scholarly journals Locuras detectivescas en La detective miope de Rosa Ribás

2017 ◽  
Vol 3 ◽  
pp. 157
Author(s):  
Marina Bettaglio
Keyword(s):  
19Th Century ◽  
Detective Fiction ◽  
The Novel ◽  
Full Circle ◽  
Private Investigator ◽  
Siglo Xix ◽  
Private Eye ◽  
Mental Institution

Resumen: En La detective miope la escritora española Rosa Ribás lleva a cabo una inversión paródica de las normas de la literatura detectivesca al crear una investigadora privada recién salida de una institución psiquiátrica. A diferencia de los métodos deductivos empleados por eminentes detectives del siglo XIX, Irene Ricart subvierte las leyes de la lógica al resolver el enigma del brutal asesinato del que fueron víctimas su esposo y su hija. Mientras su vista se va deteriorando progresivamente, esta detective tan peculiar logra desenmascarar a los culpables del doble asesinato y acabar con los asesinos en una trama circular marcada por la locura. Questioning Rationality in Rosa Ribas’ La detective miope Abstract: In La detective miope, Spanish writer Rosa Ribás carries out a parodic inversion of the norms of detective fiction by giving voice to a private investigator, who has been recently released from a mental institution. Contrary to the deductive methods employed by eminent 19th century detectives, Ribás nearsighted private eye Irene Ricart subverts every law of logic to solve the enigma of her daughter and husband’s brutal killing. As her eyesight deteriorates, this unconventional detective unmasks a network of criminal activities, kills the killers and ends full circle in the same clinic where she originally was at the beginning of the novel.

scholarly journals Don Quijote en manos de Goya

2017 ◽  
pp. 155
Author(s):  
Jesús Pérez-Magallón
Keyword(s):  
19Th Century ◽  
Royal Academy ◽  
British Museum ◽  
Don Quixote ◽  
The Novel ◽  
Don Quijote ◽  
Siglo Xix ◽  
The 19Th Century

RESUMENEste ensayo explora las dos intervenciones de Goya en el mundo de Don Quijote: el grabado que le solicitó la Academia para su magnífica edición de 1780 —que nunca fue publicado— y el dibujo que hizo Goya en la última página de uno de sus cuadernos (el álbum F), dibujo que hoy se encuentra en el British Museum, pero que fue copiado y grabado por Bracquemond hacia mediados del siglo XIX. El ensayo se inicia con una visita a la biografía del pintor y se detiene en algunos aspectos tal vez conflictivos de la misma, para pasar después a la presentación y análisis de los grabados con el objetivo de proporcionar alguna explicación de sus diferentes avatares y de sus cuestionables aportaciones.PALABRAS CLAVEFrancisco de Goya, Don Quijote, grabados, dibujos, Cervantes, recepción, iconografía. TITLEDon Quixote in Goya's handsABSTRACTThis paper explores two Goya’s images on Don Quixote: first, the drawing requested by the Spanish Royal Academy for the 1780 edition of the novel, etched by Frabregat that was never published. Second, a drawing on the last page of his album F. The original is held at the British Museum, though it was copied and etched by Bracquemond in the 19th century. My paper revisits Goya’s biography and particularly his inclusion among the afrancesados, a conflicting topic about his life. Then I analyze both images in order to provide some explanation on their significance and transcendence.KEY WORDSFrancisco de Goya, Don Quixote, etchings, drawing, Cervantes, reception, iconography.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

Durkheim y Freud: Autoridad disciplinaria, Individuo y Neurosis. / Durkheim and Freud: Disciplinary Authority, Individual and Neurosis.

2012 ◽  
Vol 1 (02) ◽  
pp. 45-67
Author(s):  
Nelson Beyer
Keyword(s):  
19Th Century ◽  
Social Form ◽  
Siglo Xix ◽  
The Relationship

Se presentan en este artículo los vínculos existentes entre el concepto de autoridad disciplinaria y el concepto de neurosis, a partir de un examen de los procesos de individuación asociados a dicho entrecruzamiento. Interrogar por el tipo de individuo que se fabrica en una determinada forma social, permite situar el análisis simultáneamente en el doble registro de lo psíquico y lo histórico. En este sentido, las “neurosis freudianas” favorecen la identificación de los contornos del “individuo disciplinario” que surgió durante el siglo XIX en Europa. This paper analyzes the relationship between the concepts of disciplinary authority and neurosis by paying attention to the process of individuation. The study of the type of individual produced in a specific social form allows situating the analysis simultaneously on a psychic and historic level. In this regard, we will argue that the concept of neurosis developed by Freud might be seen as a path to identify the contours of the “disciplinary individual” that emerged during the European 19th Century.

