scholarly journals قضايا موضوعية في "أم النذور" للروائي عبد الرحمن منيف: دراسة تحليلية نقدية / Topical issues in the novel “Umm Nuzur” by Abdurrahman Munif: An Analytical and Critical Study

2017 ◽  
Vol 8 (1) ◽  
Author(s):  
Nor Safirah Binti Ahmad Sufian ◽  
Mohammed Ahmed Al Qudah
Keyword(s):  
Social Issues ◽  
Arabic Literature ◽  
Critical Study ◽  
The Novel ◽  
Artistic Creativity ◽  
Critical Studies ◽  
Religious Issues ◽  
Critical Methods ◽  
Selection Of

ملخص البحث: تتطرّق هذه الدراسة إلى قضايا شتى في رواية "أم النذور" للكاتب عبد الرحمن منيف، وتهدف إلى إظهار إبداعية الكاتب في صياغتها في روايته. يعتمد الباحثان في هذه الدراسة على المناهج الآتية: الوصف والتحليل والنقد؛ إذ يقومان بعرض نبذة عن حياة الروائي في بداية الدراسة، ثم يقومان بالتحليل والنقد للقضايا المتوافرة في الرواية مع التنويه بمظاهر الإبداع الفني فيها. تحاول هذه الدراسة الإسهام في إثراء الدراسات النقدية في الأدبي العربي فضلاً عن توسيع المراجع المتعلقة بفن السيرة والتراجم. ومما توصّل إليه الباحثان من خلال هذه الدراسة أن رواية "أم النذور" تحمل في طياتها قضايا عديدة، وهي تنقسم إلى ثلاثة أقسام، أولها القضايا الاجتماعية، ومن أهمها الشعوذة وغيرها من أمور الغيبيات والمعتقدات الخرافية. وثانيها القضايا الإنسانية التي لها علاقة بشعور الإنسان وعاطفته، وثالثها القضايا الدينية التي ترتبط بالأبعاد الإسلامية، وفضلاً عن ذلك، وجدت الدراسة أن الكاتب وفّق في رسم الشخصيات، وانتقاء أسمائها، وبناء الأحداث في روايته، كما تبدو كذلك محاولته في تشويه سمعة الرجال المتديّنين.   الكلمات المفتاحية: رواية "أم النذور" – عبد الرحمن منيف – القضايا – الشعوذة – الجوانب الإسلامية.    Abstract: This study discusses various issues in the novel “Umm al-Nudhur” written by Abd al-Rahman Munif. It aims to highlight his creativy as formulated in his novel. The writers make use in the study descriptive, analytical and critical methods. The researchers present briefly an overview of the writer’s background at the beginning of the study and then analyze critically the various issues in the novel keeping in mind the artistic creativity of the novel. This study is expected to contribute to the existing critical studies of Arabic literature as well as to enrich the biographical references related to the art of biography wrting. In conclusion, the novel "Umm al-Nudzūr" is found to accommodate diverse issues which can be divided into three sections. First: social issues that encompass mystical belief such as witchcraft, sorcery and superstition. Second: human issues which are related to emotion and feeling of mankind. Third: religious issues that reflect the dimensions of Islam. This study also found the ability of Abd al-Rahman Munif to depict the characters through the selection of their name and building a successful plot. Apart from that, it could be seen indirectly that the writer attempts to defame the reputation of religious men in his novel.   Keywords: Novel “Umm al-Nudhur” – Abd al-Rahman Munif – Issues – Mystic Belief – Islamic Teaching.   Abstrak: Kajian ini membincangkan isu-isu yang dalam novel "Umm al-Nudhur" karya Abd al-Rahman Munif. Tujuan kajian ini dijalankan adalah untuk meninjau pemikiran Abd al-Rahman Munif, sekaligus menonjolkan cara penampilan kreativiti beliau dalam karya tersebut. Reka bentuk kajian ini adalah berdasarkan kepada metod deskriptif, analitikal dan kritis. Pengkaji mengemukakan biografi penulis secara ringkas pada permulaan kajian, disusuli dengan analisis dan kritikan terhadap isu-isu yang dipaparkan dalam novel yang dikaji di samping menekankan aspek kreativiti penulis dalam mengolah isu-isu berkenaan. Kajian ini diharap dapat memberi sumbangan terhadap bidang kritikan dalam kesusasteraan Arab selain dapat menambah rujukan tentang seni penulisan biografi. Hasil kajian menunjukkan bahawa novel “Umm al-Nudhur” mengandungi pelbagai isu dan persoalan yang boleh dikategorikan kepada tiga bahagian. Pertama: isu-isu kemasyarakatan melibatkan kepercayaan mistik seperti ilmu sihir, khurafat dan kepercayaan karut. Kedua: isu-isu kemanusiaan berkaitan emosi dan perasaan seseorang insan. Ketiga: isu-isu keagamaan yang memaparkan dimensi-dimensi ajaran Islam. Kajian ini juga dapat melihat kemampuan penulis dalam mempersembahkan jalan cerita secara baik, keupayaan beliau dalam menggambarkan setiap watak melalui pemilihan nama-nama sebilangan watak dan kejayaan beliau dalam menyusun plot yang berkesan. Selain itu, kajian juga mendapati bahawa Abd al-Rahman Munif cuba secara tidak langsung merendahkan reputasi golongan agamawan melalui novel tersebut.   Kata kunci: Novel “Umm al-Nudhur” – Abd al-Rahman Munif – Isu dan persoalan – Kepercayaan karut – Ajaran Islam.

