scholarly journals Paradise lost: A critique of lost urban sites as didactic testing grounds for landscape architecture

2021 ◽  
Author(s):  
◽  
David Rory John Sullivan
Keyword(s):  
Landscape Architecture ◽  
Design Research ◽  
Traditional Approach ◽  
Physical Space ◽  
Urban Site ◽  
Urban Context ◽  
Urban Narrative ◽  
Car Park ◽  
History Of ◽  
A Site

<p>The traditional approach within landscape architecture to rejuvenate a distressed ‘lost’ urban site is to cap the problem with a more desirable landscape. This thesis argues that such an approach simply creates a ‘green bandage’ to the problem without actually resolving the real issues behind the disfunction of the space: that is, the social and identity issues of the site and how to reconcile them with a physical space. Elements of urban ruin and degeneration can become active participants in an urban narrative that engages the history of the site and its place within the evolution of the urban context. Time plays a significant role in the understanding of such sites to create methods of developing landscapes as a system which is never static, and is always reflective of the layers of history beneath its transient surface. The proposed site for this thesis design research investigation is the Clifton Street Car Park, situated in the inner urban spaces of Wellington, New Zealand. It is a site that represents a multitude of identities, none of which actually engages with the reality of the history and actuality of the site. The site is a direct response to the overlaying of the standardised urban grid to the east, suburban grids to the west and a rift caused by the government’s failure to complete the motorway extension. It is a site that should be important to the functioning of a city; however, it acts as, and is therefore perceived as, a lost site, a placeless place. The principal objective of this research thesis is to challenge why these in-between spaces so often remain tinged with placelessness and challenge how to deal with the space in a way which will enable the city to actually benefit from such sites through their ability to deliver spatial narrative in the urban context and to facilitate a new typology of design.</p>

scholarly journals Paradise lost: A critique of lost urban sites as didactic testing grounds for landscape architecture

2021 ◽  
Author(s):  
◽  
David Rory John Sullivan
Keyword(s):  
Landscape Architecture ◽  
Design Research ◽  
Traditional Approach ◽  
Physical Space ◽  
Urban Site ◽  
Urban Context ◽  
Urban Narrative ◽  
Car Park ◽  
History Of ◽  
A Site

<p>The traditional approach within landscape architecture to rejuvenate a distressed ‘lost’ urban site is to cap the problem with a more desirable landscape. This thesis argues that such an approach simply creates a ‘green bandage’ to the problem without actually resolving the real issues behind the disfunction of the space: that is, the social and identity issues of the site and how to reconcile them with a physical space. Elements of urban ruin and degeneration can become active participants in an urban narrative that engages the history of the site and its place within the evolution of the urban context. Time plays a significant role in the understanding of such sites to create methods of developing landscapes as a system which is never static, and is always reflective of the layers of history beneath its transient surface. The proposed site for this thesis design research investigation is the Clifton Street Car Park, situated in the inner urban spaces of Wellington, New Zealand. It is a site that represents a multitude of identities, none of which actually engages with the reality of the history and actuality of the site. The site is a direct response to the overlaying of the standardised urban grid to the east, suburban grids to the west and a rift caused by the government’s failure to complete the motorway extension. It is a site that should be important to the functioning of a city; however, it acts as, and is therefore perceived as, a lost site, a placeless place. The principal objective of this research thesis is to challenge why these in-between spaces so often remain tinged with placelessness and challenge how to deal with the space in a way which will enable the city to actually benefit from such sites through their ability to deliver spatial narrative in the urban context and to facilitate a new typology of design.</p>

scholarly journals If Walls Could Speak: Designing a satellite creative campus through a combination of adaptive reuse strategies and artistic manoeuvres generated from music video to enhance a repurposed building’s identity

2021 ◽  
Author(s):  
◽  
Morgan Taylor
Keyword(s):  
Architectural Design ◽  
Design Research ◽  
Adaptive Reuse ◽  
Music Videos ◽  
Music Video ◽  
Surrounding Area ◽  
History Of ◽  
Research Experiment ◽  
A Site ◽  
Over Time