Pinocchio e l’evoluzione

Revue Romane ◽  
2011 ◽  
Vol 46 (2) ◽  
pp. 282-293
Author(s):  
Margareth Hagen
Keyword(s):  
19Th Century ◽  
Fairy Tales ◽  
Public Debate ◽  
The Novel ◽  
The Public ◽  
Continuous Evolution ◽  
Narrative Interpretation ◽  
Theories Of Evolution ◽  
The 19Th Century ◽  
Pedagogical Literature

The first chapters of Carlo Collodi’s Pinocchio were printed in 1881, the same year as the publication of the novel I Malavoglia, Giovanni Verga’s masterpiece of verismo. While every critical reader of Verga’s realism has pointed out his particular narrative interpretation of evolution, Collodi’s has novel very seldom been connected to the theories of evolution, even if Darwin’s ideas were highly present in the public debate in Florence during the last decades of the 19th century. The reasons for this silence are primarily to be found in the genre of Pinocchio, in the fact that it is children literature, and therefore primarily related to the narrative mechanisms of the fairy tales and pedagogical literature. Focusing on Pinocchio, the article discusses to which degree Darwinism can be traced in Collodi’s literature for children, and questions if the continuous metamorphoses of Pinocchio can be read also in connection with the naturalist conception of the literary characters as unstable, in continuous evolution, and not only as part of the mechanisms of fairy tales and mythological narratives.

scholarly journals Ivan Vahylevych’s mystified biography in Yurii Vynnychuk’s novel “Liutetsiia”

2020 ◽  
pp. 6-11
Author(s):  
Halyna Bokshan
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Main Character ◽  
Don Juan ◽  
Material Characteristic ◽  
Public Figure ◽  
Historical Aspects ◽  
Historical Material ◽  
The 19Th Century ◽  
Historical Epoch

The study examines the features of the strategies of mythologization and mystification used by Yurii Vynnychuk in creating his literary version of Ivan Vahylevych’s biography in the novel “Liutetsiia”. First of all the paper emphasizes the writer’s inclination to play with historic material characteristic of postmodernism, manifesting itself in most of his works and in the novel under study, in particular. The research pays special attention to the original interaction of mythological and cultural-historical aspects in the fictionalized biography of the renowned public figure of the 19th century, famous for his activity in Ruska Triitsia. It considers the specific features of the literary visualization of Ivan Vahylevych character in the relation to Ivan Franko’s essay representing the epistolary of the figures of the historical epoch depicted in the novel. The study determines the correlation between the personages in “Liutetsiia” and the characters and motives of the Celtic mythology. It identifies the specificity of the reminiscent relations of the main character with the archetypal figure of Don Juan. The conclusions highlight the use of irony, grotesque and comic modus by Yurii Vynnychuk as the manifestation of the neo-mythological device of deheroization. It also accentuates that the strategies of mythologization and mystification in “Liutetsiia” reflect the manner of interpreting cultural-historical material characteristic of the author.

scholarly journals Un paisaje sacralizado por grabados rupestres protohistóricos e históricos en las hoces del río Mesa (Calmarza, Zaragoza) = A Sacralized Landscape by Protohistoric and Historical Rock Engravings in the Gorges of the River Mesa (Calmarza, Zaragoza)

2020 ◽  
pp. 105
Author(s):  
José Ignacio Royo Guillén ◽  
Francisco José Navarro Cabeza ◽  
Serafín Benedí Monge
Keyword(s):  
19Th Century ◽  
Iron Age ◽  
Rock Art ◽  
Archaeological Remains ◽  
The Third ◽  
Christian Iconography ◽  
Siglo Xix ◽  
Del Rio ◽  
The 19Th Century

