scholarly journals Political Advertising Camouflage As News

Author(s):  
Camelia Catharina Pasandaran

Advanced technology has significantly influenced media and its environment, including their audience and advertisers. The changes have forced the media to rethink their business model. Native advertising, undisruptive advertising that looks like the original content of the media, is one of the new advertising form developed in the past few years. This trends started in Indonesian in 2014 as some big online media offers the native advertising space to the advertisers. In the perspective of Baudrillard’s postmodern view, this is a kind of simulation which may lead to the death of the reality. This study seeks to find the way news simulation work in Indonesian online media advertising. The result shows that the packaging, the placement, and the minimum disclosure of political native advertising have blurred the separation between commercial and editorial content. Analyzing from Baudrillard’s perspective, this news simulation is at the second stage of simulation, or evil appearance, in which people can no longer differentiate between the real news and the ads which simulate the news.

Author(s):  
Amit Pinchevski

“Transmission” is a term used, curiously enough, in both technology and psychology. In the former, it denotes the transfer of messages from one point to another, a view that was principally theorized by Claude Shannon and Warren Weaver. Technologically speaking, transmission names the conveyance of information from sender to receiver through a designated channel by means of symbols or signals. This technical formulation of transmission constitutes the operational basis of numerous media technologies. In psychology, transmission is often used to describe the way behavior and symptoms of traumatized parents are transferred to their children, causing transgenerational trauma. Such transmission can be direct or indirect, overt or covert; indeed, transmission of trauma might be the result of either over-disclosure of knowledge and facts, or of under- disclosure, even of persistent silence, which “can often communicate traumatic messages as powerfully as words.” In both technological and psychological uses, transmission denotes a unilateral handing over across space and/ or time. But clearly psychological transmission implies more than the mere delivery of messages: it involves a delivery that exceeds that of meaning or information proper, a transmission taking place as though beyond words, on the affective rather than on the cognitive level. This book has posited media as linking the two senses of transmission above by virtue of the technological capability of effecting impact in excess of message, and contact in excess of content. And nowhere are the stakes in linking technological and psychological transmissions higher than in the mediation of trauma. In this book I have advanced an argument about the deep association of media and trauma. The media discussed here—radio, videotape, television, digital, and virtual—comprise different instantiations of the mediation of trauma: the ways media technologies sustain and convey the experience of unsettling experience. Media reach to the Real, and in so doing make available a register whose registration is of corporeality itself. Bodies find expression through media in the Real, revealing materiality as a common substratum.


Author(s):  
Anya Schiffrin

Questions of media trust and credibility are widely discussed; numerous studies over the past 30 years show a decline in trust in media as well as institutions and experts. The subject has been discussed—and researched—since the period between World Wars I and II and is often returned to as new forms of technology and news consumption are developed. However, trust levels, and what people trust, differ in different countries. Part of the reason that trust in the media has received such extensive attention is the widespread view shared by communications scholars and media development practitioners that a well-functioning media is essential to democracy. But the solutions discussion is further complicated because the academic research on media trust—before and since the advent of online media—is fragmented, contradictory, and inconclusive. Further, it is not clear to what extent digital technology –and the loss of traditional signals of credibility—has confused audiences and damaged trust in media and to what extent trust in media is related to worries about globalization, job losses, and economic inequality. Nor is it clear whether trust in one journalist or outlet can be generalized. This makes it difficult to know how to rebuild trust in the media, and although there are many efforts to do so, it is not clear which will work—or whether any will.


Author(s):  
Laura Forlano

Over the past three years, cities across the United States have announced ambitious plans to build community and municipal wireless networks.  The phrase ‘anytime, anywhere’ has had a powerful impact in shaping the way in which debates about these networks have been framed.  However, ‘anytime, anywhere’, which alludes to convenience, freedom and ubiquity, is of little use in describing the realities of municipal wireless networks, and, more importantly, it ignores the particular local characteristics of communities and the specific practices of users.  This paper examines the media representations and technological affordances of wireless networks as well as incorporating the practices of those that build and use them in an attempt to reframe these debates.


