Art and mythology of William Blake in the context of the "Dead Man" by Jim Jarmush.

2020 ◽  
Vol 4 (4) ◽  
Author(s):  
T.A. Dmitrieva ◽  
Keyword(s):  
Art History ◽  
William Blake ◽  
Common Features ◽  
History Analysis ◽  
The World ◽  
The Common ◽  
Songs Of Experience ◽  
Songs Of Innocence ◽  
Dead Man ◽  
The Universe

The presented article is devoted to the study of the image of creativity and mythology of William Blake in the film by J. Jarmusch "Dead Man". The author has carried out a detailed philosophical and art analysis of the film "Dead Man" and graphic works by William Blake, in particular, the series of engravings “Heads of Ghosts”, engravings “Ghost of the Flea” and “The Lost Boy”. The author also examined poetry and mythology in the work of William Blake based on the material of the works "The Marriage of Hell and Eden" (1973), "Songs of Innocence" (1789) and "Songs of Experience" (1973). Having conducted a comparative analysis of the works of W. Blake and the film by J. Jarmusch, the author revealed the similarities among the characters, mythology, plot and attitude in the movie "Dead" by J. Jarmusch and the works of W. Blake, interpreted the reason for citing the works of W. Blake in the movie "Dead Man" ... As a result, a conclusion was made about the commonality of the worldview attitudes of the work of J. Jarmusch "Dead Man" and the work of W. Blake. The article highlights the common features of the investigated works and the film: quotations from works of other authors, acquiring new meaning (citing the works of John Milton and Dante W. Blake correlates with the quotation of W. Blake in the film "Dead Man"); initiation motive; wandering motive; the idea of the wrongness of the world and the dualism of the universe. The author notes that the main artistic ideas of the works under consideration by William Blake are reflected in the film "Dead Man" by J. Jarmusch. In synthesis, they acquire a new meaning – the path of the soul to salvation through the overcoming of false ideas, vices, knowledge of the truth. This work uses the method of philosophical and art history analysis, developed by the Siberian art history school.

William Blake in Contemporary Russian Literature and Culture

2021 ◽  
pp. 71-88
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
Human Physiology ◽  
Significant Role ◽  
William Blake ◽  
Russian Literature ◽  
Contemporary Poetry ◽  
The World ◽  
Great Tradition ◽  
Dead Man ◽  
The Universe ◽  
Creative Life

The article discusses the creativity of the English romantic William Blake comprehended in contemporary Russian literature and culture. These facts are quite significant, since many Russian thinkers and writers, such as Igor Garin and Merab Mamardashvili, mention Blake in their works. Blake, partly remembered as a symbolist and mystic, loomed large in the cultural universe of the Moscow mystical “Yuzhinsky” circle, members of which were, in particular, Yuri Mamleev, Yevgeny Golovin, Alexander Dugin, Yuri Stefanov. For them, Blake was an integral part of the great Tradition or ancient knowledge, lost by the civilization. Blake has been mentioned and quoted in the prose by Yuri Buida, Alexey Gryakalov, Ivan Ermakov, Ksenia Buksha, Oleg Postnov and in the poetry by Olga Kuznetsova, Maria Galina, Alla Gorbunova, Maxim Kalinin and others. Andrei Tavrov enters into a creative dialogue with the English Romanticist in his poetic cycle Lament for Blake (2018). Tavrov creatively renders Blake’s metaphysics of human physiology. The poem “Blake. Sparrow” shows an impressive fusion of Blake’s motives and lyrics. in particular, the multilevel character of the mythological world (from Ulro to Eden), conversations with Angels and traveling through the stars in “The Marriage”, the image of a sparrow and a visionary bird in general, images of insects guided through the night (“Dream”), the image of Milton like the meteorite in the heel of the narrator, the figure of Flaxman and the philosophy of creation by the word. In Tavrov’s work, Blake inhabits in a bizarre world of metaliterature, including Gogol and Derzhavin, Velasquez and Newton, Lear and Oedipus, Pan and Melchizedek. Blake, as the creator of overlapping worlds, becomes for Tavrov the key to the total poetization of the universe; where a transition is made from the hermetic principle “as above, so below” to the principle “everything in everything”. This principle turns out to be the most important for contemporary poetry. Blake’s paintings and drawings have become a part of Russian book culture: the famous engraving of the Creator God with a compass “The Ancient of Days” is often used in book graphics; the Moscow conceptualist Viktor Pivovarov, the author of samizdat, admitted that Blake inspired him with his experience in book printing. Blake’s influence can also be seen in the works of contemporary sculptor Alexander Kudryavtsev (1938–2011), namely, his ceramic fresco “The Creation of the World”. Thus, Blake, who came, among others, through the work of The DOORS and Jarmusch’s Dead Man, plays a significant role in the space of contemporary Russian literature. In these terms, the most significant of his works are “Songs” and “The Marriage of Heaven and Hell”, as well as mystical revelations of prophetic poems and his creative life of a genius unrecognized during his lifetime in general.

