scholarly journals PERANAN SINDEN DALAM GRUP KESENIAN JANGER BONGKORAN DI DESA BONGKORAN KECAMATAN SRONO

2019 ◽  
Author(s):  
Runnah Nur Iffah ◽  
Tian Fitriara Huda
Keyword(s):  
Cultural Values ◽  
Traditional Art ◽  
Qualitative Descriptive ◽  
Descriptive Method ◽  
Initial Research ◽  
Usual Research

Banyuwangi Jaranan Dance is a traditional art that is rich in artistic and cultural values, this dance is also very thick to the impression of magical and spiritual value. Jaranan dance is a very famous art in banyuwangi spread in several districts, such as District Banyuwangi, Kabat, Rogojampi, Kalipuro, Licin, Singonjuruh, Rogojampi, Giri and Glagah district. The usual research on Jaranan has been done a lot. From several studies on jaranan, this study is very different from the initial research that focuses on the initial research of jaranan art, the values / meaning of jaranan art, the art of jaranan performance, and the art of jaranan performance. This research is more focused on the culture of "Kesurupan" which includes the process of ritual possession, the meaning of possession and culture in ritual jaranan Banyuwangi. Researchers took data in three sub-districts of Banyuwangi, namely Jaranan Baluk Group, Glagah sub-district, Jaranan Karang Asem Group and Giri Sub-District, Tresno Budoyo Jaranan Group. Researchers use qualitative descriptive method with data recognition techniques, interviews and documentation.

scholarly journals BUDAYA KESURUPAN SENI TRADISI JARANAN DI BANYUWANGI

2019 ◽  
Author(s):  
Rizky Agung ◽  
Dhalia Soetopo
Keyword(s):  
Cultural Values ◽  
Traditional Art ◽  
Qualitative Descriptive ◽  
Descriptive Method ◽  
Initial Research ◽  
Usual Research

Banyuwangi Jaranan Dance is a traditional art that is rich in artistic and cultural values, this dance is also very thick to the impression of magical and spiritual value. Jaranan dance is a very famous art in banyuwangi spread in several districts, such as District Banyuwangi, Kabat, Rogojampi, Kalipuro, Licin, Singonjuruh, Rogojampi, Giri and Glagah district. The usual research on Jaranan has been done a lot. From several studies on jaranan, this study is very different from the initial research that focuses on the initial research of jaranan art, the values / meaning of jaranan art, the art of jaranan performance, and the art of jaranan performance. This research is more focused on the culture of "Kesurupan" which includes the process of ritual possession, the meaning of possession and culture in ritual jaranan Banyuwangi. Researchers took data in three sub-districts of Banyuwangi, namely Jaranan Baluk Group, Glagah sub-district, Jaranan Karang Asem Group and Giri Sub-District, Tresno Budoyo Jaranan Group. Researchers use qualitative descriptive method with data recognition techniques, interviews and documentation.

scholarly journals Uji Signifikansi Bangunan Istana Maimun Sebagai Bangunan Cagar Budaya

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
W.M.T Yudhaa ◽  
R. Fadli R. Fadli ◽  
S. Astari S. Astari ◽  
S. Yulisma S. Yulisma ◽  
R. M. Siahaan R. M. Siahaan ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Religious Values ◽  
Historical Building ◽  
Historic Building ◽  
History Of ◽  
Qualitative Descriptive ◽  
The City ◽  
Descriptive Method

