scholarly journals Representasi Kritik Sosial dalam Film Parasite (Analisis Semiotika Roland Barthes)

Koneksi ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 381
Author(s):  
Vanessa Salim ◽  
Gregorius Genep Sukendro
Keyword(s):  
Mass Communication ◽  
Social Problems ◽  
Communication Theory ◽  
Social Inequalities ◽  
Social Criticism ◽  
Lower Class ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Analysis Technique

Social criticism is considered as a form of deep communication that aims or controls a social system. Parasite is a film that represents sharp social inequalities and contains social criticism about social problems that occur in South Korea. This study uses various theories, namely mass communication theory, film, semiotics, representation and social criticism. By using a descriptive qualitative approach with Roland Barthes' semiotic analysis technique which consists of denotation, connotation and myth, this study aims to determine the representation of social criticism in the film Parasite. The method used in this research is semiotic analysis method. In this study, it was found that the message conveyed by the director as a communicator in the film Parasite regarding social problems was packaged with a dark comedy genre film that included some social criticism in it. Social criticisms depicted in this film include criticism of poverty which is depicted through living and living with unemployment, criticism of crimes committed by lower-class families by falsifying documents, and uneven urban planning.Kritik sosial dianggap sebagai bentuk komunikasi mendalam yang bertujuan atau mengendalikan suatu sistem sosial. Parasitemerupakan sebuah film yang merepresentasikan kesenjangan sosial yang tajam dan mengandung kritik sosial mengenai masalah sosial yang terjadi di Korea Selatan. Penelitian ini menggunakan berbagai teori yaitu teori komunikasi massa, film, semiotika, representasi dan kritik sosial. Dengan menggunakan pendekatan kualitatif yang bersifat deskriptif dengan teknik analisis semiotika Roland Barthes yang terdiri dari denotasi, konotasi dan mitos penelitian ini memiliki tujuan untuk memiliki tujuan untuk mengetahui representasi kritik sosial dalam film Parasite. Metode yang digunakan dalam penelitian ini adalah metode analisis semiotika. Dalam penelitian ini ditemukan bahwa pesan yang disampaikan oleh sutradara sebagai komunikator dalam film Parasite mengenai masalah sosial, dikemas dengan film bergenre komedi gelap yang menyelipkan beberapa kritik sosial didalamnya. Kritik sosial yang digambarkan pada film ini antara lain kritik terhadap kemiskinan yang digambarkan melalui tempat tinggal dan hidup dengan pengangguran, kritik terhadap kejahatan yang dilakukan oleh keluarga kelas bawah dengan memalsukan dokumen, dan pembangunan tata kota yang tidak merata.

scholarly journals Kritik Sosial dalam Stand Up Comedy (Analisis Semiotika Show “Pragiwaksono World Tour”)

Koneksi ◽  
2020 ◽  
Vol 4 (2) ◽  
pp. 185
Author(s):  
Reynord Leonardo ◽  
Ahmad Junaidi
Keyword(s):  
Mass Media ◽  
Mass Communication ◽  
Social Criticism ◽  
Qualitative Approach ◽  
Semiotic Analysis ◽  
The Public ◽  
Ferdinand De Saussure ◽  
Stand Up Comedy ◽  
The People ◽  
Analysis Technique

