scholarly journals Tenganan Pegringsingan Bali In Ethnography

2019 ◽  
Vol 2 (2) ◽  
pp. 88-92
Author(s):  
I Komang Arba Wirawan

The purpose of this study is to create photos that visualize the activities of the Tenganan Pegringsingan community based on Tri Hita Karana’s cause of happiness to achieve balance and harmony. First, Parahyangan is a balanced relationship between humans and God, second, Pawongan a harmonious relationship between humans and humans, and thirdly Palemahan means a harmonious relationship between humans and the surrounding natural environment. This research and photography creation method was in the form of in-depth data exploration (depth observations) in the form of interviews and observations. Art and cultural activities and ceremonies in Pegringsingan Village were explored through in-depth research and presented with the concept of ethnophotography. Ethnography does not see a photograph of the work alone, but it is an ethnographic method of viewing society from an anthropological perspective. The anthropological world of photography emphasizes the extraordinary side of conventional things. The harmony of life-based on Tri Hita Karana was reflected in the Tenganan Pegringsingan community as the subject matter of ethnographic creation. Ethnographic results and analysis in Tenganan Village were dissected with the aesthetic theory of photography. First, the aesthetic of photography created through the beauty of photographs based on an ideational and technical level. It was the ethnographic ideational level of upakara in Tenganan Pegringsingan Village. The technical level was related to technical concerning the equipment used for creation. The second theory of semiotic photography analyzed photographs based on the signs contained in the photo. The results of the ethnographic creation of the community in Tenganan Pegringsingan Village found a harmonious relationship between the community and nature, humans and God in the village. This relationship is the subject of representative ethnophotography. The results of ethnographic creation reflect harmonious relationships through the implemented ceremonies that reflect Tri Hita Karana.

Author(s):  
Gökhan Kodalak

There is a peculiar aesthetic undercurrent traversing Baruch Spinoza’s philosophy, harbouring untapped potentials and far-reaching consequences for contemporary discussions on aesthetics. The relationship between aesthetics and Spinoza’s philosophy, however, has been nothing but a huge missed encounter, resulting in the publication of only a few books and a handful of articles throughout a vast period of more than three-and-a-half centuries. Which begs the question: might there be, despite our persistent negligence, much more to the relationship of Spinoza and aesthetics than first meets the eye? I will argue that there might be. For once Spinoza’s philosophy as a whole, ranging from his philosophical and political treatises to his private letters and unfinished manuscripts, is read between the lines, latent seeds of a peculiar aesthetic theory become visible—an aesthetic theory that moves beyond subjective and objective approaches that have come to dominate the field, and rather grounds itself on affective interactions and morphogenetic processes. A subterranean journey through Spinoza’s affective aesthetics constitutes the subject matter of this paper, which interweaves subtle aesthetic hints buried deep within his philosophical archive, while unfolding relevant ramifications of these promising discoveries for the current aesthetic discourse.


1970 ◽  
Vol 8 (1) ◽  
pp. 293-294
Author(s):  
Stanisław Kowalczyk ◽  
Jan Kłos

Sport plays today an eminent role in man's life and in societies. Various sciences have made it the subject-matter of their reflection, i.e. psychology, sociology, the natural and humanistic sciences, art, philosophy, and theology. The present work seeks to answer some fundamental questions connected with the phenomenon of sport: what is it for man (part one)? whether and when does it serve the social integration of a community (part two)? what are the premises and principles of the ethics of sportive activity (part three)? what is the aesthetic dimension of sport (part four)? what are the relations between sport and religious faith (part five)? The philosophical profile is dominant in the book, taking into consideration various aspects of sport: anthropological, social, axiological, and theological.


2020 ◽  
Vol 19 ◽  
pp. 53-62
Author(s):  
Idamah Patrick Akpoghiran

Self-littering of the environment has become habit among many Nigerians. People on daily basis littered the environment with all kinds of wastes,  and this has affected the aesthetic beauty of the environment.. The study examines media advocacy on self-littering of the environment. The mainobjective of the study was to determine how media advocacy can help to discourage self-littering of the environment. Questionnaire was used as instrument for data collection. A total of 384 respondents were sampled in Benin City, Edo state, Nigeria on the subject matter. The results showed that media advocacy can help to discourage self-littering with the adoption of various communication channels. Inhabitants’ are aware that they littered the environment with dirt but change in behaviour is needed. Consistent media advocacy can bring about that needed change to stop self-littering of the environment. Keywords: Environment; Habit; Littering; Media advocacy; Self-Littering


Author(s):  
Carla Maia

Focusing on the relational dimension of some selected works, this essay proposes to consider the subject matter as films with women rather than films of women. The main effort is to understand something that takes place in-between spaces – before and after the camera, but also between viewer and film – and critically reflect on the aesthetic, ethical and political potential that a cinema marked by different women’s perspectives can bring to light. The author concludes that instead of reflecting a certain proximity between women, most films by contemporary female documentarists in Brazil, are suffering from the impact of the difference in social station between the director and the women being filmed.


