scholarly journals Sensing the (media) city

2021 ◽  
Vol 8 (1) ◽  
pp. 135-144
Author(s):  
Anna Notaro
Keyword(s):  
Social Engagement ◽  
Human Heart ◽  
Emotional Responses ◽  
Urban Spaces ◽  
Research Association ◽  
Interactive Art ◽  
Sensory Environment ◽  
The Media ◽  
Radical Construction ◽  
The City

This article, originally delivered at the 16th international conference of the Architectural Humanities Research Association (University of Dundee, November 2019), seeks to engage with the ‘emotive’, ‘sensorial’ and ‘affective turn’, as defined by authors in the humanities, social and cultural studies in order to consider the emotional responses to the mediated experiences of place and to inquire into how individuals and collectives react to a changing sensory environment. It adopts a multi-disciplinary approach that blends historical, cultural and mediated dimensions of urban spaces and places while maintaining a focus on the kind of locative/interactive art which is less concerned with representation and more with radical construction, social engagement and communication. The purpose is to try and provide an answer to the question: what does ‘sensing the city’ exactly entail when the city’s form, as Baudelaire memorably put it, ‘changes faster than the human heart?’

scholarly journals ELEKTRONINIS POSŪKIS: NUO FIZINIO MIESTO LINK E-TOPOS MIESTO

Problemos ◽  
2007 ◽  
Vol 71 ◽  
Author(s):  
Nerijus Milerius
Keyword(s):  
Communication Network ◽  
Nervous System ◽  
Descriptive Analysis ◽  
Urban Spaces ◽  
Philosophical Analysis ◽  
City Life ◽  
The Media ◽  
Urban Discourse ◽  
The City ◽  
Space Of Flows

Straipsnyje nagrinėjamas „elektroninis posūkis“, kuris akivaizdžiai pastebimas filosofinėje urbanistinių temų analizėje. Greta neutralaus miesto topos aprašymo, utopinių ir distopinių miesto vizijų susiformuoja teorinis diskursas, aprašantis miestą per e-topos prizmę. Naujasis diskursas filosofinėje miesto analizėje akcentuoja medijų poveikio miesto funkcionavimui bei globalizacijos procesų komponentą. Atskleidžiama, kaip „elektroninis posūkis“ pakeitė miestiečio, namų ir miesto erdvių interpretacijas. Parodoma, jog „elektroninio posūkio“ teorijose miestiečio sąmoningumas siejamas su skaitmeniniais nervų sistemos parametrais, namai aprašomi kaip komunikacijos tinklais su pasauliu sujungti atviri dariniai, o miestas suprantamas ne per fizines struktūras, bet per dinamiškas srautų erdves. Pagrindiniai žodžiai: miestas, e-topos, srautų erdvė.Electronic Turn: From Physical City towards e-topos CityNerijus Milerius  SummaryThe author deals with the “electronic turn” which is evidently present in philosophical analysis of urban subjects. As the effect of such turn, along with three traditional theoretical discourses, neutral descriptive analysis of the urban topos, utopias and dystopias, a new urban discourse of e-topos has been establishing itself. The new urban discourse lays stress on the outcomes of the media and the processes of globalization for the city life and its structures. In the artic le, an essential shift in the interpretation of citizen, home and urban spaces is revealed. Theories contributing to “electronic turn” analyze urban citizen through the prism of digital parameters of the nervous system, describe the home as the open units integrated into the communication network, reveal the city not through its material structures, but through the dynamic space of flows. Keywords: city, e-topos, space of flows. font-family: Calibri, sans-serif;"> 

MURAL, KEKUATAN MODAL, DAN MASYARAKAT

DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Communication Media ◽  
Mural Painting ◽  
The People ◽  
The Media ◽  
Mural Art ◽  
The City ◽  
The Voice ◽  
Special Region

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.

Conclusion

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Health ◽  
Public Space ◽  
Social Conflict ◽  
Musical Performance ◽  
The Public ◽  
Political Interests ◽  
Musical Practices ◽  
The Media ◽  
The City

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.