This study discusses the stand up comedy that is popular among the people. Stand up comedy itself is a singular comedic art whose contents from ordinary jokes contain social criticism. Pandji Pragiwaksono is one example of a comic where he likes to bring stand up comedy material containing social criticism where there are some social problems that we are experiencing in the form of comedy. The theory used by researchers is the theory of mass communication, mass media, social criticism, stand up comedy. This study uses a qualitative approach with the semiotic analysis technique method Ferdinand De Saussure which divides the selected sign into two namely signifier and signified. In this study it was found that the show stand up comedy made by Pandji Pragiwaksono namely Pragiwaksono World Tour slipped a number of social criticisms in which social criticisms were presented including criticism of children's names, criticism of children 's Youtubers, critics of PSSI chairmen, critics of the profession of people, criticisms of humanity , criticism about fans, criticism about animals, and criticism of the attitude of Indonesian citizens. The result is stand up comedy is not just a tool to entertain the public but can also slip social criticism in the form of comedy criticism delivered by Pandji made with satire and comedy so that the message received can be captured easily by his listeners.Penelitian ini membahas tentang stand up comedy yang sedang populer dikalangan masyarakat. Stand up comedysendiri merupakan seni melawak secara tunggal di mana isi dari lawakan berupa kritik sosial. Pandji Pragiwaksono menjadi salah satu contoh komika di Indonesia yang membawakan materi  stand up comedyberisi kritik sosial terhadap beberapa masalah sosial. Teori dan konsep yang digunakan peneliti adalah komunikasi massa, media massa, kritik sosial, stand up comedy. Penelitian ini menggunakan pendekatan kualitatif dengan metode teknik analisis semiotika Ferdinand De Saussure yang membagi tanda menjadi dua yaitu signifierdansignified. Penelitian ini menemukan bahwa pertunjukan stand up comedyPandji Pragiwaksono yaitu Pragiwaksono World Tourmenyelipkan beberapa kritik sosial antara lain kritik nama anak, kritik youtuberanak-anak, kritik ketua PSSI, kritik tentang profesi orang, kritik kemanusiaan, kritik tentang fans, kritik tentang satwa, dan kritik sikap warga Indonesia. Kesimpulan dari penelitian ini yaitu stand up comedybukan menjadi alat untuk menghibur masyarakat namun juga menyelipkan kritik sosial dalam bentuk komedi kritik yang dibuat dengan satir dan komedi sehingga pesan yang diterima dapat ditangkap dengan mudah oleh pendengarnya.

scholarly journals Analisis Semiotika Representasi Ibu Tunggal dalam Film Susah Sinyal

Koneksi ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 229
Author(s):  
Millenia Vega Wong ◽  
Daniel Tamburian
Keyword(s):  
Single Mothers ◽  
Mass Communication ◽  
Single Mother ◽  
Single Parent ◽  
Visual Media ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
The Relationship

Film is a description of audio visual media in mass communication that can display words, sounds, stories and their combination. Films are a means of public entertainment in which there are insights, knowledge and messages to be conveyed to the audience. Susah Sinyal is a film that tells the story of a single parent woman in carrying out her role. The role of a single parent is a situation where a single parent must play the role of both mother and father at the same time. This research focuses on the role of a single mother named Ellen who is represented in the Susah Sinyal film. Ellen's really love  her job and it makes her lose time with her child so that the relationship between the two doesn't get along. Therefore, this study aims to show how the representation of single mothers in the Susah Sinyal film. This type of research uses qualitative research and Roland Barthes' semiotic analysis method. Researchers collected data through observation and observation by watching the film Susah Tanda. Through observation, the researcher identified a number of scenes that represented single mothers in the Susah Sinyal film. The results of this study indicate that single mothers represented by Ellen have a firm and emotional character. In addition, Ellen is also an independent woman, hardworking, very responsible for what she does, and optimistic about her abilities.Film adalah suatu gambaran media audio visual dalam komunikasi massa yang dapat menampilkan kata-kata, suara, cerita dan gabungannya. Film merupakan sarana hiburan masyarakat yang didalamnya terdapat wawasan, pengetahuan dan pesan yang ingin disampaikan kepada penikmatnya. Film Susah Sinyal merupakan film yang bercerita tentang kehidupan perempuan single parent dalam menjalankan perannya. Peran single parent merupakan keadaan dimana orang tua tunggal yang harus memerankan perannya sebagai ibu maupun ayah sekaligus. Penelitian ini berpusat pada peran ibu tunggal bernama Ellen yang direpresentasikan dalam film Susah Sinyal. Kecintaan Ellen dengan pekerjaannya membuat ia kehilangan waktu dengan anaknya sehingga membuat hubungan keduanya tidak akur. Maka dari itu, penelitian ini bertujuan untuk menunjukkan bagaimana representasi ibu tunggal dalam film Susah Sinyal. Jenis penelitian ini menggunakan penelitian kualitatif dan metode analisis semiotika Roland Barthes. Peneliti mengumpulkan data melalui observasi dan pengamatan dengan menonton film Susah Sinyal. Melalui pengamatan, peneliti mengidentifikasi sejumlah scene yang merepresentasikan ibu tunggal dalam film Susah Sinyal. Hasil penelitian ini menunjukkan ibu tunggal yang direpresentasikan oleh Ellen mempunyai karakter yang tegas dan emosional. Selain itu, Ellen juga adalah  perempuan yang mandiri, pekerja keras, sangat bertanggung jawab dengan apa yang dikerjakannya, dan optimis dengan kemampuannya.

