scholarly journals Syiar Islam dalam Upacara Adat Hanta Ua Pua di Tanah Bima Nusa Tenggara Barat

2016 ◽  
Vol 14 (1) ◽  
pp. 29
Author(s):  
Alan Malingi
Keyword(s):  
Cultural Heritage ◽  
Historical Development ◽  
The Arts ◽  
History Of ◽  
Meaning And Purpose

This article was written to preserve and promote one of the most important ceremonies in Bima NTB known as the Hanta Ua Pua. As a cultural heritage of Islam, the ceremony was held to coincide with the commemoration of the birthday of the Prophet or the Maulid Nabi Muhammad so in Bima it is also called the Hanta Ua Pua Ade Wura Molu or Molu (the delivery of Ua Pua in the birthday month). In the historical development of Bima, Hanta Ua Pua ceremony was first held during the reign of Sultan Abdul Khair Sirajuddin, the second sultan of Bima (16401682 AD). Since then, Hanta Ua Pua was recognized as a a routine celebration of the Bima sultanate known as Na'e Rawi Kali Ma Tolu Samba'a, considered one of the grand ceremonies held three times a year: the Ndiha Aru King Na'e (the celebration of Eid al-Adha), the Ndiha Aru King To'i (Eid celebrations), and the Ndiha Ua Pua (celebration Hanta Ua Pua). This study outlines the history of Islam in the Land of Bima for Hanta Ua Pua is related to the process of Islamic religious missions in Bima, the meaning and purpose Pua Ua, its ceremonies, its ritual supplies, as well as the arts ceremony of Hanta Ua Pua. Artikel ini ditulis untuk melestarikan dan mempromosikan salah satu upacara adat di tanah Bima NTB yang dikenal dengan Hanta Ua Pua yang merupakan warisan budaya islam. Upacara ini dilaksanakan bertepatan dengan peringatan Maulid Nabi Muhammmad SAW. sehingga dalam bahasa Bima juga sering disebut dengan Hanta Ua Pua Ade Wura Molu atau MOLU ( Pengantaran Ua Pua di dalam bulan maulid). Dalam Perkembangan sejarah Bima, upacara Hanta Ua Pua dilaksanakan pertama kali pada masa pemerintahan Sultan Abdul Khair Sirajuddin, sultan Bima kedua (1640-1682 M). Sejak saat itu, Hanta Ua Pua ditetaptakan sebagai perayaan rutin kesultanan Bima yang dikenal dengan Rawi Na’e Ma Tolu Kali Samba’a, termasukl upacara besar yang dilaksanakan dalam tiga kali setahun. Perayaan tersebut yaitu Ndiha Aru Raja Na’e (Perayaan Idul Adha), Ndiha Aru Raja To’i (Perayaan Idul Fitri), dan Ndiha Ua Pua (Perayaan Hanta Ua Pua). Studi ini menguraikan sejarah Islam di Tanah Bima karena Hanta Ua Pua berkaitan dengan proses penyiaran agama Islam di Bima, makna dan tujuan Ua Pua, rangkaian upacara Ua Pua, perlengkapan ritual Ua Pua, serta kesenian pengiring upacara Hanta Ua Pua.

scholarly journals Historical and cultural pharmaceutical heritage: conceptualization, differentiation and content

2021 ◽  
pp. 87-92
Author(s):  
Elena I. Mamaeva ◽  
Keyword(s):  
Cultural Heritage ◽  
Historical Development ◽  
Future Generations ◽  
Functional Characteristics ◽  
Cultural Experience ◽  
Pharmaceutical Science ◽  
Xvii Century ◽  
History Of Development ◽  
Pharmaceutical Activity ◽  
History Of

Pharmaceutical heritage is a set of scientific and practical achievements of pharmaceutical activity of mankind. Historical and cultural pharmaceutical heritage is a collection of tangible and intangible evidence of the historical development of pharmaceutical science and practice, embodying a significant socio-cultural experience of humanity and preserved for transmission to future generations. Pharmaceutical and medical heritage is difficult to differentiate due to the long joint history of development and intertwining modern practices, but the separation of the professions of a doctor and a pharmacist allows us to distinguish the historical and cultural pharmaceutical heritage from the end of the XVII century. Historical and cultural pharmaceutical heritage is classified into tangible and intangible, according to functional characteristics, material historical and cultural heritage is divided into movable and immovable heritage.