Istana Maimun adalah istana kebesaran Kerajaan Deli yang dibangun pada tahun 1888. Saat ini istana maimun sudah beralih fungsi menjadi museum dan hunian untuk keluarga keturunan sultan. Istana Maimun memiliki daya tarik tersendiri terutama sebagai bukti perjalanan sejarah kebudayaan Kota Medan. Dalam Penelitian ini Peneliti menggunakan metode deskriptif kualitatif yaitu dengan menguji signifikansi kondisi Istana Maimun sebagai bangunan bersejarah Kota Medan melalui nilai sejarah, nilai ilmu pengetahuan, nilai agama dan nilai kebudayaan seperti yang ditetapkan dalam UU No.11 Tahun 2010. Dengan pengumpulan data melalui wawancara, dokumentasi dan konservasi lapangan. Hasil dari penelitian ini diharapkan dapat menjadikan Istana Maimun menjadi bangunan bersejarah cagar budaya Nasional.   Maimun Palace is an oversized palace of the Kingdom of Deli which was built in 1888. At present Maimun Palace has turned into a museum and residence for families of descendants of the Sultan. Maimun Palace has its own charm, especially as evidence of the journey of the history of the city of Medan. In this study the researcher used a qualitative descriptive method, namely by testing the significance of Maimun Palace as a historical building in Medan through historical values, the value of science, religious values and cultural values as stipulated in Law No.11 of 2010. By collecting data through interviews, field documentation, and conservation. The results of this study are expected to make Maimun Palace a historic building of national cultural heritage.

scholarly journals STRATEGI KOMUNIKASI KEPALA ADAT DALAM MELESTARIKAN KESENIAN BELUK

Jurnal Signal ◽  
2019 ◽  
Vol 7 (2) ◽  
Author(s):  
Femi Oktaviani ◽  
Baruna Tyaswara ◽  
Roswida Roswida
Keyword(s):  
Cultural Values ◽  
Symbolic Interaction ◽  
Communication Strategy ◽  
Planning Theory ◽  
Traditional Art ◽  
The Public ◽  
The Third ◽  
Qualitative Descriptive ◽  
The Right ◽  
Primary Socialization

ABSTRAK Seni beluk adalah seni tradisional dari kampung adat Cikondang yang melantunkan pupuh sunda dengan suara yang di keraskan. Kepala adat melakukan suatu strategi yang bertujuan untuk melestarikan kesenian beluk dengan cara mengajak generasi muda di kampung adat Cikondang menjadi pemain seni beluk sebagai generasi penerus selanjutnya. Penelitian ini bertujuan untuk mengkaji strategi komunikasi tentang perencanaan pesan, menentukan metode penyampaian pesan dan sosialisasi kesenian beluk yang digunakan oleh kepala adat dalam melestarikan kesenian beluk. Penelitian ini menggunakan metode kualitatif dan studi deskriptif  kualitatif.  Teori yang digunakan untuk menganalisa penelitian ini yaitu teori perencanaan dan interaksi simbolik. Hasil penelitian menunjukkan terdapat beberapa langkah dalam menjalankan strategi komunikasi dengan perencanaan pesan yaitu menetapkan tujuan, menentukan isi pesan, penggunaan kata-kata yang sederhana dan memahami komunikan. Kedua dalam strategi komunikasi harus menentukan metode penyampaian pesan yang tepat dan efektif yaitu metode redudency dan canalizing. Ketiga adalah sosialisasi kepada masyarakat agar diketahui oleh banyak orang. Dari sosisalisasi tersebut terdapat bentuk sosialisasi primer dengan menanamkan nilai-nilai budaya yaitu melestarikan kesenian beluk melalui komunikasi dua arah. Kata Kunci: Strategi komunikasi, kepala adat, seni beluk.  ABSTRACT The art of beluks is the traditional art of the Cikondang village traditional which chants Sundanese poems with a loud voice. The head of a customary carried out a strategy that aimed to preserve the art of beluk by inviting young people in the Cikondang traditional village to become outsiders as the next generation. This study aims to examine communication strategies about planning messages, determine the method of delivering messages and socialize the art of beluk that are used by traditional leaders in preserving the art of beluk. This study uses qualitative methods and qualitative descriptive studies. The theory used to analyze this research is planning theory and symbolic interaction. The results of the study show that there are several steps in carrying out a communication strategy with planning messages, namely setting goals, determining the contents of the message, using simple words and understanding communicants. The second in the communication strategy must determine the right and effective method of delivering messages, namely the redundancy and canalizing methods. The third is socialization to the public to be known by many people. From the socialization, there is a form of primary socialization by instilling cultural values, namely preserving the art of beluk through two-way communication. Keywords: Communication strategy, customary head, beluk art.