scholarly journals قراءة نقدية في رواية "في حضرة العنقاء والخِلّ الوفيّ /” A Critical reading of “fī hadhrati al-ʽAnqā’ wa al-Khill al-Wāfi”

2018 ◽  
Vol 9 (2) ◽  
pp. 253-265
Author(s):  
Rahmah binti Ahmad Haji Uthman ◽  
Eiman Saʽad Abdurrahman Al-Mulla
Keyword(s):  
Narrative Discourse ◽  
Critical Study ◽  
Central Character ◽  
The Novel ◽  
Critical Reading ◽  
Writing Style ◽  
Spatio Temporal ◽  
The Difference ◽  
The Phoenix ◽  
Selection Of

ملخص البحث: هذ الدراسة قراءة نقدية في رواية في حضرة العنقاء والخل الوفي للكاتب الكويتي إسماعيل فهد إسماعيل، وهذا العمل الروائي يتناول قضية "البدون" في الكويت بكل أساها ومعاناة أصحابها، وتجري أحداث الرواية حول هذه الشخصية الرئيسة ويحمل اسم "منسي" الذي يجسد الألم والنسيان الذي اعترى أصحاب هذه القضية، فنسيهم الناس وتناسوا معاناتهم. تركز الدراسة على الجانب الأسلوبي في الرواية، فكان الاهتمام بأسلوب الكاتب ولغته واختياراته، وذلك في حدود الرواية واختيار أجزاء منها لعرضها ونقدها وتحليلها. من نتائج الدراسة أن الخطاب الروائي في الرواية خطاب موجّه ومبتكر وواعٍ، وأن ثمة تداخلاً في  صياغة الأزمنة بعضها ببعض على مدى فصول الرواية، ما جعل القارئ منتجًا لها بإعادة تنظيمها في تصوّره، وتزامنت الوقائع بشكل يفارق بين زمن السرد وزمن وقوع الحدث، وكان التوازي في تجزئ المادة الحكائية إلى أكثر من محور، بحيث تتعاصر زمانيًا في وقوعها، وكذلك تنوع المنظور المكاني ما بين المكان المجازي والمكان الموضوعي، والمكان المفترض، والمكان ذو التجربة المعيشة، وكان للكاتب لغة خاصة به؛ تميّز بها من غيره، وظواهر أسلوبية اعتمدها في هذه الرواية وربما روايات أخرى له. الكلمات المفتاحية: إسماعيل فهد إسماعيل-الرواية الكويتية– الخطاب الروائي-دلالات العنوان-منظور المكان والزمان. Abstract   A critical study of the novel "In the presence of the phoenix and the honest friend" by the Kuwaiti author Isma'īl Fahad Ismail, the novel that deals with the issue of ‘the ones who do not own” or ‘bidūn’ in Arabic in Kuwait with all its forms and suffers. It is a term used for people who live without nationality or any papers that indicate their belonging to the country. The study focuses on the stylistic aspect of the novel. The interest is in the writer's style, language and choices was within the scope of the novel and the selection of parts of it for presentation, critique and analysis, focusing on key elements such as topic, voice of the narrator and central character. Among the conclusions of the study are: narrative discourse in the novel has obvious direction, creative and full of awareness. There is an overlapping in the expression of the different times found in the chapters of the novel; forcing the reader to have it reconstructed as he/she proceeds; the events were in such a timing that set them apart from the time of narrative, the different topics we divided in such a parallel manner that they were all contemporaneous. The difference of spatial perspective between figurative, objective, assumed and experience-related places. The writer has his own language that set him aside from the rest in particular the writing style that he disposes in this work and others. Keywords: Isma'īl Fahad Ismail – Kuwaiti novel – Narrative discourse – the signs of the title – spatio-temporal perspectives   Abstrak   Satu kajian kritikal novel bertajuk “Dalam kehadiran phoenix dan kawan yang ikhlas” oleh penulis Kuwait Ismā'īl Fahad Ismāʽīl yang menceritakan isu golongan yang tidak memiliki apa-apa di Kuwait atau dipanggil dalam bahasa Arabnya ‘bidūn’ dengan segala macam bentuk masalah dan penderitaan mereka. Mereka ini tidak memiliki kad pengenalan warga negara atau apa-apa yang menunjukkan mereka adalah penduduk Kuwait. Kajian ini menumpukan kepada aspek stail penulisan novel tersebut. Cara penulis, bahasa dan pilihan-pilihan beliau adalah dalam lingkungan novel tersebut pilihan bahagian-bahagian tertentunya, kritik dan analisa, tumpuan kepada unsur asas seperi topik, suara periwayat dan watak utama adalah tumpuan kajian ini. Antara dapatan kajian ini ialah: wacana naratif dalam novel tersebut mempunyai hala tuju yang jelas, kreatif dan penuh kesedaran. Terdapat pertindihan dalam pengungkapan masa yang pelbagai di dalam bahagian-bahagian novel; ini membuatkan pembaca terpaksa menyusunnya semula sedang dia meneruskan pembacaannya; kejadian-kejadian berlaku dalam masa yang berbeza dengan masa naratif; topik-topik berlainan dibahagikan dengan cara yang selari menyebabkannya kelihatan serentak. Perbezaan ruang perspektif di antara figurative, objektif, andaian dan tempat-tempat yang berkenaan dengan pengalaman. Penulis mempunyai bahasanya tersendiri yang membezakannya dengan penulis lain terutamanya stail penulisan yang digunakan beliau dalam novel ini dan lain-lainnya.   Kata kunci: Ismāʽīl Fahad Ismāʽīl – Novel Kuwait – wacana naratif – simbol tajuk – perspektif ruang- masa.

