scholarly journals MUSIUM INTERAKTIF SENI DAN DESAIN

2020 ◽  
Vol 1 (2) ◽  
pp. 1865
Author(s):  
Melanie Regina ◽  
Suwardana Winata
Keyword(s):  
Point Of View ◽  
Human Interaction ◽  
Interactive Art ◽  
Art And Design ◽  
Sustainable Environment ◽  
Human Object ◽  
Huge Impact ◽  
Five Senses ◽  
Interaction Approach ◽  
Urban Productivity

Point of view for looking artworks is not passsive anymore. Techonolgy development changed the museum paradigm. Those contemporaneity give huge impact for designing museum. The biggest critic of the museum well known about historical which contain educative value in it, currently that’s changing are passive to active, closeness to openess. Pattern of human interaction consubstantiate one each other, that’s added with nature reformation which has been invented a artwork. Art is not just about visualization, it is about a point of view which reflects among human, object, and nature. Museum of interactive art and design reveals about a meaning of interaction, this museum is going to locate in urban which have a high density and high urbanization. Community is formed from similarities and differences perception about places. Interaction approach will be able to deliver a content of human perseptiveness. “Five Senses of Human” as tools in this museum. These tools will be lead the visitor to have awareness about artworks (that contain five senses of human”. Design equips with a lot of nature experiences, it is will be able to dissociate urban complexity and the design will be able to contemplate citizens from rushed activities. The design contain functions to boost urban productivity and provide positive environment to be 24-hours city. Museum of Interactive art and design presents sustainable environment, to provide the citizens to have awareness about nature and support productivity as a needs in the future. Abstrak Perilaku manusia melihat karya seni bukanlah menjadi hal yang pasif. Perkembangan teknologi mengubah paradigma sebuah objek (karya seni) dalam museum.  Kesejamanan tersebut memberikan dampak yang besar di dalam desain perancangan museum. Museum yang kita kenal sebagai bangunan yang penuh dengan nilai historikal dengan nilai edukatif didalamnya menjadi berubah, yang bersifat pasif menjadi aktif, yang tertutup menjadi terbuka. Pola interaksi manusia dan objek melebur satu sama lain ditambah dengan sebuah reformasi alam yang menjadi representasi dari terciptanya sebuah karya seni. Seni bukanlah soal karya yang terlihat, tetapi seni adalah sebuah pandangan yang tercermin antara manusia, obyek dan alam. Museum Interaktif seni dan desain bercerita tentang sebuah makna interaksi, desain ini terletak di konteks perkotaan yang sangat padat. Komunitas yang tercipta karna adanya sebuah kesamaan maupun perbedaan persepsi dengan pengalaman sebuah ruang. Pendekatan akan interaksi tersebut melahirkan sebuah konten yang mengarah kepada kepekaan manusia akan pancaindra. “Lima Pancaindra Manusia” menjadi sebuah alat dari museum interaktif seni dan desain ini. Konten yang akan menggiring pengunjung untuk lebih peka terhadap karya seni yang sangat erat dengan pancaindra. Desain perancangan dilengkapi dengan pengalaman-pengalaman akan representasi alam, menghilangkan sebuah kepenatan dari hiruk pikuk kota dan menjadi tempat untuk manusia berkontemplasi dari kesibukan perkotaan. Desain dilengkapi dengan fungsi yang menunjang produktifitas kota dan menghadirkan lingkungan yang positif untuk menjadikan kota yang hidup selama 24 jam.  Museum interaktif seni dan desain hadir untuk lingkungan yang berkelanjutan, mewadahi masyarakatnya untuk semakin peka akan sebuah lingkungan dan menunjang produktifitas yang menjadi sebuah kebutuhan di masa yang akan datang.

Towards a Computer-Based Information Retrieval Systems Process

2013 ◽  
Vol 411-414 ◽  
pp. 82-85
Author(s):  
Anthony Subasic ◽  
Estelle Perrin ◽  
Frederic Danesi
Keyword(s):  
Information Retrieval ◽  
Information Search ◽  
Point Of View ◽  
Human Interaction ◽  
Human Interface ◽  
Retrieval Systems ◽  
Information Retrieval Systems ◽  
Computer Based ◽  
Definition Of ◽  
Interaction Approach

This paper presents the first definition of a methodology to analyze, design and evaluate information retrieval systems. We do not address the search engines themselves, but we discuss the computer human interaction implied. We show the need to introduce the user point-of-view in each interaction, and demonstrate the usage of trade oriented knowledge. We argue that, despite the inherent quality of the search engine, the human interface should be considered as the critical part of any system. Information Search Processes must evolve to include a computer-human interaction approach.

scholarly journals COVID-19 Barometer: Social Opinion – What Do the Portuguese Think in This Time of COVID-19?

