scholarly journals The Modelling of Creative Artistic Personality Based on the Love Songs Made on A.S. Pushkin’s Poem “The Beauty, Don’t Sing in My Presence…”

2020 ◽  
pp. 413-424
Author(s):  
E.S. Antipina ◽  
S.A. Prokhorenkova
Keyword(s):  
World View ◽  
Interdisciplinary Approach ◽  
Material Structure ◽  
Semantic Organization ◽  
The World ◽  
Russian Composers

The article updates the role of interdisciplinary approach in linguistics, and considers the possibilities of using musicological analysis in multi-paradigmatic modelling of a creative linguistic personality. In the semiotic triad music — language — personality the peculiarities of artistic world-view of homo scribens (the man who writes) are analyzed. The love songs of Great Russian composers made on A.S. Pushkin’s poem “The beauty, don’t sing in my presence” are taken as an example. The similar tendencies in the semantic organization of the material structure in music and poetic works are justified, and semantic dominants of “oriental” love songs are defined. Keywords and general patterns in the interpretation of cultural constants concepts that translate the national picture of the world are revealed. The hypothesis is proved that musicological analysis has great potential in the process of representing the linguistic picture of the world not only of the creator of music (composer), but also of the author of the text (poet).

A Perspective on Epistemology and Ontology of Indian Psychology

2010 ◽  
Vol 22 (1) ◽  
pp. 157-190 ◽  
Author(s):  
Dharm P. S. Bhawuk
Keyword(s):  
Indian Philosophy ◽  
World View ◽  
The Self ◽  
Theory Method ◽  
Twin Research ◽  
Indian Psychology ◽  
Making Sense ◽  
The World ◽  
Research Criteria

The epistemology of Indian Psychology (IP) is akin to that of Indian Philosophy or in general the Indian world view of knowledge, truth and belief about making sense of the self and the world. In this article, the epistemological and ontological foundations of IP are derived from a verse from the Ishopanishad and corroborated by verses from the Bhagavad-Gita. In doing so, epistemological questions like what is knowledge in IP or what knowledge (or theories) should IP develop and how (the methodology) are answered. Similarly, ontological questions like what is the being that is the focus of IP research or are biomechanical or spiritual-social-biological beings of interest to IP are addressed. The simplicity and clarity of this derivation fulfils the twin research criteria of parsimony and aesthetics. The role of epistemology and ontology in constructing cultural meaning for theory, method and practice of IP is discussed.

MULTIDIMENSIONAL IMAGES OF SPACE: REVIEW OF THE VII INTERNATIONAL SCIENTIFIC CONFERENCE "GEOGRAPHY OF ART"

2021 ◽  
pp. 194-215
Author(s):  
Olga Lavrenova ◽  
Keyword(s):  
Urban Space ◽  
Cultural Landscape ◽  
Interdisciplinary Approach ◽  
Scientific Conference ◽  
The World ◽  
Literary Geography ◽  
Literary Images ◽  
Multidimensional Images ◽  
Different Levels

The international scientific conference «Geography of Art» has been considering the interaction of art and space for many years. The first conference was held in 2009. In 2021, the seventh conference was held in a hybrid format, which allowed scientists from remote places and other countries to be invited. The role of art in shaping the cultural landscape, cartographic, artistic, and literary images of the world, and concepts of space in art were discussed. Art creates the meanings of geographical objects of different levels, «sculpting» the semantic form of urban space. «Genius and Place» is a theme that reveals how artists, writers, and poets re-create the meanings of the places they are associated with. Literary geography and local texts are one of the dimensions of this problem. As usual, the conference was characterized by a broad interdisciplinary approach.

scholarly journals Peran Pandangan Dunia dan Emosi Positif terhadap Kepribadian Multikultural

2019 ◽  
Vol 3 (2) ◽  
pp. 110
Author(s):  
Yusuf Fajar ◽  
Thomas Dicky Hastjarjo
Keyword(s):  
Data Analysis ◽  
Multiple Regression ◽  
Positive Emotion ◽  
Positive Emotions ◽  
World View ◽  
Multicultural Personality ◽  
Cultural Adaptability ◽  
The World