scholarly journals SOCIAL CRITICISM OF ASIAN CULTURE IN FILM “TO ALL THE BOYS I'VE LOVED BEFORE” WITH BARTHES’ POPULAR CULTURE THEORY

2020 ◽  
Vol 8 (2) ◽  
pp. 1-12
Author(s):  
Kurnia Dwi Alfianto ◽  
Altobeli Lobodally
Keyword(s):  
Popular Culture ◽  
Social Criticism ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Asian Culture ◽  
Culture Theory ◽  
The Social ◽  
Collectivistic Culture ◽  
Low Culture

Mass media often perceived Asian Culture as a powerless culture. Just like in To All the Boys I’ve Loved Before film that criticizing Asian culture. This study aimed to unveil the social criticism of Asian culture depicted on To All the Boys I’ve Loved Before. This qualitative study using Popular Culture Theory with Roland Barthes’ semiotic analysis method by three elements of analysis (denotation, connotation, and myth). This study unveiled that the social criticism of Asian culture is linked with its collectivistic culture and interdependent characteristic, also overly-controlled Asian parents. This study also found the shift and consolidation of myth of Asian culture. Other than that, social criticism of Asian culture depicted on the film is the form of low culture and used as the asset to gain profit. Therefore, Asian culture has been marginalized and wrapped as a form of commercialized culture. Keywords: asian culture, popular culture, film, social criticism, semiotics

scholarly journals KRITIK SOSIAL BERMUATAN LOKAL BALI DALAM KUMPULAN CERITA NGUNTUL TANAH NUNULÉNGÉK LANGIT KARYA I MADE SUARSA/LOCAL BALINESE SOCIAL CRITICISTS IN THE STORIES COLLECTION OF NGUNTUL TANAH NULÉNGÉK LANGIT BY I MADE SUARSA

Aksara ◽  
2021 ◽  
Vol 32 (2) ◽  
pp. 223-234
Author(s):  
Ni Nyoman Tanjung Turaeni ◽  
Puji Retno Hardiningtyas
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Life ◽  
Social Problems ◽  
Social Inequalities ◽  
Social Issues ◽  
Social Criticism ◽  
Formal Structure ◽  
The Social ◽  
Classi Cation