2021 ◽  
pp. 1-9
Author(s):  
Ana Rita Pedro ◽  
Ana Gama ◽  
Patrícia Soares ◽  
Marta Moniz ◽  
Pedro A. Laires ◽  
...  
Keyword(s):  
Health Services ◽  
Online Survey ◽  
Well Being ◽  
Point Of View ◽  
Daily Lives ◽  
The People ◽  
Huge Impact ◽  
The Impact ◽  
Continue Monitoring

The COVID-19 pandemic brought new challenges to the global community, reinforcing the role of public health in society. The main measures to combat it had (and still have) a huge impact on the daily lives of citizens. This investigation aimed to identify and monitor the population’s perceptions about how it faced this period and the impact on health, well-being, and daily life. In this study, we describe the main trends observed throughout the COVID-19 pandemic in terms of mental health status, confidence in the capacity of the health services to respond to the pandemic, and the use of health services by participants. The online survey collected responses from 171,947 individuals ≥16 years of age in Portugal, over a period of 15 weeks that started on 21 March 2020. Participants could fill the questionnaire once or weekly, which enabled us to analyse trends and variations in responses. Overall, 81% of the respondents reported having felt agitated, anxious, or sad during the COVID-19 pandemic; 19% did not experience these feelings. During the confinement period, the proportion of participants feeling agitated, anxious, or sad every day/almost every day ranged between 20 and 30%, but since the deconfinement this proportion decreased. Around 30% reported having more difficulty getting to sleep or to sleep all night; 28.4% felt more agitated; 25.5% felt sadder, discouraged, or cried more easily; and 24.7% felt unable to do everything they had to do, women more frequently than men. Overall, 65.8% of the participants reported feeling confident or very confident in the health services’ capacity to respond to the challenges associated with the pandemic, and this confidence increased over time. Concerning the people who needed a consultation, 35.6% had one in person and 20.8% had one remotely, but almost 44% did not have one due to cancellation by the service (27.2%) or their own decision not to go (16.3%). At this unusual time in which we find ourselves and based on our findings, it is essential to continue monitoring how the population is facing the different phases of the pandemic until it officially ends. Analysing the effects of the pandemic from the point of view of citizens allows for anticipating critical trends and can contribute to preventative action.

scholarly journals Embodiments and co-actions: The function of trust and re-enactment in the practice of psychotherapy

2020 ◽  
Vol 13 (2) ◽  
Author(s):  
Sarah Bro Trasmundi ◽  
Johanne S. Philipsen
Keyword(s):  
Emotion Regulation ◽  
Therapeutic Alliance ◽  
Human Interaction ◽  
Embodied Interaction ◽  
Multiple Timescales ◽  
Therapeutic Work ◽  
Deep Breath ◽  
Theoretical Contribution ◽  
Incremental Change ◽  
Interaction Approach

AbstractThis paper is an empirically-based theoretical contribution to the field of research that investigates the function of trust and re-enactment in psychotherapeutic interaction. We use an ecological, embodied approach that pays attention to how human interaction is constrained by multiple timescales (past, present and future). The analysis sheds light on how trust, here in terms of a therapeutic alliance, is enabled, performed and maintained in interaction through the work with embodied re-enactments of previous events. Specifically, we describe how this therapeutic work constitutes an emerging, situated opportunity for teaching/practising embodied emotion regulation in the form of a co-participated enaction of “taking a deep breath,” and we emphasise how embodied, co-participated re-enactment of past (dys)functional behaviours outside of therapy can be a resource for redirecting, teaching and reinforcing therapeutically relevant behaviours in the context of therapy presenting themselves as fruitful opportunities for facilitating incremental change. Further, psychotherapy serves as a useful case for demonstrating the relevance of such an embodied interaction approach far more generally.

scholarly journals Landscape Design of University Campuses and User Satisfaction

2021 ◽  
Author(s):  
Deniz Gozde Ertin Tezgor ◽  
◽  
Beste Karakaya Aytin ◽  
Keyword(s):  
Public Space ◽  
User Satisfaction ◽  
Point Of View ◽  
Green Spaces ◽  
Survey Study ◽  
User Needs ◽  
University Campus ◽  
Art And Design ◽  
University Campuses ◽  
User Space

