scholarly journals Overlapping Perspectives

2021 ◽  
Author(s):  
◽  
Chun Wong
Keyword(s):  
Design Research ◽  
Place Identity ◽  
Capital City ◽  
Historic Buildings ◽  
Center Line ◽  
Urban Context ◽  
Reclaimed Land ◽  
Historic Masonry ◽  
Heritage Buildings ◽  
Over Time

<p>All urban sites around the world have their own unique, evolving historical identity. However, this identity can often become obscured, or even lost, over time due to the progressive changes that occur to the transforming urban context. An urban site's evolution may include newly reclaimed land, conflicting grid alignments as new roads are added, new buildings being constructed that fail to reaffirm site identity in relation to existing conditions and historic buildings that become re-purposed with a subsequent loss of their original architectural identity.  The site selected for this design research investigation is Queens Wharf in Wellington. Located in the heart of New Zealand's capital city, where land meets sea at the center line of the city's skyline, Queens Wharf occupies one of the most important sites in the capital. However, the principal problem of this site is its lack of coherent place identity.  This problem has arisen in relation to five main factors: 1) very large, anonymous new metal shed buildings have been added in poor relationships with historic masonry and timber ones; 2)heritage buildings have been re-purposed, and their interior programmes are no longer represented by their architectural facades; 3) enormous, contemporary, and very unattractive buildings such as the TSB Arena house programmes that change throughout the year, preventing the exterior architecture from providing identity to what is happening within; 4) a confluence of conflicting grids has developed over time at this site; and 5) Queens Wharf's important location at the edge of city and sea near the center line of the city's skyline provides a significant opportunity for this site to act as a visual gateway to the capital city, but this opportunity remains unfulfilled.  The thesis proposes that architecture can play an essential role in establishing place identity for Queens Wharf by: 1) implicating historic architectural features into new architectural interventions – so that the historic buildings are fundamentally important to understanding the new and vice versa – by integrating the new and the old in ways that present all the stages of the site’s evolution as important chapters in its overall tale; 2) exposing interior programmes to the outside to establish architectural identity through programmatic visibility; 3) establishing new architectural interventions as 'pivots' to help make sense of conflicting grid alignments; 4) arranging architectural interventions as a framing device and an important liminal threshold between the opposing conditions of land and sea.</p>

scholarly journals Overlapping Perspectives

2021 ◽  
Author(s):  
◽  
Chun Wong
Keyword(s):  
Design Research ◽  
Place Identity ◽  
Capital City ◽  
Historic Buildings ◽  
Center Line ◽  
Urban Context ◽  
Reclaimed Land ◽  
Historic Masonry ◽  
Heritage Buildings ◽  
Over Time

<p>All urban sites around the world have their own unique, evolving historical identity. However, this identity can often become obscured, or even lost, over time due to the progressive changes that occur to the transforming urban context. An urban site's evolution may include newly reclaimed land, conflicting grid alignments as new roads are added, new buildings being constructed that fail to reaffirm site identity in relation to existing conditions and historic buildings that become re-purposed with a subsequent loss of their original architectural identity.  The site selected for this design research investigation is Queens Wharf in Wellington. Located in the heart of New Zealand's capital city, where land meets sea at the center line of the city's skyline, Queens Wharf occupies one of the most important sites in the capital. However, the principal problem of this site is its lack of coherent place identity.  This problem has arisen in relation to five main factors: 1) very large, anonymous new metal shed buildings have been added in poor relationships with historic masonry and timber ones; 2)heritage buildings have been re-purposed, and their interior programmes are no longer represented by their architectural facades; 3) enormous, contemporary, and very unattractive buildings such as the TSB Arena house programmes that change throughout the year, preventing the exterior architecture from providing identity to what is happening within; 4) a confluence of conflicting grids has developed over time at this site; and 5) Queens Wharf's important location at the edge of city and sea near the center line of the city's skyline provides a significant opportunity for this site to act as a visual gateway to the capital city, but this opportunity remains unfulfilled.  The thesis proposes that architecture can play an essential role in establishing place identity for Queens Wharf by: 1) implicating historic architectural features into new architectural interventions – so that the historic buildings are fundamentally important to understanding the new and vice versa – by integrating the new and the old in ways that present all the stages of the site’s evolution as important chapters in its overall tale; 2) exposing interior programmes to the outside to establish architectural identity through programmatic visibility; 3) establishing new architectural interventions as 'pivots' to help make sense of conflicting grid alignments; 4) arranging architectural interventions as a framing device and an important liminal threshold between the opposing conditions of land and sea.</p>