scholarly journals RESISTANCE TO CHANGE : PENOLAKAN MASYARAKAT TERHADAP RENCANA PELAKSANAAN PEMILIHAN KEPALA DESA (PILKADES) BERBASIS ELECTRONIC-VOTING DI KABUPATEN SLEMAN PROVINSI DAERAH ISTIMEWA YOGYAKARTA

2020 ◽  
Vol 5 (1) ◽  
pp. 1-10
Author(s):  
Fauzan Hidayat
Keyword(s):  
Cultural Values ◽  
Resistance To Change ◽  
Fear Of Failure ◽  
Change Policy ◽  
Voting System ◽  
History Of ◽  
Qualitative Descriptive ◽  
Resistance Form ◽  
Emergence Of Resistance ◽  
Descriptive Method

This research is a study of policy implementation that focuses on resistance to the changes in pattern of village heads general election (pilkades) policy form the conventional to the electronic way (e-voting). The study began with a demonstration against this policy conducted by a number of village heads in Sleman Regency. The e-voting system in the pilkades is not a new thing in the history of democracy in Indonesia. Some districts such as Jembrana, Boyolali, Pemalang, Musi Rawas and other regions have implemente this new pattern of elections without any significant problems especially in the form of resistance form the communit. This study uses a qualitative descriptive method, by describing what is expressed by the informant of a phenomenon that occurs in the midst of the community in addressing such technology adoption (e-voting). Based on the results of this study found two categories of reasons for resistantion, namely : objective reasons and subjective reasons, including: (1) Objective Reasons: Not Easy, Economic Threats, Damaging Regulatory Values, and Fear of Loss of Status and POwer. (2) Subjective Reasons: Fear of Failure, Damaging Cultural Values, and Low Trust. Those reasons are in harmony with the nine causes of resistance to change as stated by Gary A. Yukl in his book entitled “Leadership in Organization” (2010). he nine reasons for the emergence of resistance are mady by the author as a theoritical basis in studying the resistance factor of the e-voting election policy.   Keywords : resistance, e-voting, pilkades, change, policy

scholarly journals REPRESENTASI NILAI-NILAI BUDAYA MASYARAKAT SUKU BANJAR DAN DAYAK PADA NOVEL JENDELA SERIBU SUNGAI KARYA MIRANDA SEFTIANA DAN AVESINA SOEBLI (The Representation of Cultural Values of Banjar Tribe and Dayak in the Novel Jendela Seribu Sungai By Miranda Seftiana and Avesina Soebli)

SALINGKA ◽  
2021 ◽  
Vol 18 (1) ◽  
pp. 89-102
Author(s):  
Emawati Emawati ◽  
Achmad Wahidy ◽  
Kiki Aprillianti Rifai
Keyword(s):  
Content Analysis ◽  
Cultural Values ◽  
Data Interpretation ◽  
Cultural Value ◽  
The Novel ◽  
Human Culture ◽  
The People ◽  
Analysis Technique ◽  
Qualitative Descriptive ◽  
Descriptive Method