Ibero-American Architecture and Urbanism

2019 ◽  
pp. 285-311
Author(s):  
Paul Niell
Keyword(s):  
Material Culture ◽  
New World ◽  
Human Subjects ◽  
Urban Spaces ◽  
Counter Reformation ◽  
American Architecture ◽  
Political Norms ◽  
The City

The Baroque in Ibero-American Architecture and Urbanism, in parts of the Americas formerly comprising the Spanish and Portuguese empires, has been traditionally studied as a question of adherence to or deviation from a Counter-Reformation style promoted primarily by ecclesiastical institutions. This article expands upon what is meant by “Baroque” in the architecture and urbanism of the Iberian empires in the Americas. Through the analysis of urban plans, images of the city, architectural interiors and exteriors, physical urban spaces, and other forms of material culture, this article argues that Ibero-American architecture and urbanism in the age of the Baroque belonged to a phenomenon of ordering and thereby creating the “New World” as ideologically constituted colonial spaces that reified social and political norms. Furthermore, human subjects actively negotiated the spaces created by architecture and the city, making the American Baroque also part of a process of negotiating order and thereby producing American spaces.

scholarly journals Conspiracy Theories and Their Societal Effects During the COVID-19 Pandemic

2021 ◽  
pp. 194855062110002
Author(s):  
Lotte Pummerer ◽  
Robert Böhm ◽  
Lau Lilleholt ◽  
Kevin Winter ◽  
Ingo Zettler ◽  
...  
Keyword(s):  
Longitudinal Study ◽  
Random Sample ◽  
Social Engagement ◽  
Risk Groups ◽  
Conspiracy Theory ◽  
Sample Survey ◽  
Institutional Trust ◽  
Conspiracy Theories ◽  
The Media ◽  
And Behavior

During COVID-19, conspiracy theories were intensely discussed in the media. Generally, both believing in conspiracy theories (i.e., explanations for events based on powerholders’ secret arrangements) and being confronted with a conspiracy theory have been found to predict cognition and behavior with negative societal effects, such as low institutional trust. Accordingly, believing in conspiracy theories around COVID-19 should reduce institutional trust, support of governmental regulations and their adoption, and social engagement (e.g., helping members of risk groups). We tested these predictions in a national random sample survey, an experiment, and a longitudinal study ( N total = 1,213; all studies were preregistered). Indeed, believing in and being confronted with a COVID-19 conspiracy theory decreased institutional trust, support of governmental regulations, adoption of physical distancing, and—to some extent—social engagement. Findings underscore the severe societal effects of conspiracy theories in the context of COVID-19.

THE FREEDOM OF THE AESTHETIC: MONTSERRAT ROIG’S USE OF THE CITY IN RAMONA, ADÉU

2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells
Keyword(s):  
Literary Criticism ◽  
Urban Space ◽  
Critical Analysis ◽  
Urban Spaces ◽  
Female Characters ◽  
The Social ◽  
Catalan Literature ◽  
The Aesthetic ◽  
The City

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.

COVID-19 pandemic and the poor in the urban spaces of India with special reference to Mumbai

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Sujayita Bhattacharjee ◽  
Sanjukta Sattar
Keyword(s):  
Special Reference ◽  
Urban Poor ◽  
Secondary Data ◽  
Urban Spaces ◽  
Right To The City ◽  
Content Type ◽  
The Poor ◽  
The Social ◽  
Socioeconomic Crisis ◽  
The City

PurposeThe lives of the poor in the urban spaces of India are filled with hardships. They live amidst poverty and struggle to survive within other problems such as insecure jobs, lack of proper housing, unsanitary conditions and low levels of health immunity. This vulnerable section of the population has been rendered furthermore vulnerable by the outbreak of the COVID-19 pandemic in ways that were never imagined before. Taking this into consideration, the purpose of this article is to examine the vulnerability of the poor in the urban settings of India with special reference to Mumbai in the context of the COVID-19 pandemic.Design/methodology/approachThe methodology adopted in the study is based on the analysis of secondary data and content analysis of the existing literature. In addition to this, the study also makes use of certain narratives of the urban poor in Mumbai that have been captured by various articles, reports and blogs.FindingsThe findings of the study reveal how the urban poor of India, with special reference to Mumbai, the financial capital of India, has emerged as the worst sufferers of the socioeconomic crisis caused by the social distancing and lockdown measures imposed for combating the pandemic.Originality/valueThe study tries to explore the reality of the urban poor's right to the city in the wake of the pandemic.

scholarly journals Driving on the Left: Sorkin’s View of the Street, the City and architecture

2013 ◽  
Author(s):  
Michael Sorkin ◽  
Graham Cairns
Keyword(s):  
New York ◽  
Political Action ◽  
Graduate Program ◽  
Fine Arts ◽  
Contemporary Culture ◽  
Environmental Threats ◽  
City College ◽  
The Media ◽  
Village Voice ◽  
The City