scholarly journals From residential village to heritage marketplace: evaluation morphological transformation and their use consequences over time in the historic settlement of Al-Wakran, Qatar

2020 ◽  
Author(s):  
Abida Khan ◽  
◽  
Mark Major ◽  
Keyword(s):  
Urban Morphology ◽  
The State ◽  
Capital City ◽  
Clear Understanding ◽  
Urban Context ◽  
Morphological Transformation ◽  
Rapid Urbanization ◽  
Morphological Studies ◽  
Historic Settlement ◽  
Over Time

Many people consider Al Wakrah to be a distinctive settlement for cultural heritage in the State of Qatar. Based on archaeological evidence, the area of Al Wakrah was perhaps the first urban center of Qatar. Originally a fishing and pearling village like the capital city of Doha, globalization and rapid urbanization also characterized the development of Al Wakrah over the last halfcentury, leading to a remarkable transformation in the morphology of the settlement. The paper studies this morphological transformation of Al Wakrah and the consequences for socioeconomic and functional use. In doing so, the paper offers some clarity about the identity and dynamics of Al Wakrah as a traditional heritage district today; specifically, Souq Al Wakrah. We explore this within the context of traditional marketplaces in general, and souqs in the Arab States of the Gulf Cooperation Council (GCC) region in particular. The study explores the symbiotic relationship between urban morphology, land use, and function in settlement form. The purpose is to develop a deeper understanding of urban changes and expansion on the use and experience of Souq Wakrah as a public place today. Researchers apply several representational techniques standard in morphological studies, including analysis of urban spatial networks using space syntax. The findings of the paper indicate the design and planning nature of Souq Wakrah as a contemporary heritage re-creation. It contrasts with more straightforward examples of historic preservation and restoration in other traditional marketplaces of Qatar itself and elsewhere in the world. This situation arose due to the nearcomplete demolition of most historic structures in Al Wakrah during the recent past, except for a few isolated examples. However, a few important ‘traces’ of Al Wakrah’s morphological history remain consistent over time, despite the dramatic transformations in the rest of the settlement over time. The paper concludes by discussing the potential implications for design and planning policy in the protection and preservation of historic resources in the State of Qatar. It argues for the critical importance of developing a clear understanding of the relationship between form, function, and the urban context of such places in future preservation projects.

Time Passes

2021 ◽  
Author(s):  
◽  
Renée Anne Nankivell
Keyword(s):  
New Zealand ◽  
20Th Century ◽  
Design Research ◽  
Design Approach ◽  
Historic Buildings ◽  
Structural Intervention ◽  
Historic Building ◽  
Heritage Buildings ◽  
History Of ◽  
Multiple Stages