scholarly journals Some Considerations on the Evolving Concepts of Cultural Heritage

2014 ◽  
Vol 4 (2) ◽  
pp. 237
Author(s):  
MSc. Dorina Xheraj-Subashi
Keyword(s):  
Cultural Heritage ◽  
French Revolution ◽  
Historical Development ◽  
Missing Values ◽  
The Political ◽  
National Heritage ◽  
Culture Heritage ◽  
History Of ◽  
Entire Society ◽  
Heritage Legislation

The history of the property as general heritage and access to the entire society is a phenomenon which took matter during the French Revolution, where the entire heritage, especially of museums, should be considered as a public possession of all, in order to disseminate knowledge to all. In the Albanian context, the history to this heritage and the awareness took place in other circumstances, given the history and various developments in Albania. Given such circumstances, our analysis will be focused on the historical development and attention to national heritage, which was propagated at the same time as raising and awareness of missing values. These values have been attempt in different ways and related and have also changed during years of totalitarian period and then with the change of the political system.The paper tries to bring an overview of holistic term of culture heritage including museum law interpretation as part of cultural heritage legislation.

Art and New Technology in Mexico: The National Center for the Arts

Leonardo ◽  
2006 ◽  
Vol 39 (4) ◽  
pp. 371-372 ◽  
Author(s):  
Andrea Di Castro
Keyword(s):  
Cultural Heritage ◽  
Mexico City ◽  
New Technologies ◽  
New Technology ◽  
The Internet ◽  
Changing Environment ◽  
Creative Practice ◽  
The Arts ◽  
History Of ◽  
The Creation

The author chronicles the history of Mexico's Centro Nacional de las Artes (National Center for the Arts) in Mexico City, and in particular the Multimedia Center, a space dedicated to the creation and teaching of the arts and preservation of cultural heritage through the use of new technologies such as CD-ROMs, the Internet and teleconferencing, as well as exhibitions. After 10 years of operation, the Multimedia Center faces new types of challenges as the new technologies become successfully integrated into creative practice. In response to the changing environment, the center is moving toward collaborations with similar institutions internationally and toward new funding models.

The Critical Examination of the Philosophy of Religion. By.Sādhu Śāntinātha. Vols. I, II. pp. 1110. Amalner, 1938. - Māyāvāda, or the Non-dualistic Philosophy (Vedānta). By Sādhu Śāntinātha. pp. v, 153, 18. Poona, 1938. - The Philosophy of Advaita. By T. M. P. Mahadevan. pp. xvi, 284. London: Luzac and Co., 1938. - The Positive Background of Hindu Sociology. By Benoy Kumar Sarkar. Book I: Introduction to Hindu Positivism. (The Sacred Books of the Hindus, Vol. XXXII.) pp. 697. Allahabad, 1937. - Eastern Eeligions and Western Thought. By Sir S. Radhakrishnan. pp. xiii, 394. Oxford: Clarendon Press, 1939. - A History of Indian Philosophy. By Surendranath Dasgupta. Vol. III. pp. xiii, 614. Cambridge: University Press, 1942. - The Cultural Heritage of India. Edited by Sri Eamakrishna Centenary Committee. Vol. I. pp. xxx, 608. Calcutta: Belur Math, 1937. - La Doctrine Morale et Métaphysique de Rāmānuja. By Olivier Lacombe. pp. 132, ix, 255. Paris: Adrien Maisonneuve, 1938. - Wayfarer's Words. By Mrs. Ehys Davids, Vol. I. pp. x, 371. London: Luzac and Co., 1942. - Tattvabindu with Tattvavibhāvanā. Edited by V. A. Rāmaswāmi Śāstri. (Anainalai University Sanskrit Series, no. 3.) pp. xix, 197, 161, 5. 1936. - East and West. By René Guénon. Translated by William Massey. pp. 257. London: Luzac and Co., 1941. - Concepts of Riti and Guṇa in Sanskrit Poetics in their Historical Development. By P. C. Lahiri. pp. iv, 310. Ramna, Dacca, 1937.