Abstrak Kritik sosial sebagai sebuah ide atau berbagai bentuk gagasan yang bertolak belakang dengan kenyataan yang tidak sesuai dengan tujuan dan harapan dari tatanan dalam masyarakat. Penelitian ini bertujuan membahas aspek sosial yang meliputi struktur cerita, masalah sosial dan kritik sosial bermuatan lokal Bali yang tercermin dalam kumpulan cerita pendek berbahasa Bali Nguntul Tanah Nulengék Langit karya I Made Suarsa. Metode analisis yang digunakan dalam penelitian ini adalah deskriptif kualitatif dan teknik interpretatif. Dalam pengolahan data dilakukan tahapan klasifikasi, pendeskripsian, penerjemahan, dan penganalisisan data. Untuk mengetahui masalah sosial dan kritik sosial dalam cerpen tersebut, digunakan teori sosiologi sastra dan teori struktural untuk mengetahui struktur formal yang membangun cerita tersebut. Hasil dan pembahasan penelitian ini menunjukkan bahwa kritik sosial yang dapat terhimpun dalam cerita tersebut adalah kritik sosial terhadap kemiskinan, kritik sosial disorganisasi keluarga dan kritik terhadap adat dan tradisi serta serta kehidupan sosial masyarakat Bali. Dengan demikian, lahirnya cerpen karya I Made Suarsa ini memperlihatkan kemegahan pariwisata, masih terdapat ketimpangan sosial dalam masyarakat Bali. Kata kunci: cerpen, kritik sosial, masalah sosial, muatan lokal Bali Abstract Social criticism as an idea or various forms of ideas that are contrary to reality is not in accordance with the goals and expectations of the order in society. This study aims to discuss the social aspects which include story structure, social issues and social criticism with local Balinese content as re ected in a collection of short stories in Balinese language “Nguntul Tanah Nulengék Langit” by I Made Suarsa. The method used in this research is descriptive qualitative and note taking techniques. In data processing, the stages of classi cation, description, translation and data analysis are carried out. To nd out the social problems and social criticism in the short story, the sociology approach of Sapardi Djoko Damono’s view is used and is assisted by a structural approach to determine the formal structure that builds the story. The results of the study show that the social criticisms that can be collected in the story are social criticism of poverty, social criticism of family disorganization and criticism of customs and traditions as well as the social life of Balinese people who seem famous by tourism, but in fact there are still social inequalities in Balinese society. Keywords: social problems, social criticism, short stories 

scholarly journals Representasi Budaya Termarginalisasi dalam Game

Koneksi ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 194
Author(s):  
Orville Yonathan ◽  
Sinta Paramita
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Research Methods ◽  
Mass Communication ◽  
Research Method ◽  
Roland Barthes ◽  
Online Game ◽  
Semiotic Analysis ◽  
Minority Cultures ◽  
Data Collection Technique

Games as a form of mass communication carry messages for the audience. One of the games called marginalization was Player Unknown's Battlegrounds (PUBG). This study aims to identify the existence of marginalization in minority cultures in the PUBG game. The PUBG game is a survival game against 100 people where the players are placed on an island. How to survive is done by killing opposing players using the weapons that have been provided. This game can be done alone or in groups of four. The research method used by researchers is qualitative research methods. The research technique used is the Semiotic analysis of Roland Barthes. The data collection technique used was the observation technique. Observations made by researchers include how the characters in this game are made and how the forms of communication performed by the players while playing so that the marginalization of the minority culture appears. This study found that in an online game it has the potential to bring bad things to the intercultural society which is described by Roland Barthes that a bad habit will become a habit that is tolerated.Permainan atau game sebagai bentuk komunikasi massa membawa pesan bagi audiens. Salah satu game yang disebut melakukan marginalisasi adalah game PlayerUnknown’s Battlegrounds (PUBG). Penelitian ini ingin mengidentifikasi adanya marginalisasi pada budaya minoritas dalam game PUBG. Permainan PUBG merupakan permainan bertahan hidup dengan melawan 100 orang di mana para pemainnya ditempatkan di sebuah pulau. Cara bertahan hidup dilakukan dengan membunuh pemain lawan menggunakan senjata yang sudah disediakan. Permainan ini dapat dilakukan sendiri atau berkelompok dengan anggota empat orang. Metode penelitian yang dipakai peneliti adalah metode penelitian kualitatif. Teknik penelitian yang digunakan adalah analisis Semiotika Roland Barthes. Teknik pengumpulan data yang digunakan adalah teknik observasi. Pengamatan yang dilakukan peneliti meliputi bagaimana karakter dalam game ini dibuat dan bagaimana bentuk komunikasi yang dilakukan para pemain pada saat bermain sehingga muncul marginalisasi budaya minoritas tersebut. Penelitian ini menemukan bahwa di dalam sebuah game online memiliki potensi memunculkan hal buruk untuk masyarakat antar budaya yang digambarkan menurut Roland Barthes bahwa sebuah kebiasaan buruk akan menjadi suatu kebiasaan yang ditoleransi.

