Context of the author’s view (Henri Barbusse, Erich Maria Remarue, Oles Gonchar)

Author(s):  
Mykola Humennyi ◽  
Vira Humenna

The article is devoted to the research of the context of the author’s view in the architectonics of antiwar novels of the mentioned authors. The signs of a real military type, which appeared in the time on the pages of the humanities in the aspect of rationalism and individualism, are found out. The essence of the “lost generation” is characterised in philosophical, historical and aesthetic aspects. It is proved that the artistic system of anti-war novels is characterized by the dominant way of introducing the author’s view of the story. Aspects such as the author’s attitude to war disasters, the epic tone of the story, the aesthetic concept of the artist, his sociological, historical and psychological views are analysed. The objective-historical point of view, according to which narration extended the boundaries of space, created the background of time, overcame the static of the narrative, deepened the principle of mimesis, is investigated. The peculiarities of the authors’ artistic systems and some of their creative principles, the subjective interpretation of the feelings of the characters have been found out. The skill of each artist in reproducing the inner world of the characters under the influence of the bloody events of the war is outlined. The key words of novels, which serve as generalized forms of imaginative consciousness, as well as their influences on the artistic and psychological nature of the works, are characterised. The functioning of the author’s language of anti-war novels and the peculiarity of oral and written and professional language are traced. The stable correlation of the analysed novels with the most actual problems of the socio-psychological atmosphere of a specific historical era is studied. The originality of the writers’ literary world is revealed, the originality of their thinking is emphasized and the dominant typological similarities and differences are characterised. In studying the structure of the analysed novels, the peculiarity of the conciseness of the collective portraits, in which all the emotional and psychological capacity of each component is reproduced, is traced. It is emphasised that the context of the author’s view also manifests itself through various extravagant elements (authorial indentations, descriptions of exteriors, titles, epigraphs, etc.), which along with the story aspect of the novels give them artistic completeness and integrity. In addition, the specifics of the author’s language of anti-war novels are studied.

2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Siti Nur'Aini ◽  
Laili Nur Affini

Abstract Batak people speak a variety of closely related languages. The reason why the writers analyze Batak language is because the language is unique. The purpose is to find out the phonological similarities and differences between English and Batak Toba language also to conduct the premises of analyzing Batak Toba language to find out the existing and non-existing consonant and vowel sounds. The subject of the research is Netha AM Silalahi. The subject acts as the primary data source. Secondary data is gained from books and internet articles. Batak Toba language is unique. The writers found out that for words with two syllables, if the end of the first syllable is a consonant, and the beginning of the second syllable is a consonant, the sound of the last consonant in the first syllable will be dropped; first second syllable will get more pressure in its pronunciation. Key words: batak toba, pronunciation, phonological similarities, consonant and vowel sounds.


Author(s):  
Omurbaeva Gulzat

Abstarct: The article is devoted to the analysis of the concept of "justice" in the novel “Arhat” by K. Akmatov which was later translated into English by Elizabeth Adams. The verbal representation of this concept is presented in terms of nucleus and periphery level. A comparison of these means makes it possible to identify similarities and differences in the consciousness of the collective and the individual. The examples for the analysis were selected from both original and translated texts. Along with study of the language picture of the world , the concept “justice” will be studied from linguacultural point of view and lexical semantic field will be revealed . Key words: concept, language picture of the world ,cognitive linguistics, lexical se- mantic field, nucleus and periphery. Аннотация: Бул макала Елизабет Адамс англис тилине которгон К. Акматовдун "Архат" романындагы "адилеттүүлүк" түшүнүгүн талдоого багытталган. Бул концепттин түпкү жана тектеш сөздөр менен сүрөттөлүп берилүү өзгөчөлүгү каралды. Аларды салыштыруунун негизинде жамааттык жана жеке аң-сезимдин окшоштуктары менен айырмачылыктары аныкталды.Талдоо жүргүзүү үчүн мисалдар чыгарманын кыргыз тилиндеги жана англис тилине которулган басылмаларынан тандалып алынды. Дүйнөнүн тилдик бейнесин чагылдыруу менен бирге лингва-маданий изилдөөнүн алкагында"адилеттуулук"концептинин лексикалык-семантикалык талаасы аныкталды. Түйүндүү сөздөр: концепт, дүйнөнүн тилдик бейнеси, когнитивдик лингвистика, лексикалык семантикалыкталаа, түпкү жана тектеш сөздөр. Аннотация: Статья посвящена анализу концепта "справедливость" в произведении К. Акматова “Архат”, переведенная на английский язык Елизабетом Адамс. Вербальная репрезентация данных концептов представлена на уровне ядерно-периферийного описания. Сравнение этих средств позволяет выявить сходство и различие в сознании коллектива и индивидуума. Примеры для анализа были выбраны из исходного и переведенного текстов. Наряду с изучением языковой картины мира, концепт "справедливость" будет рассмотрен в рамках лингвокультурного аспекта и будет выявлено его лексико-семантическое поле. Ключевые слова: концепт, языковая картина мира, когнитивная лингвистика, лексико-семантическое поле, ядро и периферия.