1942 ◽  
Vol 10 (4) ◽  
pp. 1031-1049
Author(s):  
Betty Heimann
Keyword(s):  
Cultural Heritage ◽  
Historical Development ◽  
Indian Philosophy ◽  
Philosophy Of Religion ◽  
Critical Examination ◽  
Western Thought ◽  
Cambridge University ◽  
Sanskrit Poetics ◽  
Sanskrit Series ◽  
History Of

Rediscovering Afghan Fine Arts: The life of an Afghan student in Germany, Abdul Ghafur Brechna

2021 ◽  
pp. 1-37
Author(s):  
MARJAN WARDAKI
Keyword(s):  
Cultural Heritage ◽  
Fine Arts ◽  
Literary Work ◽  
Western Art ◽  
Technical Schools ◽  
Weimar Germany ◽  
European Universities ◽  
The Arts ◽  
Intellectual Milieu ◽  
History Of

Abstract In 1919, Afghanistan embarked on a series of reforms that led to the presence of Afghan students at various European universities, facilitating the circulation of peoples, ideas, and goods. Focusing on one of these cases, this article examines how an Afghan student engaged critically with ‘Western’ art and translated artistic ideas and technologies through the grid of Afghanistan's own history of the fine arts. Through an exploration of the work of Abdul Ghafur Brechna (1907–1974)—artist, music composer, poet, and writer—I argue that, despite his desire to train at German technical schools, Brechna translated, then connected, his Western training to restore Afghanistan's traditional visual and literary arts, making it problematic to define his oeuvre as purely ‘modern’ or ‘traditional’. The first aim is to situate Brechna within the intellectual milieu of Weimar Germany, placing emphasis on how he curated the course of his education to support his aims. By tracing out the evolution of his artistic knowledge to Afghanistan, the second part of this article connects his earlier training to the newly emerging scholars in Kabul who also grappled with national renewal and an ‘Aryan’ literary and cultural heritage. Lastly, I discuss his attempt to rewrite the history of the arts by closely analysing his visual and literary work, emphasizing in particular his attempt to reconnect to themes and genres that had previously been lost or neglected.

scholarly journals KULTURNA DEDIŠČINA IN NJENO VAROVANJE V ČASU OBOROŽENIH SPOPADOV

2021 ◽  
pp. 73-90
Author(s):  
ROK FILIPČIČ
Keyword(s):  
Cultural Heritage ◽  
Armed Conflict ◽  
Historical Development ◽  
Legal Protection ◽  
Cultural Property ◽  
Armed Conflicts ◽  
Negative Consequences ◽  
History Of ◽  
Historical Tradition

Povzetek Kulturna dediščina oziroma kulturne dobrine so izraz zgodovinske tradicije nekega naroda. V zgodovini vojskovanja je bila kulturna dediščina pogosto uničena, poškodovana in izropana. Prispevek predstavlja zgodovinski razvoj mednarodnopravne zaščite kulturnih dobrin, obveznosti, ki jih imajo visoke pogodbenice Konvencije o varstvu kulturnih dobrin v primeru oboroženega spopada, nekatera najpomembnejša pravila glede varovanja kulturnih dobrin med oboroženimi spopadi, slovensko delovanje na obravnavanem področju ter pozitivne in negativne posledice (ne)varovanja kulturnih dobrin. Ključne besede Varovanje kulturnih dobrin, oboroženi spopadi, Haaška konvencija. Abstract Cultural heritage and cultural property are an expression of the historical tradition of a certain nation. Throughout the history of warfare, cultural heritage has often been destroyed, damaged and looted. The article presents the historical development of international legal protection of cultural property, the obligations of the High Contracting Parties to the Convention for the Protection of Cultural Property in the Event of Armed Conflict, some of the most important rules regarding the protection of cultural property in armed conflicts, Slovenian activities in this field, and the positive and negative consequences of the (non-) protection of cultural property.

