scholarly journals Perusahaan Rekaman Lokananta, 1956-1990-An dalam Penyebarluasan Seni Pertunjukan Jawa Surakarta

2018 ◽  
Vol 2 (2) ◽  
pp. 425 ◽  
Author(s):  
Dhanang Respati Puguh
Keyword(s):  
Oral History ◽  
Performing Arts ◽  
Historical Sources ◽  
Cassette Tape ◽  
Previous Period ◽  
Historical Method ◽  
Central Java ◽  
Wide Range ◽  
National Music

This article examines on the role of Lokananta in disseminating Javanese performing arts of Surakarta during 1956-1990. It is focused on records production either in vinyl or tape cassettes and its distribution. This article composed using historical method and utilize wide range of historical sources, such as archives, newspapers, vinyl and cassette covers, articles, books, and oral history. The results showed that during 1957-1971, Lokananta has produced vinyl records which were classified into National Music, Regional Entertainment, and Regional Theatre Music. In that period, Lokananta production was dominated by recording of National Music and Music-Theatre of Central Java. During 1971-1985 Lokananta produced many music and theatre records of Central Java printed into cassette tape. In 1985-1990’s, Lokananta produced and made reproduction on cassette recordings. Quantitatively, production and reproduction recording number has drastically decreased compared to the previous period. Records vinyl and tape cassettes sale, as well as the distribution via Radio Republik Indonesia and private broadcasts, proved that Lokananta has been instrumental in disseminating Javanese performing arts of Surakarta.

scholarly journals Ateng Japar: Sang Legenda Seni Pertunjukan Longser dan Peranannya di Kabupaten Bandung, Tahun 1975 – 2002

2016 ◽  
Vol 1 (1) ◽  
pp. 87
Author(s):  
Apriliani Hardiyanti Hariyono
Keyword(s):  
Performing Arts ◽  
Main Issue ◽  
Art Gallery ◽  
West Java ◽  
Historical Method ◽  
Modern Age ◽  
Key Word