Subject President Abdelaziz Bouteflika's grip on power in Algeria. Significance In the past three months, President Abdelaziz Bouteflika has dismissed ten generals in the armed forces and police. The scale of the turnover is unusual, as is the way in which the changes have been effected. The media have advanced various explanations: a cocaine-smuggling scandal, corruption charges or a routine rotation of officers. Questions have also arisen about what impact the dismissal of powerful security figures might have on the presidency itself, as Bouteflika’s supporters prepare the ground for him to secure a fifth term in an election scheduled for April 2019. Impacts A fifth term for Bouteflika will not lay to rest rivalries among powerful interest groups over the eventual succession. Activists and civil society members will organise more protests to express discontent with the presidency. If the cocaine smuggling claim is true, it may point to mafia-style networks deep within the security establishment.


2010 ◽  
Vol 35 (2) ◽  
pp. 12-17 ◽  
Author(s):  
Denise Cuthbert

A series of harrowing reports across the 1990s on the past removal of children, black and white, from their families have impacted on children and family policy in contemporary Australia, and on the way in which this is reported by the media and understood by the public. This paper briefly surveys some of these consequences and asks how we, as a community, can learn from the past with respect to questions of the welfare of children, without being burdened by that past.


Comunicar ◽  
2011 ◽  
Vol 18 (36) ◽  
pp. 43-50 ◽  
Author(s):  
Omar Rincón

Broadcasting and industrial television is a trip back to the past, to a space devoid of meaning, and to the boredom resulting from its moral conservatism, lack of creativity, thought and entertainment. But television’s monopoly over public screening is over; now, anyone can be a producer, an audiovisual narrator with his or her own screen. New television and other screens are daring to change the way stories are told: a more subjective, testimonial and imagebased journalism; a hyperrealist soap opera that dares to bring melodrama to comedy, documentary and local cultures; a bottom-up media with people in charge of breaking with the thematic and political homogeneity of the media, market and development machines. This essay will argue in favor of television as a space for expression by unstable identities, narrative experiments and unknown possibilities for audiovisual creation…only if «it takes the form» of women, indigenous peoples, African races, the environment, other sexualities…and plays on YouTube and new screens that are community-based and cellular. The most important thing is for television to move away from an obsession with content towards aesthetic and narrative explorations of other identities and into narratives that are more «collaboractive», with the possibility that they become the stories we want them to be.La televisión generalista e industrial es un viaje al pasado, al vacío de sentido y al aburrimiento por su conservadurismo moral, su pereza creativa, su ausencia de pensamiento y su pobre modo de entender el entretenimiento. Pero el monopolio televisivo de la pantalla pública se acabó, pues ahora todo ciudadano puede ser un productor, narrador audiovisual y tener pantalla. Así aparecen nuevas televisiones y otras pantallas que se atreven a contar distinto: un periodismo más subjetivo, testimonial y pensado desde las imágenes; una telenovela hiperrealista que se atreve a intervenir el melodrama desde la comedia, el documental y las culturas locales; unos medios de abajo y con la gente que se hacen para romper con la homogeneidad temática y política de las máquinas mediática, del mercado y del desarrollo. En este ensayo se argumenta a favor de la televisión como lugar de expresión de identidades inestables, experimentos narrativos y posibilidades inéditas para la creación audiovisual… solo si «toma la forma» de mujer, de lo indígena, afro, medio ambiental, otras sexualidades… y juega en nuevas pantallas como Youtube, lo comunitario y el celular. Lo más urgente es que la televisión pase de la obsesión por los contenidos a las exploraciones estéticas y narrativas desde las identidades otras y en narrativas más «colaboractivas» porque existe la posibilidad de ser los relatos que queremos ser.


