scholarly journals Peculiarity of Implementation of the National Cultural Code in Tatar Poetry and Prose of the Second Half of the XX Century

2019 ◽  
Vol 9 (1) ◽  
pp. 7421-7424
Keyword(s):  
20Th Century ◽  
Practical Interest ◽  
Creative Work ◽  
Spiritual Values ◽  
Cultural Codes ◽  
History Of ◽  
Cultural Code ◽  
National Poetry ◽  
Main Components ◽  
The Given

The study of the specifics of the manifestation of cultural codes in Tatar poetry and prose of the second half of the 20th century is of great scientific and practical interest. The timeliness of the chosen topic is conditioned by the need to identify the uniqueness, originality of Tatar national poetry and prose of the given period. At the same time, it should be noted that Tatar poetry and prose of the period of returning to national origins has not undergone comprehensive, holistic, detailed, structural study in terms of reflecting national identity. The goal of research: systematic and comprehensive study of the creative work of Tatar writers of the second half of the 20th century in respect of the aspect of the specifics of the manifestation of the national cultural code in them, identifying the nature of literary interactions and interrelations with Russian literature. The article deals with the specifics of the implementation of the Tatar national cultural code in the works of Amirkhan Eniki, Mirgaziyan Yunys, Ravil Bukharaev, Zulfat, Robert Minnullin, Renat Haris, Hassan Tufan and Ildar Yuzeev. The works under study reflect the Tatar national worldview and contain its main components: the image of homeland and native land, national holidays, moral and spiritual values and the history of the Tatar people. They also reflect the organic connection of the creative work of these writers and poets with the Tatar national culture and literature.

TRADITION AND INNOVATION IN MODERN KAZAKH POETRY (XX century and independence)

2021 ◽  
Vol 76 (2) ◽  
pp. 118-128
Author(s):  
Sh. Kuttybaev ◽  
◽  
Е. Abdimomynov ◽  
Keyword(s):  
20Th Century ◽  
Large Scale ◽  
Point Of View ◽  
Soviet Period ◽  
Evolutionary Development ◽  
Spiritual Values ◽  
Literary Traditions ◽  
New Perspective ◽  
National Poetry ◽  
In The Beginning

The article analyzes views on innovation in the literary science of the early twentieth century and the work of Alash representatives in an era that is a period filled with profound changes and large-scale innovations in Kazakh society. In addition, works related to freedom, enlightenment, politics, spiritual values, the position of the people as a whole and social changes are considered the idea of independence and continuity. On the way of evolutionary development of the Kazakh literature, artistic power, thematic and ideological character, substantial and stylistic features of poetry of poets in the beginning of the XX century and during the Great Patriotic War, in subsequent years and years of independence are discussed in detail. In addition, on the basis of literary traditions and novelty, the works of prominent poets of Kazakh poetry of the 20th century and Independence are considered and comprehensively characterized, i.e. internal motives, the content of life phenomena in national poetry are analyzed in close connection with the works of poets. The original vision of the traditional and differentiated in the literature of the Soviet period in the works of poets from a new perspective, from the point of view of today. In addition, the works of outstanding poets of Kazakh poetry in the period of the 20th century and independence are considered on the basis of classical tradition and novelty in literature.

Traditional costume as a cultural code: iconography, symbolic and semantics (on the example of a women’s costume)

2020 ◽  
Vol 42 (1) ◽  
pp. 206-212
Author(s):  
Elvira Fayzullina ◽  
◽  
Tatyana Khristidis ◽  
Keyword(s):  
National Culture ◽  
Self Awareness ◽  
Structural Components ◽  
Creative Practice ◽  
Cultural Information ◽  
Cultural Codes ◽  
Symbolic Structure ◽  
History Of ◽  
Cultural Code ◽  
Over Time