<p><strong><em>ABSTRAKSI: </em></strong><em>Penelitian ini bertujuan untuk menjelaskan peranan seorang seniman bernama Ateng Japar dalam mengembangkan seni pertunjukan Longser di Kabupaten Bandung, Jawa Barat, Indonesia, dari tahun 1975-2002. Masalah utama yang dibahas adalah bagaimana dinamika perkembangan seni pertunjukan Longser pada masa Ateng Japar, 1975-2002. Metode yang digunakan dalam penelitian ini yaitu metode historis. Hasil penelitian menunjukkan bahwa Longser merupakan seni teater rakyat yang hidup di daerah Priangan, khususnya di Kabupaten Bandung. Longser seringkali disebut sebagai seni sandiwara rakyat yang banyak menampilkan tarian-tarian berpasangan dan memberikan kesempatan kepada para penonton untuk menari bersama dengan penarinya. Pada tahun 1939, Ateng Japar mendirikan kelompok Longser yang diberi nama “Pancawarna”. Awalnya, kelompok ini melakukan pertunjukan dengan cara mengamen, namun memasuki tahun 1970-an terjadi peralihan tempat pertunjukan, yakni kedalam gedung kesenian. Pada tahun 2002, sang seniman Ateng Japar diberitakan wafat dan hal ini berdampak pada perkembangan Longser yang semakin meredup. Selain itu, masuknya pengaruh globalisasi yang diikuti oleh perubahan zaman yang semakin maju dan modern, pada akhirnya membuat seni pertunjukan Longser yang masih bertahan hingga saat ini kurang mendapat tempat di hati masyarakat luas. Eksistensi Longser semakin diperparah ketika sebagian masyarakat, terutama dari kalangan generasi muda, masih banyak yang belum mengetahui tentang seni pertunjukan Longser. </em></p><p><strong><em>KATA KUNCI:</em></strong><em> Longser, teater rakyat, Ateng Japar, perubahan zaman, dan pengaruh globalisasi.</em><em> </em></p><p><strong><em>ABSTRACT: </em></strong><em>“Ateng Japar: The Legend of Longser Performing Arts and His Roles in Bandung Regency, 1975 - 2002”.<strong> </strong>This study aims to explain the role of an artist named Ateng Japar in developing the performing arts of Longser in Bandung regency, West Java, Indonesia, in the period of 1975-2002. The main issue discussed is the development of Longser performing arts organized by Ateng Japar from 1975-2002. The method used in this research is the historical method. The results showed that Longser is the art of theater folks who live in the Priangan region, especially in Bandung regency. Longser, often referred to as a theatrical art, displays many folk dances in pairs and provide an opportunity for the audience to dance along with the dancers. In 1939, Ateng Japar established a Longser group named “Pancawarna” (five colours). Initially, this group performed by singing, but by the 1970s, there was a shift in the venue into an art gallery. In 2002, the artist Ateng Japar passed away, and his death negatively affected the development of Longser. Besides, the influence of globalization followed by a change of more advanced and modern age, eventually, makes the performing arts of Longser, although still survives today, less appreciated by the wider community. The existence of Longser is threatened when most people, especially the younger generations, do not know about the Longser.</em></p><p><strong><em>KEY WORD:</em></strong><em> Longser, people theater, Ateng Japar, change of time, and influence of globalization.</em></p><p><img src="/public/site/images/wirta/08.april_.upi_.ok_.jpg" alt="" /></p><p><strong><em>About the Author:</em></strong> <strong>Apriliani Hardiyanti Hariyono, S.Pd.</strong> adalah Alumni Departemen Pendidikan Sejarah FPIPS UPI (Fakultas Pendidikan Ilmu Pengetahuan Sosial, Universitas Pendidikan Indonesia), Jalan Dr. Setiabudhi No.229 Bandung 40154, Jawa Barat, Indonesia. Alamat emel: <a href="mailto:[email protected]">[email protected]</a></p><p><strong><em>How to cite this article?</em></strong> Hariyono, Apriliani Hardiyanti. (2016). “Ateng Japar: Sang Legenda Seni Pertunjukan <em>Longser </em>dan Peranannya di Kabupaten Bandung, Tahun 1975 – 2002” in <em>MIMBAR PENDIDIKAN: Jurnal Indonesia untuk Kajian Pendidikan</em>, Vol.1(1) Maret, pp.87-100. Bandung, Indonesia: UPI Press. <strong></strong></p><p><em><strong><em>Chronicle of the article:</em></strong> </em>Accepted (December 24, 2015); Revised (January 29, 2016); and Published (March 11, 2016).<em><br /></em></p>

scholarly journals THE PENITENTIARY FUNCTION OF MONASTERIES IN THE YENISEI PROVINCE IN THE SECOND HALF OF XIX – EARLY XX CENTURIES

2018 ◽  
pp. 93-99
Author(s):  
I. G. Fedorov ◽  
A. A. Terskova
Keyword(s):  
Critical Analysis ◽  
Prison Population ◽  
Historical Sources ◽  
Legal Rules ◽  
Historical Method ◽  
The Status ◽  
National Trends

The research features the prison practice in the monasteries of the Yenisei diocese in the second half of XIX – early XX centuries. The research objective was to study the composition of the prison population in the Orthodox monasteries of the Yenisei diocese and the legal rules governing the status of the epitimizes in the mansions of the region. The work uses the comparative historical method and critical analysis of historical sources, which made it possible to specify the number of those under penance (epitimia) in the monasteries of the diocese, the conditions of their detention, and to highlight the main features of the prison work of the monasteries. The analysis revealed that the penal role of the monasteries had decreased by the beginning of XX century. Eventually, the monasteries of the Yenisei diocese were relieved of this function, which corresponded with the national trends.

scholarly journals THE UKRAINIAN-MOSCOW TREATY OF 1654 IN THE INTERPRETATIONS OF POLISH HISTORIANS OF THE FIRST HALF OF THE TWENTIETH CENTURY

2021 ◽  
pp. 407-426
Author(s):  
Ihor Chava
Keyword(s):  
Twentieth Century ◽  
Historical Sources ◽  
Scientific Pluralism ◽  
Scientific Analysis ◽  
Wide Range ◽  
Church Structure ◽  
Scientific Principles ◽  
History Of ◽  
General Scientific