<p>In many examples of adaptive reuse, the original identity of a work of architecture becomes lost or obscured when the new interior program is no longer represented by the meaning inherent in the exterior facades. This design research investigation explores how active incorporation of memory into an architectural design concept can enable a repurposed building to tell a meaningful story over time. Most contemporary architectural design relating to adaptive reuse does not take advantage of this important opportunity.  This thesis looks at a site that is currently home to NIWA, the National Institute of Water and Atmospheric Research facility, at Greta Point, on Evans Bay outside of Wellington. This research site and the surrounding area have many layers of history and inherent narrative associated with it, making this a strong site for this adaptive reuse design research experiment.  This thesis argues that new architecture and old architecture in adaptive reuse projects can maintain strong meaningful identities while co-existing in harmony with one another and their new programmes. one principal goal of this investigation is to avoid facadism where an original facade becomes a meaningless mask for what is happening inside a repurposed building. This thesis investigates how this can be achieved by: analysing contemporary narrative, memory-based music videos to explore how the application of similar techniques might enable adaptive reuse projects to enhance a building’s identity; investigating how these design techniques can help provide meaningful identity to the architectural components while establishing relationships between old and new, inside and outside; enhancing the greater history and narrative of the site; and by adding meaning to the conflicting grids that may have arisen over time in relation to the wider history of the site.</p>

Talking Back at School: Using the Literacy Classroom as a Site for Resistance to the School-to-Prison Pipeline and Recognition of Students Labeled “At-Risk”

2015 ◽  
Vol 52 (10) ◽  
pp. 1204-1232 ◽  
Author(s):  
Jennifer L. Martin ◽  
Jane A. Beese
Keyword(s):  
At Risk ◽  
School Failure ◽  
Teaching Writing ◽  
Urban Context ◽  
Juvenile Incarceration ◽  
Literacy Teaching ◽  
Real Issue ◽  
History Of ◽  
A Site ◽  
Insight Into

Teaching writing to students of high need in an urban school is simultaneously pedagogical, curricular, and political. Students labeled “at-risk” for school failure often have lowered expectations placed upon them from without that impact how they feel within. Compounding this problem of perception is the real issue of heightened surveillance on these students, including the disturbing trend of involving the police when students break the rules of the school; in addition, their own history of juvenile incarceration often exacerbates their school failure. This article addresses these issues in an urban context, as well as provides insight into literacy teaching that assists students in the acquisition of knowledge, literacy, and expression.

scholarly journals If Walls Could Speak: Designing a satellite creative campus through a combination of adaptive reuse strategies and artistic manoeuvres generated from music video to enhance a repurposed building’s identity

2021 ◽  
Author(s):  
◽  
Morgan Taylor
Keyword(s):  
Architectural Design ◽  
Design Research ◽  
Adaptive Reuse ◽  
Music Videos ◽  
Music Video ◽  
Surrounding Area ◽  
History Of ◽  
Research Experiment ◽  
A Site ◽  
Over Time

<p>In many examples of adaptive reuse, the original identity of a work of architecture becomes lost or obscured when the new interior program is no longer represented by the meaning inherent in the exterior facades. This design research investigation explores how active incorporation of memory into an architectural design concept can enable a repurposed building to tell a meaningful story over time. Most contemporary architectural design relating to adaptive reuse does not take advantage of this important opportunity.  This thesis looks at a site that is currently home to NIWA, the National Institute of Water and Atmospheric Research facility, at Greta Point, on Evans Bay outside of Wellington. This research site and the surrounding area have many layers of history and inherent narrative associated with it, making this a strong site for this adaptive reuse design research experiment.  This thesis argues that new architecture and old architecture in adaptive reuse projects can maintain strong meaningful identities while co-existing in harmony with one another and their new programmes. one principal goal of this investigation is to avoid facadism where an original facade becomes a meaningless mask for what is happening inside a repurposed building. This thesis investigates how this can be achieved by: analysing contemporary narrative, memory-based music videos to explore how the application of similar techniques might enable adaptive reuse projects to enhance a building’s identity; investigating how these design techniques can help provide meaningful identity to the architectural components while establishing relationships between old and new, inside and outside; enhancing the greater history and narrative of the site; and by adding meaning to the conflicting grids that may have arisen over time in relation to the wider history of the site.</p>

