scholarly journals Seni Pertunjukan Sintren di Kabupaten Indramayu dalam Perspektif Historis

Panggung ◽  
2017 ◽  
Vol 27 (1) ◽  
Author(s):  
Dini Nurlelasari ◽  
Nina H Herlina ◽  
Kunto Sofianto
Keyword(s):  
Performing Arts ◽  
Religious Culture ◽  
Colonial Period ◽  
North Coast ◽  
Economic Factors ◽  
Political Resistance ◽  
The Public ◽  
Historical Method ◽  
Central Java ◽  
Colonial Government

ABSTRACT This paper is a description of sintren performing arts in Indramayu. The purpose this study was to determine how the deployment sintren performing arts and how the function changes from historical perspective. The method used is historical method. The results showed that sintren developed in North Coast of Java and Central Java, West Java, including Indramayu. Sintren functions from time to time is change. It is influenced by several factors, religious (culture), political, and economic. First sintren is sacred ritual. When Islam came turned into an entertainment that contains a moral message as media propaganda. In the colonial period sintren remain as an entertainment that serves as a medium of political resistance against the colonial government. Until now sintren as entertainment but be affected by economic factors in order to keep the public preferred. Therefore, at this time shows sintren modified with modern songs.Key Words: Sintren, Indramayu, dissemination, historicalABSTRAK Tulisan ini deskripsi tentang seni pertunjukan sintren di Indramayu. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana penyebaran seni pertunjukan sintren dan bagaimana perubahan fungsinya dalam perspektif historis. Metode yang digunakan adalah metode sejarah. Hasil penelitian menunjukkan bahwa sintren berkembang di Pesisir Utara Jawa serta Jawa Tengah sebelah barat dan Jawa Barat sebelah timur, termasuk daerah Indramayu. Fungsi sintren dari masa ke masa terus berubah. Hal ini dipengaruhi oleh beberapa faktor yaitu faktor agama (budaya), politik, dan ekonomi. Pada awalnya sintren merupakan sarana ritual yang sakral. Ketika Islam datang berubah menjadi sarana hiburan yang mengandung pesan moral sebagai media dakwah. Pada masa kolonial sintren tetap sebagai sarana hiburan yang berfungsi sebagai media politik perlawanan terhadap pemerintah kolonial. Hingga saat ini sintren sebagai hiburan namun terpengaruh oleh faktor ekonomi agar tetap disukai masyarakat. Oleh karena itu, saat ini pertunjukan sintren dimodifikasi dengan lagu-lagu modern.Kata Kunci: Sintren, Indramayu, penyebaran, historis

‘Addressing a Great Silence’: Black Diggers and the Aboriginal Experience of War

2015 ◽  
Vol 31 (3) ◽  
pp. 223-231
Author(s):  
Liza-Mare Syron
Keyword(s):  
Performing Arts ◽  
Aboriginal People ◽  
North Coast ◽  
Indigenous Research ◽  
International Conflicts ◽  
The Public ◽  
South Wales ◽  
Public Record ◽  
Culture Of Silence ◽  
Historical Accounts

In 2014 Indigenous theatre director Wesley Enoch announced in an interview that ‘the aim of Indigenous theatre is to write into the public record neglected or forgotten stories’. He also spoke about the aims of a new Australian play, Black Diggers, as ‘honouring and preserving’ these stories. For Enoch, Black Diggers (re)addresses a great silence in Australia’s history, that of the Aboriginal experience of war. Also in 2014, the memorial sculpture Yininmadyemi Thou Didst Let Fall, commissioned by the City of Sydney Council, aimed to place in memoriam the story of forgotten Aboriginal soldiers who served during international conflicts, notably the two world wars. Both Black Diggers and the Yininmadyemi memorial sculpture are counter-hegemonic artefacts and a powerful commentary of a time of pseudo-nationalist memorialization. Both challenge the validity of many of Australia’s socio-political and historical accounts of war, including the frontier wars that took place between Aboriginal people and European settlers. Both unsettle Australia’s fascination with a memorialized past constructed from a culture of silence and forgetfulness. Liza-Mare Syron is a descendant of the Birripi people of the mid-north coast of New South Wales in Australia. An actor, director, dramaturg, and founding member of Moogahlin Performing Arts, a Sydney-based Aboriginal company, she is currently the Indigenous Research Fellow at the Department of Media, Music, Communication, and Cultural Studies at Macquarie University, Sydney. She has published widely on actor training, indigenous theatre practice, inter-cultural performance, and theatre and community development.

scholarly journals Suluk Pesisiran dalam Arsitektur Masjid Agung Sang Cipta Rasa Cirebon, Indonesia

