scholarly journals Праблема рэпрэзентацыі жанчыны ў мужчынскай прозе ў асэнсаванні беларускіх даследчыкаў 1960–1980-х гг.

2020 ◽  
pp. 95-109
Author(s):  
Аляксандра Чарнавокая
Keyword(s):  
Literary Criticism ◽  
Personal Experience ◽  
Female Characters ◽  
Central Importance ◽  
Female Images ◽  
Representation Of Women ◽  
The Creation ◽  
The Difference ◽  
The 1960S

The works of A. Matrunenak, A. Adamovich, A. Yaskevich and other resear¬chers who addressed the problem of representation of women in men's prose are examined in the article. For Belarusian literary criticism of the 1960s – 1980s period, this problem was not of central importance but was raised in the analysis of the works written by J. Kolas, M. Zaretsky, K. Chorny and I. Shemyakin. The authors' personal experience, as well as the realism and psychological accuracy of the characters were immensely important for the researchers. The difference in gender experience was one of the reasons for creative failures in the development of female images. The article outlines different approaches to the creation of female characters.

Native Americans and the Third World Strike at UC Berkeley

2019 ◽  
Vol 42 (2) ◽  
pp. 32-39
Author(s):  
LaNada War Jack
Keyword(s):  
Native American ◽  
Native Americans ◽  
Personal Experience ◽  
Third World ◽  
Leadership Roles ◽  
The Third ◽  
The Creation ◽  
The 1960S ◽  
The Third World ◽  
The University

The author reflects on her personal experience as a Native American at UC Berkeley in the 1960s as well as on her activism and important leadership roles in the 1969 Third World Liberation Front student strike, which had as its goal the creation of an interdisciplinary Third World College at the university.

scholarly journals THE TEXT – THE READER – THE LITERARY WRITING: A COGNITIVE AND NARRATOLOGICAL PARADIGM

10.23856/3404 ◽  
2019 ◽  
Vol 34 (3) ◽  
pp. 36-46
Author(s):  
Lidiia Matsevko-Bekerska
Keyword(s):  
Literary Criticism ◽  
Personal Experience ◽  
Literary Work ◽  
Active Participation ◽  
Cognitive Specificity ◽  
Theoretical Approaches ◽  
Original Sense ◽  
Cognitive Narratology ◽  
The Creation ◽  
The Individual

The article presents the study of some aspects in the specificity of the dialogue between the artistic text and the consciousness of the addressee. This issue is quite actively discussed in the modern literary criticism – both in theoretical approaches to analysis and in applied poetics studies. To a large extent, the methodological and terminological apparatus for examining the cognitive specificity of literature has been formed in classical narratological studies and refined in the latest developments. The article focuses on clarifying the essence of the reader as an important element of representing the consciousness, present in the artistic narrative. The specificity of the reader's presence is determined not only by its mediation status, but also by active participation in the creation and coexistence of several worlds: the intentional modus, its fiction embodiment, as well as the individual personal experience of their synthesis. Possible forms of the addressee’s presence in the space of the literary world are modelled in accordance with narrative coordinates. The specificity of each form of reader’s presence is determined by the conventional status, the narrative contour of the text, the objective intentional premises, as well as the ways of permeating into the artistic world, the ways of discovering the meaning, due to which the reading takes place as a holistic phenomenon. From the standpoint of cognitive narratology, every reader's projection has its own peculiarities that influence its place in the process of literary communication. It has been shown that the receptive significance of the literary work consists in the possibility of multiplying the meanings, implementation of the harmonious reader's understanding, corresponding to the original sense. With the increase of interval between the author and the reader, the content of the work is proportionally schematized, and with refinement of the scheme, every single interpretation acquires reliability.