AbstrakPenelitian ini merupakan penelitian antropologi sastra yang bertujuan untuk mendeskripsikan secara mendalam berbagai nilai budaya masyarakat suku Banjar dan Dayak yang direpresentasikan dalam novel Jendela Seribu Sungai karya Miranda Seftiana dan Avesina Soebli. Pendekatan yangdigunakan dalam penelitian ini yaitu pendekatan antropologi sastra, suatu pendekatan interdisipliner yang secara khusus mengkaji berbagai aspek kebudayaan manusia yang tercermin melalui karya sastra. Selanjutnya, metode yang digunakan adalah metode deskriptif kualitatif. Untuk menganalisis data, digunakan teknik analisis isi yang meliputi tahapan identifikasi data, klasifikasi data, dan interpretasi data. Berdasarkan hasil penelitian ditemukan lima nilai budaya masyarakat suku Banjar yang direpresentasikan dalam novel Jendela Seribu Sungai karya Miranda Seftiana dan Avesina Soebli. Pertama, percaya adanya kekuasaan Tuhan dan senantiasa terus berdoa kepada Tuhan. Kedua, manusia harus dapat menjaga dan menggunakan alam dengan sebaik-baiknya agar dapatbermanfaat dalam kehidupan. Ketiga, manusia tidak dapat hidup sendiri karena merupakan makhluk sosial. Keempat, musyawarah, saling membantu dan saling mengasihi antarsesama. Kelima, manusiabertanggung jawab terhadap kelangsungan hidupnya sendiri untuk membuat hidupnya menjadi lebih baik.Kata kunci: kebudayaan, nilai budaya, antropologi sastra  AbstractThis study aims to describe the cultural values of the people of Banjar and Dayak tribes are represented in the novel of Jendela Seribu Sungai by Miranda Seftiana and Avesina Soebli.The method used in this research is literary anthropology approach. It examines various aspects of human culture which is reflected through literary works. Furthermore, the research used qualitative descriptive method and content analysis technique are used to analyze the data, they are respectively, data identification, data classification, and data interpretation. The results found five cultural values of the people of Banjar tribe and Dayak that is representedin the novel of Jendela Seribu Sungai by Miranda Seftiana and Avesina Soebli. First, believe in the power of God and always continue to pray to God. Second, humans must be able to maintain and use nature as well as possible so that it can be useful in life. Third, humans cannot live alone because the people are social creatures. Fourth, deliberation, helping each other and sharing among each other. Fifth, humans are responsible for their own survival to make their lives better.Keywords: cultural, cultural value, literary anthropology

scholarly journals PENGARUH BANGUNAN UMA LENGGE TERHADAP KEHIDUPAN SOSIAL DAN BUDAYA MASYARAKAT DESA MARIA KECAMATAN WAWO KABUPATEN BIMA

2019 ◽  
Vol 32 (1) ◽  
pp. 13
Author(s):  
Chrisantya Angelita ◽  
Renhard Fernandus Manurung ◽  
Ni Made Yuni Sugiantari ◽  
Adinda Sanita Putri Khinari ◽  
Rochtri Agung Bawono
Keyword(s):  
Cultural Values ◽  
Direct Observation ◽  
Social Values ◽  
Front Part ◽  
Literature Study ◽  
Mutual Cooperation ◽  
Cultural Life ◽  
The Social ◽  
Qualitative Descriptive ◽  
Descriptive Method