Summary. The purpose of the study is to research the interpretations of the Ukrainian-Moscow treaty of 1654 in the works of Polish historians of the first half of the twentieth century; study the approaches of scientists to identify the reasons for the mutual understanding of the Ukrainian Cossacks with the tsarist authorities; analyze the peculiarities of the study by Polish scholars of the history of the relations of the Hetman’s Chancellery of B. Khmelnytsky with Moscow; consider the specifics of historians’ vision of the circumstances of concluding the agreement in Pereyaslav and Moscow as well as the course of negotiations between the parties and their implementation; study the researchers’ assessments of the significance of the Ukrainian-Moscow agreement in the history of Ukraine, Tsardom of Muscovy and the Polish-Lithuanian Commonwealth. The research methodology is based on the general scientific principles of objectivity, historicism, scientific pluralism and reliance on historical sources. General scientific (analysis, synthesis, comparison) and special-historical (historical-genetic, historical-typological, problem-chronological, historical-systemic) methods have been used in the work. The scientific novelty of the study lies in the analysis of a wide range of historiographical sources that reflect the interpretations of Polish scholars of the first half of the twentieth century history of the conclusion of the Ukrainian-Moscow treaty of 1654. The peculiarities of the historians’ approaches to the causes of the union between the Cossacks and Moscow and the circumstances of its conclusion are particularly studied. The ideological influences of historical schools and political concepts on the assessments of scholars of the Pereyaslav agreement and bereznevi statti (March articles) have been analyzed. Conclusions. Polish historians of the first half of the twentieth century considered 1654 a milestone in the fate of Ukraine and one of the most important in the history of Poland. It was from the Cossack-Moscow treaty that they deduced the beginning of the rejection of the eastern lands of the Commonwealth in favor of Russia. Scholars saw the causes of these fateful events in the significant depletion of the Ukrainian uprising. As another reason, they also pointed to the complication of the international situation of the Cossacks due to frustration with the Turkish protection and the dual role of assistance to the Crimean Khanate. Polish scholars have drawn attention to the long history of Cossack-Moscow relations since the uprisings of the first half of the seventeenth century. However, they also pointed to Moscow’s unpreparedness for the war against the Commonwealth and its indecision. In their interpretations of Cossack-Moscow relations during the national liberation war Polish historians emphasized the parties’ differing views on the terms of the union. Thus, the scholars indicated that B. Khmelnytsky understood the agreement as a military understanding directed against Poland, where there was no talk of any restriction of Ukraine’s broad autonomy. Instead, the tsarist government understood the treaty as a simple incorporation of Ukrainian lands. This, in turn, as scientists have pointed out, it has caused many sharp misunderstandings. Among the most irritating researchers named the issue of financing the Cossack register and the disagreement of the Ukrainian clergy with the attempts of the Moscow Patriarchate to absorb its church structure. Thus, in the vision of Polish historians of the first half of the twentieth century, the Ukrainian-Moscow union was perceived as hopeless and even utterly dangerous for the very existence of the Ukrainian people.

scholarly journals Seni Pertunjukan Sintren di Kabupaten Indramayu dalam Perspektif Historis

Panggung ◽  
2017 ◽  
Vol 27 (1) ◽  
Author(s):  
Dini Nurlelasari ◽  
Nina H Herlina ◽  
Kunto Sofianto
Keyword(s):  
Performing Arts ◽  
Religious Culture ◽  
Colonial Period ◽  
North Coast ◽  
Economic Factors ◽  
Political Resistance ◽  
The Public ◽  
Historical Method ◽  
Central Java ◽  
Colonial Government