2020 ◽  
Vol 18 (2) ◽  
pp. 135-153
Author(s):  
Anastasiia Gubaidullina ◽  

The article focuses on Mikhail Yasnov’s poetry that is addressed to children of different ages, from younger preschoolers to older schoolchildren. Yasnov’s poetry is viewed as a corpus of texts united by several general principles: among them are the harmony of childhood and the child’s trust in the world. Another unifying principle is poetic dialogue, manifested at different levels of literary texts: from characters and imagery to metatextuality and the author’s consciousness. Dialogue in this paper is understood as overcoming a single point of view, an attempt to go beyond the personal I motivated by the attention to the Other. Yasnov’s poetry focuses on the search for similarities and differences between the phenomena of reality as it presents many voices and life positions. The concept of dialogue has great moral potential in children’s poetry as it contributes to the formation of empathy and development of self-knowledge in children. The aesthetic value of dialogue lays in the enrichment of the thematic and figurative structure of the lyrics.


2020 ◽  
Vol 2 (6) ◽  
pp. 260-268
Author(s):  
Yevgenia V. Bilchenko ◽  
◽  
Stefaniуa A. Danilova ◽  

The article reveals the problem of the ontological meaning of the life and functioning of the poet in its relationship with the communicative practices of contemporary global world. As a result of comparing the two ways of thought (globalism — antiglobalism, traditionalism — neoliberalism, modern — postmodern), the authors come to a preliminary conclusion that it is unacceptable for the creative industries of branding and PR to displace ontological adequations of poetic values as a part of classic art. The article clearly differentiates the concept of symbolic identity and the category of existential selfhood of a poet - poet as a PR hero and poet as a subject of language as a house of being. We make a hypothesis about a possibility of rational reconciliation of the priorities of the academic tradition as an inalienable context of the aesthetic value of art-work and postmodern digital technologies of art-promotion (including network platforms in the aspect of exclusively their correlation as the aim and maens: the ontology is primary strategy and the representation is secondary tactics. The methodological tool for the substantiating of this hypothesis is the idea of a structural balance between the vertical centripetal dynamic axis of the paradigm (metaphor) and the horizontal centrifugal static axis of the syntagma (metonymy) in classical semiotics. Within the frames of the signifier and signified as the Selfness and the Other, dynamics and statics, history and structure, imagine ideal meanings pass into a real-symbolic language, focusing in the inner world of the poet, turning personal creativity into the property of cultural memory. Thus, the hypothesis is confirmed through a synthesis of classical semiotics and non-classical psychoanalysis. If we liken the semiotic axes of intersection of vertical and horizontal to the R. Descartes coordinate system, the point of intersection of horizontal and vertical turns out to be a poet who translates personal metaphors into cultural-semantic invariants, replenishing the civilizational memory of culture, confirming his existential value, which is different from his or her purely communicative image. From a philosophical point of view, the article analyzes the concept of a poet's status as his/her existential state in comparison with criticism of symbolic capital (prestige, reputation, brand).


Fachsprache ◽  
2019 ◽  
Vol 41 (3-4) ◽  
pp. 104-122
Author(s):  
Winfried Thielmann

Abstract Languages for special purposes have mainly been considered from the point of view that they are specialized, i.e. that they satisfy the terminological needs of expression of specialized groups. The purpose of this contribution is to demonstrate that specialized discourses such as university lectures may make specific use of ordinary language devices. An analysis of sections from German lectures in physics and mechanical engineering reveals that deictics play a special role in propositional  composition. The findings are relevant for the general principles of linguistic science and knowledge transfer as well as for teaching German as a first or second academic language. Schlagwörter: Sprache wissenschaftlicher Lehre – Deixis – Physik – Maschinenbau – propositionale Komposition Key words: Language of academic teaching – deictics – physics – mechanical engineering – propositional composition


2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Casey Shea Pollon

Type as Image: Eliciting Emotions is a project of VCDE233 Typography II (Constanza Pacher) and VCDI223 Design and Pre-Press Production (Jess Dupuis), both courses in the Design Studies Diploma Program at MacEwan University. Students were asked to capture the essence of the book Indian Horse, by Richard Wagamese, and translate it into a three-poster series using typography as the main element. Under the premise that the visual form is dictated by the content, students were encouraged to analyze plot, characters, point of view, imagery, tone, themes and symbolism to extract key words, sentences and passages as the basis for their designs. Students were asked to challenge literal interpretations by exploring the use of expressive typography and text and image relationships.


