scholarly journals Borys Grinchenko about regulation methods of creative inspiration

2021 ◽  
Vol 27 (4) ◽  
pp. 238-244
Author(s):  
Iryna Rusnak
Keyword(s):  
Theoretical Approach ◽  
Creative Process ◽  
Fixed Time ◽  
Literary Studies ◽  
Daily Routine ◽  
National Library ◽  
Different Types ◽  
Theoretical Paper ◽  
The Subject ◽  
Natural Result

The article is a first attempt to tackle Borys Grinchenko’s theoretical paper “The Management of Inspiration” (1893) in the Ukrainian literary studies. The manuscript of Grinchenko’s paper is kept at the Institute of Manuscripts of the National Library of Ukraine named after V. I. Vernadsky. The subject of the research is the writer’s views on the psychology of creativity. The article aims to consider the theoretical views of the Ukrainian philosopher on the problem of inspiration as a special creative venue of the artists, writers or composers, the management of which can affect their productivity. The results of the study enable to detect the influence of both idealistic and positivist-oriented aesthetics in Grinchenko’s theoretical approach to the cultivated creativity. The Ukrainian philosopher is resolute in denying the idea of inspiration as a rapidly passing special state which cannot be managed for example by the writer. Nor does he accept the possibility of productive creativity only in the moments of emotional outburst or transcendence. Grinchenko develops coherently the idea that the ingenious writers systematically experienced inspiration relying on the skill, worked out over the years, to create at a fixed time. In his opinion, the timing for different types of activity allowed those writers to evoke special spirituality at certain hours, when aesthetic performance is the most productive. In his paper, B. Grinchenko insists on the need for each creator to handle the inspiration by means of the skillful management of creative process. The ideas of the Ukrainian philosopher on the possibility of managing writer’s insight keep with the Hegelian thesis of creative inspiration as a natural result of the artist’s hard work. B. Grinchenko regards inspiration as an animating force that can be set in motion by daily routine. Every writer’s moment of the highest revelation proceeds differently; its every stage can be differently time-bound. Yet Borys Grinchenko hopes that in the future the development of literary processes will lead most writers to a disciplined and manageable way of creativity. The ideas of Grinchenko’s paper on the bonding of inspiration and the titanic work of the writer are up-to-date.

scholarly journals ACESSIBILIDADE FÍSICA NA UNIVERSIDADE FEDERAL DO PARÁ SOB O OLHAR DE ESTUDANTES COM DEFICIÊNCIA

2017 ◽  
Vol 24 (1) ◽  
pp. 70
Author(s):  
Carolline Septimio ◽  
Genylton Odilon Rêgo Da Rocha ◽  
Geovana Mendonça Lunardi Mendes
Keyword(s):  
Qualitative Research ◽  
Theoretical Approach ◽  
Physical Space ◽  
Academic Life ◽  
Disabled Students ◽  
Different Types ◽  
Master's Thesis ◽  
The Subject ◽  
The University ◽  
Physical Accessibility

 O artigo ora apresentado é derivado de um recorte da dissertação de mestrado desenvolvida na Universidade Federal do Pará (UFPA). Nosso objetivo foi investigar a acessibilidade física no campus de Belém, a partir do olhar de Estudantes com deficiência. A pesquisa qualitativa foi realizada por meio de entrevistas aos Acadêmicos com diferentes tipos de deficiência e cursando graduações distintas, a fim de observar a diversidade de percepções no uso do espaço, em uma abordagem teórica ancorada em Goffman(1988), Pinto e Buffa (2009) e Diniz (2012). Como resultados destacamos que, para os Discentes, a acessibilidade física não é um conceito fixo e universal, mas construído na relação sujeito-ambiente e que as atuais obras de acesso ao espaço físico da UFPA têm sinalizado avanços para a vida acadêmica e precisam ser expandidas. Para os Estudantes, faz-se necessário o fomento a pesquisas que abordem a questão da acessibilidade física na universidade pois o campus é considerado pelos Acadêmicos como o melhor espaço de socialização de conhecimentos, ainda que existam barreiras de acesso à sua estrutura física.Palavras-chave: Acessibilidade física. Estudantes com deficiência. Universidade Federal do Pará.Physical accessibility at the Federal University of Pará through the eyes of disabled studentsAbstract: This article is derived from a part of the master's thesis developed at the Federal University of Pará (UFPA). Our goal was to investigate the physical accessibility on campus in Belém, through the eyes of disabled Students. The qualitative research was conducted by interviews with Students with different types of disabilities who were attending different degrees programs, in order to observe the diversity of perceptions about the use of the space, in a theoretical approach anchored on Goffman (1988), Pinto and Buffa (2009) and Diniz (2012). As a result we noticed that for Students, physical accessibility is not a steady and universal concept, but a concept built in the subject-environment relationship and that the current improvements of access to UFPA's physical space have indicated progress to the academic life but still need to be expanded. For Students, it is necessary to promote research about physical accessibility at the university because the campus is considered by scholars as the best knowledge socialization space, although there are access barriers to its physical structure.Keywords: Physical accessibility. Disabled students. Federal University of Pará. Accesibilidad física en la universidade federal do pará bajo la mirada de estudiantes con deficienciaResumen: Este artículo es derivado del recorte de la disertación de maestria desarollada en la Universidade Federal do Pará (UFPA). Nuestro objetivo fue investigar la accesibilidad física en el campus de Belém desde la mirada de los Estudiantes con deficiencia. El estudio cualitativo fue realizado a través de entrevistas a los Académicos com diferentes tipos de deficiencia y cursando distintos grados, con el propósito de observar la diversidad de percepción en el uso del espacio, en un abordaje teorica fundamentado en Goffman (1988), Pinto e Buffa (2009) e Diniz (2012). Como resultados hemos destacado que, para los Alumnos, la accesibilidad física no es un concepto fijo y universal, pero sí construido en la relación sujeto-ambiente y que las atuales obras de acceso al espacio físico de UFPA han señalado avances para la vida académica y necesitan expandirse. Para los Estudiantes, es necesario el fomento a investigaciones que aborden la questión de la accesibilidad física en la universidad, pues el campus es considerado, por los Académicos, el mejor espacio de socialización de conocimientos, aunque existan barreras de acceso a su estructura física.Palabras clave: Accesibilidad física. Estudiantes con deficiencia. Universidade Federal do Pará.  

