scholarly journals HERMENEUTIKA SEBAGAI METODE BARU DALAM MENAFSIRKAN ALQURAN

2018 ◽  
Vol 2 (2) ◽  
pp. 159
Author(s):  
Mulizar Mulizar

This article will discuss hermeneutics as a new method of interpreting the Qur'an.The use of hermeneutics is a new thingin the world of interpretation. Some support and some reject it.The results of this study show that the use of hermeneutics in interpreting the Qur’an must be careful.In addition, This science should be placed as a complement, not as a subdivision of the science of interpretation. On the other hand, hermeneutics paves the way to contextualize the scriptures, so that they can dialogue in different spaces and times, as apologically desirable and held by many religious groups to their respective scriptures.

1988 ◽  
Vol 81 (4) ◽  
pp. 431-444
Author(s):  
Michael Welker

It is a familiar fact that it is difficult for revolutionary “worldviews” to gain recognition and acceptance. The most successful way to overcome this problem was termed by Hegel Aufhebung. In the ideal case envisaged by Hegel, Aufhebung says that the new “worldview,” or the theory which articulates that worldview, reconstructs within itself elements of the old perspective on the world, together with a critique of that perspective. However, the preservation of old worldviews in new theories can also take a more straightforward form. Only rarely do new worldviews emerge thoroughly developed. As a rule they continue to employ numerous leading concepts which belong to the older tradition. Only after a relatively long period of time are the old leading concepts replaced or reformulated—or, on the other hand, is the new theory withdrawn. We are well acquainted with such a course of events. But that does not prevent us from living de facto with theoretical orientations towards the world which represent mixed forms of old and new theories. We simultaneously employ new perspectives and old observations, new forms of thought and old theses. We think that we can enjoy the new cake and still eat the old one. This situation usually leads us to form an unrealistic picture of the power of the newer worldview. We fail to recognize the fact that new worldviews, as a rule, substantially overextend their credit. The dangers of granting too much credit to these new conceptions are seldom seen clearly and are often underestimated.


Phainomenon ◽  
2003 ◽  
Vol 7 (1) ◽  
pp. 23-52
Author(s):  
Roberto J. Walton

Abstract This article is an attempt to clarify the role of pregivenness by drawing on the accounts afforded by Eugen Fink both in the Sixth Cartesian Meditation and in the complementary writings to this study. Pregivenness is first situated, along with givenness and non-givenness, within the framework of the system of transcendental phenomenology. As a second step, an examination is undertaken of the dimensions of pregivenness in the natural attitude. Next, nonpregivenness in the transcendental sphere is examined with a focus upon the way in which indeterminateness does not undermine the possibility of a transcendental foreknowledge in the natural attitude, and on the other hand implies the productive character of phenomenological knowledge. After showing how, with the reduction, the pregivennes of the world turns into the pregivenness of world-constitution, the paper addresses the problems raised by the nonpregivenness both of the depth-levels and the reach of transcendental life. By unfolding these lines of inquiry, transcendental phenomenology surmounts the provisional analysis of constitution at the surface level as well as the limitation of transcendental life to the egological sphere. Finally, it is contended that Fink’s account of pregivenness overstates apperceptive or secondary pregivenenness because is does not deal with the pregivenness that precedes acts and is the condition of possibility for primary passivity. Reasons for the omission of impressional or primary pregivenness are suggested.


2021 ◽  
Vol 4 (1) ◽  
pp. 141-159
Author(s):  
Iulia Stoichiţ

“The Bandits”, Vasile Ernu’s second volume of his trilogy, the trilogy of marginal men, describes the world of thieves, of bandits, of criminality in a communist society, without the narrator ever becoming one of them. He is more of an adopted son, someone who has almost unmediated access to this world without suffering the repercussions of revealing that world’s secrets. This should not to be understood that he has total access to the bandits’ secrets, but that he is not viewed as a threat, even if he reveals more of this world than others. The narrator is accepted because he does his best to be himself and this is a value of utmost importance for this marginal group of people, others knowing and owning their identity, the type of narrative they tell about themselves. On the other hand, the narrator is himself a marginal man as well, considering the fact that he grew up  among religious people who were quite fundamentalists in their way of expressing this belief (but not in the way in which we picture today religious fundamentalism: bombing, Muslims, terror). Thus, this essay is meant as a study of one’s sense of identity when having to juggle with more identities, when having to evade (or even be subversive towards) the more pervasive, totalitarian regime in which these marginal men find themselves.