scholarly journals PESAN MORAL PERNIKAHAN PADA FILM WEDDING AGREEMENT (ANALISIS SEMIOTIKA ROLAND BARTHES)

2020 ◽  
Vol 5 (9) ◽  
Author(s):  
Nita Khairani Amanda ◽  
Yayu Sriwartini
Keyword(s):  
Mass Media ◽  
Everyday Life ◽  
Cultural Values ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Descriptive Research ◽  
Effective Media ◽  
Mutual Relations ◽  
One Year

<p align="center"><strong>ABSTRAK</strong></p><p>Media massa film dipilih sebagai media yang paling efektif dalam menyampaikan pesan, karena film dapat digunakan sebagai media pembelajaran melalui pesan yang direpresentasikan ke dalam adegan atau narasi cerita. Pelajaran yang dapat diambil berupa pesan moral, atau salah satunya tentang pesan moral pernikahan yang terkandung dalam Film <em>Wedding Agreement. </em>Film ini membahas sisi kehidupan pernikahan yang dipermainkan, dengan adanya perjanjian pernikahan yang menyebutkan pasangan akan bercerai usai satu tahun pernikahan.<em> </em>Jenis penelitian yang digunakan adalah kualitatif  dengan  sifat  penelitian  deskriptif.<em> </em>Penelitian ini mengunakan metode analisis semiotika Roland Barthes, dalam analisis ini terdapat tiga hal inti yang menjadi fokus yaitu makna Denotatif, Konotatif, dan Mitos yang digunakan peneliti sebagai panduan untuk melihat pengambaran terkait pesan moral pernikahan yang tergambar disetiap adegan film. Data yang didapatkan dalam penelitian ini bersumber dari aplikasi Iflix yang menayangkan Film <em>Wedding Agreement </em>dan<em> </em>digabungkan dengan buku-buku yang membahas mengenai film dan pesan moral pernikahan. Hasil penelitian yang menunjukan bahwa representasi pesan moral pernikahan yang tampil dalam film <em>Wedding Agreement, </em>adalah berupa pemenuhan hak dan kewajiban seorang suami istri. Seperti, kewajiban saling menjaga hubungan, mencintai satu sama lain, menghormati satu sama lain, dan memenuhi kebutuhan rumah tangga. Dalam film ini sutradara ingin menonjolkan sisi bagaimana cara seorang pasangan untuk menjaga hubungan mereka dengan menggabungkan nilai budaya pernikahan indonesia dan nilai-nilai pernikahan agama islam yang dapat dijadikan sebuah pembelajaran bagi penonton film <em>Wedding Agreement.</em> Selain itu, film ini tidak hanya memiliki pesan moral pernikahan, tetapi terdapat pesan moral lainnya yang berhubungan dengan kehidupan sehari-hari.</p><p> </p><p><strong>Kata Kunci : </strong>Kata Kunci : Semiotika, Film, Pesan Moral Pernikahan</p><p><strong> </strong></p><p align="center"><strong><em>ABSTRACT</em></strong></p><p><em>Film mass media was chosen as the most effective media in conveying messages, because film can be used as a learning medium through messages that are represented in scenes or narratives of stories. Lessons can be taken in the form of moral messages, or one of them is about the moral messages of marriage contained in the Film Wedding Agreement. This film discusses the side of married life being mocked, with a marriage agreement that says the couple will divorce after one year of marriage. This type of research is qualitative with the nature of descriptive research. This study uses Roland Barthes's semiotic analysis method, in this analysis there are three core things that are the focus, namely the Denotative, Connotative, and Mythical meaning used by researchers as a guide to see the depiction of marriage moral messages drawn in each film scene. The data obtained in this study is sourced from the Iflix application that shows Film Wedding Agreement and is combined with books that discuss the film and the moral message of marriage. The results showed that the representation of the moral message of marriage that appears in the film Wedding Agreement, is in the form of fulfilling the rights and obligations of a husband and wife. Like, the obligation to maintain mutual relations, love one another, respect each other, and meet the needs of the household. In this film the director wants to highlight the side of how a couple to maintain their relationship by combining the cultural values of Indonesian marriage and the values of Islamic religious marriage that can be used as a lesson for filmmakers of the Wedding Agreement. In addition, this film not only has a moral message of marriage, but there are other moral messages related to everyday life.</em></p><p><strong><em>Keywords: </em></strong><em>Semiotics, Film, Marriage Moral Message</em></p>

