scholarly journals PEDAGOGICAL CONDITIONS OF OPTIMIZATION OF THE FUTURE PROFESSIONALS’ PREPARATION PROCESS OF FINE ARTS DURING THE STUDY OF THE DISCIPLINE «PAINTING»

Author(s):  
Liliya POLUDEN ◽  
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Viktor AFONIN ◽  
Oleksandr KOSTOGRYZ ◽  
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...  
Author(s):  
Luka Basanets ◽  
Tetiana Maslova

Article addresses the theoretical meaning of artistic conventionality. Its fundamental role in painting is undeniable and is to be not only familiarised with, but also studied thoroughly. The mastering of a complex and voluminous morphology of artistic conventionality alongside the lack of literature sources concerning its features in the visual arts, in particular in painting, which is the main object of our attention, are laborious parts of this process. The article: a) proposes the introduction of three steps in the study of conventionality at the initial stages of training with a detailed description of the general provisions on artistic conventionality, in order to ensure a conflict-free process of mastering a complex body of knowledge in the future; b) provides selection of the information from its total amount concerning the artistic conventionality in fine arts, emphasising its presence in painting. The article realises the intention to supplement the information on artistic conventionality with the analysis of the class and genre indicators of painting. The systematic study of artistic conventionality is becoming a factual way enabling us to enrich the level of professional literacy of students - future teachers and practising artists.


Author(s):  
E. V. Skripnikova ◽  
A. Sh. Amirzhanova

The article discusses the issue of the need to form the creative individuality of the future teacher of fine arts. Particular attention is paid to the problem of improving and developing professional skills of the teacher. It is emphasized that the issue of creative individuality formation of the teacher of fine arts is currently acquiring great importance, since it affects the level of aesthetic culture and creative development of his students.


2021 ◽  
Author(s):  
Chao Wang ◽  
Berkley Yiu ◽  
Mengge Dong ◽  
Xiaozhou Cao ◽  
Xiangxin Xue

Although the excellent properties of borides have attracted the attention of the industry, their limited<br>preparation process and difficult-to-remove impurities have prevented them from exerting their full<br>effectiveness. However, it is very difficult to separate AlB12 and Al2O3 prepared by self-propagating high<br>temperature synthesis. This study is the first time to separate the two by electrolysis process and observe<br>their electrolytic behavior. The results show that Al2O3 is converted into micron-sized aluminum during the<br>electrolysis process, while AlB12 still exists intact. This result provides a novel idea for the future purification<br>of borides containing Al2O3 impurities <br>


Author(s):  
Meral NALÇAKAN ◽  
Şeyma KOYUNCU ◽  
Gül AĞAOĞLU ÇOBANLAR ◽  
Zeynep ACIRLI

Aim: Pandemics have posed a threat to people and affected life throughout history. This study focuses on the experiences of the third and fourth year students of the Department of Interior Architecture and the common use area stakeholders regarding the pre-Covid-19 pandemic and the pandemic process. The aim of the study is to observe whether the future designers' awareness of the changing spatial usage priorities of the house, the spatial problems that arise at different scales, and their professional sensitivities and predictions for the future of housing design. Method: Online face-to-face interviews were conducted with 25 participants selected from among the third and fourth year students of Eskişehir Technical University, Istanbul Technical University, Mimar Sinan Fine Arts University, Marmara University and Hacettepe University Interior Architecture Departments. Case study, one of the qualitative research methods, was used in the study. All data collected through interviews and sketches were evaluated with descriptive analysis and five themes were created. Findings: In line with the opinions of the participants, it was understood that they saw the house as a "home" or "shelter" to which they were attached with a sense of belonging and trust. In addition, it has been observed that they need to reconsider the elements that affect the housing design and the relations with the immediate environment in a different way. Conclusion: It was concluded that the awareness of the interior architecture students, who are the designers of the future, about the changing spatial relations in the house, the spatial problems that emerged during the pandemic process, and their professional sensitivities and predictions for the future of housing design.


2017 ◽  
Vol 43 (1) ◽  
pp. 31-36
Author(s):  
Ekaterina Igoshina

In 2021 the Pushkin State Museum of Fine Arts Research Library will move from its historical setting into a new building as part of a new House of Text. This House of Text is faced with the challenge of adapting a former early 20th-century apartment house (never before used as a museum or a library) to the needs of an institution that collects and conserves books on fine art and makes them accessible to the public in multiple ways.


Author(s):  
Antonella Ranaldi

The author asks herself about the future of the Superintendences, looking atthe unification of the specialised fields (archeology, fine arts and landscape) as a mean tostrengthen the national system of Superintendences. She focuses on the principle of pro-tection reaffirming the predominance of the recognition of the value in itself in the iden-tification of the cultural heritage. Is the value the one which is perceived, as someonerecently claims in favour of more participative models? Or is the one which is recognized,in other words the result of an operation up to the specialists and the bodies responsiblefor the protection entitled to represent the community’s interest? In this wide-rangingdebate the author also highlights the legal risks that the subjective position of the per-ceived value brings with it. The complex matter of the cultural heritage, sometime con-troversial in giving preference to different interests, benefits of an ultra-centennial tradi-tion, going back to the national protection rules by Giovanni Rosadi, who in the act n.364 of 1909 used to call the objects protected with the word “things”. The term “thing”had been preferred to “monuments”, “properties”, “movables”, as more opened toinclude the above meanings and any other which were not included: in those items it wastherefere open to further meanings, not perceived at that moment, but possibly to be dis-cerned in the future, as it happened thanks to the far-sightedness of the progressive atti-tude towards the “matters of interest”, that didn’t change in the present protection reg-ulation. The author confirms in conclusion the cultural value of the identifications of theobjects to be protected, not only to forbiel, but to direct and spur energies.


Author(s):  
Brody Burns

Raedon is about insomnia during the pandemic in the middle of December. The colours represent nocturnal hours as if they were the dark blue night sky with the northern lights out. Every students’ class is moved to remote access. Stay home advisories are still in place with social distancing. This causes some complications as there is a lot of “free” time in the comfort of our home. For me, it’s painting until 5 or 6 am in the morning. Then waking up just in time for WebEx class meetings, workout, homework, game, paint – repeat.   Awakening is about overcoming all the hardships the pandemic has brought. It is a part of my on-going series called The Void. The pandemic has shown me things I needed to deal with on a personal level. I hit rock bottom in my life and failed in so many ways during Covid-19. My life began to turn towards positive after fasting late summer of 2020. I’m fortunate to have a new perspective on my life and the future. I am grateful I get to finish my psychology degree and begin my Bachelor of Fine Arts. In other words, Awakening represents healing, strength and a clear focus for the future regardless of things going on outside of ourselves.


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