EVOLUTION OF SCIENTIFIC APPROACHES TO THE STUDY OF THE HISTORY OF WORLD PHOTOGRAPHY

2021 ◽  
Vol 4 (5) ◽  
pp. 31-36
Author(s):  
Jakhongir G. Inoyatov ◽  
Keyword(s):  
Scientific Research ◽  
History Of Photography ◽  
History Of ◽  
Historical Photographs ◽  
Shed Light ◽  
Modern Technologies

The author's goal in this article is to shed light on the evolution of scientific approaches in thisfield by studying the history of world photography. The main important aspect of the article is shown in the presentation of the history of photography through a comprehensive generalization of the formation of modern technologies with the analysis of scientific research that has been in history through in-depth study.In addition, as a result of the research, existing historical photographs are analytically studied, reasonable data on the evolution of photography is provided, and the emergence of modern photography is highlighted

scholarly journals EXPRESSION OF THE HISTORY OF THE PEOPLES OF CENTRAL ASIA IN PHOTOS

2021 ◽  
Vol 02 (05) ◽  
pp. 66-70
Author(s):  
Jakhongir Gopurjonovich Inoyatov ◽  
Keyword(s):  
Central Asia ◽  
Scientific Research ◽  
History Of Photography ◽  
Depth Study ◽  
History Of ◽  
Shed Light ◽  
Modern Technologies ◽  
Comprehensive Coverage

In this article, the author aims to shed light on the evolution of scientific approaches in this field by studying the history of world photography. As well as the art of photography of the peoples of Central Asia and its importance in modern photography today. The main point of the article is to provide a comprehensive coverage of the formation of modern technologies by analyzing the scientific research in history through an in-depth study of the history of photography.

scholarly journals Photography and Development of Photo Industry in Ukraine: History and Modernity (to the 180th Anniversary of Photography)

2020 ◽  
pp. 53-65
Author(s):  
Serhiy Horevalov ◽  
Natalia Zykun
Keyword(s):  
Rapid Expansion ◽  
Educational Institutions ◽  
History Of Photography ◽  
Education Study ◽  
Significant Step ◽  
History Of ◽  
Late Nineteenth ◽  
Mental Characteristics ◽  
Modern Technologies ◽  
Made In

In the article the multi-subject phenomenon of photography, which clearly combines the fea-tures of a document, a work of art, modern technologies and a means of communication is stud-ied in the diachronic aspects using the methods of comparative analysis, systematization and generalization. It summarizes the information about the long history of photography as a form of fixation of reality, as a way of storing and transmitting information. The changes in functional and instru-mental characteristics of photography are outlined. The rapid expansion of the direction of development of photography in many Ukrainian regions as early as the late nineteenth and in the early twentieth centuries is indicated: formation of infrastructure; emergence of professional and amateur photo societies and organizations that have been active in professional and educational and promotional activities. It is proved that active photography activity formed a public request for scientific study of pho-tography, its theory formation; caused the emergence of specialized periodical photo editions (“Photo-Cinema” (1924), “Photo for Everyone” (1928-1930) and “Photo – Socialistic Construction” (1932-1934). All this contributed to the emergence of a system of professionals training in photography, formal photo education, study of photography in art educational institutions. The prerequisites and the first steps of formation of photojournalism and the system of photo genres are traced. The active participation of Ukrainian masters in production and improvement of photographic equipment is stated. It is said that in the 30’s of the twentieth century a significant step of state policy was made in development of the plants of mechanical engineering and chemical industry of Ukraine, which created the preconditions for development of photo industry. The considerable attention is paid to the major achievements of Ukrainian production of photographic equipment, first of all at the Kyiv Arsenal Factory.

scholarly journals Corporation Bell Labs is a factory of scientific innovations

2021 ◽  
Vol 3 (1) ◽  
pp. 136-168
Author(s):  
Vasily Kudryavtsev
Keyword(s):  
Programming Languages ◽  
Point Contact ◽  
Scientific Research ◽  
Cosmic Radio ◽  
Cosmic Radio Emission ◽  
The Us ◽  
History Of ◽  
The Creation ◽  
Effective Organization ◽  
Modern Technologies