Causality Then and Now

1993 ◽  
Vol 10 (2) ◽  
pp. 165-177
Author(s):  
Karen Harding
Keyword(s):  
Quantum Theory ◽  
Common Sense ◽  
Mechanical Model ◽  
Physical World ◽  
Scientific Data ◽  
The World ◽  
The Common ◽  
The Universe ◽  
The Way

Ate appearances deceiving? Do objects behave the way they do becauseGod wills it? Ate objects impetmanent and do they only exist becausethey ate continuously created by God? According to a1 Ghazlli, theanswers to all of these questions ate yes. Objects that appear to bepermanent are not. Those relationships commonly tefemed to as causalare a result of God’s habits rather than because one event inevitably leadsto another. God creates everything in the universe continuously; if Heceased to create it, it would no longer exist.These ideas seem oddly naive and unscientific to people living in thetwentieth century. They seem at odds with the common conception of thephysical world. Common sense says that the universe is made of tealobjects that persist in time. Furthermore, the behavior of these objects isreasonable, logical, and predictable. The belief that the univetse is understandablevia logic and reason harkens back to Newton’s mechanical viewof the universe and has provided one of the basic underpinnings ofscience for centuries. Although most people believe that the world is accutatelydescribed by this sort of mechanical model, the appropriatenessof such a model has been called into question by recent scientificadvances, and in particular, by quantum theory. This theory implies thatthe physical world is actually very different from what a mechanicalmodel would predit.Quantum theory seeks to explain the nature of physical entities andthe way that they interact. It atose in the early part of the twentieth centuryin response to new scientific data that could not be incorporated successfullyinto the ptevailing mechanical view of the universe. Due largely ...

A comparison of the changes in the patterns of the usage and categorization of the classifier ‘ben 本’ in Korean, Chinese, and Japanese

2021 ◽  
Vol 5 (1) ◽  
pp. 43-51
Author(s):  
Jeong-A Jo
Keyword(s):  
Cultural Differences ◽  
Chinese Character ◽  
Chinese Characters ◽  
Common Features ◽  
The World ◽  
The Common ◽  
Korean Chinese ◽  
The Relationship

This study aims to examine the common features and differences in how the Chinese-character classifier ‘ ben 本’ is used in Chinese, Korean, and Japanese, and will explore the factors that have affected the categorization processes and patterns of the classifier ‘ ben 本.’ Consideration of the differences in the patterns of usage and categorization of the same Chinese classifier in different languages enables us to look into the perception of the world and the socio cultural differences inherent in each language, the differences in the perception of Chinese characters, and the relationship between classifiers.

A comparison of the changes in the patterns of the usage and categorization of the classifier ‘ben 本’ in Korean, Chinese, and Japanese

2021 ◽  
pp. 251385022098177
Author(s):  
Jeong-A Jo
Keyword(s):  
Cultural Differences ◽  
Chinese Character ◽  
Chinese Characters ◽  
Common Features ◽  
The World ◽  
The Common ◽  
Korean Chinese ◽  
The Relationship

This study aims to examine the common features and differences in how the Chinese-character classifier ‘ ben 本’ is used in Chinese, Korean, and Japanese, and will explore the factors that have affected the categorization processes and patterns of the classifier ‘ ben 本.’ Consideration of the differences in the patterns of usage and categorization of the same Chinese classifier in different languages enables us to look into the perception of the world and the socio cultural differences inherent in each language, the differences in the perception of Chinese characters, and the relationship between classifiers.

