Frequently Occurring Melodic Patterns are Easier to Recall
Melodic memory continues to present a paradox. Listeners excel at recognizing melodies once encoded in long term memory, but often struggle during encoding. In order to investigate this paradox, we employ a recall design to investigate melodic encoding. Here we report results from a forward, serial recall within-subjects melodic memory experiment (n = 39) using an expert population of musicians trained in moveable-do solfege in order to model melodic memory using music theoretic response categories. Compatible with theoretical frameworks predicting a processing facilitation advantage, more frequently occurring musical patterns are remembered more quickly and more accurately than less frequently occurring patterns. The evidence presented here is consistent with evidence suggesting that latent understanding of musical schemas can be modeled with musical corpora. Further, computationally derived measures related to information processing from both the Information Dynamics of Music model and FANTASTIC toolbox outperform models of melodic memory that only account for the length of the melody measured in number of notes. Results from this experiment demonstrate how expert populations can provide valuable insight into melodic memory and tonal cognition. The framework provided here also provides an empirical basis linking literature investigating melodic anticipation with melodic memory.