Explorer les frontières poreuses de la poésie. Variations prigentiennes
The purpose of this paper is to analyze the prigentian poetical experience of deconstruction and the poetry conceived as a work in progress based this time on an inter-art dialogue. At the crossroads of literary theory and comparative literature, we will explore the author’s efforts to redefine the limits of the poetical experience and his intentions to even erase the conventional boundaries between literary or artistic categories. Since the poetical oeuvres of Prigent, as well as his theoretical work advance various reflections on the limits of the language and the medium of expression, we aim to analyze how this aspects impact the relation between text and image in the prigentian poetical work. Eventually, our work interrogates the role of the intertextual and intermedial dialogue in Prigent’s attempt to radically redefine the limits of the poetical experience.