<p>The demand for a new approach to safeguarding New Zealand’s endangered historic buildings was identified as a result of the recent increase in building code and strengthening requirements following the Christchurch earthquakes of 2010-2011. The Wellington City Council identified 266 heritage buildings in the city that must be either strengthened or demolished to address these increased requirements. This thesis explores this threat as an opportunity for researching how contemporary design interventions can be challenged to both strengthen and become active participants in the ongoing history of New Zealand’s potentially endangered historic buildings. This thesis challenges the current approach of completely ‘restoring’ 19th-20th century historic buildings in New Zealand, to develop techniques that structurally reinforce historic buildings while inviting the progressive weathering of a building to remain as a testament to its history. This thesis proposes a structural intervention that is responsive to the progressive history of historic buildings, simultaneously introducing a contemporary structural intervention that both participates in and compliments the progressive historic transformations of the vehicle. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the life of a building, while fully restored buildings only enable visitors to witness the original form of the building. This thesis proposes a model for contemporary intervention within historic buildings that draws a design intervention from seismic strengthening.The notion of layering is explored as a design approach to incorporate the contemporary with the historic as an additional layer of exposed on-going history, thereby further exposing the layers of history evident within New Zealand’s historic buildings. This thesis combines layering theories of architects Louis Kahn and Carlo Scarpa with related theories of installation artist Mary Miss. The theoretical imperatives of Scarpa and Kahn are explored as a tool of engagement for the junction between the contemporary and historic building materials, and the work of Marry Miss is explored as a design approach for developing a contemporary intervention that references the layered historic building while inviting new means of occupancy between layers. The selected vehicle for the design research investigation is the Albemarle Hotel on Ghuznee Street in Wellington. The techniques proposed in this thesis to strengthen the Albemarle Hotel suggest an approach that might be applied to New Zealand’s wider body of historic buildings that constitute New Zealand’s heritage fabric, ultimately protecting them from demolition while preserving additional layers of their historic narratives. Over all the design research experiments suggest that contemporary interventions derived from structural strengthening may be a viable and cost-effective method of re-inhabiting New Zealand’s endangered heritage buildings, avoiding demolition and securing New Zealand’s heritage for future generations. Research Questions: This thesis challenges the current economically unsustainable approach of laterally reinforcing and completely ‘restoring’ 19th-20th century historic buildings in New Zealand. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the on-going life of a building. Can the weathered state of New Zealand's heritage buildings be proactively retained and celebrated as witnesses to their history? Can new lateral reinforcing requirements be conceived as active participants in revealing the on-going history of New Zealand's historic buildings?</p>

scholarly journals Time Passes

2021 ◽  
Author(s):  
◽  
Renée Anne Nankivell
Keyword(s):  
New Zealand ◽  
20Th Century ◽  
Design Research ◽  
Design Approach ◽  
Historic Buildings ◽  
Structural Intervention ◽  
Historic Building ◽  
Heritage Buildings ◽  
History Of ◽  
Multiple Stages

<p>The demand for a new approach to safeguarding New Zealand’s endangered historic buildings was identified as a result of the recent increase in building code and strengthening requirements following the Christchurch earthquakes of 2010-2011. The Wellington City Council identified 266 heritage buildings in the city that must be either strengthened or demolished to address these increased requirements. This thesis explores this threat as an opportunity for researching how contemporary design interventions can be challenged to both strengthen and become active participants in the ongoing history of New Zealand’s potentially endangered historic buildings. This thesis challenges the current approach of completely ‘restoring’ 19th-20th century historic buildings in New Zealand, to develop techniques that structurally reinforce historic buildings while inviting the progressive weathering of a building to remain as a testament to its history. This thesis proposes a structural intervention that is responsive to the progressive history of historic buildings, simultaneously introducing a contemporary structural intervention that both participates in and compliments the progressive historic transformations of the vehicle. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the life of a building, while fully restored buildings only enable visitors to witness the original form of the building. This thesis proposes a model for contemporary intervention within historic buildings that draws a design intervention from seismic strengthening.The notion of layering is explored as a design approach to incorporate the contemporary with the historic as an additional layer of exposed on-going history, thereby further exposing the layers of history evident within New Zealand’s historic buildings. This thesis combines layering theories of architects Louis Kahn and Carlo Scarpa with related theories of installation artist Mary Miss. The theoretical imperatives of Scarpa and Kahn are explored as a tool of engagement for the junction between the contemporary and historic building materials, and the work of Marry Miss is explored as a design approach for developing a contemporary intervention that references the layered historic building while inviting new means of occupancy between layers. The selected vehicle for the design research investigation is the Albemarle Hotel on Ghuznee Street in Wellington. The techniques proposed in this thesis to strengthen the Albemarle Hotel suggest an approach that might be applied to New Zealand’s wider body of historic buildings that constitute New Zealand’s heritage fabric, ultimately protecting them from demolition while preserving additional layers of their historic narratives. Over all the design research experiments suggest that contemporary interventions derived from structural strengthening may be a viable and cost-effective method of re-inhabiting New Zealand’s endangered heritage buildings, avoiding demolition and securing New Zealand’s heritage for future generations. Research Questions: This thesis challenges the current economically unsustainable approach of laterally reinforcing and completely ‘restoring’ 19th-20th century historic buildings in New Zealand. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the on-going life of a building. Can the weathered state of New Zealand's heritage buildings be proactively retained and celebrated as witnesses to their history? Can new lateral reinforcing requirements be conceived as active participants in revealing the on-going history of New Zealand's historic buildings?</p>