Author(s):  
Alexey Viktorovich Suslov ◽  
Dmitrii Alekseevich Gusev ◽  
Vasilii Aleksandrovich Potaturov

This article analyzes the fundamental principles of the concept of "aesthetic education" of F. Schiller, which remain relevant in solving the crisis challenges of the modern era. The subject of this research is the concept of “aesthetic education” described in Friedrich Schiller's “Letters on the Aesthetic Education of Man”. The goal consists on analysis of the concept of “aesthetic education” for more profound understanding of the development paths of German philosophy, as well as in assessment of the philosophical and sociopolitical importance of the philosopher’s ideas in the current context. Detailed analysis is conducted on F. Schiller's “Letters on the Aesthetic Education of Man”, highlighting the key features and major contradictions the concept of “aesthetic education”. The novelty of the research lies in the relevant analysis of the concept of “aesthetic education”, and assessment of its value for the development of philosophy and society. The central concept of aesthetic theory becomes the concept of play drive, which balances the sense drive and the form drive, which ensures the ability of perception in all kinds of interaction between a human and the world, and the rational independence from perception. The aesthetic freedom, on the one hand, is determined as state of harmony between the sensual instincts and the laws of reason; while on the other hand, it is the freedom that arises from the sense of exalted belonging to the category of pure spirit and revealing the absolute moral power beyond feelings. According to modern philosophers, the aesthetic way of creating the “composition of the world" lies in the sphere of transcendental. The advantage of Schiller’s concepts is the expansion of its boundaries from the sphere of art to sociopolitical sphere. In addition to intellectual and ethical path of human development, Schiller offers the aesthetic path. The idea of “aesthetic education” implies the communicative and societal power of art, which is capable to comprehend the overall nature of modern politics.


2019 ◽  
Vol 10 (2) ◽  
pp. 190-213
Author(s):  
Rusydi Sulaiman

Indonesia is known for its vast territory consisting of thousands of islands. One of them is Pulau Bangka—an  island which also includes many villages in the right and left row of roads with other completeness as the reality of the village in Bangka. Sociologically, the island is harmed because the form of the village in Bangka is more due to colonial policy in the middle of  nineteen century. It was , different from previous village land inherited by the ancestors (Atok-Nek) in Bangka. This article focuses on early village discussions in Bangka named kampung  with qualitative research methods sourced from data  related to the subject matter.  This research produces several sub-discussions, namely: village philosophy, archaeological data in Bangka, the  history of kampung in Bangka,  kampung and strengthening civilization. Kampung does not appear immediately in the history of Bangka, but there were in long process. Early Bangka people inherited some ranges; memarung, panggung, bubung kampung and nganggung. Then adopted by Malay Islam (urang lah. In philosophical Islam, there was a process of strengthening local wisdom values  as a form of kampung civilization in Bangka  island.


1999 ◽  
Vol 17 (2) ◽  
Author(s):  
Lisa Nyberg

The purpose of this paper is to discuss some aspects on function in relation to aesthetic manifestations in religious practice. The main point of argument is that the relationship between the meaning of the aesthetic object and its subject can successfully be described by using the grammatical terminology of the pronoun. This creates a taxonomy with an open enough structure to allow interpretations from various fields of research to be compared on equal grounds on their merits as interpretations. The following discussion on the strengths and weaknesses of iconographic method of analysis versus function is accompanied by an example from the Christian context chosen on several merits, one being that the subject matter appears to have been clearly established.


2019 ◽  
Vol 2 (1) ◽  
pp. 35
Author(s):  
Fredy Nugroho Setiawan ◽  
Rizki Nufiarni ◽  
Fariska Pujiyanti