University campus gardens provide the integrity of the environment with educational buildings, connect the users and buildings, and provide liveable spaces for users. Campuses serve as a public space for academic, administrative and technical staff, especially students, as well as incoming visitors. As a public space, the ability of students to meet all their recreational, social and cultural needs is directly related to the content and designs of the open and green spaces of the campuses. It is essential to ensure the landscape designs of these spaces, in line with the structural and planting design principles, and with the successful composition of the user-space relationship where the user needs and desires are determined. From this point of view, it is aimed to evaluate the landscape designs of the two campuses of Trakya University, where art and design-oriented education is realised, in terms of user satisfaction. For this purpose, it was revealed by a survey that measures the satisfaction of the users of the two campuses where determined the spatial and landscape requirements of design-based education. In the survey, the users' duration and purpose of use of the campus, feelings created by various equipment on users, the usage the building and gardens and the current conditions of the campuses were determined. The frequency percentages of the data obtained in the survey study were evaluated using the SPSS 26.0 program. As a result, suggestions have been developed to improve the current use of the two campus gardens and to ensure the sustainability of the spaces.

scholarly journals The Values of Virtual Civilization in the Times of Global Consumption: Homo Sapiens VS Worldwide Pandemic

2021 ◽  
Vol 129 ◽  
pp. 01022
Author(s):  
Elena Pavlova
Keyword(s):  
Interpersonal Communication ◽  
Homo Sapiens ◽  
Value Added ◽  
Integrated Approach ◽  
Temporal Analysis ◽  
Point Of View ◽  
Human Interaction ◽  
Theoretical Interpretation ◽  
Human Society ◽  
Destructive Processes

Research background: The article is devoted to the phenomenon of COVID-19 and its influence of modern man. The article analyses the processes in which the mechanisms of human interaction with the environment manifest themselves, as well as ways to address the destructive processes in the minds and behavior of modern man. Purpose of the article: In this article, from the point of view of philosophy, one of the most complex phenomena of the modern information age, is characterized, namely the modern stage of the human society in the context of pandemic is studied and analyzed. Methods: Theoretical interpretation of understanding of problem of interpersonal communication in the context of globalization and pandemic COVID-19 requires an integrated approach. The method of temporal analysis and the method of personalistic and ideal-typical reconstruction, a tool that is adequate to the author’s interpretation of social self-organization in the era of globalization as a process of constituting the temporal and ethical dominance of individuals and collectivities that formalize the integrity of the cultural epoch, will become the immediate, applied methodological basis. Findings &; Value added: Summing up our reflections, we can say that it is the flexibility, multiple variability in different behavioral situations tha is often the key to successful and efficient activity. On the contrary: constriction, resistance to the changing conditions and factors very often become an obstacle on the way to successful communication with the world around us.

scholarly journals Arte interativa: quem é o autor e onde está o espectador?

2020 ◽  
Author(s):  
António Cardoso
Keyword(s):  
Linear Structure ◽  
Global Dimension ◽  
Point Of View ◽  
Interactive Art ◽  
Traditional Role ◽  
External Observer ◽  
Theatrical Performance ◽  
Symbolic Meanings ◽  
The Spectator

This article examines how the emergence of interactive art brought about the necessity of re-positioning the traditional role of the spectator and led to the re-formulation of the notion of authorship. The non-linear structure of interactive artworks empowers the spectator with the (apparent) control of its narrative and creates a relational space filled with an input-output dynamic. It is suggested that this elevates the spectator to the realm of co-authorship of the work of art that he/she is interacting with, because the specificity of each interaction generates symbolic meanings that the original author cannot anticipate.It is also argued that the input required from the spectator to interact with the artwork could be compared to a theatrical performance. Thus, an analogy between the spectator-in-action of an interactive artwork and the figure of an actor is established. This brings us to the question concluding the article: as the reception of interactive art implies an action from its spectator, the compatibility between action and contemplation is questioned.Finally, the article concludes that the corpus of an interactive artwork has to include the spectator that acts and creates the input needed for the interaction to be established. Therefore, only from the point of view of an external observer one can gain access to its global dimension, that is, as meta-spectators.