Industrial heritage: towards a sustainable adaptive reuse of wheat milling heritage buildings in Jordan

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Monther Jamhawi ◽  
Shatha Mubaideen ◽  
Basem Mahamid
Keyword(s):  
Cultural History ◽  
20Th Century ◽  
Local Community ◽  
Adaptive Reuse ◽  
Local Context ◽  
Urban Context ◽  
Content Type ◽  
Industrial Heritage ◽  
Heritage Buildings ◽  
History Of

PurposeThe purpose of this paper is to present a framework for the adaptive re-use of wheat milling buildings setting in modern urban contexts in Jordan. This paper also aims to highlight the industrial heritage with a focus on wheat milling buildings, which date back to the beginning of the 20th century, as they document and represent significant aspects of the socio-cultural history of Jordan.Design/methodology/approachThe approach to this statement will be through a theoretical investigation into the notion of industrial heritage, a historical overview of wheat milling in Jordan, as well as a case study analysis to support the theoretical framework following a value-based approach for the case of Baboor Al-Qisar. Baboor Al-Qisar is a wheat milling structure that the Department of Antiquities (DoA) is willing to adaptively reuse as an industrial museum that tells the local narrative of wheat milling and points out the non-physical values associated with the building’s original use.FindingsThe paper introduces a framework for wheat milling buildings incorporation within the modern urban context as industrial heritage museums or socio-cultural facilities. The findings offer a reflection on approaching similar case studies as a tool for their conservation, management and promotion to create new tourist destinations as a form of sustainable urban regeneration.Originality/valueThis research bridges the gap between practice and theory in terms of adaptive reuse strategies within the Jordanian local context. No similar studies have been done on wheat milling structures from the 20th century in the country with local community engagement as an integral part that is carried out within the functionality and future use of the site.

scholarly journals Lost in Translation? Ethics and Ethnography in Design Research

2014 ◽  
Vol 1 (1) ◽  
pp. 62 ◽  
Author(s):  
Christine Z. Miller
Keyword(s):  
Design Research ◽  
Ethical Issues ◽  
Field Work ◽  
Naturalistic Inquiry ◽  
Secondary Sources ◽  
Private And Public ◽  
Anthropological Field Work ◽  
Lost In Translation ◽  
Translation Ethics ◽  
Over Time

It has long been the case that ethnographic techniques have been appropriated by other disciplines. In particular, designers have employed ethnography and naturalistic inquiry in research for private and public sector client projects. As ethnographic methods have diffused to other fields questions have been raised about whether the ethical concerns that have become engrained over time in anthropological field work have carried over along with the methodology. This article explores how ethical considerations are addressed (or not) in ethnographic-style research, specifically within the field of design. A review of secondary sources and interviews with three practicing designers provide insight as to the shifts that have occurred over time within design and how these changes have impacted design research and practice, specifically in relation to ethical issues.

scholarly journals Hygric Properties of Machine-Made, Historic Clay Bricks from North-Eastern Poland (Former East Prussia): Characterization and Specification for Replacement Materials

Materials ◽  
2021 ◽  
Vol 14 (21) ◽  
pp. 6706
Author(s):  
Maria Tunkiewicz ◽  
Joanna Misiewicz ◽  
Pawel Sikora ◽  
Sang-Yeop Chung
Keyword(s):  
Historic Buildings ◽  
Micro Computed Tomography ◽  
Existing Building ◽  
Clay Bricks ◽  
North Eastern ◽  
Heritage Buildings ◽  
Experimental Laboratory ◽  
Materials Used ◽  
East Prussia