Author(s):  
Evi Zohar

Continuing the workshop I've given in the WPC Paris (2017), this article elaborates my discussion of the way I interlace Focusing with Differentiation Based Couples Therapy (Megged, 2017) under the systemic view, in order to facilitate processes of change and healing in working with intimate couples. This article presents the theory and rationale of integrating Differentiation (Bowen, 1978; Schnarch, 2009; Megged, 2017) and Focusing (Gendlin, 1981) approaches, and its therapeutic potential in couple's therapy. It is written from the point of view of a practicing professional in order to illustrate the experiential nature and dynamics of the suggested therapeutic path. Differentiation is a key to mutuality. It offers a solution to the central struggle of any long term intimate relationship: balancing two basic life forces - the drive for individuality and the drive for togetherness (Schnarch, 2009). Focusing is a body-oriented process of self-awareness and emotional healing, in which one learns to pay attention to the body and the ‘Felt Sense’, in order to unfold the implicit, keep it in motion at the precise pace it needs for carrying the next step forward (Gendlin, 1996). Combining Focusing and Differentiation perspectives can cultivate the kind of relationship where a conflict can be constructively and successfully held in the inner world of each partner, while taking into consideration the others' well-being. This creates the possibility for two people to build a mutual emotional field, open to changes, permeable and resilient.


Author(s):  
Rodrigo Figueiredo de Brito Resende

RESUMOO dente denominado incluso nada mais é que um dente retido ou impactado dentro do alvéolo dentário de maneira parcial ou completa que não conseguiu erupcionar por motivos patológicos ou simplesmente anatômicos após o período de rizogênese. O canino, em especial, é de suma importância sob os pontos de vista estético e funcional. O deslocamento do canino incluso ultrapassando, ou se aproximando da linha média antes da erupção dentária do mesmo, é mais frequente na mandíbula do que na maxila.  Este trabalho tem por objetivo descrever o caso de um paciente de 21 anos que apresentava um canino incluso na região mentual, em posição transversal, inicialmente visualizado em uma radiografia periapical e posteriormente submetido a radiografia com a técnica de Donavan. Através de uma radiografia oclusal, foi possível observar o posicionamento do dente para a vestibular mentoniana e íntima relação do dente retido com as raízes dos incisivos centrais decíduos do paciente. Foi realizada a extração do dente retido no mento, removendo o mesmo por completo sendo feitas osteotomias e odontossecções. O paciente está em acompanhamento clínico à 1 ano após o tratamento cirúrgico.Palavras – chave: Dente incluso; Cirurgia Oral; Imaginologia. ABSTRACTThe tooth inserted  is nothing more than a tooth retained or impacted within the dental socket partially or completely that failed to erupt for pathological or simply anatomical reasons after the period of rhizogenesis. The canine, in particular, is of the utmost importance from the aesthetic and functional points of view. The displacement of the canine, even surpassing or approaching the midline before tooth eruption, is more frequent in the mandible than in the maxilla. This work aims to describe the case of a 21 - year - old patient who had a canine included in the mental region, in a transverse position, which was initially visualized on a periapical radiograph and later submitted to radiography with the Donavan technique. An occlusal radiograph showed the positioning of the tooth for the mental vestibular and the intima relationship of the retained tooth with the roots of the patient's central deciduous incisors. Removal of the tooth retained in the denture was performed, removing the tooth completely and osteotomies and odontosections were performed. The patient is in clinical follow-up at 1 year after the surgical treatment. key words: Tooth included; Oral surgery; Imaginology.  


1991 ◽  
Vol 18 (6) ◽  
pp. 926-932 ◽  
Author(s):  
Seshu Madhava Rao Adluri ◽  
Murty K. S. Madugula

The concept of schifflerization of 90° equal-leg angle is presented and its application in triangular-base latticed steel towers is explained. The similarities and differences between schifflerized angles and regular 90° angles are discussed. The current design practice for schifflerized angles is reviewed and its limitation is highlighted. A design method which includes the effect of the torsional-flexural buckling mode of failure is proposed. For ready use of designers, the factored axial compressive resistances of schifflerized angles are tabulated for both the present and proposed design methods. Key words: buckling, compressive resistance, design criteria, schifflerized angles, stability, standards, steel, struts, towers, guyed towers.


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