The results of scientific research and development have become the basis for the development of the economy, the most important factor in increasing its competitiveness, the foundation of modern technologies. Therefore, the problem of effective organization of scientific research and the effectiveness of their financing is extremely urgent. The study of the evolution of organizational forms of science allows us to conclude that in firms that do not have government funding, scientific research at the Nobel level is often carried out. The story of the creation of one of these organizations, the world famous Bell Labs corporation, which is a real incubator of progressive scientific and technical ideas, is told. Over the years, Bell Labs employees have made a number of grandiose discoveries: the detection of cosmic radio emission, the invention of a point-contact transistor, quartz clocks, charge-coupled devices, the creation of information theory, the UNIX operating system, programming languages C, C ++, etc.Considerable attention is paid to describing the scientific and technical results of Bell Labs employees who have become Nobel, Turing, Emmy and Grammy laureates, as well as holders of the US National Medal of Technology and Innovation and the IEEE Medal of Honor. In conclusion, some other scientific achievements of Bell Labs employees that have not received the above awards are discussed. The experience of studying the history of the creation and functioning of this company can be useful when organizing innovative research centers in our country.

An Outline History of Photography in Africa to ca. 1940

1989 ◽  
Vol 16 ◽  
pp. 197-208 ◽  
Author(s):  
David Killingray ◽  
Andrew Roberts
Keyword(s):  
International Workshop ◽  
Metal Plate ◽  
Second World War ◽  
World War ◽  
History Of Photography ◽  
Technical Developments ◽  
History Of ◽  
Historical Photographs ◽  
Near Future ◽  
Second World

Photographs are attracting growing interest among Africanists. A bibliographical essay in the Cambridge History of Africa, vol. 7, drew attention to the value and availability of photographs of colonial Africa. The critical use of such documents has been discussed in this journal by Christraud Geary, and historical photographs have been a prominent feature of several recent publications. In May 1988 an international workshop at SOAS considered the problems and possibilities of using photographs as sources for African history. It is hoped that a larger conference on photographs and Africa will be convened in the near future. Meanwhile, the papers for the SOAS meeting have been distributed to interested scholars, librarians, and archivists. A version of the present paper forms part of this collection; since there is as yet no recommendable history of photography in Africa, it seemed worthwhile to republish this modest sketch of the more important developments in the practice and uses of photography in Africa. We conclude with the Second World War, since to have pursued the subject further would have asked too much of the authors' knowledge and readers' patience.It may be helpful to begin with a reminder of the major technical developments in photography during the nineteenth century. The daguerreotype, introduced in 1839, yielded only a single image, on a sensitized metal plate. The calotype, introduced two years later, yielded multiple paper positives from a paper negative, but like the daguerreotype required exposures of one to three minutes.

Investigating the Dynamics of Suicidal Ideation

Crisis ◽  
2018 ◽  
Vol 39 (1) ◽  
pp. 65-69 ◽  
Author(s):  
Nina Hallensleben ◽  
Lena Spangenberg ◽  
Thomas Forkmann ◽  
Dajana Rath ◽  
Ulrich Hegerl ◽  
...  
Keyword(s):  
Suicidal Ideation ◽  
Small Sample Size ◽  
Unipolar Depression ◽  
Small Sample ◽  
History Of ◽  
Severity Of Depression ◽  
Ecological Momentary ◽  
Depressive Episodes ◽  
Ema Method ◽  
Shed Light