Revisiting the Question of the Novel/Nation

2017 ◽  
Vol 46 (2) ◽  
pp. 76-82 ◽  
Author(s):  
Elliott Colla
Keyword(s):  
Arabic Literature ◽  
The Novel ◽  
Original Contribution ◽  
Palestinian Literature ◽  
The Relationship

In this essay, Arabic literature specialist and Arabic-English translator Elliott Colla explores the relationship between the novel and the nation, and reviews Bashir Abu-Manneh's ambitious and original contribution to the study of Palestinian literature.

Double exposure: a critical study of preservice teachers’ multimodal public service announcements

2012 ◽  
Vol 1 (1) ◽  
Author(s):  
Peggy Albers
Keyword(s):  
Preservice Teachers ◽  
Public Service ◽  
Teaching And Learning ◽  
New Literacies ◽  
Social Issues ◽  
Relevant Information ◽  
Public Service Announcements ◽  
Critical Study ◽  
Visual Discourse ◽  
The Media

AbstractAlthough a great deal of work has been done on the significance of new literacies in ELA teaching and learning, much less has been done on the area of analyzing critically the media that comprise digital projects created by textmakers. Composing with new literacies in mind requires that textmakers locate relevant information, design with particular media in mind that will convey their message, as well as anticipate what the viewer may want to see. However, with nearly unlimited access to images through various search engines, textmakers may be choosing images of convenience rather than content. In her work with preservice teachers, Albers invited them to create Public Service Announcements (PSAs) in response to social issues they saw at play in contemporary and classic literature. Framed in critical multimodal theory, Albers draws upon visual grammar and visual discourse analysis to analyze PSAs to understand how modal choices make visible stable and commonplace assumptions about adolescents, the intended audience for these PSAs.

Stranger Fictions

2021 ◽  
Author(s):  
Rebecca C. Johnson
Keyword(s):  
World Literature ◽  
Arab World ◽  
Central Place ◽  
Arabic Literature ◽  
The Novel ◽  
Reading Practices ◽  
Global Circulation ◽  
Wide Range ◽  
History Of ◽  
Modern Arabic

Zaynab, first published in 1913, is widely cited as the first Arabic novel, yet the previous eight decades saw hundreds of novels translated into Arabic from English and French. This vast literary corpus influenced generations of Arab writers but has, until now, been considered a curious footnote in the genre's history. Incorporating these works into the history of the Arabic novel, this book offers a transformative new account of modern Arabic literature, world literature, and the novel. This book rewrites the history of the global circulation of the novel by moving Arabic literature from the margins of comparative literature to its center. Considering the wide range of nineteenth- and early-twentieth-century translation practices, the book argues that Arabic translators did far more than copy European works; they authored new versions of them, producing sophisticated theorizations of the genre. These translations and the reading practices they precipitated form the conceptual and practical foundations of Arab literary modernity, necessitating an overhaul of our notions of translation, cultural exchange, and the global. The book shows how translators theorized the Arab world not as Europe's periphery but as an alternative center in a globalized network. It affirms the central place of (mis)translation in both the history of the novel in Arabic and the novel as a transnational form itself.

