scholarly journals Individualism and Tolerance as the Principles of the Political Ethics of Liberalism

2018 ◽  
Vol 16 (3) ◽  
pp. 89-99
Author(s):  
M. A. Shirokova

The importance of the ethical principles of individualism and tolerance in the political ethics of liberalism has been studied from the moment of the emergence of liberal ideology to the present day. Using the conceptions of Russian and foreign philosophers, the author traces the relationship of these principles with the situation of the collapse and crisis of the moral system of the post-modern society. The author claims that the liberal doctrine as a whole has a paradoxical effect on the moral consciousness of the modern person, hindering his self-identification.

2016 ◽  
Vol 17 (2) ◽  
pp. 199-211
Author(s):  
Nick Cheesman

Throughout February 2012, a court sitting at Myanmar’s central prison recorded a defendant’s narrative of torture by policemen to have him confess to a bombing two years prior. How was this record made possible? What does the narrative reveal about the relationship of police torturers to the political community giving them authority to act? Working from Agamben’s intuition that in the moment of violence the policeman occupies an area symmetrical to the sovereign, inasmuch as his use of violence is justified in the name of public order, I suggest the account of police torture in this case can be explained in terms of Hobbes’s theory of attributed action. Like Hobbes’s sovereign, the Burmese policemen had the prerogative to decide when and how to use violence against the detained subject on behalf of the state. That the defendant could later recount to a judge the torture done to him was only because he lacked standing to lay claims against sovereign police, who he himself, as a member of the political community, had authorised. Ironically, the record of his narrative was possible precisely because his claims were without efficacy.


2021 ◽  
pp. 186-208
Author(s):  
Alessandra Nunes de Oliveira ◽  
Jetur Lima de Castro ◽  
Cecília Abrahão Nascimento Santi ◽  
Liliane Silva do Nascimento

This research discusses the objectification relations, visual and informational representation of the woman identified in the cartoons found in Careta, a humor magazine in the beginning of the 20thcentury, in Brazil. The relationship between humor and the image of women is problematized through the cartoons in the columns of the Caretamagazine, which created discursive deformations of what would be the feminist movement through graphic humor, that is, through comic phrases and drawings. Based on the magazine's documentary narrative raised through the cartoons, it presents some discursive and visual representations placing women in a situation of subordination. Given that 'reading' a visual text is also an attempt to dissolve its fetishes, it is added that the cartoons represent cultural codes of a given period and show everyday or thought, as well as the vision of what was or is at the moment of looking. of readers. In our scope, Caretamagazine becomes an important source of information to discuss the image of women and the objectification that was addressed in this periodical in the beginning of the 20thcentury in Brazil. In the cartoons, there are satires of the image of the feminist and women's movement. Therefore, it is worth emphasizing that the theme addressed is relevant for understanding the political-social development in the issue of the emancipation of the image of women. In short, our analysis perceives the stereotype that exists in the “poorly formatted” discourse of Caretamagazine, that influenced ways of thinking and acting according to the relationship of aesthetic standards of what would be the ideal of women and the image of the feminist movement, confronting them from yesterday to today.


2014 ◽  
Vol 22 (1) ◽  
pp. 83
Author(s):  
Mahathir Muhammad Iqbal

<p class="IIABSBARU">This research is an effort to find the relevance of the relationship between religion and the state are ideal. Because the formalization of Islamic shariah issue in political discourse is an interesting study in the relation between religion and state. By using the library approach, this article analyzes the involvement of the state in regulating citizens to implement Islamic shariah in Indonesia. Neutrality of the state to be the key in finding the relationship of both. Theoretically, this study provides an explanation that neutrality is not only understood as a state of devotion to give the rights of citizens to pray by faith, but also to limit citizens. For the implementation of shariah will be established and run well, when the state has a neutrality. So the state does not attract Islamic shariah becomes an official policy or state laws (shariah formalization). So also a Muslim can bring religion into the political circle, but only in the level of political ethics.</p><p class="IIABSBARU" align="center">***</p>Penelitian ini merupakan ikhtiar untuk menemukan relevansi hubungan agama dan negara yang ideal. Sebab Isu formalisasi syariat Islam dalam politik menjadi kajian menarik dalam wacana relasi agama dan negara. Dengan menggunakan pendekatan pustaka, artikel ini menganalisis keterlibatan negara dalam mengatur warga negara untuk mengimplementasikan syariat Islam di Indonesia. Adanya netralitas negara menjadi kunci dalam menemukan relasi keduanya. Secara teoritis, studi ini memberikan penjelasan bahwa netralitas tidak hanya dipahami sebagai pengabdian negara untuk memberikan hak-hak warga negara untuk berdoa berdasarkan iman, tetapi juga untuk membatasi warga negara. Sebab dalam pelaksanaan syariat akan dapat mapan dan berjalan dengan baik, manakala negara memiliki netralitas. Sehingga negara tidak menarik syariat Islam menjadi sebuah kebijakan resmi atau peraturan negara (formalisasi syariat). Dengan begitu seorang Muslim dapat membawa agama ke dalam lingkaran politik, tetapi hanya dalam tingkat etika politik.