1989 ◽  
Vol 24 (1) ◽  
pp. 3-14
Author(s):  
Émile Noël

THIS ARTICLE' PUTS FORWARD SOME GENERAL reflections on the Single European Act, on the conditions in which it was negotiated and on its first consequences. But a detailed description of the modalities of the Single Act, of the entire range of changes which it will introduce and of its potential would be beyond its scope. The Single Act has been extremely controversial, during its negotiation, after its conclusion, and for different reasons, during the ratification process. Some decried it as inadequate, even derisory, but others saw in it a threat to national sovereignty. Two referendums (in Denmark and in Ireland) were needed before it could be ratified. Today, on the contrary, the Single Act and its best-known feature — the achievement of the internal market in the Community by the end of 1992 — are presented in the media as the basis of a new Europe, the foundation of all European policy. The Single European Act does not deserve so much honour, any more than it deserved the past indignity, but it contains important innovations, which might lead to significant changes in the behaviour of the institutions and in the way in which the Community itself will develop. This is what I shall try to put forward by recalling briefly first the background of the Single Act, describing the details of the negotiations and, lastly, by singling out some of the original features of the new Treaty.


2019 ◽  
Vol 18 (6) ◽  
pp. 82-91
Author(s):  
V. E. Belenko ◽  
A. S. Gyrka

Purpose. This article reflects the program and the main research questions to describe the place of infographics on the media sites of the biggest Siberian cities. On the first stage of the research there were generated the solid sample of the infographics produced by six online media of Novosibirsk, five – of Krasnoyarsk and five – of Omsk. Results. The empirical base shows, chronologically, how the format is penetrated and developed the editorial boards of these media, given the number published on these website infographic in different years, revealed the media who regularly use this format, and media who do it rather rare. It is shown that this format is used by regional media quite selectively, only a few media creates more than a fifteen infographics per year. Nevertheless, the total number of infographics that could be found and included in the empirical base is quite large: more than five hundred infographics. They presents as standalone products in the sections allocated specifically for them, so the form of illustrations for reviews, articles and notes. Conclusions. They presents as standalone products in the sections allocated specifically for them, so the form of illustrations for reviews, articles and notes. At the second stage of the study, the method of content analysis will be applied to the formed empirical base, we also plan to analyze the auditoria indicators of the relevant projects, interview experts in the editorial offices to find out peculiarities of the production process.


2016 ◽  
Vol 9 (3) ◽  
pp. 609
Author(s):  
Jasna Vuković ◽  
Miroslav Vujović

The paper discusses the image of archaeology and archaeologists created in the public by various media. On the grounds of analysis of the texts in which the subject of archaeology figures in newspapers and on social networks, it is demonstrated that archaeologists are mainly perceived in the public as inert “concealers” of the real truth of the past. The reason behind this is equally in the insufficient knowledge of the media, but as well in the reluctance of professional archaeologists to communicate. The paper offers an outline of long-term strategy to bridge the existing gap and inform the public about the mission and social relevance of the discipline.


Author(s):  
Ol'ga Stanislavovna Sukhikh

The novel “It Never Happened” by L. I. Borodin is analyzed from the perspective of peculiarities of the embodiment of fantastic beginning therein. The author employs the holistic analysis of the text. The goal of this research consists in studying the synthesis of the fantastic and the real alongside determining the nature of the extraordinary in the novel; analysis of its key function and methods of its introduction into the artistic world. It is established that the synthesis of the fantastic and the real is associated with fact that Borodin does not intend  to create an image of some extraordinary world, but seeks to actualize his emotions and find the way to resolve the internal conflict via fantastic means –  journey of the narrator into the past. The relevance and novelty are defined by the fact that the work of L. I. Borodin has not previously become the object of comprehensive literary study, although it is interesting from the perspective of problematic and poetics, reflection of the theme of guilt, which is meaningful in the works of L. Borodin. It is proven the crucial function of the fantastic in the novel “It Never Happened” is associated with psychologism. The extraordinary in the plotline is a “derivative” from the emotional drama of the narrator, the strongest desire to redeem himself, and repair what was done in childhood.


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