The Latah Reaction: Its Pathodynamics and Nosological Position

1952 ◽  
Vol 98 (413) ◽  
pp. 515-564 ◽  
Author(s):  
P. M. Yap
Keyword(s):  
Nineteenth Century ◽  
Geographical Distribution ◽  
English Literature ◽  
Intrinsic Interest ◽  
Common Features ◽  
Malay Archipelago ◽  
Mental Diseases ◽  
The World ◽  
The Common ◽  
Unusual Symptoms

Few mental diseases have attracted the attention of medical men working in outlandish parts of the world more than Latah. This is due, not only to its intrinsic interest, showing as it regularly does the unusual symptoms of echolalia, echopraxia, and automatic obedience, but also to its remarkable geographical distribution. This illness was described by travellers to the Malay Archipelago in the latter part of the nineteenth century, but very similar reactions were later found to exist in other lands, known to the native peoples by other names. The term “Latah,” however, is the best known, and as the common features between these various reactions became apparent, it has been used as an inclusive name for them all. It is to-day employed with much the same connotation in the French, Dutch, Italian, and English literature, but the discussion of its nature betrays inadequate understanding, attempts at its nosological classification remain unsatisfactory, and speculations as to its aetology continue to be somewhat fanciful.

Continuity and Peculiarities in Proto-Kazakh and Ancient Indian Early Religious Beliefs

2021 ◽  
Vol 3 (121) ◽  
pp. 185-195
Author(s):  
Zatov Zatov
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
Ethnic Diversity ◽  
Life Forms ◽  
Religious Knowledge ◽  
Concept Of God ◽  
Common Features ◽  
The World ◽  
The Relationship ◽  
The Universe

A comparative study of the mythological picture of the world, early forms of religion allows us to identify common features characteristic of the worldview and spiritual guidelines of mankind as a whole. These features can be traced in archaic ideas about the structure of the universe, in understanding their spiritual and bodily essence, the infinity of God and the eternity of the soul, the relationship and interdependence of life forms in the world. This allows us to assert the thesis of the unity of mankind in its spiritual origins, despite racial and ethnic diversity. In the process of a comparative analysis of mythology, early forms of religion, the concept of God, the pantheon and the function of the gods, similar moments and ethnological specifics of understanding the essence of the soul and reincarnation in totemistic beliefs, in cosmological and theogonistic concepts are revealed.The author also analyzes the role and significance of the cult of ancestors, traces the evolution of the idea of proto-monotism (the creative function of Tengri and Brahma, the intention of henotheistic faith) and its place in religious knowledge.

scholarly journals Intricate Coalescence of Nature and Philosophy in Coelho’s world: Ruminations from The Alchemist

2020 ◽  
pp. 72-79
Author(s):  
L. Monica Lilly
Keyword(s):  
Common Language ◽  
Human Species ◽  
The World ◽  
The Subject ◽  
The Common ◽  
Human Psyche ◽  
Egyptian Desert ◽  
The Universe

 In The Alchemist, Paulo Coelho projects Santiago communicating with Nature which he refers to as the common language of the world. A study of The Alchemist will reveal how Santiago, an Andalusian shepherd boy who yearns to travel in search of a bounty treasure explores the wisdom of life. His quest for the treasure buried near the Pyramids propels him to enter an unchartered territory from his homeland in Spain to the Egyptian desert. This paper aims to explore the ecological reflections mired with concepts of slants in philosophy. Ecology on one hand is considered as a branch of science but, despite providing erudition on the subject it is understood that it provides sagacity to understand the universe better. This paper rightly discusses the amalgamation of nature and literature. It is indeed a manifestation of the recurrently believed ideologies that connect human psyche and platitudes of the cosmos. The logos that interrelates the existing connection between the non human and the human species require an exceptional mastery. This paper will analyze and depict the emotions connected with nature from the spectacle of the Protagonist Santiago in The Alchemist.