Iraq

2017 ◽  
Author(s):  
Haytham Bahoora
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Social Issues ◽  
Social Realism ◽  
Self Awareness ◽  
Historical Novels ◽  
The Novel ◽  
War In Iraq ◽  
Critical Social

This chapter examines the development of the novel in Iraq. It first considers the beginnings of prose narrative in Iraq, using the intermingling of the short story and the novel, particularly in the first half of the twentieth century, as a framework for reassessing the formal qualities of the Arabic novel. It then turns to romantic and historical novels published in the 1920s, as well as novels dealing with social issues like poverty and the condition of peasants in the countryside. It discusses the narrative emergence of the bourgeois intellectual’s self-awareness and interiority in Iraqi fiction, especially the novella; works that continued the expression of a critical social realism in the Iraqi novelistic tradition and the appearance of modernist aesthetics; and narratives that addressed dictatorship and war in Iraq. The chapter concludes with an overview of the novel genre in Iraq after 2003.

scholarly journals A new myth regarding the Great Trek: Reinvention of identity in Die pad na skuilhoek [The path toSkuilhoek] by Hans du Plessis.

Literator ◽  
2013 ◽  
Vol 34 (2) ◽  
Author(s):  
Marlies Taljard
Keyword(s):  
Social Issues ◽  
National Identities ◽  
Historical Novels ◽  
The Novel ◽  
Historical Interpretation ◽  
The Past ◽  
The Social ◽  
Social Myth ◽  
The Way

This article aims to illustrate how Hans du Plessis, in his novel Die pad na Skuilhoek [The path to Skuilhoek] (a place of shelter), subverts the way in which history had been presented in historical novels in the past by addressing social issues that contemporary readers find relevant. The first part of the article deals with the social codes that shape the identities of the main characters and how these identities are relevant in terms of the social framework within which the novel is received. In the second place the focus will shift towards Du Plessis’s representation of cultural and national identities. The question: ‘Who were the Afrikaners at the time of the Great Trek?’ will be answered with reference to these identities. In conclusion it will be pointed out how Du Plessis avoids dated practices of historical interpretation by choosing ecocrticism as the ideological framework for his novel and is, in this way, constructing a new social myth about the Great Trek.

A Thousand and One Nights and the Novel

2017 ◽  
Author(s):  
Richard van Leeuwen
Keyword(s):  
Magical Realism ◽  
World Literature ◽  
Freedom Of Expression ◽  
Arab World ◽  
Arabic Literature ◽  
Literary Genre ◽  
The Novel ◽  
The West ◽  
Eighteenth And Nineteenth Centuries ◽  
Modern Arabic

This chapter examines the influence of Alf layla wa layla (A Thousand and One Nights), the ingenious Arabic cycle of stories, on the development of the novel as a literary genre. It shows that the Nights helped shape the European novel in the eighteenth and nineteenth centuries. The chapter first explains how the French translation of the Nights and its popularity in Europe led to its incorporation in world literature, creating an enduring taste for “Orientalism” in many forms. It then considers how the Nights became integrated in modern Arabic literature and how Arabic novels inspired by it were used to criticize social conditions, dictatorial authority, and the lack of freedom of expression. It also discusses the Nights as a source of innovation for the trend of magical realism, as well as its role in the interaction between the Arab world and the West.

scholarly journals Indestructible Pasts and Paranoid Presents: John Franzen against Active Forgetting in Purity

2019 ◽  
pp. 21-34
Author(s):  
Cristina Garrigós
Keyword(s):  
Traumatic Event ◽  
The Novel ◽  
Contemporary Society ◽  
The Public ◽  
The Past ◽  
Personal Archives ◽  
Conscious Process ◽  
Unconscious Desire ◽  
Selection Of