Uma Lengge building is traditional building in Bima District West Nusa Tenggara which functions as the residence of Mbojo tribe and place to store food. The study aims to analyze the characteristics and relation of Uma Lengge buildings with the social and cultural life of Maria Village. The approach used in this study is archaeological approach with qualitative descriptive method. The study began with collecting data through literature study, direct observation, and interviews. The trapezoidal part of the roof with legs, has two pieces of crossing each other at each end of the ridge with bamboo material. The door leads to Mecca. The front part of the house may not be faced with another houses. Uma Lengge has three main parts such as the foundation, the first floor and second floors. The building of Uma Lengge has links with social values such as the value of mutual cooperation, value of hospitality, value of deliberation, value of helping and cultural values in Ampa Fare ceremony and inter dowry ceremony. Bangunan Uma Lengge merupakan bangunan tradisional di Kabupaten Bima Nusa Tenggara Barat. Bangunan ini berfungsi untuk tempat tinggal masyarakat suku Mbojo sekaligus tempat menyimpan bahan makanan. Penelitian ini bertujuan untuk menganalisis karakteristik serta keterkaitan bangunan Uma Lengge terhadap kehidupan sosial dan kebudayaan masyarakat Desa Maria. Pendekatan yang digunakan adalah pendekatan arkeologi dengan metode deskriptif kualitatif. Penelitian dimulai dengan melakukan pengumpulan data melalui studi pustaka, pengamatan secara langsung di lapangan, melakukan wawancara untuk data penelitian melalui informan. Diperoleh data pada bagian atap bangunan berbentuk trapesium sama kaki serta memiliki dua buah wanga yang saling menyilang pada setiap ujung bubungan atap dengan bahan bambu. Bagian pintu bangunan arah hadap mengarah ke Mekah, bagian depan bangunan tidak boleh berhadapan dengan bagian depan bangunan di sekitar tetapi bertolak belakang terhadap bangunan lainnya. Bangunan Uma Lengge memiliki tiga bagian utama seperti bagian pondasi, lantai satu dan lantai dua sekaligus atap. Bangunan Uma Lengge memiliki keterkaitan dengan nilai sosial kehidupan masyarakat Maria seperti; nilai gotong royong; nilai silahturrahmi; nilai musyawarah; nilai tolong menolong dan keterkaitan pada nilai kebudayaan dalam kehidupan masyarakat Desa Maria seperti; upacara Ampa Fare dan upacara mengantar mahar.

scholarly journals Honda Motor's Logos as Superimposed Advertisement Strategy in Opera Van Java Television Program

2020 ◽  
Vol 10 (1) ◽  
pp. 94
Author(s):  
Erlan Aditya Ardiansyah
Keyword(s):  
Marketing Strategy ◽  
Cultural Values ◽  
Television Program ◽  
Brand Awareness ◽  
White Background ◽  
Television Channel ◽  
The Family ◽  
Qualitative Descriptive ◽  
Left Corner ◽  
Descriptive Method

Abstract A motorbike manufacturer which struggles to market their products is Honda Motor Co., Ltd. (hereinafter referred as Honda Motor). This article investigated origin of Honda Motor’s logos and tried to describe the logos as superimposed advertisement displayed in a television program. The study applied a qualitative descriptive method. Data were taken from a commedy situation Overa van Java relayed on Trans7 television channel. The data are the Honda Motor’s logos displayed as superimposed advertisement. The results showed that Honda has denotation and connotation meanings. The company name was originated from the family name of the founder Soichiro Honda. However, there is also another meaning ‘Japanese rice’ due to marketing strategy which delivers cultural values due to promote Japanese products. The Honda Motor’s logos are a red-colored wing on a white background and a white-colored wing on a red background. The logos are discovered as the signified  while the products of Honda Motors become the signifier. The logos slid with approximately 11 seconds of duration which depicted brand awareness. This study concludes that the superimposed advertisement employed mini images on the left corner of a television screen. The advertisement strategy is valuable to cause intention of the television audiences through the signifier and signified. Keywords: Logo, meaning, sign, signifier, signified, superimposed advertisement                                                                                 Abstrak Pabrikan sepeda motor yang berjuang untuk tetap memasarkan produknya adalah Honda Motor Co., Ltd. (selanjutnya disebut Honda Motor). Artikel ini menginvestigasi logo Honda Motor dan mendeskripsikan logo tersebut sebagai iklan superimposed yang ditayangkan dalam program televisi. Penelitian ini disusun dengan menggunakan metode kualitatif. Data diperoleh dari situasi komedi Overa van Java yang ditayangkan pada saluran televisi Trans7. Data yang diperoleh berupa logo Honda Motor yang ditampilkan sebagai iklan superimposed. Hasil penelitian menunjukkan bahwa Honda memiliki makna denotasi dan konotasi. Nama perusahaan berasal dari nama keluarga pendirinya, yaitu Soichiro Honda. Akan tetapi, terdapat makna lain 'beras Jepang' sebagai upaya strategi pemasaran yang memiliki nilai budaya untuk mempromosikan produk dari Jepang. Logo Honda Motor adalah sayap berwarna merah dengan latar belakang putih dan sayap berwarna putih dengan latar belakang merah. Logo-logo tersebut dinyatakan sebagai penanda sementara produk-produk Honda Motor menjadi petanda. Logo-logo ditampilkan saling berganti dengan durasi sekitar 11 detik untuk menyampaikan brand awareness. Penelitian ini menyimpulkan bahwa iklan superimposed menampilkan gambar berukuran kecil di sudut kiri layar televisi. Strategi iklan ini berupaya untuk meningkatkan pemahaman dari penonton televisi melalui penanda dan petanda.   Kata Kunci: Logo, makna, tanda, penanda, petanda, iklan superimposed 