scholarly journals Kajian Semiotika Roland Barthes pada Poster Unicef

2020 ◽  
Vol 3 (2) ◽  
pp. 726-733
Author(s):  
Junisti Tamara
Keyword(s):  
Developing Countries ◽  
Data Analysis ◽  
United Nations ◽  
Qualitative Method ◽  
Humanitarian Assistance ◽  
Roland Barthes ◽  
Human Beings ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Art And Design

United Nations Children's Fund (UNICEF) is an organization from the United Nations that provides humanitarian assistance and welfare development to children and their mothers in developing countries. Until now, UNICEF has published numerous posters containing appeals and warnings to help fellow human beings who are experiencing difficulties. However, some of the posters are difficult to translate directly. This study aims to determine how best to understand the message conveyed by the UNICEF posters. As well as knowing the denotation, connotation and ideology in UNICEF posters. The method used in this research is descriptive qualitative method. The data analysis used is semiotic analysis based on Roland Barthes' theory, namely the meaning of the signifier, signified to determine the meaning of denotation, connotation and ideology on the UNICEF poster. The overall results in this study explain that by utilizing the semiotic analysis method, posters that look quite confusing can be easily understood. Semiotics presents a sequence of processes so as to deliver a work of art and design as steps that can be explained in a structured manner.

scholarly journals REPRESENTASI KESENJANGAN SOSIAL DALAM FILM PARASITE (ANALISIS SEMIOTIKA ROLAND BARTHES)

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Patmawati Patmawati
Keyword(s):  
Social Inequality ◽  
Living Environment ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Literature Study ◽  
Education Inequality ◽  
The Social ◽  
Education Fever ◽  
Two Stages

This study aims to identify the social inequality represented in the film Parasite. This research uses Roland Barthes' semiotic analysis method which consists of two stages of marking, namely denotation and connotation. Supporting data in this study uses literature study to obtain relevant theories and data that can be used to solve problems. The results showed that in denotation and connotation there is a meaning of social inequality in the Parasite film which is shown through several markers in the form of audio and visual. Forms of social inequality such as education inequality, inequality in living environment, gap of opportunity. Surrounding myths such as the myth of education fever and the sanpo generation. Meanwhile, the ideology that surrounds it is the ideology of individualism, which is delivered by the capitalist economic system.

scholarly journals Kesempurnaan Wong Menak dalam Wayang Sasak

Panggung ◽  
2018 ◽  
Vol 28 (3) ◽  
Author(s):  
Muh. Syahrul Qodri
Keyword(s):  
Roland Barthes ◽  
Main Character ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Literature Study ◽  
Cultural Codes ◽  
Semiotic Perspective