The Reformation of Prophecy

2018 ◽  
Author(s):  
G. Sujin Pak
Keyword(s):  
Old Testament ◽  
Word Of God ◽  
Priesthood Of All Believers ◽  
Beliefs And Practices ◽  
The People ◽  
The Reformation ◽  
History Of ◽  
A Site ◽  
Developmental Analysis ◽  
Sacred History

The Reformation of Prophecy presents and supports the case for viewing the prophet and biblical prophecy as a powerful lens by which to illuminate many aspects of the reforming work of the Protestant reformers in the sixteenth and seventeenth centuries. It provides a chronological and developmental analysis of the significance of the prophet and biblical prophecy across leading Protestant reformers in articulating a theology of the priesthood of all believers, a biblical model of the pastoral office, a biblical vision of the reform of worship, and biblical processes for discerning right interpretation of Scripture. Through the tool of the prophet and biblical prophecy, the reformers framed their work under, within, and in support of the authority of Scripture—for the true prophet speaks the Word of God alone and calls the people, their worship and their beliefs and practices, back to the Word of God. The book also demonstrates how interpretations and understandings of the prophet and biblical prophecy contributed to the formation and consolidation of distinctive confessional identities, especially around differences in their visions of sacred history, Christological exegesis of Old Testament prophecy, and interpretation of Old Testament metaphors. This book illuminates the significant shifts in the history of Protestant reformers’ engagement with the prophet and biblical prophecy—shifts from these serving as a tool to advance the priesthood of all believers to a tool to clarify and buttress clerical identity and authority to a site of polemical-confessional exchange concerning right interpretations of Scripture.

“FX, Drugs, and Rock ’n’ Roll”

2017 ◽  
Author(s):  
Jenna Ward ◽  
Allan Watson
Keyword(s):  
Qualitative Study ◽  
Working Conditions ◽  
Emotional Labor ◽  
Music Industry ◽  
Physical Space ◽  
Musical Performances ◽  
Work Spaces ◽  
Rock N Roll ◽  
Creative Artists ◽  
A Site

The music industry is characterized by stereotypical images of excess, pleasure, intensity, and play that have given rise to folklore of “sex, drugs, and rock ’n’ roll.” Through a qualitative study of sound engineers this chapter explores two main questions: To what extent is the lived reality of working in studio contexts with creative artists reflected in the stereotypical representations of “rock ’n’ roll”? To what extent is the “rock ’n’ roll vibe” an organic, voluntary state of creativity or facilitated “emotional FX” elicited by studio staff to enhance particular musical performances? The chapter demonstrates ways in which engineers and producers manage their emotions to influence and support performances from artists. These emotional labor performances aim to recast the technological, and often stark, physical space of the recording studio as a site of autonomy and play, turning work spaces into sites of pleasure and excess in sometimes uncomfortable working conditions.

scholarly journals Just Mothering: Amy Coney Barrett and the Racial Politics of American Motherhood

Laws ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 36
Author(s):  
H. Howell Williams
Keyword(s):  
Middle Class ◽  
Political Development ◽  
American Political Development ◽  
White Family ◽  
Public And Private ◽  
Close Analysis ◽  
History Of ◽  
Republican Motherhood ◽  
A Site ◽  
Confirmation Hearings

Justice Amy Coney Barrett’s nomination and confirmation featured frequent references to her role as a mother. This article situates these references within the trajectory of American political development to demonstrate how motherhood operates as a mechanism for enforcing a white-centered racial order. Through a close analysis of both the history of politicized motherhood as well as Barrett’s nomination and confirmation hearings, I make a series of claims about motherhood and contemporary conservatism. First, conservatives stress the virtuousness of motherhood through a division between public and private spheres that valorizes the middle-class white mother. Second, conservatives emphasize certain mothering practices associated with the middle-class white family. Third, conservatives leverage an epistemological claim about the universality of mothering experiences to universalize white motherhood. Finally, this universalism obscures how motherhood operates as a site in which power distinguishes between good and bad mothers and allocates resources accordingly. By attending to what I call the “republican motherhood script” operating in contemporary conservatism, I argue that motherhood is an ideological apparatus for enforcing a racial order premised on white protectionism.