2021 ◽  
Vol 10 (1) ◽  
pp. 29-44
Author(s):  
Wawan Hernawan ◽  
Busro Busro ◽  
Mudhofar Muffid
Keyword(s):  
Performing Arts ◽  
Multidisciplinary Approach ◽  
North Coast ◽  
Literary Works ◽  
Historical Method ◽  
The North ◽  
History Of

The purpose of this paper is to analyze suluk on the architecture of Sang Cipta Rasa Great Mosque, Cirebon. The research is qualitative non-hypothetical through four stages of the historical method with multidisciplinary approach. The result of this research is that Wali Songo are brilliant in packaging Islamic teachings about the path to inner perfection in finding the authenticity of life leading to His goodness. Islamic teaching is not only preached through classical Javanese literary works (macapat, song) or performing arts (wayang, barong, topêng, and ronggêng), but also through mosque architecture. The conclusion of this research is that there is the beauty of coastal suluk teaching in a number of architectures element of Sang Cipta Rasa Grand Mosque. This study recommends further research on a number of other archaeological relics, either in Cirebon or along the North coast of Java that have a history of spreading Islam.

scholarly journals COLONIAL POLITICS IN FORMING ETHNIC IDENTITY OF MELAYU MINANGKABAU AND BATAK IN TAPANULI

2016 ◽  
Vol 28 (1) ◽  
pp. 106
Author(s):  
Ida Liana Tanjung ◽  
Bambang Purwanto ◽  
Nur Aini Setyawati
Keyword(s):  
Ethnic Identity ◽  
20Th Century ◽  
Colonial Period ◽  
Early 20Th Century ◽  
Dutch Government ◽  
Construction Process ◽  
Constructive Approach ◽  
Ethnic Segregation ◽  
Historical Method ◽  
Colonial Government

The article discusses the forming of ethnic identity among Batak and Malay people in Tapanuli during colonial period. The colonial government that desired to expand its hegemony among these ethnic groups had led them to create policies and boundaries for the groups in Tapanuli. This study uses historical method (heuristic) that begins from sources collection, sources critique,interpretation and explanation. Constructive approach is used to analyze the sources that considers ethnic identity is a result of construction process of a particular group. This article shows that in pre-colonial period it was difficult to determine ethnical boundaries in Tapanuli, particularly the Malay, Minangkabau, and Batak. However, after the Dutch government expanded its expansion to this region, the ethnical boundaries began to form and the differences among them became apparent. Ethnic segregation policy implemented by the Dutch and its support to the Batak ethnic group and the Christian obviously had formed and changed the awareness of ethnic identity among Batak and Malay people. In the early 20th century, the colonial government featured and strengthened the ethnic identity awareness in Batak community.

scholarly journals Perusahaan Rekaman Lokananta, 1956-1990-An dalam Penyebarluasan Seni Pertunjukan Jawa Surakarta

2018 ◽  
Vol 2 (2) ◽  
pp. 425 ◽  
Author(s):  
Dhanang Respati Puguh
Keyword(s):  
Oral History ◽  
Performing Arts ◽  
Historical Sources ◽  
Cassette Tape ◽  
Previous Period ◽  
Historical Method ◽  
Central Java ◽  
Wide Range ◽  
National Music

This article examines on the role of Lokananta in disseminating Javanese performing arts of Surakarta during 1956-1990. It is focused on records production either in vinyl or tape cassettes and its distribution. This article composed using historical method and utilize wide range of historical sources, such as archives, newspapers, vinyl and cassette covers, articles, books, and oral history. The results showed that during 1957-1971, Lokananta has produced vinyl records which were classified into National Music, Regional Entertainment, and Regional Theatre Music. In that period, Lokananta production was dominated by recording of National Music and Music-Theatre of Central Java. During 1971-1985 Lokananta produced many music and theatre records of Central Java printed into cassette tape. In 1985-1990’s, Lokananta produced and made reproduction on cassette recordings. Quantitatively, production and reproduction recording number has drastically decreased compared to the previous period. Records vinyl and tape cassettes sale, as well as the distribution via Radio Republik Indonesia and private broadcasts, proved that Lokananta has been instrumental in disseminating Javanese performing arts of Surakarta.

scholarly journals Typologies of the Fiqh Conception in the Covid-19 Pandemic Era (Exploration on Religious Views and Attitudes of Kyai-in mosques of North Coast of Java)