Vox Patrum ◽  
2013 ◽  
Vol 59 ◽  
pp. 331-338
Author(s):  
Sławomir Wyszomirski

Two issues were raised in the article entitled „Dishes at Nasidien’s feast (Horatius, Saturae II 8) and Apicius’ De re coquinaria”. First, comparison of dishes the description of which Horace included in Saturae II 8 with heir analog­ical recipes for these from Apicius’ De re coquinaria. These comparisons lead to the conclusion that, even in Augustan times, developing the culinary art had its supporters and that the chefs were trying to surprise symposium participants with new ideas, which made them experiment in this area all the time. An example of such efforts, among the others, is the method of making a sauce which was used to put on Nasidien’s moray, or wild pigeons whose croups had been cut off. On the other hand, on the example of De re coquinaria we can observe the evolution of culinary art which attached more and more importance to various kinds of spices used in more and more sophisticated sauces which gave a proper taste to diverse dishes of fish, poultry and game. The other issue, which is still present, is proper understanding and interpretation of these fragments of Horace’s Saturae II 8 where the poet gives us a description of dishes prepared by Nasidien’s chefs. Among the others, attention was drawn to the fact that the notion of faecula Coa (Saturae II. 8. 9) shall not be understood, as assumed before, as dried powdered yeast or wine grounds but rather as a substitute for grape honey described by Isidor (Etymologiae XX 3, 13: „Faecula uva pinguis, decocta usque ad crassitu­dinem mellis, ac refrigata, utilis stomacho”). This understanding of faecula Coa lets us read differently 6-9 verses in Saturae II 8 where the wild boar served by Nasidien was poured over by cheap substitutes, i.e. so called allec sauce (instead of liquamen) and faecula Coa (instead of honey). The Horace’s description, thus, has, in this place an ironic implication. It was also suggested that the 51-53 verses in Saturae II 8, where Nasidien boasts that he was the first one with the idea of boiling eruca sativa (rucola) with inula helenium, should be linked with previous verses which give the description of the sauce used for pouring over moray as eruca sativa boiled with inula helenium did not form a new dish but it was an ingredient of the mentioned sauce. Information about liver of a white goose fed with figs in Saturae II 8, 88 deserves special attention. We cannot find this dish recipe in Apicius’ De re coquinaria. However, we learn from the Plinius’ account that it was Apicius who invented a new method of preparing goose liver (Plinius, Historia naturalis VIII 209: Adhibetur et ars iecori feminarium sicut anserum, inventum M. Apici, fico arida saginatis ac satie necatis repente mulsi potu dato). This method involved feeding those birds with figs before they were killed. This way ensured that goose liver had a right taste and later wine with honey was add­ed to it. However, according to Horace’s information, which cannot be shaken, the custom of feeding geese with figs had been known before Apicius. As, on the basis of preserved records on Apicius’ life, it is difficult to confirm that he lived in Horace’s times it seems necessary to correct the account of Pilnius and to interpret it in the way that the innovation of Apicius involved only serving liver with some wine with honey (muslum), not feeding geese with figs as this practice had been done much earlier.


2021 ◽  
Author(s):  
Adem Mulamustafić

In everyday life, we take there to be ordinary objects such as persons, tables, and stones bearing certain properties such as color and shape and standing in various causal relationships to each other. Basic convictions such as these form our everyday picture of the world: the manifest image. The scientific image, on the other hand, is a system of beliefs that is only based on scientific results. It contains many beliefs that are not contained in the manifest image. At first glance, this may not seem to be a problem. But Mulamustafić shows convincingly that this is a mistake: The world as it is in itself cannot be both the way the manifest image depicts it and the way the scientific image describes it to be.