scholarly journals ‘Policing Is a Profession of the Heart’: Evangelicalism and Modern American Policing

Religions ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 194
Author(s):  
Aaron Griffith
Keyword(s):  
Law Enforcement ◽  
Police Officers ◽  
American Politics ◽  
Short History ◽  
Carceral State ◽  
American Life ◽  
Politics And Culture ◽  
American Law ◽  
History Of ◽  
A Site

Though several powerful explorations of modern evangelical influence in American politics and culture have appeared in recent years (many of which illumine the seeming complications of evangelical influence in the Trump era), there is more work that needs to be done on the matter of evangelical understandings of and influence in American law enforcement. This article explores evangelical interest and influence in modern American policing. Drawing upon complementary interpretations of the “antistatist statist” nature of modern evangelicalism and the carceral state, this article offers a short history of modern evangelical understandings of law enforcement and an exploration of contemporary evangelical ministry to police officers. It argues that, in their entries into debates about law enforcement’s purpose in American life, evangelicals frame policing as both a divinely sanctioned activity and a site of sentimental engagement. Both frames expand the power and reach of policing, limiting evangelicals’ abilities to see and correct problems within the profession.

scholarly journals Learning dominant physical processes with data-driven balance models

2021 ◽  
Vol 12 (1) ◽  
Author(s):  
Jared L. Callaham ◽  
James V. Koch ◽  
Bingni W. Brunton ◽  
J. Nathan Kutz ◽  
Steven L. Brunton
Keyword(s):  
Nonlinear Optics ◽  
Unsupervised Learning ◽  
History Of Science ◽  
Traditional Approach ◽  
Data Driven ◽  
Mechanistic Models ◽  
Physical Processes ◽  
History Of ◽  
Separation Of Scales ◽  
Geophysical Fluids

AbstractThroughout the history of science, physics-based modeling has relied on judiciously approximating observed dynamics as a balance between a few dominant processes. However, this traditional approach is mathematically cumbersome and only applies in asymptotic regimes where there is a strict separation of scales in the physics. Here, we automate and generalize this approach to non-asymptotic regimes by introducing the idea of an equation space, in which different local balances appear as distinct subspace clusters. Unsupervised learning can then automatically identify regions where groups of terms may be neglected. We show that our data-driven balance models successfully delineate dominant balance physics in a much richer class of systems. In particular, this approach uncovers key mechanistic models in turbulence, combustion, nonlinear optics, geophysical fluids, and neuroscience.

scholarly journals Scarred souls, weary warriors, and military intervention: the emergence of the subject in the just war writings of Jean Bethke Elshtain

2012 ◽  
Vol 39 (4) ◽  
pp. 859-880 ◽  
Author(s):  
PETER LEE
Keyword(s):  
International Relations ◽  
Political Theory ◽  
Just War ◽  
Military Intervention ◽  
Military Force ◽  
The Past ◽  
History Of ◽  
The Subject ◽  
Just War Tradition ◽  
A Site

AbstractOver the past three decades Jean Bethke Elshtain has used her critique and application of just war as a means of engaging with multiple overlapping aspects of identity. Though Elshtain ostensibly writes about war and the justice, or lack of justice, therein, she also uses just war a site of analysis within which different strands of subjectivity are investigated and articulated as part of her broader political theory. This article explores the proposition that Elshtain's most important contribution to the just war tradition is not be found in her provision of codes or her analysis of ad bellum or in bello criteria, conformity to which adjudges war or military intervention to be just or otherwise. Rather, that she enriches just war debate because of the unique and sometimes provocative perspective she brings as political theorist and International Relations scholar who adopts, adapts, and deploys familiar but, for some, uncomfortable discursive artefacts from the history of the Christian West: suffused with her own Christian faith and theology. In so doing she continually reminds us that human lives, with all their attendant political, social, and religious complexities, should be the focus when military force is used, or even proposed, for political ends.

Sign in / Sign up

Export Citation Format

Share Document