2021 ◽  
Vol 5 (2) ◽  
pp. 1069
Author(s):  
Ahmad Zaenurrosyid ◽  
Hidayatus Sholihah ◽  
Ghofar Shidiq
Keyword(s):  
Islamic Law ◽  
Community Leaders ◽  
North Coast ◽  
Northern Coast ◽  
Religious Activities ◽  
Power Politics ◽  
The Public ◽  
Central Java ◽  
Negative Impacts ◽  
The Public Sphere

This study aims to analyze the dynamics of the fiqh conception of the kyai and their congregations in the act of worship in the mosque. The practice of worship during the Covid-19 pandemic shifted in patterns and choices of kyai schools of thought after the MUI fatwa, which issued regulation regarding the temporary abolition of Friday, Eid prayers, tarawih, and the use of masks, hand sanitizers, and social distance (distanced rows) in congregation of 5 daily prayers and religious activities in the mosque. This diversity is interesting to explore because these various conceptions of the acts of worship give negative impacts to intra-religious harmony.  There are signs of socio-religious conflicst, distrust of certain community leaders, symptoms of disharmony, disbelieve in other parties in the public sphere and social media. This socio-religious dialectical context is encountered by the kyai, leaders and communities on the northern coast of Central Java, especially in Pati Regency and Semarang City. This is qualitative research using multi-disciplinary methods regarding normative analysis of Islamic law and socio-anthropology. Data was collected through interviews with kyai and community leaders, observation and documentation. Data validation was carried out through triangulation, as well as descriptive-qualitative analysis, through reduction, data presentation, and drawing conclusions. The findings of this study are as follows: first, the dynamics of a new conception of fiqh as a result of the Covid-19 pandemic amid various MUI and government policies through the implementation of health protocol. Second, four typical new conceptions of fiqh were found for kyai and the public during a pandemic. The diversity of this community typology can be seen from their worship behavior and religious actions. Typical of the first group is ‘normative’ whose written texts are understood in literal sence about the pandemic jurisprudence and are very strict about implementing health protocol. The second is the ‘moderate group’ who is flexible in conceptualizing the fiqh of pandemic and carrying out health protocol. Third, there are ‘liberative-ignore’ groups who are liberal in understanding fiqh during the pandemic, and they do not pay much attention to the health protocol. Typical of the fourth group, the ‘skeptics’ who do not believe in the presence of the covid-19 pandemic, even among this group there are those who think that covid is just a power politics engineering.

scholarly journals Commodifying Culture In A Frontier Area: The Utilization of Madurese Culture for Developing Tourism in the Eastern Tip of Java Island, Indonesia

2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Latifatul Izzah ◽  
Singgih Tri Sulistiyono ◽  
Yety Rochwulaningsih
Keyword(s):  
Secondary Data ◽  
Colonial Period ◽  
Primary Data ◽  
Regional Government ◽  
Tourist Destination ◽  
The Public ◽  
Historical Method ◽  
Beauty Contest ◽  
Village Government ◽  
The Impact

This study aimed to analyze the reasons that the Regent of Bondowoso chose Madurese culture to be a tourist destination for Bondowoso Regency, and the impact of the commodification of Madurese culture on the welfare of the Bondowoso community. The theory of commodification and historical method were used in this study. The primary data were collected through participatory observation, interview, and colonial sources (documentation), while secondary data were collected from various sources which include published works, results of related studies, and related government reports. The population was the Madurese community in Bondowoso Regency. The results of the study had proven that Madurese Culture like Kerapan Sapi and Sapi Sonok (cow’s beauty contest) had been contesting in front of the public since the Dutch colonial period, while Ronteg Singo Ulung, Pojien Dance and Petik Kopi ritual had been used as tourism commodities in Bondowoso Regency since 2017. In this importance, the Regent of Bondowoso chose Madurese culture as a lure for tourists; both domestic and foreign tourists. This action was to improve the welfare of the community, as well as generating revenue for the Regional Government and Village Government.

scholarly journals ARTISTS AND PERFORMING ARTS IN KAMPOONG KEMLAYAN, SURAKARTA

Jantra. ◽  
2019 ◽  
Vol 14 (2) ◽  
pp. 117-128
Author(s):  
Heri Priyatmoko
Keyword(s):  
Performing Arts ◽  
Public Spaces ◽  
Regeneration Process ◽  
The Public ◽  
Historical Method ◽  
Children's Attention ◽  
Staying At Home ◽  
At Home

This research departs from the assumption that generally the public only comprehend artists only when they appear on stage, They do not realize their creative activities while they are staying at home. The focus of this research is the community of gamelan musicians and dancers who settled in kampong Kemlayan, Surakarta from 1930-1970. The method used in this study is the historical method including heuristics, source verification, interpretation, and historiography. The results of the research showed that the palace artists in Kasunanan Surakarta considered that the kampong where they live was not only a place to live but also a place where they can practice and rehearse before they performed in the palace in front of their King or in other public spaces. It is in their small kampong that they cultivate creativity without strict rules like in the palace. New gendhings (gamelan songs) and choreographies were born in this kampong. This had strengthened the kampong’s identity as the “breeder” of productive artists. For decades, lots of karawitan and dance activities in Kemlayan had changed its face. It was like a “stage” that invited the people’s and local children’s attention. The plenty activities had attracted and encouraged the local children to join the activities. In this way, regeneration process was taking place.

