I am not a virus! From model minority to public enemy, the racialisation of the Chinese community in Italy through food

2021 ◽  
pp. 119-133
Author(s):  
Sebastiano Benasso ◽  
Luisa Stagi
Keyword(s):  
Model Minority ◽  
Color Blindness ◽  
Chinese Community ◽  
Public Enemy ◽  
The Media ◽  
Media Narratives ◽  
Minority Model ◽  
The City ◽  
Restaurant Owners ◽  
Shed Light

Covid-19 has shed light on the Sino-Italian communities, usually perceived as a "minority model", based on their being considered as integrated, hard-working and silent. The media narratives about the relation between the spreading of the virus and the consumption of food framed as "disgusting" have neutralised the color-blindness usually applied to Asian migrants in Italy. The latent racism has been reinforced by a process of distinction focused on the disgust for an "abject" food. The reframing of the Sino-Italians as folk devils through the spread of gastro-panic has yet triggered processes of subjectivation, pushing them to make their voices heard on a public level. By the standpoint of 12 "Asian" restaurant owners in the city of Genoa, we explore the frame in which such dynamics have unfolded.

scholarly journals Contemporary Serbian stereotypes about the Chinese in Belgrade: When you say China, I think about Block 70 or…

2009 ◽  
pp. 47-61 ◽  
Author(s):  
Gordana Blagojevic
Keyword(s):  
Chinese Culture ◽  
Chinese Community ◽  
Political Factors ◽  
Mixed Marriages ◽  
Gender And Education ◽  
Bruce Lee ◽  
The Media ◽  
The Difference ◽  
Almost All ◽  
The City

The Chinese widely settled in Serbia in the 1990's. There is no official data on the real number of the Chinese living in Serbia. Most of the Chinese live in New Belgrade, near the shopping center at Block 70. Media images of the Chinese community in Serbia, especially in Belgrade are at the level of urban legend. Those are stories about their number, nutrition, non-dying fictitious mixed marriages, etc. Knowledge of contemporary Serbs about the Chinese mainly exists at the level of media information or it is based on contacts with representatives of the Chinese community in Serbia. In this sense, there are two different kinds of stereotypes among the Serbs about the Chinese. Some are related to the picture of the Chinese Chinese, i.e. Chinese in China, and others are pictures of the Serbian Chinese, i.e. Chinese who live in Serbia. Association differs according to age structure and depending on which part of the city examinees live in. Almost all of the older examinees, regardless of gender and education, emphasized the difference between the Chinese population in China and those in Serbia. In addition, films made a significant role in getting to know Chinese culture. Association with Bruce Lee and Jackie Chan appeared to the words China and Chinese among examinees of all ages. How ethnic hetero-stereotypes about the Chinese in Serbia will continue to change depends on different factors. First of all, on social and political factors and images of someone else mainly created through the media.

MURAL, KEKUATAN MODAL, DAN MASYARAKAT

DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Communication Media ◽  
Mural Painting ◽  
The People ◽  
The Media ◽  
Mural Art ◽  
The City ◽  
The Voice ◽  
Special Region

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.

A Wolf in the City

2018 ◽  
Author(s):  
Cinzia Arruzza
Keyword(s):  
Political Theory ◽  
Detailed Analysis ◽  
Moral Psychology ◽  
Fifth Century ◽  
Political Leaders ◽  
Athenian Democracy ◽  
The City ◽  
Shed Light

A Wolf in the City is a study of tyranny and of the tyrant’s soul in Plato’s Republic. It argues that Plato’s critique of tyranny is an intervention in an ancient debate concerning the sources of the crisis of Athenian democracy and the relation between political leaders and the demos in the last decades of the fifth century BCE. The book shows that Plato’s critique of tyranny should not be taken as a veiled critique of the Syracusan tyrannical regime but, rather, as an integral part of his critique of Athenian democracy. The book also offers an in-depth and detailed analysis of all three parts of the tyrant’s soul, and contends that this approach is necessary to both fully appraise the complex psychic dynamics taking place in the description of the tyrannical man and shed light on Plato’s moral psychology and its relation with his political theory.

Conclusion

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Health ◽  
Public Space ◽  
Social Conflict ◽  
Musical Performance ◽  
The Public ◽  
Political Interests ◽  
Musical Practices ◽  
The Media ◽  
The City

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.