Introduction: Emotion, History and the Arts

2018 ◽  
Vol 7 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Erin Sullivan ◽  
Marie Louise Herzfeld-Schild
Keyword(s):  
Historical Change ◽  
Carson Mccullers ◽  
Emotional Life ◽  
Review Section ◽  
The Arts ◽  
Wide Range ◽  
War Correspondents ◽  
History Of ◽  
Johan Huizinga

This introduction surveys the rise of the history of emotions as a field and the role of the arts in such developments. Reflecting on the foundational role of the arts in the early emotion-oriented histories of Johan Huizinga and Jacob Burkhardt, as well as the concerns about methodological impressionism that have sometimes arisen in response to such studies, the introduction considers how intensive engagements with the arts can open up new insights into past emotions while still being historically and theoretically rigorous. Drawing on a wide range of emotionally charged art works from different times and places—including the novels of Carson McCullers and Harriet Beecher-Stowe, the private poetry of neo-Confucian Chinese civil servants, the photojournalism of twentieth-century war correspondents, and music from Igor Stravinsky to the Beatles—the introduction proposes five ways in which art in all its forms contributes to emotional life and consequently to emotional histories: first, by incubating deep emotional experiences that contribute to formations of identity; second, by acting as a place for the expression of private or deviant emotions; third, by functioning as a barometer of wider cultural and attitudinal change; fourth, by serving as an engine of momentous historical change; and fifth, by working as a tool for emotional connection across communities, both within specific time periods but also across them. The introduction finishes by outlining how the special issue's five articles and review section address each of these categories, while also illustrating new methodological possibilities for the field.

Reuniting the Arts: Notes on the History of an Idea

1994 ◽  
Vol 18 (1) ◽  
pp. 3-9 ◽  
Author(s):  
Wolfgang Domling
Keyword(s):  
The Arts ◽  
History Of

CONSTITUTIONAL AND LEGAL IDEA OF THE “SOCIAL STATE” IN THE HISTORY OF LEGAL AND POLITICAL THOUGHT

2020 ◽  
Author(s):  
Roman Fedorov
Keyword(s):  
Political Thought ◽  
Historical Development ◽  
Significant Contribution ◽  
Developed Countries ◽  
State Structure ◽  
Thomas More ◽  
Social State ◽  
Classical Liberal ◽  
The Social ◽  
History Of

The article is devoted to the problem of the social state as one of the fundamental constitutional principles of the state structure of modern developed countries. The course of historical development of philosophical and legal thought on this problem is considered. The idea of a close connection between the concept of the social state and the ideas of utopian socialism of Thomas More and Henri Saint-Simon is put forward. Liberals also made a significant contribution to the development of the idea of the social state, they argued that the ratio of equality and freedom is a key problem for the classical liberal doctrine. It is concluded that the emergence of the theory of the social state for objective reasons was inevitable, since it is due to the historical development of society.

FORMATION AND DEVELOPMENT OF RURAL ARCHITECTURE IN THE FORMER KETSKAYA VOLOST

2020 ◽  
Vol 22 (2) ◽  
pp. 9-28 ◽  
Author(s):  
E. V. Sitnikova
Keyword(s):  
Cultural Heritage ◽  
18Th Century ◽  
Scientific Methods ◽  
Architectural Analysis ◽  
Tomsk Region ◽  
History Of ◽  
The Rich ◽  
Rural Architecture ◽  
The Village ◽  
Rich History

The article considers the historical and cultural heritage of villages of the former Ketskaya volost, which is currently a part of the Tomsk region. The formation of Ketsky prison and the architecture of large settlements of the former Ketskaya volost are studied. Little is known about the historical and cultural heritage of villages of the Tomsk region and the problems of preserving historical settlements of the country.The aim of this work is to study the formation and development of the village architecture of the former Ketskaya volost, currently included in the Tomsk region.The following scientific methods are used: a critical analysis of the literature, comparative architectural analysis and systems analysis of information, creative synthesis of the findings. The obtained results can be used in preparation of lectures, reports and communication on the history of the Siberian architecture.The scientific novelty is a study of the historical and cultural heritage of large settlements of the former Ketskaya volost, which has not been studied and published before. The methodological and theoretical basis of the study is theoretical works of historians and architects regarding the issue under study as well as the previous  author’s work in the field.It is found that the historical and cultural heritage of the villages of the former Ketskaya volost has a rich history. Old historical buildings, including religious ones are preserved in villages of Togur and Novoilinka. The urban planning of the villages reflects the design and construction principles of the 18th century. The rich natural environment gives this area a special touch. 

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