The article is devoted to the research of the traditional costume as the material embodiment of the cultural code. The semantic-symbolic structure of a traditional costume undoubtedly reflects significant cultural information about its owner: social and age status, gender, self-awareness, etc. All this together reflects the cultural code of one or another national culture. From the perspective of this research, the traditional women’s costume of the peoples of Eurasia, which, in the opinion of researchers, allows even deeper understanding of the popularity of its motifs in the creative practice of modern designers. In the article, the very history of the emergence and evolution of the basic elements of a traditional women’s costume is considered as a kind of reflection of cultural codes. The researching on the basis of functionality expressed in everyday, festive, ceremonial and ritual functions of clothes is likened to structural components of a cultural code. At the same time, one can trace how over time the iconography, symbolism and semantics associated with his transition from one category to another change in a costume.

scholarly journals FEATURES AND CONTENT OF COMMUNICATIVE MEMORY OF KENTAU’S AND ASHYSAY’S RESIDENTS AT THE BEGINNING OF THE XXI CENTURY

2020 ◽  
Vol 66 (3) ◽  
Author(s):  
Т.Т. Dalayeva ◽  
Keyword(s):  
20Th Century ◽  
Emotional State ◽  
Historical Narratives ◽  
Cultural Codes ◽  
The Difference ◽  
Cultural Code ◽  
The 1960S ◽  
Primary Socialization ◽  
Historical Periods ◽  
Speech Situation

The article is devoted to the study of the features of the manifestation of communicative memory based on the analysis of the content and implementation of the speech situation in historical narratives in the interviews of residents of Kentau and Ashysai in 2015-2019. Through the cognitive-communicative concept of mnemonic activity by Doctor of Filology Science Tivyaeva I.V. the author examines the features of the verbal coding of memory processes in the natural language of the respondents of three generations (conditionally divided by the author according to different historical periods in which the respondents' primary socialization took place): 1) those born in the 1920s-1930s; 2) those born in the 1940-1950s; 3) born in the 1960s. The purpose of the publication is to identify the discursive content of the memories of the residents of a monotown about their lives in the context of general historical events of the 20th century and the cultural code in the informational narrative of their interviews, the difference or similarity of the perception of their past by different generations. The character of identity in the memories of the Kentau-Ashhysai population is determined through such markers as the language of communication, cultural codes, and the emotional state of the respondents.

scholarly journals YESTERDAY AND TODAY OF KAZAKH KUY

2019 ◽  
pp. 34-37
Author(s):  
Bazheneyeva S.
Keyword(s):  
Cultural Heritage ◽  
Ethnic Group ◽  
20Th Century ◽  
General Context ◽  
Intangible Cultural Heritage ◽  
Spiritual Values ◽  
Traditional Art ◽  
History Of

The article discusses the history of the performance of the Kazakh kuy throughout the history of the separation of Kazakhs into a separate ethnic group to the present. Examples are provided to familiarize readers with the general context. Especially we focus on the Kazakh traditional forms of music-making.Since in the 20th century kuy appeared on the stage and was placed within the framework of a European-style concert, this could not but leave an imprint on how kuy was perceived, influenced the situation in the life of the once nomadic society, in the system of its spiritual values and the viability of kuy, especially in an urban environment.Now that the “Kazakh traditional art of dombra kuy” has been included in UNESCO's representative list, stakeholders need to take measures to safeguard the element of intangible cultural heritage.

On the concept of cultural policy as a social system

10.12737/7942 ◽  
2015 ◽  
Vol 9 (1) ◽  
pp. 42-51 ◽  
Author(s):  
Николай Новичков ◽  
Nikolay Novichkov
Keyword(s):  
Social System ◽  
Cultural Policy ◽  
Innovation Policy ◽  
Creative Economy ◽  
Spiritual Values ◽  
Creative People ◽  
Cultural Codes ◽  
History Of ◽  
Basic Features