scholarly journals REPRESENTASI NILAI BUDAYA HIMNE PASOMBA TEDONG: SEBUAH CERMIN KEARIFAN LOKAL MASYARAKAT TORAJA (Representation of Cultural Values of Hymns Pasomba Tedong: A Reflection of Local Wisdom of Toraja Society)

2016 ◽  
Vol 5 (1) ◽  
pp. 21
Author(s):  
Herianah Herianah
Keyword(s):  
Social Interaction ◽  
Cultural Values ◽  
Mutual Respect ◽  
Qualitative Descriptive ◽  
Descriptive Method

Penelitian ini bertujuan untuk mengetahui nilai-nilai budaya dalam himne Pasomba Tedong. Himne Pasomba Tedong adalah pengiring upacara yang diucapkan pada upacara syukuran tertinggi dalam kehidupan orang Toraja, yaitu pada upacara maqbuaq dan meruaq yang  diperuntukkan kepada Puang Matua, ilah-ilah, dan dewata. Tujuan upacara ini adalah untuk memohon kesuburan tanah dan memudahkan interaksi sosial masyarakat dengan mengorbankan seekor kerbau muda hitam dan gemuk. Himne Pasomba Tedong disajikan dalam bentuk prosa lirik.  Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif, yaitu penelitian yang menggambarkan objeknya secara apa adanya. Data dalam penelitian ini dikumpulkan dengan menggunakan teknik inventarisasi, baca simak, pencatatan, teknik observasi partisipasi, dan wawancara. Hasil penelitian menunjukkan bahwa nilai-nilai yang ditemukan dalam himne Pasomba Tedong adalah nilai religi, nilai persatuan, nilai musyawarah mufakat, nilai etis, dan nilai tenggang rasa/saling menghormati.Abstract:This research is aimed at  knowing  cultural values in the hymn of Pasomba Tedong. Pasomba Tedong hymn is an accompanist ceremony pronounced at thanksgiving ceremony in Toraja’s life by performing  Maqbuaq and Meruaq  ceremony  for Puang Matua and God. The purpose of the ceremony  is to invoke fertility of the soil and  facilitate social interaction with the community to sacrifice a fat black bull. Passomba Tedong is presented in prose lyrics. This re- search applies the qualitative descriptive method that describes the object as it is. The data were collected by using inventory techniques, reading, recording, observation, and interview. The result shows that the values in Pasomba Tedong are religious value, unity value, consensus agreement value, ethical value, and tolerance or mutual respect value.

scholarly journals Nilai dan Unsur Budaya pada Cerita Rakyat Buah Udak Suku Dayak Linoh

2021 ◽  
Vol 14 (2) ◽  
pp. 210
Author(s):  
Yusuf Olang ◽  
Ursula Dwi Oktaviani ◽  
Yati Oktaviani
Keyword(s):  
Language Arts ◽  
Cultural Values ◽  
Belief Systems ◽  
Cultural Value ◽  
Oral Literature ◽  
Human Relationships ◽  
Cultural Elements ◽  
Qualitative Descriptive ◽  
The Relationship ◽  
Descriptive Method