scholarly journals Abay’s poetology: functions of literary detail in the paradigm of imagery

2021 ◽  
Vol 3 (2) ◽  
pp. 7-18
Author(s):  
Zh.A. Aimukhambet ◽  
◽  
M.N. Mirazova ◽  
Keyword(s):  
Creative Process ◽  
Point Of View ◽  
Literary Studies ◽  
Aesthetic Perception ◽  
Way Of Life ◽  
The Subject ◽  
Associative Thinking ◽  
Time Of Troubles ◽  
The Mind

The article analyzes theoretical definitions of the concept “poetology” and examines problems covering this issue. Based on the opinions of literary scholars, the relation of the term “poetology” to the entire literary-figurative system in the structure of the work is revealed in the paper. The analysis of various concepts allowed concluding that poetology is a teaching based on knowledge of the nature of literary consciousness and literary creativity. Based on this opinion, studies the poetical space of Abai’s works from the point of view of the figurative functions of his literary details. While analyzing the text of his poems, the role of the man of letter’s consciousness as a source of creativity, the functions of the subconsciousness and intention in the creative process as well as issues of aesthetic perception and associative thinking are explained here. On the material of poems based on the outstanding poet’s philosophical reflections about life, the author demonstrates the specific, psychological and symbolic types of literary details and studies their meaning. In order to study Abay’s poetic space, the subject of the analysis is represented by several poems, the role of literary details in the structure of the text in reflecting thoughts and feelings, the poet’s new images, the meaning of concepts in the content of the poem, the literary skill, poetic knowledge in accordance with the requirements of modern literary studies are discussed in the paper. In these verses, Abay artfully combines the criteria of the transience of life and eternity. The author analyzes and formulates the correction of his own, individual poetic space through the images of “time of troubles”, “blue fog”, the forthcoming time, “colorful butterfly”, dying in the summer, autumn, “arising butterfly”, “arising sun”, sneaking every day, “unchanging common Tengri”, “I”, glorifying the mind and spirit, “mine” embodying the way of life and character. It is proven that the characteristic images in the poet’s poems are created through various characteristic visual details.

Point and planar defects in the iron sulfide compounds Fe1-xS

1984 ◽  
Vol 42 ◽  
pp. 434-435
Author(s):  
Thao A. Nguyen
Keyword(s):  
Low Temperatures ◽  
Direct Evidence ◽  
Iron Sulfide ◽  
Planar Defects ◽  
Selective Area ◽  
Vacancy Ordering ◽  
Different Types ◽  
Lattice Images ◽  
The Subject ◽  
Beam Lattice

It is well known that the large deviations from stoichiometry in iron sulfide compounds, Fe1-xS (0≤x≤0.125), are accommodated by iron vacancies which order and form superstructures at low temperatures. Although the ordering of the iron vacancies has been well established, the modes of vacancy ordering, hence superstructures, as a function of composition and temperature are still the subject of much controversy. This investigation gives direct evidence from many-beam lattice images of Fe1-xS that the 4C superstructure transforms into the 3C superstructure (Fig. 1) rather than the MC phase as previously suggested. Also observed are an intrinsic stacking fault in the sulfur sublattice and two different types of vacancy-ordering antiphase boundaries. Evidence from selective area optical diffractograms suggests that these planar defects complicate the diffraction pattern greatly.