ABSTRACT This paper is a description of sintren performing arts in Indramayu. The purpose this study was to determine how the deployment sintren performing arts and how the function changes from historical perspective. The method used is historical method. The results showed that sintren developed in North Coast of Java and Central Java, West Java, including Indramayu. Sintren functions from time to time is change. It is influenced by several factors, religious (culture), political, and economic. First sintren is sacred ritual. When Islam came turned into an entertainment that contains a moral message as media propaganda. In the colonial period sintren remain as an entertainment that serves as a medium of political resistance against the colonial government. Until now sintren as entertainment but be affected by economic factors in order to keep the public preferred. Therefore, at this time shows sintren modified with modern songs.Key Words: Sintren, Indramayu, dissemination, historicalABSTRAK Tulisan ini deskripsi tentang seni pertunjukan sintren di Indramayu. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana penyebaran seni pertunjukan sintren dan bagaimana perubahan fungsinya dalam perspektif historis. Metode yang digunakan adalah metode sejarah. Hasil penelitian menunjukkan bahwa sintren berkembang di Pesisir Utara Jawa serta Jawa Tengah sebelah barat dan Jawa Barat sebelah timur, termasuk daerah Indramayu. Fungsi sintren dari masa ke masa terus berubah. Hal ini dipengaruhi oleh beberapa faktor yaitu faktor agama (budaya), politik, dan ekonomi. Pada awalnya sintren merupakan sarana ritual yang sakral. Ketika Islam datang berubah menjadi sarana hiburan yang mengandung pesan moral sebagai media dakwah. Pada masa kolonial sintren tetap sebagai sarana hiburan yang berfungsi sebagai media politik perlawanan terhadap pemerintah kolonial. Hingga saat ini sintren sebagai hiburan namun terpengaruh oleh faktor ekonomi agar tetap disukai masyarakat. Oleh karena itu, saat ini pertunjukan sintren dimodifikasi dengan lagu-lagu modern.Kata Kunci: Sintren, Indramayu, penyebaran, historis

Releasing the 'Loudie'

2020 ◽  
Author(s):  
◽  
Christian Kjos
Keyword(s):  
18Th Century ◽  
Historical Sources ◽  
Early Music ◽  
Basso Continuo ◽  
Wide Range ◽  
Keyboard Music ◽  
Music Community ◽  
Baroque Era ◽  
Oriented Approach

My artistic research project at the Norwegian Academy of Music aims to highlight the role of the harpsichord player and the interpretation of basso continuo in G. F. Handel’s continuo cantatas – i.e. cantatas for one voice with continuo accompaniment only. How the continuo realization is shaped in performance of this repertoire is crucial to the overall sound since there are no other obbligato instruments, unlike in the instrumental cantatas. A wide range of possible solutions emerge in the intersection between improvisation, composition, imagination, and speculation within a source-oriented approach. To give these cantatas a musical guise that is rarely heard among performer’s today, I focus on an advanced and soloistic harpsichord continuo that includes different use of imitation, counterpoint, harmonic additions, ‘duet-making’ with the vocal part and other rarely heard features; inspired by certain German 18th-century continuo treatises such as Heinichen’s Der Generalbass in der Composition (Dresden, 1728), Mattheson’s Grosse Generalbass-schule (Hamburg, 1731) and Daube’s General-Bass in drey Accorden (Leipzig, 1756) in addition to several preceding Italian(ate) and English sources, as well as idioms from Handel’s own keyboard music. There are frequently significant discrepancies between how historical sources describe basso continuo playing and how today’s harpsichordists interpret and perform their part within the context of the HIP-movement. In the last decades, two contrasting approaches stand out: those who accompany discretely with few parts and a transparent accompaniment: unofficially nicknamed ‘Softies’; and those who play generally fuller: ‘Loudies’ – from which my project receives its title. With this project, I aim to deepen the understanding of the discipline of continuo playing and to develop realizations that go beyond mere chordal playing often heard today in a much-neglected repertoire by one of the greatest composers of the Baroque era. Hopefully, this will challenge existing views and conventions among several branches of today’s early music community, where strong performers and personas foster strong opinions.

scholarly journals Peranan Pemerintah dalam Pengembangan Wayang Orang Panggung

2018 ◽  
Vol 3 (2) ◽  
pp. 133
Author(s):  
Dhanang Respati Puguh ◽  
Mahendra Pudji Utama
Keyword(s):  
Performing Arts ◽  
Cultural Policy ◽  
Regional Culture ◽  
Historical Method ◽  
Cultural Strategies ◽  
State Capital ◽  
The Government ◽  
Traditional Arts ◽  
Role Of The Government