Value and Cultural Element in Buah Udak Folklore Dayak Linoh Ethic Group ABSTRAKTujuan penelitian ini adalah mendeskripsikan nilai dan unsur budaya pada sastra lisan cerita rakyat suku Dayak Linoh. Penelitian ini menggunakan metode deksriptif kualitatif. Data pada penelitian ini adalah semua kutipan-kutipan yang terdapat dalam cerita rakyat suku Dayak Linoh. Sumber data dalam penelitian ini adalah cerita rakyat suku Dayak Linoh dari Kecamatan Sungai Tebelian Kabupaten Sintang yang berisi satu cerita rakyat  Dayak Linoh yang berjudul Buah Udak. Hasil analisis data menunjukkan nilai budaya yang menggambarkan hubungan manusia dengan Tuhan, hubungan manusia dengan alam, hubungan manusia dengan masyarakat, hubungan manusia dengan orang lain atau sesamanya, hubungan manusia dengan dirinya sendiri. Sedangkan unsur budaya terdapat: peralatan dan perlengkapan hidup, sistem kekerabatan dan organisasi sosial, bahasa, kesenian, sistem kepercayaan, dan sistem ilmu dan pengetahuan. Masyarakat Dayak Linoh memercayai nilai budaya yang terdapat dalam cerita tersebut dan menjadi adat istiadat/tradisi.Kata kunci: nilai budaya, cerita rakyat, Dayak Linoh ABSTRACTThe purpose of this study was to describe the values and cultural elements in the oral literature of the Linoh Dayak folklore. This study uses a qualitative descriptive method. The data in this study are all quotes contained in the folklore of the Linoh Dayak group ethic. The source of the data in this study is the folklore of the Dayak Linoh group ethic from Sungai Tebelian District, Sintang Regency which contains a Dayak Linoh folktale entitled Buah Udak. The results of data analysis show cultural values that describe the relationship between humans and God, human relationships with nature, human relationships with society, human relationships with other people or with each other, human relationships with themselves. While the elements of culture are: tools and equipment for life, kinship systems and social organization, language, arts, belief systems, and systems of science and knowledge. The Linoh Dayak community believes in the cultural values contained in the story and becomes a custom/tradition.Keyword: cultural value, folklore, Dayak Linoh.

scholarly journals Analisis Nilai-nilai Multikultural Dalam Novel Assalamualaikum Beijing Karya Asma Nadia

2019 ◽  
Vol 1 (1) ◽  
pp. 73
Author(s):  
Weni Fatmawati ◽  
Ramadhan Saleh Lubis ◽  
Fitri Juniati Sinaga ◽  
Ratnauli Sipayung ◽  
Wilda Deratih M
Keyword(s):  
Cultural Values ◽  
Research Method ◽  
Religious Values ◽  
The Novel ◽  
Democratic Values ◽  
The Public ◽  
Qualitative Descriptive ◽  
Data Source ◽  
Descriptive Method ◽  
Page Book

This research is entitled Analysis of Multicultural Values in the novel Assalamualaikum Beijing. This study aims to (1) know multicultural values (2) describe the multicultural values contained in the novel Assalamualaikum Beijing. The main data source in this study is the Assalamualaikum Beijing novel published in 2013 by Asma Nadia with a thick 360-page book. The novel was chosen because the content of the story presented was very interesting giving fresh meaning to the state of multicultural value difference in Beijing with in Indonesia. The focus of this study is related to Multicultural values found in the Assalamualaikum Beijing novel. The research method used is a qualitative descriptive method. Data collection techniques used in this study are using library techniques and content analysis (analysis content). The results of this study are aimed at the public that the multicultural values contained in the Assalamualaikum Beijing novel include values of tolerance, democratic values, religious values, and cultural values. The researcher conducts this research with the aim that the public realize the importance of multiculturalism values such as tolerance values, democratic values, religious values, and cultural values applied in life.

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