The article discusses the features of the concept of cultural policy as a social system. In particular the authors notes that the culture as a system has six major manifestations: as an element of the quality of life of modern man; as part of creative economy; as a system of spiritual values, attitudes, orientations and motives of a human and other elements of society; as a creative process and the whole set of artistic activities; as cultural heritage; as an entire population of people who identify themselves with a particular social system based on common cultural traits ("cultural codes"). The article also provides an analysis of some of the definitions of cultural policy. Marked are milestones in the history of cultural policy and formulated are the basic features of the past seven cultural revolutions as qualitative changes in the role of culture in society. In particular noted that, currently, the culture is going through a period of "self-realization " and is on the verge of becoming a total social phenomenon. The article notes the connection of cultural policy with "high politics", as well as with innovation policy. The aspects of ideology as a cultural phenomenon are also considered. In addition, the paper focuses on the role of cultural policies in the modern economic development. In particular noted that the implementation of cultural policy stimulates the emergence of more creative people, which clearly leads to their interaction with entrepreneurs who, in turn, too, as a rule, are creative people, and entrepreneurship has all the necessary features of creative activity. In general, we can make a clear conclusion that cultural policy as a social system is manifested in all spheres of human activities, and culture as a system is gradually acquiring a comprehensive character.

scholarly journals The Semantic Space in the Novel of A. Nikolaenko “To kill Bobrykin. The History of one Murder”

2019 ◽  
Vol 10 (4) ◽  
pp. 1088-1105
Author(s):  
Nataliia D. Strelnikova
Keyword(s):  
Semantic Space ◽  
Focus Of Attention ◽  
Literary Texts ◽  
The Novel ◽  
Silver Age ◽  
Cultural Codes ◽  
History Of ◽  
Cultural Code

In the article the novel “To kill Bobrykin. The history of one murder” by A. Nikolaenko, the 2017 “Russian Buker” prize-winner, is considered as heterogeneous text. The text, semeiotically complicated, is being analyzed through the prism of cultural codes. Different definitions for the concept “cultural code” are given. The semantic space of the novel is various. Iconic works of XX century, to which the author is drawn by the author, -literary texts and screen texts, - are considered as cultural codes. This approach of looking allows to read Nikolaenko novel on other semeiotic level: to trace numerous references, including implicit - to symbolist novel of The Silver Age. In the focus of attention - the interaction and intersection of symbols and meanings.

scholarly journals FROM THE HISTORY OF TOLERANCE PRINCIPLE IN UZBEKISTAN

2020 ◽  
pp. 424-426
Author(s):  
Ergashev Ravshanbek Rasulovich
Keyword(s):  
Key Words ◽  
Religious Organization ◽  
Religious Tolerance ◽  
Spiritual Values ◽  
Freedom Of Conscience ◽  
Tolerance Principle ◽  
History Of ◽  
The Given ◽  
Historical Periods ◽  
Behavioral Goal

The given article analyzes religious tolerance and the revival of Islamic traditions in Uzbekistan using regulatory and scientific literatures and sources as well. It has also analyzed that in our independent republic the issue of harmony, peace and harmony among nations is of great importance, and tolerance has always been a behavioral goal in all historical periods. KEY WORDS: Uzbekistan, religious tolerance, spiritual values, confession, interethnic consent, religious organization, constitution, freedom of conscience

scholarly journals PROBLEMS OF CULTURE IN THE WORKS OF VSEVOLOD IVANOV

2021 ◽  
Vol 14 (2) ◽  
pp. 80-91
Author(s):  
E.A. Papkova ◽  
Keyword(s):  
Cultural Values ◽  
Modern World ◽  
Creative Work ◽  
The Novel ◽  
Spiritual Values ◽  
The Third ◽  
History Of ◽  
History Of Culture ◽  
The Buddha ◽  
First Time