Formazione e sostenibilitŕ: didattica partecipata e aree protette, arte dell'intreccio e ecodesign

2009 ◽  
pp. 160-175
Author(s):  
Piergiorgio Pizzuto
Keyword(s):  
Pilot Project ◽  
Point Of View ◽  
Educational Activity ◽  
Plant Fibers ◽  
Traditional Use ◽  
Plant Materials ◽  
Art And Design ◽  
Know How ◽  
Sustainable Products ◽  
And Training

- The intent of this paper is to present the results and the proceedings of an interdisciplinary research about connections between training and sustainability in the field of eco-design applied in the traditional use of plant fibers. The research has begun three years ago and has taken the form of a pilot project entitled Design Zingaro - a participating experience of planning and training. Creations of Land Art and Design with plant materials. It was realized in an inclusive process of dialogue, trough participation of many university students, artists, naturalists, forest staff and master weaver of traditional know-how of local craft. The educational activity was designed in partnership with all the stakeholders. The action of coordination has revealed vital for the involvement of both participants linked to University and external ones (artists, naturalists, forest staff and master weaver). From the methodological point of view, the process of training and planning has to be analyzed, through an ecological approach to epistemology and by a systemic view. The analysis has to be focused on relationships that enabled the conduct of the process. The main nodal relationships form the basis to build up a reticular and systemic model, able to describe the complexity of our process. There are many thematic issues covered by the research. They are all closely interlinked with each other: 1. the report of the observer with the process under study 2. arrangements and approaches of participing planning and training 3. institutional cooperation 4. the handing down of traditional know how of interlacement with plant fibers 5. fieldwork and residential workshops Abstracts 187 6. design production and artistic outcomes 7. the realization of a quality label for sustainable products 8. public events, promotion and diffusion 9. mass media and international forum.

Service Design

2012 ◽  
pp. 211-222
Author(s):  
Satu Miettinen
Keyword(s):  
Design Process ◽  
Design Thinking ◽  
Service Design ◽  
Design Methods ◽  
Point Of View ◽  
Human Interaction ◽  
Service Development ◽  
Service Needs ◽  
New Ideas ◽  
Tourism Service

Service design is establishing itself as a method for developing services and service business. Service needs, new ideas and ways to utilise technology are encountered when the customer and the end user participate in the design process. This chapter focuses on service design methods and the process of how service design can help in innovating customer-orientated service concepts for e-tourism. Service design connects the areas of cultural, social and human interaction. Use of design methods acts as a link between the different views in the service design process. Service design is an emerging field where the terminology and methods are still developing. Mager (2009) has pointed out that the need for service design is evident, as economic development has changed dramatically during the last four decades from manufacturing to provision of information and services. Service design looks at service development from the designer’s point of view. Design thinking has the ability to create concepts, solutions and future service experiences for users.

scholarly journals Conzenian Tradition in Polish Urban Historical Morphology

2015 ◽  
Vol 21 (2) ◽  
pp. 133-153 ◽  
Author(s):  
Mariusz Kulesza
Keyword(s):  
Urban Landscape ◽  
Scientific Discipline ◽  
Point Of View ◽  
Anglo Saxon ◽  
Scientific Heritage ◽  
Morphological Studies ◽  
Huge Impact ◽  
Historic Development ◽  
The City

The scientific heritage of M. R. G. Conzen, who is considered one of the most outstanding historical geographers and urban morphologists in the world, has made a huge impact on the contemporary urban historic morphology. Nowadays it would be very hard to imagine this scientific discipline without his achievements. He created a new point of view on the city, first within the Anglo-Saxon, and afterwards within European and world geography. Morphogenetic methods, the conceptualisation of historic development, terminological precision as well as cartographic analysis that were typical of his approach, more and more often were considered essential for the development and the role of research on historic urban landscape. This resulted in the increasing interest in morphological studies on an international scale. In Poland, M. R. G. Conzen’s opinions have become recognizable since 1960, finding permanent place in urban historic morphology and providing stimuli for its significant development in the following decades.

Where is the border of Europe? Original works of art on this and that side of the river Lajta

1989 ◽  
Vol 14 (3) ◽  
pp. 21-23 ◽  
Author(s):  
Zsuzsanna Tószegi
Keyword(s):  
Eastern Europe ◽  
Public Libraries ◽  
Vital Role ◽  
Point Of View ◽  
Book Arts ◽  
Iron Curtain ◽  
Art Exhibitions ◽  
Art And Design ◽  
Works Of Art ◽  
Original Works

From a cultural point of view as well as politically and geographically, Hungary is very much part of Eastern Europe; although the “Iron Curtain” appears less formidable than hitherto, opportunities for people to encounter works of art are relatively few. In these circumstances, public libraries have a vital role to play in organising art exhibitions; their exhibition activities have been surveyed, and could in future be coordinated, by the National Széchényi Library. With some notable exceptions, the scope of exhibitions has tended to be unadventurous, focussing especially on the graphic and book arts because of their obvious relevance in a library environment. There is a particular need for exhibitions for children which would encourage uninhibited experiences of works of art and design.

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