Cristóbal Balenciaga. Explorations in Traditional Spanish Aesthetics

Costume ◽  
2019 ◽  
Vol 53 (2) ◽  
pp. 161-185
Author(s):  
Ana Balda Arana
Keyword(s):  
Creative Process ◽  
Cultural Context ◽  
Country Of Origin ◽  
Anglo Saxon ◽  
Doctoral Thesis ◽  
The Subject ◽  
The 1950S ◽  
Religious Iconography

This article investigates how the traditional attire and religious iconography of Cristóbal Balenciaga's (1895–1972) country of origin inspired his designs. The arguments presented here build on what has already been established on the subject, provide new data regarding the cultural context that informed the couturier's creative process (with which the Anglo-Saxon world is less familiar) and conclude by investigating the reasons and timing of his exploration of these fields. They suggest why this Spanish influence is present in his innovations in the 1950s and 1960s and go beyond clichéd interpretations of the ruffles of flamenco dress and bullfighters’ jackets. The findings derive from research for the author's doctoral thesis and her curatorial contribution to the exhibition Coal and Velvet. Balenciaga and Ortiz Echagüe. Views on the Popular Costume (Balenciaga Museum, Getaria, Spain, 7 October 2016–7 May 2017).

The problem of woman’s emansipation in the feuilleton “Amazonia: a very inept story” by Mykola Chirsky

2020 ◽  
pp. 71-76
Author(s):  
Iryna Rusnak
Keyword(s):  
Scientific Understanding ◽  
The Other ◽  
Literary Studies ◽  
Ethical Guidelines ◽  
Compositional Structure ◽  
Urgent Task ◽  
The Subject ◽  
The One ◽  
Artistic Heritage

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.

TARP DVIEJŲ KOLONŲ: XVIII A. PABAIGOS – XIX A. PRADŽIOS VILNIAUS MASONŲ KASDIENYBĖ SIMBOLIKOJE

2018 ◽  
pp. 144-163
Author(s):  
Daiva Milinkevičiūtė
Keyword(s):  
Daily Life ◽  
The Other ◽  
Daily Routine ◽  
The Past ◽  
Secular World ◽  
National Characteristics ◽  
Conservative Christian ◽  
The Subject ◽  
The One ◽  
Craft Guilds

The Age of Enlightenment is defined as the period when the universal ideas of progress, deism, humanism, naturalism and others were materialized and became a golden age for freemasons. It is wrong to assume that old and conservative Christian ideas were rejected. Conversely, freemasons put them into new general shapes and expressed them with the help of symbols in their daily routine. Symbols of freemasons had close ties with the past and gave them, on the one hand, a visible instrument, such as rituals and ideas to sense the transcendental, and on the other, intense gnostic aspirations. Freemasons put in a great amount of effort to improve themselves and to create their identity with the help of myths and symbols. It traces its origins to the biblical builders of King Solomon’s Temple, the posterity of the Templar Knights, and associations of the medieval craft guilds, which were also symbolical and became their link not only to each other but also to the secular world. In this work we analysed codified masonic symbols used in their rituals. The subject of our research is the universal Masonic idea and its aspects through the symbols in the daily life of the freemasons in Vilnius. Thanks to freemasons’ signets, we could find continuity, reception, and transformation of universal masonic ideas in the Lithuanian freemasonry and national characteristics of lodges. Taking everything into account, our article shows how the universal idea of freemasonry spread among Lithuanian freemasonry, and which forms and meanings it incorporated in its symbols. The objective of this research is to find a universal Masonic idea throughout their visual and oral symbols and see its impact on the daily life of the masons in Vilnius. Keywords: Freemasonry, Bible, lodge, symbols, rituals, freemasons’ signets.

Harrison Decoded

2020 ◽  
Keyword(s):  
Theoretical Approach ◽  
Environmental Conditions ◽  
Collaborative Research ◽  
Electronic Equipment ◽  
The Public ◽  
Royal Observatory ◽  
The Subject ◽  
Written Descriptions ◽  
Pendulum Clock

This volume centres on a clock, known as Clock B, built in the mid-1970s that achieved considerable acclaim after an extraordinary performance in a 2015 peer-reviewed public trial at the Royal Observatory, Greenwich. The clock was built according to an understanding of John Harrison’s unique theoretical approach to making precision pendulum clocks, which defies the standard approaches to making accurate clocks. The clock represents the culmination of over forty years of collaborative research into Harrison’s writing on the subject, which is scattered across a number of manuscripts and a book, printed shortly before his death. Ostensibly, Harrison set out to describe how to make his precision pendulum clock, but it is a mixture of his peripheral interests. Horological information is almost completely lost among vitriolic sentiments relating to his experiences with the Board of Longitude. However, as one reviewer surmised: ‘we are sorry to say that the public will be disappointed’ and another concluded that ‘it can only be excused by superannuated dotage’. The chapters provides contextual history and documentation of the analysis and decoding of the cryptic written descriptions. It presents this in parallel to the modern horological story of making, finishing, and adjusting Clock B; the process of testing, using electronic equipment to monitor the its performance and reaction to changes in environmental conditions, and, indeed, the mechanics behind the various compensating features of the design.