Statement of the problem. The article is a continuation of our work devoted to the problems of the history of culture in the creative work of Vsevolod Ivanov in the 1940s–1960s. A new stage in the formulation of the problem, which makes it possible to trace the origins of the theme of culture in Ivanov’s creative work, became possible thanks to the publication of unknown texts by the writer of his early Siberian period. The purpose of the article is to analyze the theme of culture in Ivanov’s early work, to examine the evolution of the writer’s views. Methodology. The article uses comparative historical textual methods, the method of historical and cultural commentary. Research results. The theme of culture is considered for the first time on the material of Ivanov’s works of the 1910s, the evolution of his views is traced, which were formed in a dialogue with re- gional ideas and the concept of the East and West by A.M. Gorky. It is noted that the early works of the writer reflected anxiety for the fate of cultural values in the modern world. Particular attention is paid to the spiritual values of the culture of the East, understood by Ivanov in his own way and found embodiment in his work. The analysis of the story “The Return of the Buddha” and the third the edition of the novel “The Edessa Shrine” shows how the writer’s attitude to the East changed. Conclusions. The analysis of Ivanov’s works devoted to the theme of culture shows that this problem interested the writer from the very beginning of his creative path. Reflecting on the fate of the outgoing culture of Siberia in early works, dreaming of the possibility of the influence of the ancient East cultures on the historical choice of Russia and Europe in the 1920s, in the story “The Return of the Buddha”, the writer, by the end of the 1950s, obviously, comes to the conclusion that it is impossible for the forces of culture to resist the development of civilization.

scholarly journals ЯЗЫК КАК РЕЗЕРВУАР КУЛЬТУРНЫХ КОДОВ В ФИЛОСОФИИ П.М. БИЦИЛЛИ

2020 ◽  
Vol 54 (4) ◽  
pp. 114-119
Author(s):  
И.О. Щедрина
Keyword(s):  
Cultural Studies ◽  
Modern Philosophy ◽  
Creative Work ◽  
Philosophy And Literature ◽  
Cultural Information ◽  
Cultural Codes ◽  
The Subject ◽  
Cultural Code

Одним из актуальных сегодня терминов при работе с тематикой языка и культуры становится «культурный код». Понимаемый как некоторый набор смысловых установок конкретной общности он глубоко укоренен в философии и литературе. Культурными кодами задается творчество, обретающее смысл только в условиях существования языка. Культурная информация оказывается в буквальном смысле обусловлена языком и закодирована паттернами. В статье очерчивается потенциал изучения творческого наследия П.М. Бицилли, философа-эмигранта, обратившегося к тематике языка как резервуара культурных кодов. Ключевые слова: язык, культура, философия, культурный код, русское зарубежье, П.М. Бицилли «Cultural code» is one of the most relevant terms today in the field of language and cultural studies. Understood as a certain set of semantic attitudes of a particular community, it is deeply rooted in modern philosophy and literature. Cultural codes define any creative work, which acquires meaning only in the framework of the existence of language. Cultural information turns out to be literally conditioned by language and coded by patterns. The article outlines the potential of studying the heritage of Pyotr Bitsilli, an emigrant philosopher who turned to the subject of language as a reservoir of cultural codes. Keywords: language, culture, philosophy, cultural code, Russian émigrés, P.M. Bitsilli

scholarly journals CORPORATISM AND THE BRITISH CONSTITUTIONAL HERITAGE: EVIDENCES FROM THE HISTORY OF IDEAS

2018 ◽  
Vol 31 (64) ◽  
pp. 151-172
Author(s):  
Valerio Torreggiani
Keyword(s):  
20Th Century ◽  
History Of Ideas ◽  
The Other ◽  
Other Hand ◽  
Time Period ◽  
History Of ◽  
The One ◽  
The Given ◽  
And Diffusion

Abstract This article challenges a historiographical understanding of corporatism as an appendix of fascist ideology by examining the elaboration and diffusion of corporatist cultures in Britain during the first half of the 20th century. The case study seeks, on the one hand, to highlight the changing nature of corporatism by showing the different forms - fascist and non-fascist - that it took in Britain in the given time period. On the other hand, the article connects British corporatism with the European corporatist movement, as well as with the British constitutional heritage, underlining the close entangling of national and transnational issues.

Sign in / Sign up

Export Citation Format

Share Document