Abstract. Background: Although the fluctuating nature of suicidal ideation (SI) has been described previously, longitudinal studies investigating the dynamics of SI are scarce. Aim: To demonstrate the fluctuation of SI across 6 days and up to 60 measurement points using smartphone-based ecological momentary assessments (EMA). Method: Twenty inpatients with unipolar depression and current and/or lifetime suicidal ideation rated their momentary SI 10 times per day over a 6-day period. Mean squared successive difference (MSSD) was calculated as a measure of variability. Correlations of MSSD with severity of depression, number of previous depressive episodes, and history of suicidal behavior were examined. Results: Individual trajectories of SI are shown to illustrate fluctuation. MSSD values ranged from 0.2 to 21.7. No significant correlations of MSSD with several clinical parameters were found, but there are hints of associations between fluctuation of SI and severity of depression and suicidality. Limitations: Main limitation of this study is the small sample size leading to low power and probably missing potential effects. Further research with larger samples is necessary to shed light on the dynamics of SI. Conclusion: The results illustrate the dynamic nature and the diversity of trajectories of SI across 6 days in psychiatric inpatients with unipolar depression. Prediction of the fluctuation of SI might be of high clinical relevance. Further research using EMA and sophisticated analyses with larger samples is necessary to shed light on the dynamics of SI.

Misreading Egypt

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
New Media ◽  
Narrative Form ◽  
Experimental Film ◽  
Tower Of Babel ◽  
Avant Garde ◽  
Sergei Eisenstein ◽  
History Of ◽  
The One ◽  
The Relationship ◽  
Modern Technologies

The first chapter of Hieroglyphic Modernisms exposes the complex history of Western misconceptions of Egyptian writing from antiquity to the present. Hieroglyphs bridge the gap between modern technologies and the ancient past, looking forward to the rise of new media and backward to the dispersal of languages in the mythical moment of the Tower of Babel. The contradictory ways in which hieroglyphs were interpreted in the West come to shape the differing ways that modernist writers and filmmakers understood the relationship between writing, film, and other new media. On the one hand, poets like Ezra Pound and film theorists like Vachel Lindsay and Sergei Eisenstein use the visual languages of China and of Egypt as a more primal or direct alternative to written words. But Freud, Proust, and the later Eisenstein conversely emphasize the phonetic qualities of Egyptian writing, its similarity to alphabetical scripts. The chapter concludes by arguing that even avant-garde invocations of hieroglyphics depend on narrative form through an examination of Hollis Frampton’s experimental film Zorns Lemma.

Editorial Introduction

2020 ◽  
Vol 4 (1) ◽  
pp. 1
Author(s):  
Editors of the JIOWS
Keyword(s):  
Nineteenth Century ◽  
Indian Ocean ◽  
Western Indian Ocean ◽  
Late Nineteenth Century ◽  
Fourth Volume ◽  
History Of ◽  
The Indian Ocean ◽  
Complex Relationships ◽  
Indian Ocean World ◽  
Shed Light

The editors are proud to present the first issue of the fourth volume of the Journal of Indian Ocean World Studies. This issue contains three articles, by James Francis Warren (Murdoch University), Kelsey McFaul (University of California, Santa Cruz), and Marek Pawelczak (University of Warsaw), respectively. Warren’s and McFaul’s articles take different approaches to the growing body of work that discusses pirates in the Indian Ocean World, past and present. Warren’s article is historical, exploring the life and times of Julano Taupan in the nineteenth-century Philippines. He invites us to question the meaning of the word ‘pirate’ and the several ways in which Taupan’s life has been interpreted by different European colonists and by anti-colonial movements from the mid-nineteenth century to the present day. McFaul’s article, meanwhile, takes a literary approach to discuss the much more recent phenomenon of Somali Piracy, which reached its apex in the last decade. Its contribution is to analyse the works of authors based in the region, challenging paradigms that have mostly been developed from analysis of works written in the West. Finally, Pawelczak’s article is a legal history of British jurisdiction in mid-late nineteenth-century Zanzibar. It examines one of the facets that underpinned European influence in the western Indian Ocean World before the establishment of colonial rule. In sum, this issue uses two key threads to shed light on the complex relationships between European and other Western powers and the Indian Ocean World.