Surveilling lesbians: The Birds, Hitchcock’s narrative cinema and the criminalization of sexuality

2020 ◽  
Vol 5 (1) ◽  
pp. 49-68 ◽  
Author(s):  
Brenden O’Donnell
Keyword(s):  
Female Characters ◽  
Rear Window ◽  
Women's Bodies ◽  
Representation Of Women ◽  
Private Lives ◽  
Narrative Cinema ◽  
Surveillance Practice ◽  
The 1960S

This article analyses The Birds in order to distinguish a form of heteropatriarchy characterized by the development of surveillance practices. In the earlier films Vertigo and Rear Window, female characters were represented as intensely desirable, yet also disturbingly unattainable. This article is dissatisfied with the explanation that Hitchcock’s unattainable woman is an example of the 1960s developing lesbian subjectivity. Instead, I use The Birds to prove that Hitchcock’s representation of women has in mind the projects of arranging women for interrogation, eavesdropping on their conversations and intruding upon their intimate moments. Hitchcock’s voyeurism, construable as ambivalent in earlier films, manifests in The Birds as a surveillance practice that assumes access over the private lives of women: a heteropatriarchal strategy that keeps women’s bodies, if not accessible for men, punishable by them. By keeping tabs on the ways that women grow intimate with one another instead of with men, Hitchcock’s cinema moves from narrative to surveillance, blurring the distinction between cinematography and security footage.

Zoya Il'inichna Glezer – life and scientific achievements

2019 ◽  
pp. 318-323
Author(s):  
Zinaida V. Pushina ◽  
Galina V. Stepanova ◽  
Ekaterina L. Grundan
Keyword(s):  
Western Siberia ◽  
Kara Sea ◽  
European Russia ◽  
Great Contribution ◽  
The South ◽  
The Creation ◽  
The 1960S ◽  
Scientific Achievements ◽  
South Of European Russia

Zoya Ilyinichna Glezer is the largest Russian micropaleontologist, a specialist in siliceous microfossils — Cenozoic diatoms and silicoflagellates. Since the 1960s, she systematically studied Paleogene siliceous microfossils from various regions of the country and therefore was an indispensable participant in the development of unified stratigraphic schemes for Paleogene siliceous plankton of various regions of the USSR. She made a great contribution to the creation of the newest Paleogene schemes in the south of European Russia and Western Siberia, to the correlations of the Paleogene deposits of the Kara Sea.

Klein with Lacan: A Study on the Reception of Lacanian Ideas in Uruguay and Its Effects on Clinical Practices (1955–82)

2020 ◽  
Vol 22 (3) ◽  
pp. 341-361
Author(s):  
Gonzalo Grau-Pérez ◽  
J. Guillermo Milán
Keyword(s):  
Clinical Practice ◽  
Clinical Material ◽  
Clinical Practices ◽  
Before And After ◽  
The Difference ◽  
The 1960S ◽  
The Relationship ◽  
Discursive Approach ◽  
The Way ◽  
Clinical Cases

In Uruguay, Lacanian ideas arrived in the 1960s, into a context of Kleinian hegemony. Adopting a discursive approach, this study researched the initial reception of these ideas and its effects on clinical practices. We gathered a corpus of discursive data from clinical cases and theoretical-doctrinal articles (from the 1960s, 1970s and 1980s). In order to examine the effects of Lacanian ideas, we analysed the difference in the way of interpreting the clinical material before and after Lacan's reception. The results of this research illuminate some epistemological problems of psychoanalysis, especially the relationship between theory and clinical practice.

THE FEATURES OF FEMALE IMAGES IN THE TRAGEDIES OF GUSEYN JAVID

2020 ◽  
Vol 5 (3) ◽  
pp. 180-188
Author(s):  
Malika Adigezalova ◽  
Keyword(s):  
Female Characters ◽  
Female Images ◽  
Female Figures ◽  
Characteristic Features ◽  
And Behavior ◽  
The Given

The article is devoted to the features of female types in the tragedies of one of significant playwrights of the XX century Guseyn Javid. In the given article, they analyse and compare the characteristic features and behavior of the female figures of the author’s such literaryworks as «Mother»(Selma, Ismet), «Maral»(Maral, Humay), «Afet»(Afet, Alagoz), «Siyavush»(Farangiz, Sudaba). The basis of the article lies in the creative works of G.Javid, where special attention is attracted by several types of female characters, among which the types of a traditional eastern woman are most brightly represented