Los estudios sobre grabados rupestres al aire libre de cronología postpaleolítica, adolecen de importantes carencias que, en el valle medio del Ebro, se han visto superadas con la llegada del tercer milenio. Con la presentación de este trabajo se pretende dar a conocer un nuevo núcleo de grabados rupestres, localizado en el extremo suroeste de la provincia de Zaragoza, en las gargantas calcáreas del río Mesa. Entre los nuevos enclaves rupestres, destacan los abrigos con grabados protohistóricos, pero muy especialmente los de cronología medieval andalusí y los de iconografía cristiana entre los siglos XIV y XVIII, con perduraciones hasta mediados del siglo XIX y algunas escenas relacionadas con la primera Guerra Carlista en Aragón. La distribución de los hallazgos, su tipología e iconografía y los restos arqueológicos asociados, permiten documentar una importante ocupación del territorio desde la Iª Edad del Hierro y la sacralización del paisaje a través del arte rupestre, con pervivencias que se perpetúan a lo largo de la Edad Media y Moderna, destacando como novedad la presencia de un importante conjunto de inscripciones epigráficas islámicas que deben situarse entre los siglos XI y XII. AbstractThe studies on open-air rock engravings in post-Paleolithic chronology suffer from important deficiencies, which in the middle valley of the Ebro, have been overcome with the arrival of the third millennium.With the presentation of this work, the aim is to make known a new nucleus of rock engravings, located in the extreme southwest of the province of Zaragoza, in the limestone gorges of the River Mesa. Among the new rock engravings, the shelters with protohistoric engravings stand out, but especially those with a medieval Andalusian chronology and those with Christian iconography between the 14th and 18th centuries, which lasted until the middle of the 19th century and some scenes related to the first Carlist War in Aragon. The distribution of the findings, their typology and iconography and the associated archaeological remains, allow us to document an important occupation of the territory since the First Iron Age and the sacralization of the landscape through rock art, with survivals that are perpetuated throughout the Middle and Modern Ages, highlighting as a novelty the presence of an important set of Islamic epigraphic inscriptions that must be located between the 11th and 12th centuries.

scholarly journals Tradición clásica y mitos en la poesía cubana del siglo XIX

2020 ◽  
pp. 683-694
Author(s):  
Ángel Ruiz Pérez ◽  
Keyword(s):  
19Th Century ◽  
Ancient World ◽  
Classical Antiquity ◽  
Jose Marti ◽  
Political Issues ◽  
Julian Del Casal ◽  
Siglo Xix ◽  
Key Aspects ◽  
The 19Th Century ◽  
Poesia Cubana

Study of myths and motifs of classical antiquity in the poetry of some important Cuban poets of the 19th century (José María Heredia, Juan Clemente Zenea, Enrique José Varona Julián del Casal and especially José Martí). The importance of art as a subject and as a way of connecting with the ancient world and above all, the centrality of political issues are key aspects that explain the repeated presence of Prometheus and Laocoon

scholarly journals Profanación, exhumación y violación de los enterramientos: arqueología penal de su regulación en el siglo XIX

2021 ◽  
pp. 13
Author(s):  
David Castro Liñares
Keyword(s):  
19Th Century ◽  
Criminal Law ◽  
Narrative Structure ◽  
The Body ◽  
Criminal Punishment ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Deceased People

Este trabajo tiene como finalidad analizar el tratamiento penal que durante el siglo XIX se dispensó a los actos indebidos para con el cuerpo y memoria de las personas fallecidas. Para ello, este texto se inicia con un recorrido normativo por los Códigos Penales españoles del siglo XIX (1822-1848-1850-1870) con el propósito de analizar la forma en que el Legislador penal fue incorporando esta cuestión en los distintos textos normativos. A continuación, y como forma de continuar este análisis, se estima adecuado detenerse en las razones político criminales subyacentes a la tipificación de estas conductas. De esta forma, se intenta realizar una aproximación a las lógicas punitivas decimonónicas inherentes a una esfera tan particular como el castigo penal a los actos irrespetuosos para con los difuntos. Por último, se incorpora un apartado conclusivo en el que abordar algunas ideas que, por razón de estructura narrativa no encontraban un acomodo idóneo en otras partes del texto pero que igualmente resultan de importancia para esta propuesta de análisis político-criminal histórico.This work aims to analyse the criminal law treatment that during the 19th century is dispensed to wrongdoing with the body and memory of deceased people. For that purpose, this text begins with a normative view of the Spanish Criminal Codes of the 19th century (1822-1848-1850-1870) in order to investigate how the Criminal Legislator incorporated this issue into the various normative texts. Hereunder, as a way to continue this analysis, it is considered appropriate to dwell on the criminal political reasons typification of these conducts. In this way, an attempt is made to approximate the decimonic punitive logics inherent in an area as particular as criminal punishment to disrespectful acts with the deceased. Finally, a concluding section is incorporated in order to address some ideas that, by reasons of narrative structure, did not find an appropriate accommodation in other parts of the text but which are also relevant for this proposal of historical political-criminal analysis. 

scholarly journals El tratamiento del léxico especializado en la lexicografía española del siglo XIX

2020 ◽  
Vol 13 ◽  
pp. 97-108
Author(s):  
Narciso M. Contreras Izquierdo
Keyword(s):  
19Th Century ◽  
Siglo Xix ◽  
The 19Th Century

The lexicographical treatment of the specialized lexicon of a language is one of the most serious problems lexicographers and specialists in the discipline must face; the author also affirms that it is one of the great pending tasks of Spanish lexicography. The paper proposes to examine the evolution and characteristics of the Spanish lexicographic tradition in general, and to present the different tendencies in the treatment of the lexicon specialized in the 19th century.

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