2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.


Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis


2020 ◽  
Vol 38 (1) ◽  
pp. 44-66
Author(s):  
Christine Adams

The relationship of the French king and royal mistress, complementary but unequal, embodied the Gallic singularity; the royal mistress exercised a civilizing manner and the soft power of women on the king’s behalf. However, both her contemporaries and nineteenth- and early twentieth-century historians were uncomfortable with the mistress’s political power. Furthermore, paradoxical attitudes about French womanhood have led to analyses of her role that are often contradictory. Royal mistresses have simultaneously been celebrated for their civilizing effect in the realm of culture, chided for their frivolous expenditures on clothing and jewelry, and excoriated for their dangerous meddling in politics. Their increasing visibility in the political realm by the eighteenth century led many to blame Louis XV’s mistresses—along with Queen Marie-Antoinette, who exercised a similar influence over her husband, Louis XVI—for the degradation and eventual fall of the monarchy. This article reexamines the historiography of the royal mistress.


1998 ◽  
Vol 47 (3-4) ◽  
pp. 153-160
Author(s):  
S. A. Gruszewska

AbstractTaking into consideration two facts: that the structure of social life forces twins to part and that the presented roles in a pair are not equal, (one of the twins plays the role of a leader (L) and the other, the subordinate (P.)), one can ask the question — what meaning does the moment of parting have and what are its consequences?In order to do that, a survey was conducted, (a sample of 31 pairs of twins above the age of 30), in which every pair was asked the question: “Which one of you made the decision about parting?” The answer had two options: A – I, B – brother/sister. Out of 31 pairs of twins, 16 pairs chose the variant different from his brother or sister – that is A, B, admitting that the interpersonal conflict was the result of the parting. In 7 pairs, both twins chose the B variant – they withdrew from the conflict; and in 8 pairs they chose the A variant – looking for a compromise as the means of agreement.When analyzing the results of the survey, we can state the following:– in the relationship of twins, there is an interpersonal conflict;– the decision about parting is difficult with prevalent feelings of sadness and sorrow;– after parting, at least one of the twins has problems with preserving his identity and integrity of psychological space.Since the moment of parting is necessary and difficult, specialists and mainly parents are required to consciously change their position towards the relationship of twins. It has to be the result of applied educational methods which aim at creating subjectivity and equality of each of the twins before the moment of parting.


Author(s):  
Gabdrakhman H. Valiev ◽  
Sergey V. Kondratyuk ◽  
Natalia A. Prodanova ◽  
Irina A. Babalikova ◽  
Kermen I. Makaeva ◽  
...  

The problem of the relationship of law and order is relevant to any modern society. The article tries to analyze this relationship, taking into account judicial, police and other activities. The named concepts are closely interconnected, but are not identical. They are correlated as cause and effect: there is a rule of law, there is no rule of law. One suggests the other. The rule of law as concrete reality logically precedes the rule of law as a doctrine, the connection here is hard, causal. The process is one. Law and order: a real indicator of the state of legality, reflects the degree of compliance with the laws, the requirements of all legal regulations. It is concluded that the rule of law is the end result of the implementation of legal requirements and, at the same time, the objective of legal regulation, since it is for the formation and maintenance of the rule of law that laws are issued, thus like other regulatory legal acts, various institutions and bodies and, above all, the justice system, the control system, various human rights organizations and social movements.


Author(s):  
Richard Swedberg

This chapter examines the role of imagination and the arts in helping social scientists to theorize well. However deep one's basic knowledge of social theory is, and however many concepts, mechanisms, and theories one knows, unless this knowledge is used in an imaginative way, the result will be dull and noncreative. A good research topic should among other things operate as an analogon—that is, it should be able to set off the theoretical imagination of the social scientist. Then, when a social scientist writes, he or she may want to write in such a way that the reader's theoretical imagination is stirred. Besides imagination, the chapter also discusses the relationship of social theory to art. There are a number of reason for this, including the fact that in modern society, art is perceived as the height of imagination and creativity.


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