory. The data collection technique in this study is by documentation and literature. The analysis technique used in this study uses qualitative analysis techniques. Because the data obtained are in the form of texts from various different literary sources, a text analysis is needed. The results of this study are three things. 1) The discourse of stand Up comedy academy has the same structure , namely based on the genre of discourse. 2) The schema and discourse sequence of stand Up comedy academy are in accordance with anecdotal texts, namely those that have components of abstract structure, orientation, crisis, reaction and code. The division of structures can be divided into two parts, complete structure and incomplete. 3) The implementation of the results of this study can be used as teaching material at the eleventh grade high school about producing coherent anecdotal texts in accordance with the characteristics of the text made both orally and in writing.

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Archaeology and the Public Image

American Antiquity ◽

10.2307/277525 ◽

1960 ◽

Vol 25 (3) ◽

pp. 402-403 ◽

Cited By ~ 5

Author(s):

Robert Ascher

Keyword(s):

Mass Media ◽

Mass Communication ◽

Public Image ◽

Technical Knowledge ◽

Life Magazine ◽

Knowledge And Skills ◽

The Public

AbstractThe archaeological content of ten years of Life magazine is analyzed in an attempt to identify what may go into formulating the public's images of the archaeologist and his goals. The four themes which appear in the 34 Life articles are: chance nature of archaeological discovery, role of the archaeologist as an expert, emphasis on technical knowledge and skills, and heavy use of superlatives. Analysis of other mass media, including fiction and cartoons, might lead to the identification of other themes. The image of archaeology presented by mass communication is considered important in a science so dependent upon public cooperation.

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Mass Communication and the 'Nationalisation' of the Public Sphere in Former Yugoslavia

Res Publica ◽

10.21825/rp.v39i2.18591 ◽

1997 ◽

Vol 39 (2) ◽

pp. 259-270

Author(s):

Spyros A. Walgrave

Keyword(s):

Mass Media ◽

Public Sphere ◽

Mass Communication ◽

Former Yugoslavia ◽

Cultural Space ◽

Political Actors ◽

Peace Movements ◽

The Public ◽

The Public Sphere

Although the quasi-confederal character of Yugoslavia, especially after the introduction of its 1974 constitution did not encourage the development of a genuine Yugoslavian public sphere wherepublic debate could transcend ethnic and republic divisions, it nevertheless allowed the formation of what could be called Yugoslav cultural space, a space within which social and political actors (feminist, peace movements) forged their identities regardless of the ethnic or national diversity that characterised their membership. However, the existence of this 'space' had a limited impact in Yugoslav politics partly due to the breakdown of inter-republic communication and the fragmentation of the Yugoslavian mass media. This paper traces the process of disintegration of the Yugoslav cultural space and the emergence of national 'public spheres' in the republics and provinces of former Yugoslavia and attempts to assess the role of the mass media and cultural institutions in these developments by identifying the key strategies of representation employed in the process of the fragmentation and 'nationalisation' of the public sphere of former Yugoslavia.

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