Perancangan Boneka Edukasi Terinspirasi oleh Pencipta Boneka Si Unyil

2018 ◽  
Vol 1 ◽  
Author(s):  
Azhari Amri
Keyword(s):  
Design Process ◽  
Urban Culture ◽  
Urban Life ◽  
Rural Region ◽  
The Public ◽  
The Creation ◽  
The Difference ◽  
The City ◽  
Simple Materials

Film Unyil puppet comes not just part of the entertainment world that can be enjoyed by people from the side of the story, music, and dialogue. However, there is more value in it which is a manifestation of the creator that can be absorbed into the charge for the benefit of educating the children of Indonesia to the public at large. The Unyil puppet created by the father of Drs. Suyadi is one of the works that are now widely known by the whole people of Indonesia. The process of creating a puppet Unyil done with simple materials and formation of character especially adapted to the realities of the existing rural region. Through this process, this research leads to the design process is fundamentally educational puppet inspired by the creation of Si Unyil puppet. The difference is the inspiring character created in this study is on the characters that exist in urban life, especially the city of Jakarta. Thus the results of this study are the pattern of how to shape the design of products through the creation of the puppet with the approach of urban culture.

"Nécessité d'une orientation esthétique": Techniques of Development in the Music of Boulez

2019 ◽  
Vol 6 (1) ◽  
pp. 87-129
Author(s):  
Catherine Losada
Keyword(s):  
Significant Influence ◽  
Major Change ◽  
Compositional Process ◽  
Base Materials ◽  
Compositional Approach ◽  
The Creation ◽  
Open Work ◽  
Additional Level ◽  
New Perspective ◽  
The 1960S

The latter part of the 1950s saw a major change in Boulez's compositional approach: Instead of creating extensive pre-compositional sketches, he increasingly reused previously composed materials as the basis for new works. The shifting aesthetics that characterized this period had a significant influence on Boulez. His works from the late 1950s explore the ideas of mobility embedded in the open work. Balancing the concept of mobility with the ideals of control that form the basis of his compositional ideology led to an economy of means and an associated emphasis on the concept of development in his compositional process. Both facilitated the creation of new works from a more limited array of base materials.<br/> Tracing the concept of development in a sample of Boulez's sketches and works from the late 1950s through the 1960s, this essay presents a preliminary typology of recurring pitch and temporal developmental techniques. By taking a bird's-eye view, I add an additional level of interpretation, emphasizing their formal function, association with aspects of middleground structure and studying their implications in terms of perception. In this way, I present a new perspective on the association between these techniques and the practice of derivation from a limited amount of material that characterizes these works.

scholarly journals Breyten Breytenbach en die Simbolisme - ’n voorlopige verkenning

Literator ◽  
1992 ◽  
Vol 13 (1) ◽  
pp. 15-28 ◽  
Author(s):  
H. Viljoen
Keyword(s):  
Cape Town ◽  
Strong Duality ◽  
Great Emphasis ◽  
Rich Source ◽  
The Creation ◽  
Breyten Breytenbach ◽  
The Rich ◽  
The Difference ◽  
Present World

This article is an attempt to outline the difference between Breytenbach's poetic method and that of the Symbolists. Although it touches on aspects of the symbolist poetic method like the rich suggestiveness, the creation o f a meaningful alternative world (and the effort of doing this), it focuses mainly on Breytenbach’s use of metaphor to create an impossible alternative world in a poem, only to relativize and destroy it again in the end. This process is illustrated in an analysis of poem 8.1 from Lotus. This analysis also shows up five well-known cardinal traits of Breytenbach’s poetry, viz. its carnality, the universal analogy between body, cosmos and poetry and the great emphasis on journeys, discoveries and transformations by means of language. It is also claimed that the Zen-Buddhisi Void plays an analogous role in Breytenbach's poetry to the theory of correspondances in the Symbolists: it is a rich source of metaphor. Breytenbach's poetry shows a strong duality between the present world and a meaningful alternative sphere. Being in and of this alternative sphere only aggravates the poet’s isolation (a typically symbolist trait), making him literally and figuratively an exile, as exile poems like "tot siens, kaapstad" (see you again, cape town) and "Walvis in die berg" (Whale on the mountain) and, of course, his prison poetry, clearly show.

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