Light and Sensitivity: Love in the Time of the Daguerreotype

2015 ◽  
Author(s):  
Katarzyna Czeczot
Keyword(s):  
Male Gaze ◽  
History Of Photography ◽  
Sensitive Material ◽  
History Of ◽  
The Subject ◽  
Definition Of ◽  
Relationship Of ◽  
Point Of Departure ◽  
Passive Object

The article deals with the love of Zygmunt Krasiński to Delfina Potocka. The point of departure is the poet's definition of love as looking and reads Krasiński's relationship with his beloved in the context of two phenomena that fascinated him at the time: daguerreotype and magnetism. The invention of the daguerreotype in which the history of photography and spiritism comes together becomes a pretext for the formulation of a new concept of love and the loving subject. In the era of painting the woman was treated as a passive object of the male gaze; photography reverses this scheme of power. Love ceases to be a static relationship of the subject in love and the passive object – the beloved. The philosophy of developing photographs (and invoking phantoms) allows Krasiński - the writing subject to become like a light-sensitive material that reveals the image of the beloved.

De splitsing van de Belgische Socialistische Partij. Twee verklarende documenten

2008 ◽  
Vol 67 (2) ◽  
pp. 99-114
Author(s):  
Pieter-Jan Van Bosstraeten
Keyword(s):  
Socialist Party ◽  
French Speaking ◽  
History Of ◽  
Post War ◽  
Shed Light ◽  
Do So

Op 11 oktober 1978 splitste de Belgische Socialistische Partij zich als laatste van de drie unitaire partijen op in twee autonome partijen. Langs Franstalige zijde werd éénzijdig de Parti Socialiste opgericht, twee jaar later volgde de Socialistische Partij. De splitsing vormde het eindpunt van een lange en bewogen geschiedenis van de socialistische eenheidspartij.Ondanks het feit dat heel wat auteurs reeds een licht hebben geworpen op de belangrijkste gebeurtenis uit de na-oorlogse geschiedenis van de BSP, is het antwoord op de vraag naar de oorzaken van de splitsing vrij eenduidig. Overwegend wordt aangenomen dat de splitsing van de BSP het gevolg is van een moeilijke samenwerking in het kader van het communautaire dossier. Andere oorzaken worden amper aangehaald, of onvoldoende verduidelijkt. Tevens wordt slechts het politiek-tactische aspect van het communautaire dossier uitvoerig besproken. In de bestaande literatuur wordt zo goed als nergens dieper ingegaan op de inhoudelijke elementen die binnen de partij problemen teweegbrachten.Onderzoek van twee cruciale documenten heeft de mogelijkheid geboden het verhaal van de splitsing beter te reconstrueren. Daarbij is gebleken dat de splitsing van de partij in een ruimer kader dient te worden geïnterpreteerd dan het communautaire dossier. Aan de splitsing van de partij ging een lang proces van autonomisering en vleugelvorming vooraf. Bovendien werd aangetoond dat de problematiek inzake het Egmont-Stuyvenbergpact niet de enige directe oorzaak vormde voor de splitsing van de partij, in de periode 1977-1978. Enkele andere oorzaken hebben daartoe eveneens bijgedragen.________The division of the Belgian Socialist Party. Two explanatory documentsOn 11 October 1978 the Belgian Socialist Party divided into two autonomous parties, the last of the three unitary parties to do so. First the French speaking section unilaterally founded the ‘Parti Socialiste’, two years later the ‘Socialistische Partij’ followed. The division constituted the termination of the long and eventful history of the socialist unitary party.In spite of the fact that many authors have already shed light on the most important event from the post-war history of the BSP, the answer to the question about the causes for the division are fairly unequivocal. The majority of opinions favour the view that the division of the BSP was the consequence of the difficulty of collaborating within the framework of the community dossier. Other causes are hardly cited, or insufficiently elucidated. Moreover only the politico-tactical aspect of the community dossier is discussed in detail. The existing literature hardly ever carries out a more thorough examination of the intrinsic elements that caused problems within the party.The investigation of the two crucial documents has offered the opportunity to provide a better reconstruction of the division. This showed that the division of the party should be interpreted within a larger framework than the community dossier alone. A long process of autonomisation and the formation of political wings preceded the division of the party. It also demonstrated that the issues concerning the Egmont-Stuyvenberg pact were not the only direct cause for the division of the party, during the period 1977-1978. There were several other causes that also contributed to this division.

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