Forgetting and remembering are as inevitably linked as lifeand death. Sometimes, forgetting is motivated by a biological disorder, brain damage, or it is the product of an unconscious desire derived from a traumatic event (psychological repression). But in some cases, we can motivate forgetting consciously (thought suppression). It is through the conscious repression of memories that we can find self-preservation and move forward, although this means that we create a fable of our lives, as Nietzsche says in his essay “On the Uses and Disadvantages of History for Life” (1997). In Jonathan Franzen’s novel, Purity (2015), forgetting is an active and conscious process by which the characters choose to forget certain episodes of their lives to be able to construct new identities. The erased memories include murder, economical privileges derived from illegal or unethical commercial processes, or dark sexual episodes. The obsession with forgetting the past links the lives of the main characters, and structures the narrative of the novel. The motivated erasure of memories becomes, thus, a way that the characters have to survive and face the present according to a (fake) narrative that they have constructed. But is motivated forgetting possible? Can one completely suppress facts in an active way? This paper analyses the role of forgetting in Franzen’s novel in relation to the need in our contemporary society to deny, hide, or erase uncomfortable data from our historical or personal archives; the need to make disappear stories which we do not want to accept, recognize, and much less make known to the public. This is related to how we manage information in the age of technology, the “selection” of what is to be the official story, and how we rewrite our own history

scholarly journals Boden Black (A Novel) and With Axe and Pen in the New Zealand Alps: Differences Between Overseas and New Zealand Written Accounts of Climbing Mount Cook 1882-1920 and the Emergence of a New Zealand Voice in Mountaineering Literature

2021 ◽  
Author(s):  
◽  
Jura Fearnley
Keyword(s):  
New Zealand ◽  
Family Members ◽  
Southern Alps ◽  
Critical Study ◽  
First Person ◽  
The Novel ◽  
Writing Style ◽  
Natural Landscape ◽  
Site Specific ◽  
Mackenzie Basin

<p>This thesis has two components: creative and critical. The creative component is the novel Boden Black. It is a first person narrative, imagined as a memoir, and traces the life of its protagonist, Boden Black, from his childhood in the late 1930s to adulthood in the present day. The plot describes various significant encounters in the narrator’s life: from his introduction to the Mackenzie Basin and the Mount Cook region in the South Island of New Zealand, through to meetings with mountaineers and ‘lost’ family members. Throughout his journey from child to butcher to poet, Boden searches for ways to describe his response to the natural landscape. The critical study is titled With Axe and Pen in the New Zealand Alps. It examines the published writing of overseas and New Zealand mountaineers climbing at Aoraki/Mount Cook between 1882 and 1920. I advance the theory that there are stylistic differences between the writing of overseas and New Zealand mountaineers and that the beginning of a distinct New Zealand mountaineering voice can be traced back to the first accounts written by New Zealand mountaineers attempting to reach the summit of Aoraki/Mount Cook. The first mountaineer to attempt to climb Aoraki/Mount Cook was William Spotswood Green, an Irishman who introduced high alpine climbing to New Zealand in 1882. Early New Zealand mountaineers initially emulated the conventions of British mountaineering literature as exemplified by Green and other famous British mountaineers. These pioneering New Zealand mountaineers attempted to impose the language of the ‘civilised’ European alpine-world on to the ‘uncivilised’ world of the Southern Alps. However, as New Zealand mountaineering became more established at Aoraki/Mount Cook from the 1890s through to 1920, a distinct New Zealand voice developed in mountaineering literature: one that is marked by a sense of connection to place expressed through site-specific, factual observation and an unadorned, sometimes laconic, vernacular writing style.</p>

scholarly journals Immigrants in Finland as a Problem Discussed in Leena Lehtolainen’s Minne Tytöt Kadonneet

2014 ◽  
Vol 16 (1) ◽  
pp. 66-76
Author(s):  
Martyna Kokotkiewicz
Keyword(s):  
Detailed Analysis ◽  
Social Issues ◽  
Crime Fiction ◽  
The Novel ◽  
Main Subject ◽  
Racial Hatred ◽  
The Subject ◽  
Different Cultures

Abstract Leena Lehtolainen belongs to the most appreciated Finnish authors of crime fiction. One of the significant features of her works is that she discusses some most alarming social issues in them. The problem concerning immigration and its different aspects can definitely be considered as an example of such an issue. Since the problem of cultural antagonisms, racial hatred and xenophobia has been widely discussed by many other Scandinavian authors of crime fiction as well, it is worth analyzing how Lehtolainen herself approaches the problem. The aim of this article is to discuss some aspects concerning the problems of immigrant societies in Finland, basing on one of Leena Lehtolainen’s novels, Minne tytöt kadonneet, which main subject could be described as a collision of two completely different cultures and attitudes to the reality. Its aim is not, however, to discuss any formal aspects of the text, since such a kind of detailed analysis cannot be the subject of one article only. That is why the article concentrates on the plot of the novel and its possible relations to some actual problems the Finnish society faces. Taking it all into consideration it may be seen as an introduction to a wider analysis of Leena Lehtolainen’s works.

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