Kampung Biru Arema (KBA) adalah salah satu kampung wisata di kota Malang. Kampung tersebut belum memiliki konsep kampung wisata yang baik sehingga hanya mengandalkan aspek estetika mural dan cat berwarna biru di setiap rumah tanpa arah pengembangan rute wisata yang jelas. Oleh karena itu, diperlukan penyusunan rute wisata berdasarkan potensi wisata yang ada di KBA sehingga pengembangan wisata dapat terarah dan berkesinambungan. Untuk melakukan hal tersebut kami menerapkan metode pengembangan wisata model Community Based Tourism (CBT, yaitu: mengikutsertakan anggota masyarakat dalam pengambilan keputusan, memastikan masyarakat lokal menerima manfaat dari kegiatan kepariwisataan, dan memberikan pendidikan kepariwisataan bagi masyarakat lokal. Kegiatan ini menghasilkan sebuah rute wisata di KBA yang disusun dengan mengintegrasikan 5 (lima) area wisata secara berurutan, yaitu Area Wisata Sejarah, Area Wisata Dolanan, Area Wisata Mitigasi Bencana, Area Wisata Arema, dan Area Wisata Basa Walikan. Dalam prosesnya, perumusan rute wisata melibatkan peran serta aktif warga dalam memberikan masukan dan keputusan terkait identifikasi dan pemetaan yang dilakukan. Luaran dari kegiatan ini adalah peta digital berupa rute wisata KBA bagi para wisatawan.Kata kunci: Kampung Biru Arema (KBA), Community Based Tourism (CBT), rute wisata, peta wisata.AbstractKampung Biru Arema (KBA) is one of the tourism villages in Malang. The village does not have a good tourism village concept so that it only relies on the aesthetic aspects of the murals and blue-painted houses without developing a clear direction of tourist route. Therefore, tourist route mapping which is based on tourism potentials in KBA is needed so that tourism development can be directed and sustainable. To do this we employ the premise of Community Based Tourism (CBT) by ensuring the active involvement of local people in the process of tourism development and management. The activities resulted in a tourist route on the basis of 5 (five) tourism areas, namely Historical Tourisn Area,. “Dolanan” Tourism Area, Disaster Mitigation Tourism Area, Arema Tourism Area, and “Basa Walikan” Tourism Area. In the process of determining the route, it involves the active participation of local people in providing input and decisions related to our identification and mapping of the location. The output of this activity is a digital map of KBA containing informative tourist route for visitors.


2016 ◽  
Vol 5 (2) ◽  
Author(s):  
Linda Novali Sihotang

Dampeng dance is a dance that tumbuhdanberkembang in Aceh Singkil. Dampengcustomary sudahpadatahun inimerupakantarian 1986. The purpose of this study isto discuss the dampeng dance from the perspective of aesthetic value.The theory used in this research is the aesthetic theory of Dhrasono whichcontains about: motion, fashion poetry and music. This theory is a reference tostrip existing problems in Dampeng dance.When the study to discuss Dampeng dance performed during the three months,from mid-December 2015 to February 2016. The research in the village of BukitHarapan. Subdistrict Gunung Meriah. The population is two persons namelyspeakers and artists, who know about the culture Singkil. Samples are numberedtwo people are a resource and artists in the district of Aceh Singkil.Teknik datacollection include observation, interviews, literature study and documentation.Dampeng aesthetics of the dance are the motions of martial that have governancerules, the satisfaction score and the value of togetherness for the people of AcehSingkil. Having yangtinggi excellent value for people who feel that the danceSingkil Dampeng is partly art and cultural preservation is still there and is stillknown to the public sampek Aceh Singkil. Dance dampeng also has aesthetic infashion is clothing with the colors of firm and soft, the color of clothing also hascharacter. It's all evidence of their love of their culture. Of these colors Singkilcommunity admire and maintain Dampeng dance clothing for use by generationsto always be worn when dancing.


Author(s):  
Surnata . ◽  
Bambang Setiawan ◽  
Purboyo . ◽  
Yuni Karlina

Banyuasin Regency in addition to having a strategic geographical location that is located in the inter-provincial route also has abundant natural resources. Geographical Location Banyuasin Regency is located in a position between 1.30 ° - 4.0 ° South Latitude and 104 ° 00 '- 105 ° 35' East Longitude that starts from the central part of the Province of South Sumatra to the East. Banyuasin Regency has an area of 12,431 km² and is divided into 19 districts, one of which is Banyuasin I. The Jalan Pati jaya is Jalan Kecamatan, which is located in the Sub-district of Mariana ilir, Subdistrict of Banyuasin I. This road only connects the Mariana sub-district to the village of Prajin. the current condition of the road has been intersected with the proboscis river where the condition of the road has been damaged due to inundation of rain water, in addition to the inundation of the soil the quality is still unstable and the road surface is also thin. And dranase channels are currently in a mapet state. On the subject matter above the author only examines and analyzes three elements, among others. The aspect of Hydrology is the science relating to water on earth, both regarding its occurrence, circulation and distribution, its properties and its relationship with the environment, especially with living things. The large number of parameters makes hydrological analysis difficult to solve analytically. Besides that hydrological conditions depend on changes / activities carried out by humans such as changes in land use. (Triatmodjo, 2008 h 1)


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