The world is now becoming more interconnected so that people need the ability to adapt cross-culturally to deal with it. Multicultural personality is one of the concepts of cultural adaptability. This study aims to examine empirically the role of the world view and positive emotions on the multicultural personality of the students. The hypothesis of this study was the world view and positive emotions would be able to predict student multicultural personality. The subjects of the study were 132 undergraduates and master students of UGM. Three scales, multicultural personality scales, world view scales and positive emotion scales were distributed to the subjects. Data analysis was done by multiple regression. The results showed that the world view and positive emotions together play a role in predicting student multicultural personality with R = 0,313, F = 7,008 and p = 0,001 (p <0,01). The world view and positive emotions together made a contribution of 9.8% in multicultural personality. This study showed that from these two variables only positive emotions predicted the multicultural personality.

scholarly journals SUFISME SEYYED HOSSEIN NASR DAN FORMALISME AGAMA DI INDONESIA

2015 ◽  
Vol 13 (2) ◽  
Author(s):  
Irfan Noor
Keyword(s):  
World View ◽  
Contemporary Society ◽  
Islamic Philosophy ◽  
The World

The growing phenomenon of politics identity after the 1998 reform, which tends to encourage "religious communalism", should be a major concern and this should be answered by the discipline of Islamic philosophy as the challenges in building a better Indonesian nation with a better future. In this context, Seyyed Hossein Nasrs thought is relevant to be actualized as the effort to contextualize the role of Islamic philosophy for contemporary society and as an approach to understand the reality of religion through the world-view of Sufism

Fighting for Virtue

2020 ◽  
Author(s):  
Duncan McCargo
Keyword(s):  
Prime Minister ◽  
Freedom Of Expression ◽  
World View ◽  
Central Place ◽  
Political Order ◽  
Political Life ◽  
The Political ◽  
Constitutional Court ◽  
The World

This book investigates how Thailand's judges were tasked by the late King Bhumibol Adulyadej (Rama IX) in 2006 with helping to solve the country's intractable political problems—and what happened next. Across the last decade of Rama IX's rule, the book examines the world of Thai judges: how they were recruited, trained, and promoted, and how they were socialized into a conservative world view that emphasized the proximity between the judiciary and the monarchy. The book delves into three pivotal freedom of expression cases that illuminate Thai legal and cultural understandings of sedition and treason, before examining the ways in which accusations of disloyalty made against controversial former Prime Minister Thaksin Shinawatra came to occupy a central place in the political life of a deeply polarized nation. The book navigates the highly contentious role of the Constitutional Court as a key player in overseeing and regulating Thailand's political order before concluding with reflections on the significance of the Bhumibol era of “judicialization” in Thailand. In the end, under a new king, who appears far less reluctant to assert his own power and authority, the Thai courts may now assume somewhat less significance as a tool of the monarchical network.

A Semiotic Exploration of the World of Charismatic Christianity

2020 ◽  
pp. 141-175
Author(s):  
Savio Abreu
Keyword(s):  
World View ◽  
Social Reality ◽  
Cultural System ◽  
Religious Symbols ◽  
The Social ◽  
Sacred And Profane ◽  
The World ◽  
Symbolic World ◽  
Charismatic Christianity

In order to make sense of the worldview and ethos of the Charismatics, this chapter studies the symbolic world of the Charismatics—with their concepts of sacred and profane—and the structuring Charismatic habitus. It tries to make sense of the various religious symbols and their supporting discourses, which have shaped and legitimized the world view and ethos of the Charismatics. For this purpose, it draws from the work of Geertz on religion as a cultural system of symbols that shapes and constitutes reality, seen in the light of Asad’s criticisms concerning the role of power. Drawing from Bourdieu’s idea of habitus, it also analyses the underlying Charismatic habitus that guides individual believers to understand and respond to the social reality around them. Additionally, various conceptions of the sacred and profane are explored, drawing from the works of Durkheim, Eliade, and others.