This paper deals with the hygric characterization of early 20th century machine-made clay bricks, representative of great number of historical buildings in north-eastern Poland. Heritage buildings have a high potential for adaptive reuse, which is strictly connected with an urge for knowledge about the properties of these existing building envelopes. To better understand the hygric behavior of historic buildings, various experimental laboratory tests, including density, water absorption, compressive strength and freeze-thaw resistance, were conducted. In order to assess the microstructural characteristics of the tested bricks, mercury intrusion porosimetry (MIP) and X-ray micro-computed tomography (micro-CT) tests were performed. These tests were conducted on clay bricks from historic buildings, as well as on those that are currently being produced, in order to identify the relationship between the materials used in the past and the replacements produced presently. This paper addresses the lack of systematic application of existing standards for evaluating the state of the conservation of historic bricks and for establishing the specifications for replacement bricks. The results of conducted study and further research will be the basis for creating a historic materials database. It would be a useful tool for selecting bricks that correspond with the historically used materials and help to maintain homogenous structure of the restored buildings.

scholarly journals Academy-profession-market. Problematising tensions in the live project

2017 ◽  
Vol 2 (3) ◽  
pp. 85
Author(s):  
Michael John Davis
Keyword(s):  
Real World ◽  
Design Research ◽  
Design Studio ◽  
Community Groups ◽  
Market Conditions ◽  
Heritage Buildings ◽  
To Come ◽  
The University

<p>This paper examines a form of “live project” that casts the design studio topic in three distinct roles. In one guise it is a collaborative, “real world,” engagement with a range of stakeholders. In another it presses toward the production of buildings, while in a third, it acts as the vehicle for higher level academic design research. Within the design studio at the University of Auckland, School of Architecture and Planning these three imperatives are juxtaposed to define the contested territory from which the architectural project emerges as negotiated, speculative-yet-realisable outcome.<br />The aim of this discussion is to demonstrate the triple focus model of live project and the problem currently confronting it: a local instance of a complex, widespread problem between the architectural academy, the profession and the market.<br />Since 2007 a succession of community groups, businesses and developers have brought their projects to the design studio at the school. Typically they have come looking for speculation as to the potential of their projects, the kind of breadth of exploration that generally is not viable within commercial architectural organisations. Meanwhile, through these projects, students are asked to conduct research into the development of their own critical, architectural making practices.<br />The text begins with an account of one particular project – a speculation as to the development opportunities of heritage buildings on “earthquake prone” sites in Auckland for one of the country’s most progressive developers. It looks at the larger academic, professional and market conditions being responded to and thus situates this type of live project before concluding with an outline of potentials for its advancement. In so doing it signals work to come.</p>

scholarly journals Preservation of Art Style in Interior and Architecture Cultural Heritage Buildings: A Case Study in Hotel Kartika Wijaya & Hotel Niagara Malang

Humaniora ◽  
2016 ◽  
Vol 7 (1) ◽  
pp. 87
Author(s):  
Sri Rachmayanti ◽  
Christianto R. ◽  
Anak Agung Ayu Wulandari
Keyword(s):  
Cultural Heritage ◽  
Interior Design ◽  
Historic Buildings ◽  
Historical Building ◽  
Art Deco ◽  
Heritage Buildings ◽  
Heritage Building ◽  
Art Style

Kartika Wijaya Hotel and Niagara Hotel-Malang are two heritage buildings, which are well managed to preserve their historical building that, has been established since 1891. We can find good harmony and variety in interior elements and design styles, such as Colonial style, Art Noveau and Art Deco style. The purpose of documentating this heritage building that has different design styles is for those who needed. The data will be classified according to the period of the development of the buildings and characteristics of existing styles. The research objective on Kartika Wijaya hotel building and art styles is to preserve historic buildings in Indonesia, through documentation of interior elements and architectures, and to conducted a study of the interior and architectures elements, interior design ornaments, that founded in historical Kartika Wijaya Hotel and Niagara Hotel in Malang, whose the existence needs to be preserved. 

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