Geological Field Sketches and Illustrations

2019 ◽  
Author(s):  
Matthew J. Genge
Keyword(s):  
Cross Sections ◽  
Earth Science ◽  
Three Dimensional ◽  
Worked Examples ◽  
Scientific Publications ◽  
Thin Sections ◽  
Geological Features ◽  
Different Types ◽  
The Subject

Drawings, illustrations, and field sketches play an important role in Earth Science since they are used to record field observations, develop interpretations, and communicate results in reports and scientific publications. Drawing geology in the field furthermore facilitates observation and maximizes the value of fieldwork. Every geologist, whether a student, academic, professional, or amateur enthusiast, will benefit from the ability to draw geological features accurately. This book describes how and what to draw in geology. Essential drawing techniques, together with practical advice in creating high quality diagrams, are described the opening chapters. How to draw different types of geology, including faults, folds, metamorphic rocks, sedimentary rocks, igneous rocks, and fossils, are the subjects of separate chapters, and include descriptions of what are the important features to draw and describe. Different types of sketch, such as drawings of three-dimensional outcrops, landscapes, thin-sections, and hand-specimens of rocks, crystals, and minerals, are discussed. The methods used to create technical diagrams such as geological maps and cross-sections are also covered. Finally, modern techniques in the acquisition and recording of field data, including photogrammetry and aerial surveys, and digital methods of illustration, are the subject of the final chapter of the book. Throughout, worked examples of field sketches and illustrations are provided as well as descriptions of the common mistakes to be avoided.

CLASSIFICATION OF RUSSIAN CULTURE-BOUND TERMS AND THEIR EQUIVALENTS BASED ON THE TRANSLATION OF “QUIET FLOWS THE DON” BY M. A. SHOLOKHOV

2020 ◽  
Vol 76 (4) ◽  
pp. 149-155
Author(s):  
SVETLANA S. UZHAKINA ◽  
Keyword(s):  
English Language ◽  
Great Influence ◽  
Political Life ◽  
Daily Routine ◽  
The Novel ◽  
Russian Culture ◽  
The Subject ◽  
Cultural Component ◽  
Historical Epoch

The classification of Russian culture-bound terms used in the novel “Quiet Flows the Don” by M. A. Sholokhov and in its translation into the English language. The novel “Quiet Flows the Don” by M.A. Sholokhov and its translation into English done by Robert Daglish have served as the source for the research of culture-bound terms. These terms have been classified on the basis of the subject division offered by S. Vlakhov and S. Florin. It is proved that the interest to the study of culture-bound terms is still important. The relevance of the research is determined by the fact that despite numerous research papers in this field the origin, classification and translation of these terms still need some investigation. The aim of the present study is to classify the culture-bound terms taken from the novel “Quiet Flows the Don” by M.A. Sholokhon and its translation into the English language. As a result, there have bben taken 407 samples of the lexical units with a cultural component which were classified according to the subject principal offered by S. Vlakhon and S. Florin. The culture-bound terms have a great influence on a foreign reader as they are cultural units that transmit the information of the daily routine and the historical epoch described in the novel. The culture-bound terms taken from the novel “Quiet Flows the Don” by M.A. Sholokhov and its translation are analyzed and classified. The division of the culture-bound terms according to the subject principal allowed to reveal that most terms refer to the daily routine, social and political life and military terms.

George Amabile on War, Trauma, the Creative Process, and His Latest Collection Martial Music

2021 ◽  
Vol 34 ◽  
pp. 175-179
Author(s):  
Liana Cusmano
Keyword(s):  
Creative Process ◽  
Daily Life ◽  
War Trauma ◽  
The Subject ◽  
The Way

Liana Cusmano’s interview with poet George Amabile focuses on his prize-winning 2018 collection Martial Music and the art of writing in general. He offers insights on the poetic process, how to research and produce a collection of poems. Amabile’s poetry is inspired by what he has experienced or witnessed. He talks about dealing with war and trauma. He shares his frustration with daily life getting in the way of the creative process. “Life is the subject and the inspirational/ motivational source of our work, but it also sucks up our time and frustrates our ability to give our unstinted attention to our creative efforts,” says George Amabile.

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