scholarly journals Author: personal – social – eternal (interpretive field of «Diary» by V. Vynnychenko)

2019 ◽  
Keyword(s):  
World View ◽  
Xxth Century ◽  
World Picture ◽  
The World ◽  
Literary Process ◽  
The Aesthetic ◽  
Semantic Proximity ◽  
The Given ◽  
Relevant Material

The diary papers of V. Vynnychenko (1911—1925) as a special interpretive field for studying the author’s world-view aesthetics and his creative intentions are analyzed. The text of the diary is systematized, based on the relevant material: the author’s thoughts on the nature of creativity as a special way of comprehending the world and a person in it; creativity as a manifestation of a person’s specific mental organization; creativity as an opportunity for self-manifestation in the present/future dyad; etc. The degree of correlation of conditions and possibilities to create, which were important for V. Vynnychenko as a politician while the fundamental changes at the beginning of the XXth century in Ukraine took place are also noticed in the article. The author’s issues given in the diary are considered in the aesthetic context of the literary process at the turn of the XIX-XXth centuries, when cardinal changes took place under the influence of interpretative changes of the world picture in philosophy and culture in general are represented in the given work. In addition, attention was paid to the concept of «creative act» and its understanding by V. Vynnychenko as a staged phenomenon: the plan, the stages of its realization, the role of intuition, fiction, fantasy in the creation of the another reality. The author’s interpretation of the author’s phenomenon taking into account to the interaction of the concepts of «endowment», «talent» and «genius» is given and commented. The emphasis is placed on V. Vynnychenko’s diary thoughts about the latest trends in Ukrainian literature of the early XXth century: homocentration, modernism as an art system renovation of the genre and poetic paradigm. To sum up, this allowed to understand the creative laboratory of the author more deeply and earnestly. The diary material is directed to the artistic creation of V. Vynnychenko - the play «The black Panther and the White Bear» for their semantic proximity: the process of creativity, psychological, aesthetic dominant of creativity, symbolism, artist’s essence researches. The perspective of the proposed direction of studying mnemonic and literary material is grounded, which allows the use of an interdisciplinary methodology for understanding aesthetic phenomena.

scholarly journals Russian school of bioethics: a quarter of a century of development

2018 ◽  
Vol 99 (3) ◽  
pp. 521-527
Author(s):  
F T Nezhmetdinova ◽  
M E Guryleva
Keyword(s):  
Quality Of Life ◽  
21St Century ◽  
Interdisciplinary Approach ◽  
Environmental Security ◽  
Peaceful Coexistence ◽  
Russian School ◽  
The World ◽  
Global Problems

The article presents the reasons for the emergence and development of bioethics as a scientific direction in the world and in our country. In the end of 21st century, humanity faced the complex of global problems solving which affected its survival nowadays: these are the problems of peaceful coexistence of states and peoples, environmental security, demography, health and quality of life connected to health. The science of bioethics which appeared in 1970s started their discussion, understanding and finding solutions, using interdisciplinary approach, involving the general public and seeking political solutions. At the origins of bioethics stood the American biochemist V.R. Potter and doctor A. Hellegers, and a German pastor Fritz Jahr. Boris Grigorievich Yudin can be considered the founder of the Russian school of bioethics, who defined objectives, tasks, basic science perspective in the light of national and regional peculiarities and modalities and founded the platform for discussions. The development of bioethics in our country was multicentered: it is possible to distinguish Moscow, Volgograd and Kazan centers of science development, each of which has its own outstanding terms of reference. The article presents the authors' view of contribution of the brightest representatives developing bioethics in our country, and role of certain scientific and educational centers.