Author(s):  
Andrés Quero-Sánchez
Keyword(s):  
The One ◽  

The author interprets the dialogues belonging to Plato’s first Tetralogy, i. e. Euthyphro, Apology, Crito and Phaedo, as a coherent whole, in which the concept of ‘gratuitousness’ plays the leading role. The expression ‘gratuitous’ does not mean here, however, ‘arbitrary’ or ‘as someone likes’ but rather ‘free’, ‘gratis’, ‘for nothing’. Based on such an interpretation the author discusses then the important similarities existing between – on the one hand – Plato’s metaphysics of ‘gratuitousness’ and – on the other hand – Meister Eckhart’s ‘mystics’ (in which the concept of ‘why-less’ being [wesen sunder warumbe] is crucial) and Schelling’s Philosophy of Identity (in which the concept of ‘absolute’ being plays the fundamental role). These three thinkers are all interested in the world as it is not merely for us or for something else – that is not in the world as it merely appears to someone under particular given conditions –, but in the world as it is in itself. However, this distinction between ‘appearances’ and ‘things-in-themselves’ is not to be thought as an epistemological but rather as an ethical or existential one, which is not related to the way how we ‘can know’ the world but rather to the way how we ‘should live’ in it.


2020 ◽  
Vol 3 (1) ◽  
pp. 62-72
Author(s):  
Kadarisman Kadarisman

The novel is one type of prose literary work in which there are building elements such as plot, character, setting, and of course language. As part of literature, novels also have their own genre. Indonesian literature continues to evolve in accordance with the demands and development of the times, and in accordance with the situation and conditions in the community of writers and readers. In the novel Ciuman Terakhir, the work of Maufiqurrahman Surahman will be found in a portrait of the world of pesantren which is very thick. This indicates that the sociology of the author is very influential in constructing a literary work. This can be seen in the way the author chooses diction, plot, builds character, and creates a certain atmosphere in the novel. On the other hand, there are still some language errors in the novel The Last Kiss of the Father. Therefore understanding of linguistic rules is very important, because literary works use language as a medium of liaison between authors and readers.


2020 ◽  
Vol 3 (01) ◽  
pp. 1-18
Author(s):  
Dr. Hafiz Ghulam Anwar Azhari ◽  
Zahoor Alam

Islam is a humanity based religion and unity plays of a vital role in it. It is not possible for a humane person to deny the importance of unity for a better society. It is the one thing that leads the nations of the world in the way of progress and prosperity. On the other hand chaos and anarchy is such a curse that makes a nation fall into the depths of disgrace. No enemy needs to fight such nation to defeat it. Their own internal conflicts and chaos is enough to dismantle them. Unfortunately this egoism and prejudice has reached its climax among the Muslims of Pakistan. We have failed ourselves in building a balanced progressive and welfare society based on two nation theory. Witnessing this situation many scholars from different schools of thoughts have tried their best towards the progress of inter-Muslim harmony and tolerance. In this regard they have highlighted the evil effects of chaos and positivity of unity. They have also brought forward such advises both in speech and written through which damage caused by sectarianism can be handled.


Tempo ◽  
1958 ◽  
pp. 9-15
Author(s):  
Paul Hamburger

An opera singer, except on those rare occasions when he relates the speech of others, maintains the identity of the character in which he is cast. The performer of epical and lyrical music, on the other hand, i.e., the oratorio and Lieder singer, can be a protagonist, i.e., claim his identity with the “acting subject”, only when and as long as the poet and composer demand it. One can almost recognise a good Evangelist by the way he sings the colon after the words “and he said unto them”. But apart from the singer's awareness of direct and indirect speech—a condensation, as it were, of dramatic explicitness into epical stylization—he has to come to terms with the world of inanimate objects, or rather their sensuous perception by poet and composer, that crowds the pages of concerted vocal music. One would think that a bird-call, heard or recollected by the poet, would find its exact, that is, stylistically truthful, representation in the poem; would be taken over and transplanted into the medium of sound by the composer without loss or change of meaning, and would, furthermore, find its exact equivalent when related by the acting subject. That this is at best an over-schematic view of things forms the glory of lyrical music and the despair of its interpreters.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


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