The Classical naval installations in the Piraeus

2014 ◽  
Vol 60 ◽  
pp. 50-54
Author(s):  
Chryssanthi Papadopoulou
Keyword(s):  
The State ◽  
Recent Book ◽  
Archaeological Investigation ◽  
Modern Greek ◽  
City State ◽  
The City ◽  
Shed Light

In his recent book The Ancient Harbours of the Piraeus I.1, Bjorn Lovén notes that archaeological investigation of the Classical naval installations in the Piraeus goes back almost as far as the discipline of archaeology in the modern Greek state (Lovén 2011: 15). This enduring archaeological interest in the Piraeus installations is not some ungrounded fascination, but rests on the importance of these facilities not only for the Piraeus, but for the whole of Classical Athens. The commission of these installations was an integral part of a Classical building programme that saw the construction of triremes and the fortification of the Piraeus peninsula. As Vincent Gabrielsen (2007: 256–57) has shown, the building of warships is not necessarily synonymous with the construction of a navy. The latter implies the centralization of war reserves by the city-state and the provision of infrastructure (naval facilities and walls to protect both these facilities and the ships stationed in them), and it would be essential for the state to maintain and operate these resources. Investigations of the Piraeus shipsheds therefore shed light not only on the size of Athenian triremes, but also on the overall planning and works undertaken by the Athenian state in Classical times, in order to command and sustain a large navy.

8. Infrared Reflectography of Edward Hopper’s High Noon: Questions of Authentication

2018 ◽  
Author(s):  
Ian E. Longo
Keyword(s):  
Near Infrared ◽  
Early American ◽  
Edward Hopper ◽  
Private Collection ◽  
The Media ◽  
Catalogue Raisonne ◽  
Infrared Reflectography ◽  
Shed Light ◽  
Ir Reflectography ◽  
High Noon

An unprovenanced oil study, purportedly by the early American realist Edward Hopper (188* -1967), was purchased in 2007 on eBay by a pair of brothers from Ontario. It is a smaller, poorly-executed near-copy of Hopper’s High Noon at the Dayton Art Institute. Given that detailed diary entries by Hopper’s wife, Josephine, note only that four charcoal sketches preceded the final version of High Noon, and fail to mention an oil study, Gail Levin, the author of Hopper’s catalogue raisonné, has conservatively concluded that it can at best be assigned to a dedicated follower. Can Infrared Reflectography of the two paintings shed light on the question of authenticity? Many pigments used by Hopper become transparent in the Near Infrared spectrum, a fact verified by a test-panel. By using a DSLR camera, converted to detect IR, charcoal sketches on the primed canvas of the original were revealed. While IR Reflectography reveals earlier stages in the composition of the authentic High Noon, stages suggested by the charcoal sketches, IR does not provide positive proof for the authenticity of the oil sketch. The issue of authenticity became further complicated when the media, led by the Globe and Mail, took up the case of the owners and overstated the IR results. At present the IR investigation suggests only that the oil study was painted by a follower working from either Josephine’s diary or, more intriguingly, from Hopper’s own sketches, which are held in a private collection.

scholarly journals Veterinarians and Public Health: Food Control in the Professionalization of Veterinarians

2017 ◽  
Vol 7 (2) ◽  
pp. e1806 ◽  
Author(s):  
Kari Tove Elvbakken
Keyword(s):  
Public Health ◽  
The State ◽  
Food Control ◽  
Health Food ◽  
Food Inspection ◽  
Core Practice ◽  
The City ◽  
Shed Light

This article explores the role of food control in the professionalization of veterinarians in Norway. Veterinarians became engaged in public health through food control and market inspection, which were the responsibility of Norway’s city boards of health from the 1860s. Food inspection served a double purpose: to ensure honest trade and to maintain the safety of food. I argue that food control, which was associated with cities’ efforts to secure public health and order, was important to the legitimacy of the veterinarian profession. This activity is not what one today sees as a core practice of veterinarians, which is the prevention and curing of animal sickness. Exploring boundary activities at the fringes of a profession, and especially activity connected to the city and the state, may shed light on the more general sources of professional influence and legitimacy in the Norwegian profession state.

scholarly journals O romance de Ricardo Lísias: janelas escancaradas para o sujeito hipermoderno

2016 ◽  
Vol 51 (4) ◽  
pp. 491
Author(s):  
Ana Cláudia Munari ◽  
Taíssi Alessandra Cardoso da Silva
Keyword(s):  
Media Studies ◽  
Contemporary Literature ◽  
The Self ◽  
Police Chief ◽  
The Novel ◽  
The Media ◽  
The Subject ◽  
Media Narratives ◽  
Self Reference ◽  
Critical Production