A New Quarrel

On Universals ◽  
2020 ◽  
pp. 96-120
Author(s):  
Étienne Balibar
Keyword(s):  
Political Participation ◽  
Philosophical Anthropology ◽  
The Political ◽  
Political Unity ◽  
The World ◽  
The Common ◽  
To Come ◽  
Question Today ◽  
The Relationship ◽  
The Universe

This chapter assesses the new “quarrel of universals” that now occupies philosophy and other overlapping disciplines. In this new quarrel, the question today is not only whether one is for or against the universal; the question is also how one defines the universal—a term whose surprising equivocity has become increasingly clear. Still more fundamentally, the question is how one should articulate the relationship between three related but heterogeneous terms whose widespread use has prompted conflicting claims: the universal, universality, and universalisms. The chapter begins by situating the question of the universal and its variations within the field that seems to constitute the strategic site of intersecting domains: philosophical anthropology, understood as the analysis of the historical differences of the human and of the problem that those differences pose to their bearers. It then outlines the difficulties which can be identified in every philosophical and political usage of the universal and its “doubles” according to three aporias. The first is the aporia of the multiplicity of the “world,” or of the universe as multiversum; the second is that of Allgemeinheit or All(en)gemeinheit, in other words, the irreducible gap between the universal and the common (or community); and, finally, that of co-citizenship, the form of belonging to a political unity to come, a unity whose law of belonging (membership) would be the heterogeneity within equality or the political participation of those foreign to the community.

Introduction

2016 ◽  
pp. 1-3
Author(s):  
Paul Brassley ◽  
Richard Soffe
Keyword(s):  
North America ◽  
Dairy Farm ◽  
Rice Fields ◽  
Farm Worker ◽  
Collective Farm ◽  
Common Features ◽  
German Family ◽  
The World ◽  
Part Time ◽  
The Common

The agribusiness corporation producing corn and soya beans using enormous machines in North America, the woman with her hoe and her plot of cassava in Mozambique, the Chinese collective farm worker in the rice fields, and the German family with their part-time dairy farm and their day jobs in Munich are all engaged in agriculture. The Introduction explains that this VSI sets out to identify the common features of their activities and the universally applicable principles that determine what they do, to explain why the differences between them exist, and to explore some of the controversies that arise from their activities. It recognizes the diversity of developed and developing agriculture around the world.

scholarly journals Lophius in the world: a synthesis on the common features and life strategies

2008 ◽  
Vol 65 (7) ◽  
pp. 1272-1280 ◽  
Author(s):  
A. C. Fariña ◽  
M. Azevedo ◽  
J. Landa ◽  
R. Duarte ◽  
P. Sampedro ◽  
...  
Keyword(s):  
Life Histories ◽  
Current Knowledge ◽  
Northwest Pacific ◽  
Biological Traits ◽  
Life Strategies ◽  
Common Features ◽  
Genetic Structure Of Populations ◽  
The World ◽  
Adaptive Processes ◽  
The Common

Abstract Fariña, A. C., Azevedo, M., Landa, J., Duarte, R., Sampedro, P., Costas, G., Torres, M. A., and Cañás, L. 2008. Lophius in the world: a synthesis on the common features and life strategies. – ICES Journal of Marine Science, 65: 1272–1280. Seven species of Lophius are known worldwide, six in the Atlantic Ocean and just one in the Northwest Pacific. The genus supports valuable fisheries (except for Lophius vaillanti), most for a long time, though the exploitation of Lophiusgastrophysus along the coast of Brazil is relatively recent. The manuscript reviews the current knowledge of phylogeographic and biological traits of Lophius species, pointing out common aspects in the life histories. Within the Lophiidae, the genus Lophius is phylogenetically the most derived, vicariance and dispersal having played a significant role in driving speciation. Life histories seem to have followed similar adaptive processes from a common ancestor along with similar environmental characteristics. The genetic structure of populations is poorly known, and usually, genetic differentiation is limited. Life-history aspects (age, growth, reproductive cycle, early stages, and feeding ecology) are addressed, and fisheries are reviewed. However, knowledge of many aspects of the biology and ecology (e.g. validation of the growth pattern, maturation processes, spawning areas and periodicity, recruitment processes, mortality, stock identification, and habitat needs) remains limited.

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