AbstractThe problem discussed in this article is the values of perfection in the main character of Jayengrana in Wong Menak story of Wayang Sasak in its relation to other figures in the puppet. To explore this issue, the analysis method used is Roland Barthes’ semiotic perspective. Data were collected from interviews and literature study. After applying the stages of semiotic analysis, which is based on 5 codes of Roland Barthes’ semiotics (i. e. hermeneutic, connotation, symbolic, proaretic, and cultural codes), it can be concluded that the perfection of Wong Menak story lies on the glory of himself as wong menak as represented through the his nicknames which prevails on every journey of life. This is because of his ability to manage the five characters that exist in companions and manifest themselves in wong menak itself. Keywords: perfection, wong menak, puppet sasak. AbstrakMasalah yang dibahas dalam artikel ini adalah tentang nilai kesempurnaan yang dimiliki oleh tokoh utama Jayengrana dalam Wong Menak di dalam Wayang Sasak yang dikaitkan dengan tokoh-tokoh lainnya dalam wayang tersebut. Untuk mengupas persoalan tersebut, metode analisis yang digunakan adalah semiotika perspektif Roland Barthes. Data yang dianalisis adalah data dari hasil wawancara dan studi pustaka. Setelah melewati tahapan analisis semiotika yang berlandaskan pada lima kode Roland Barthes (yaitu kode hermeneutik, konotatif, simbolik, proaretik, dan kode kultural), dapat ditarik sebuah kesimpulan bahwa kesempurnaan Wong Menak terletak pada kejayaan dirinya sebagai wong menak yang direpresentasikan lewat nama-nama julukan yang disandangnya, sehingga senantiasa berjaya pada setiap perjalanan kehidupannya. Hal ini disebabkan oleh kemampuannya mengelola kelima karakter yang ada pada diri sahabat-sahabatnya dan  menyatu dalam diri wong menak itu sendiri. Kata kunci: kesempurnaan, wong menak, wayang sasak

scholarly journals ANALISIS METODE DAKWAH DALAM FILM AYAT-AYAT CINTA 2

2020 ◽  
Vol 12 (1) ◽  
pp. 67-73
Author(s):  
Abdul Wahab ◽  
Nurul 'Ainin Nafi'ah
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Data Collection Technique ◽  
Genre Film

Ayat-Ayat Cinta 2 the movie is a continuation of the previous film, Ayat-Ayat Cinta. This religious genre film is an adaptation of a novel by Habiburrahman El Shirazy with the same title. This research was conducted to examine the Analysis of Da'wah Method conducted by Fahri in Ayat-Ayat Cinta 2 the movie. This study uses a type of qualitative research with Roland Barthes's semiotic analysis method that examines the meaning of denotation, connotation and myth. The data collection technique used is documentation by analyzing scenes and dialogs on film scene footage. From the results of this study, it was found that the method of da'wah in Ayat-Ayat Cinta 2 the movie is the method of bil hikmah, bil mauidzah hasanah, mujadalah and exemplary (demonstration). The dominant method of da'wah is the da'wah method of wisdom and example (demonstration). Keywords : Method of Da'wah, Movie, Roland Barthes's Semiotic Film Ayat-ayat Cinta 2 merupakan kelanjutan dari film sebelumnya, Ayat-ayat Cinta. Film yang bergenre religi ini merupakan film adaptasi dari novel karya Habiburrahman El Shirazy dengan judul yang sama. Penelitian ini dilakukan untuk menelaah tentang Analisis Metode Dakwah yang dilakukan oleh Fahri dalam Film Ayat-Ayat Cinta 2. Penelitian ini menggunakan jenis penelitian kualitatif dengan metode analisis semiotik Roland Barthes yang mengkaji makna denotasi, konotasi dan mitos. Teknik pengumpulan data yang digunakan yaitu dokumentasi dengan cara menganalisa adegan dan dialog pada cuplikan scene film. Dari hasil penelitian ini, ditemukan bahwa metode dakwah dalam film Ayat-ayat Cinta 2 yaitu metode bil hikmah, bil mauidzah hasanah, mujadalah dan keteladanan (demonstrasion). Adapun metode dakwah yang dominan adalah metode dakwah bil hikmah dan keteladanan (demonstrasion). Kata Kunci : Metode Dakwah, Film, Semiotik Roland Barthes

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