scholarly journals MYTHICAL ELEMENTS BASED ON TRADITIONAL MALAY LITERATURE TEXT

2019 ◽  
pp. 78-87
Author(s):  
Norazimah Zakaria ◽  
Mazarul Hasan Mohamad Hanapi ◽  
Makmur Harun ◽  
Farra Humairah Mohd
Keyword(s):  
World View ◽  
The Other ◽  
Sociology Of Literature ◽  
Past Time ◽  
The Past ◽  
The People ◽  
The World ◽  
Relationship Of ◽  
The Relationship

Myth is a very dominant element in traditional Malay literature. The myths are not set forth in an unorganized manner or randomly, but instead are based on the belief patterns that are already in existence, and this reflects the connection of the society’s thinking with elements of animism that serve as the background of their lives before the arrival of other beliefs. Examples of the development of myth stories can be observed in hikayat (literary works) in traditional Malay literature like Hikayat Merong Mahawangsa and Sejarah Melayu. Meanwhile, examples of oral stories are those found in Cerita Rakyat Malaysia (2008). The aim of this article is to identify the functions of myths found in traditional Malay literature. This article will use the Sociology of Literature approach by Plummer, Ken (1997). The approach of this paper draws on to the questions of how myths became the belief of the society and what is the function of myths in traditional Malay literature texts. The functions of myths can be seen based on these questions. Elements of myths in historical works are narrations that are believed by the locals as actual occurrences that have happened in their locality in the past. Hence, the myth stories became the basis and answers to the inquisitiveness of the people of the past time. The other purpose is to uphold the royal dignity. In traditional literature, literature is viewed as the mirror of society and their documents. The role of myth stories is not only to explain their functions in the society but also to reveal the creativity of the writer or orator and the storyteller. But here, the presence of mythical elements explains to us the relationship of the work from the aspect of thoughts and the world view of that society in the past.

scholarly journals Areal Phraseololgy as a Component of the Conceptual Perception of the World by Ukrainians

2018 ◽  
pp. 16-21
Author(s):  
G. Dobroliozha ◽  
A. Pryimak
Keyword(s):  
Fairy Tales ◽  
World View ◽  
Religious Life ◽  
The West ◽  
Cultural Image ◽  
South West ◽  
The World ◽  
Different Types ◽  
Western Ukraine

The article describes the role of the areal phraseology in the study of conceptual perception of the world view by Ukrainians; different types of phraseology description and fixation are presented; it is dealt with the meaning of the areal phraseologisms in an all-Ukrainian phraseological formation. Several aspects in phraseology study and, in particular, the notion of the concept, which involves the unity of the form and content of phraseology, its close connection with the realities of the cultural, domestic, spiritual and religious life of Ukrainians are examined as well. Regional phraseologisms with the pan component, which operate on the territory of three Ukrainian dialects - south-western, northern and south-eastern are proposed. The article is concerned with polysemy, etymological versions of pan lexeme; the features of traditional and contemporary use of accost pan pani; the ideographic typical models with the pan component are shown; the frequency of using pan lexeme in various regions of Ukraine is noted as well. It is specially noted the analysis of numerous phraseologisms with pan, pani, panskyi component, which fixed in ''Etnografic collection. Galician-Russian folk-sayings'' by Ivan Franko. Appellative pan has been extremely popular, as the tradition of its use has not been interrupted for centuries on the territory of Western Ukraine. Lexeme pan is used there as a polysemic word: 'host', 'title', 'article to a name or specialty'. Phraseologisms, which characterize all the defects of the person's character (greed, anger, falsehood, laziness, cruelty, indifference, betrayal, etc.) are formed depending on the semantics of the headword. Ivan Franko used different- sourced and –structured phraseologisms, made some historical intelligence to explain the reasons of some expressions. Much attention and analysis is given to phonetic spelling of phraseological units, some fixation spelling features of expressions according to the west Ukrainian grammar standards. The analysis of the actual phraseological material permits to affirm, that the pan concept is extremely active used on the south-west Ukrainian language dialect territory and steadily extends to other language spans of our country; it becomes traditional everyday accost in communication between people; it is a specific ethno-cultural image, which is active in numerous proverbs, sayings, phraseological units, comparisons, carols and fairy tales.

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