Sasak People’s Resistance Against Mataram-Karangasem and Dutch Colonial Rulers: The Role of Tuan Guru Umar Kelayu

2020 ◽  
Vol 2 (1) ◽  
pp. 73-90
Author(s):  
Ahmad Tohri ◽  
H. Habibuddin ◽  
Abdul Rasyad
Keyword(s):  
Data Analysis ◽  
19Th Century ◽  
Economic Factors ◽  
Historical Method ◽  
The 19Th Century ◽  
Historical Methods ◽  
Depth Interviews ◽  
Dutch Colonial ◽  
Dutch Colonialism

This article discusses the Sasak people’s resistance against MataramKarangasem and Dutch colonial rulers in the 19th century in Lombok, Indonesia. It particularly focuses on Tuan Guru Umar Kelayu and his central role in the emergence of Sasak people’s resistance which transformed into Sasak physical revolution local and global imperialismcolonialism. Using the historical method, this article collected data through observation, in-depth interviews, and documentation. The data analysis involved the historical methods of heuristics, verification or criticism, interpretation, and historiography. The findings show that Sasak people’s resistance was not only caused by economic factors but also related to other factors such as social, cultural, and religious ones. Tuan Guru Umar Kelayu played a key role in the Sasak people’s resistance in that it was under his leadership and influence that the resistance transformed into a physical struggle against MataramKarangasem and Dutch colonialism as seen in Sakra War and Praya War which were led by his students and friends.

‘Langen Katresnan’ Video Animasi dengan Tema Ramayana Episode Penculikan Shinta

2014 ◽  
Author(s):  
Ika Yulianti
Keyword(s):  
Performing Arts ◽  
New Work ◽  
Two Dimensional ◽  
The Public ◽  
The Creation

Ramayana story has been widely known in Indonesian society since centuries ago. This story has been disseminated from generation to generation. The story is familiar to the public in the form of this kakawin often staged in the form of performing arts, dramatari, puppet performances, as well as in the form of puppet or sculpture. Ramayana story has a lot of episodes, but in the creation of this animated video work taking Shinta kidnapping episode. This animated video works explored the form of characters and stories, as well as collaborate with dance, heater and musical arts. Kidnapping of Shinta’s story became the basis of the principal narrative in the creation of animated video with the theme of Ramayana episode kidnapping Shinta ‘Langen Katresnan’ which then developed in accordance with the ideas and concepts. It also supports the creation of new work that promotes originality of the work. This animated video works using two-dimensional techniques. This is actually a reference to that puppet animation that was first recognized by earlier ancestors.Keywords: puppet, Ramayana, animation

IMPLEMENTATION OF SUSTAINABLE AQUACULTURE AS A MODEL OF SATO UMI TO IMPROVE PRODUCTIVITY WITHIN COASTAL AREA OF INDONESIA

2017 ◽  
Author(s):  
Suhendar I Sachoemar ◽  
Suhendar I Sachoemar ◽  
Tetsuo Yanagi ◽  
Tetsuo Yanagi ◽  
Mitsutaku Makino ◽  
...  
Keyword(s):  
Coastal Area ◽  
Sustainable Aquaculture ◽  
The South ◽  
West Java ◽  
The Public ◽  
Central Java ◽  
South Sulawesi ◽  
Similar Program ◽  
Technology Dissemination

The development of sustainable model of aquaculture by applying Sato Umi concept within coastal area of Indonesia has expanded from the center of first experiment in the northern coastal area of west Java to central Java (western Indonesia) and Bantaeng in the South Sulawesi of central Indonesia. The similar program has also been proposed for Maluku Province in the eastern part of Indonesia. In the next 5 years, Indonesia is developing the Techno Parks Program in some areas, in which aquaculture and fisheries activities development on the base of Sato Umi concept in the coastal area are involves in this program. The development of Techno Parks are directed as a center application of technology to stimulate the economy in the regency, and a place of training, apprenticeship, technology dissemination center, and center business advocacy for the public. Hopely, Sato Umi concept that has a similar spirit with Techno Park can be applied to support the implementation of Techno Park program in Indonesia

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