A partir da análise dos romances de Ricardo Lísias e da sua produção autocrítica, este trabalho busca entender algumas relações entre a literatura de autoficção e a publicização do sujeito autor imerso no universo midiático. Partindo de uma revisão bibliográfica que conceitua os objetos aqui circunscritos e de uma apreciação anterior sobre a produção literária de jovens escritores brasileiros selecionados pela revista Granta em 2012, estreitamos nossa focalização no movimento do romancista em direção à escrita de si e à autorreferência. Nesse sentido, analisamos e contextualizamos a modalidade de escritura denominada autoficção, especialmente no que tange às aproximações entre as instâncias do narrador e do autor e entre biografemas e ficção (FIGUEIREDO, 2013; KLINGER, 2012), e evocamos estudos da Sociologia e da Comunicação de modo a caracterizar a sociedade da qual emerge o corpus deste estudo (LIPOVESTKY, 2004; SANTAELLA, 2012). A partir desse contexto, investigamos as obras literárias – O céu dos suicidas (2012), Divórcio (2013) e Delegado Tobias (2014) – e as narrativas midiáticas de Ricardo Lísias e identificamos nelas estratégias da publicidade.********************************************************************The novel by Ricardo Lísias: wide open windows to the subject hypermodernAbstract: Through the analysis of the novels of Ricardo Lísias and its self-critical production, this work intends to understand some relationships between the self-fiction literature and the popularization of the subject author immersed in the media universe. Starting from a literature review that conceptualizes the objects herein bounded and an earlier assessment of the literary production of young Brazilian writers selected by Granta magazine in 2012, we strengthened  ur focus on the novelist's movement toward the writing itself  nd self-reference. Pursuing this aim, we analyzed and contextualized the form of writing named autofiction, especially with regard to the similarities between instances of the narrator and the author and between biographema and fiction (FIGUEIREDO, 2013; KLINGER, 2012). We also evoked Sociology and Media Studies to characterize the society of which emerges the corpus of this study (LIPOVESTKY, 2004; SANTAELLA, 2012). From these premises, we investigated the literary works – Céu dos suicidas (Heaven suicide, 2012), Divórcio (Divorce, 2013) and Delegado Tobias (Tobias, the police chief, 2014) – and the media narratives of Ricardo Lísias and finally we identified his advertising strategies.Keywords: Self-ficction; Contemporary literature; Hypermodernity; Ricardo Lísias

scholarly journals Driving on the Left: Sorkin’s View of the Street, the City and architecture

2013 ◽  
Author(s):  
Michael Sorkin ◽  
Graham Cairns
Keyword(s):  
New York ◽  
Political Action ◽  
Graduate Program ◽  
Fine Arts ◽  
Contemporary Culture ◽  
Environmental Threats ◽  
City College ◽  
The Media ◽  
Village Voice ◽  
The City

Sardonic, cutting, insightful, provocative: Michael Sorkin is one of today’s most radical architectural commentators with a staunch leaning to the political left and a literary bent for framing painful truths in ironic, and sometimes hilarious, verse. However, he should not be dismissed as a radical, isolated, or lone and unhindered voice however. He is a Distinguished Professor of Architecture and Director of the Graduate Program in Urban Design at the City College of New York, and he has been Professor of Urbanism and Director of the Institute of Urbanism at the Academy of Fine Arts, Vienna. In addition, he has taught at architecture schools across the world, including the Architectural Association, Columbia, Yale, Harvard and Cornell. Sorkin runs his own design studio and research institute and has been a contributing editor of the Architectural Record . He was the architecture critic of the Village Voice for ten years and has published innumerable articles and essays. A list of some of his books includes: Twenty Minutes in Manhattan , Variations on a Theme Park , Exquisite Corpse , The Next Jerusalem , Indefensible Space , and a long list of other etcs . and alsos ….In this interview-article, he offers his opinion on a range of issues, including the environmental threats to contemporary America, architectural symbolism and paranoia, the importance of political action on the streets of the modern city, and the role of the architecture critic in the complex tapestry of contemporary culture. With regard the position of the modern critic, he begins by responding to a question regarding the relevance of Noam Chomsky’s description of the media as a form of propaganda and the contemporary journalist as functioning through the structure of what Chomsky defines as “filters,” or constraints and biases that dictate what gets written and published in the press.

scholarly journals Sensing the (media) city

2021 ◽  
Vol 8 (1) ◽  
pp. 135-144
Author(s):  
Anna Notaro
Keyword(s):  
Social Engagement ◽  
Human Heart ◽  
Emotional Responses ◽  
Urban Spaces ◽  
Research Association ◽  
Interactive Art ◽  
Sensory Environment ◽  
The Media ◽  
Radical Construction ◽  
The City

This article, originally delivered at the 16th international conference of the Architectural Humanities Research Association (University of Dundee, November 2019), seeks to engage with the ‘emotive’, ‘sensorial’ and ‘affective turn’, as defined by authors in the humanities, social and cultural studies in order to consider the emotional responses to the mediated experiences of place and to inquire into how individuals and collectives react to a changing sensory environment. It adopts a multi-disciplinary approach that blends historical, cultural and mediated dimensions of urban spaces and places while maintaining a focus on the kind of locative/interactive art which is less concerned with representation and more with radical construction, social engagement and communication. The purpose is to try and provide an answer to the question: what does ‘sensing the city’ exactly entail when the city’s form, as Baudelaire memorably put it, ‘changes faster than the human heart?’

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