This article aims to discuss the role of the government in developing Wayang Orang Panggung especially in the Sriwedari community in Surakarta, Ngesti Pandowo in Semarang, and Bharata in Jakarta. This article based on the historical method. Since the beginning of Indonesian independence, the government carried out its function as a protector to maintain the existence of Wayang Orang Panggung, by improving the management of the performing arts, establishing the performance building, providing funding assistance, giving opportunities to perform at the state capital, and involving the artists of Wayang Orang in cultural missions. However, the government tended to be partial and more often conducted as a momentary response that must be addressed immediately because of it impossible to solve the community itself. Changes happened due to economic globalization and political dynamics in Indonesia that can threaten the existence of wayang orang and various forms of traditional arts. It raised hopes that the government could take the more fundamental role as patron-arts. In carrying out this function, the government requires a formulation on cultural policy as a basis for establishing the direction and strategy for the development and strengthening Wayang Orang Panggung and various forms of local culture, within the framework of national culture. The legal needed to carry out, UU RI No. 17 of 2017 about the Cultural Advancement, and Presidential Regulation No. 65 of 2018 concerning the Procedures for the Principles of Regional Culture and Cultural Strategies.

Armenia according to the historical-geographical information of ancient authors (modern studies and chrestomathy of historical sources)

2020 ◽  
Author(s):  
Artak Movsisyan ◽  
Mikayel Malkhasyan ◽  
Lianna Karapetyan
Keyword(s):  
Historical Geography ◽  
Geographical Information ◽  
Historical Sources ◽  
Pliny The Elder ◽  
Wide Range ◽  
Territorial Division

The collective monograph presents the studies conducted by the group of authors on the basis of historical-geographical information about Armenia by ancient authors, as well as the chrestomathy of most of the original texts. The focus of the research is on the historical-geographical references in the works of Herodotus, Ctesias of Cnidus, Xenophon, Strabo, Pliny the Elder, Claudius Ptolemy, and several other authors, due to whom it became possible sometimes completely, sometimes partially to reorganize the borders of Ancient Armenia, the administrative-territorial division, the famous settlements and the flora and fauna. Owing to them, various issues of the role of Major Armenia, Minor Armenia and Tsopk kingdoms were covered. In the chrestomathy section, the passages from Ancient Armenia that directly or indirectly contain historical-geographical information are taken from most of the sources. The book can be useful for historians, geographers, researchers of historical geography, students and a wide range of readers. (in Armenian)

scholarly journals Parish Clergy of Voronezh Diocese in Fight Against the Cholera Epidemic of 1892—1893

2021 ◽  
pp. 292-307
Author(s):  
S. A. Ikonnikov
Keyword(s):  
Educational Activity ◽  
Medical Assistance ◽  
Historical Sources ◽  
Cholera Epidemic ◽  
The Social ◽  
Wide Range ◽  
Daily Contact ◽  
Parish Clergy ◽  
The Russian Empire

The article is devoted to the study of the role of clergy and clergymen of the Voronezh diocese in the fight against the spread of the cholera epidemic of 1892-1893. The novelty of the study lies in the fact that the contribution of the clergy of the Orthodox Russian Church to countering the spread of infectious diseases has practically not been studied. It is noted that in the Russian Empire, Orthodox clerics were not only ministers of the altar, but also performed a number of socially significant functions. Based on a wide range of historical sources, the author analyzes the attitude of the population of the Voronezh province to cholera disease. The educational activity of clerics, the participation of clergy in organizing aid to parishioners are considered. It is emphasized that the clergy were closely associated with the peasant population of the empire, daily contact with them during the divine service. The study showed that the state tried to use the experience and knowledge of the clergy and clergymen, considering them as the social support of the autocratic system. The author concludes that the parish clergy and clergymen played an important role in the fight against infectious disease, not only participating in educational activities and spiritually supporting the population, but also providing those in need with initial medical assistance.

scholarly journals Nilai -Nilai Pendidikan dan Dakwah Muhammad al-Fatih Sebagai Penakluk Konstantinopel

Wardah ◽  
2020 ◽  
Vol 21 (1) ◽  
pp. 50-65
Author(s):  
Muhammad Ridwan ◽  
Nurhasanah Bakhtiar
Keyword(s):  
Character Education ◽  
Islamic Law ◽  
Historical Analysis ◽  
Research Approach ◽  
Analysis Method ◽  
Educational Values ◽  
Historical Sources ◽  
Historical Method ◽  
Library Research