Sardonic, cutting, insightful, provocative: Michael Sorkin is one of today’s most radical architectural commentators with a staunch leaning to the political left and a literary bent for framing painful truths in ironic, and sometimes hilarious, verse. However, he should not be dismissed as a radical, isolated, or lone and unhindered voice however. He is a Distinguished Professor of Architecture and Director of the Graduate Program in Urban Design at the City College of New York, and he has been Professor of Urbanism and Director of the Institute of Urbanism at the Academy of Fine Arts, Vienna. In addition, he has taught at architecture schools across the world, including the Architectural Association, Columbia, Yale, Harvard and Cornell. Sorkin runs his own design studio and research institute and has been a contributing editor of the Architectural Record . He was the architecture critic of the Village Voice for ten years and has published innumerable articles and essays. A list of some of his books includes: Twenty Minutes in Manhattan , Variations on a Theme Park , Exquisite Corpse , The Next Jerusalem , Indefensible Space , and a long list of other etcs . and alsos ….In this interview-article, he offers his opinion on a range of issues, including the environmental threats to contemporary America, architectural symbolism and paranoia, the importance of political action on the streets of the modern city, and the role of the architecture critic in the complex tapestry of contemporary culture. With regard the position of the modern critic, he begins by responding to a question regarding the relevance of Noam Chomsky’s description of the media as a form of propaganda and the contemporary journalist as functioning through the structure of what Chomsky defines as “filters,” or constraints and biases that dictate what gets written and published in the press.

scholarly journals The Role of Urban Morphology Design on Enhancing Physical Activity and Public Health

2020 ◽  
Vol 17 (7) ◽  
pp. 2359 ◽  
Author(s):  
Sadegh Fathi ◽  
Hassan Sajadzadeh ◽  
Faezeh Mohammadi Sheshkal ◽  
Farshid Aram ◽  
Gergo Pinter ◽  
...  
Keyword(s):  
Public Health ◽  
Physical Activity ◽  
Space Syntax ◽  
Urban Morphology ◽  
Physical Activities ◽  
Urban Spaces ◽  
Equation Modeling ◽  
The City

Along with environmental pollution, urban planning has been connected to public health. The research indicates that the quality of built environments plays an important role in reducing mental disorders and overall health. The structure and shape of the city are considered as one of the factors influencing happiness and health in urban communities and the type of the daily activities of citizens. The aim of this study was to promote physical activity in the main structure of the city via urban design in a way that the main form and morphology of the city can encourage citizens to move around and have physical activity within the city. Functional, physical, cultural-social, and perceptual-visual features are regarded as the most important and effective criteria in increasing physical activities in urban spaces, based on literature review. The environmental quality of urban spaces and their role in the physical activities of citizens in urban spaces were assessed by using the questionnaire tool and analytical network process (ANP) of structural equation modeling. Further, the space syntax method was utilized to evaluate the role of the spatial integration of urban spaces on improving physical activities. Based on the results, consideration of functional diversity, spatial flexibility and integration, security, and the aesthetic and visual quality of urban spaces plays an important role in improving the physical health of citizens in urban spaces. Further, more physical activities, including motivation for walking and the sense of public health and happiness, were observed in the streets having higher linkage and space syntax indexes with their surrounding texture.

scholarly journals The World capital of reggaeton: Verbal framing of Medellin in online media discourse

Ricercare ◽  
2021 ◽  
pp. 56-71
Author(s):  
Mariia Mykhalonok
Keyword(s):  
Online Media ◽  
Media Discourse ◽  
Frame Semantics ◽  
Negative Stereotypes ◽  
Musical Genre ◽  
The World ◽  
The Media ◽  
The City

This article examines linguistic framing of Medellin as the city of the musical genre reggaeton in online media discourse, drawing on Fillmore’s frame semantics theory (1977). The most salient frames applied towards Medellin are those of centrality, home, and music, whereby the city’s global significance as a musical hub is emphasized through the terms belonging to the frame of world. The use of components from the frames of crime and drugs suggests that the drug-related past of Medellin is integrated into its new cultural profile. Another part of the new Medellin brand are the city’s residents themselves, who are credited with supporting local reggaetonero/as, and are typically referred to with overtly positive vocabulary from the frames of love, help, and home. Although some texts evoke negative stereotypes about reggaeton, the media mostly present the Medellin reggaeton scene through the frames of success, power, and business.

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