Abstract: Abstract: Paper entitled ‘Educational Values ​​and Da'wah of Muhammmad Al-Fatih as Conqueror of Constantinople’, this aims to analyze various histories about the role of Muhammad Al-Fatih in the conquest of Constantinople. By using a library research approach (library research) sourced both from books, journals and the internet, the method used in this research is a historical analysis method that can be interpreted as a research method and writing history with systematic methods, procedures or techniques in accordance with the principles the principles and rules of history. The historical method is divided into four groups of activities, namely heuristics, namely the activity of collecting historical sources, criticism (verification), namely examining the sources that are true, both form and content, interpretation, which is to establish the meaning and interrelation of verified facts. , and then is historiography, namely the presentation of the results of the synthesis obtained in the form of a historical story. The findings of this article in the form of educational values ​​and preaching from the character of Muhammad Al-Fatih are important for us examples of which are very love for Islamic law, the practice of the Qur'an and sunnah, the spirit of jihad is strong, mentally strong, not discouraged, sincere, always praying, close to Allah SWT. Keywords: Character education; Muhammmad Al-Fatih.   Abstrak: Makalah dengan judul ‘Nilai–Nilai Pendidikan dan Dakwah Muhammmad Al-Fatih Sebagai Penakluk Konstantinopel’, ini bertujuan untuk menganalisis berbagai sejarah seputar peranan Muhammad Al-Fatih dalam penaklukan Konstantinopel. Dengan menggunakan pendekatan studi kepustakaan (library research) yang bersumber baik dari buku, jurnal maupun internet, metode yang digunakan pada penelitian ini adalah metode analisis sejarah yang dapat diartikan sebagai metode penelitian dan penulisan sejarah dengan cara, prosedur atau teknik yang sistematik sesuai dengan asas-asas dan aturan ilmu sejarah. Metode sejarah terbagi atas empat kelompok kegiatan yaitu heuristik yaitu kegiatan menghimpun sumber-sumber sejarah, kritik (verifikasi) yaitu meneliti sumber-sumber itu sejati, baik bentuk maupun isinya, interpretasi yaitu untuk menetapkan makna dan saling-hubungan dari fakta-fakta yang telah diverifikasi, dan kemudian adalah historiografi yaitu penyajian hasil sintesis yang diperoleh dalam bentuk suatu kisah sejarah Hasil temuan dari artikel ini berupa nilai pendidikan dan dakwah dari ketokohan Muhammad Al-Fatih yang penting kita contoh diantaranya sangat cinta kepada syariat Islam, amalan Al-qur’an dan sunnah, semangat jihad yang kuat, kuat mental, tidak putus asa, ikhlas, selalu berdo’a, dekat  dengan Allah SWT. Kata kunci: Pendidikan karakter;  Muhammmad Al-Fatih.  

scholarly journals ISLAM AND NATIONALISM: The Role of the Universitas Al Washliyah In the Era of Post Independent 1950s

2021 ◽  
Vol 5 (1) ◽  
pp. 1
Author(s):  
Faisal Riza
Keyword(s):  
Historical Study ◽  
Main Argument ◽  
Historical Sources ◽  
Scientific Authority ◽  
Wide Range ◽  
Strategic Position ◽  
Independence Era ◽  
The University ◽  
North Sumatra

<strong>Abstract</strong>: This article attempts to explore the role of Al Washliyah University in the trajectory of modern Indonesian history, especially regarding the Islamic style they developed, the Islamic scientific authority built by both scholars and their teachings. In addition, this article examines the strategic position of the university in the 1950s socio-political setting in North Sumatra. This study is a historical study with a political sociology approach by prioritizing archival records, published historical sources, and making greater use of a wide range of oral material in the form of interviews. The results of this study indicate that UNIVA has bridged and developed the two main streams of public debate since the independence era and even now, namely regarding Islam and nationality. The thoughts of the founders have strengthened the integration between Islam and nationality in a formula to build a nation and a generation. Then, this affirmation is seen as important as the main argument in this article which allows the opening of a dialogue about how the Islamic scientific tradition that was built and developed by UNIVA scholars as a foundation for Islamic educators, actors of Islamic universities in promoting democratization and nationality, creating social cohesion.<br /> <br /><strong>Keywords:</strong> UNIVA, Islamic higher education, Islamic authority, nationalism

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