Trieste: un porto, una cittŕ tra Impero Austro-Ungarico e Mediterraneo

STORIA URBANA ◽  
2009 ◽  
pp. 165-184
Author(s):  
Sara Basso

-Trieste was the main commercial port of the Hapsburg Empire on the Mediterranean since 1719. During the 19th century the city underwent a series of projects for upgrading its port facilities and rail projects in order to improve its links with Vienna and with the productive regions inland. Eighteenth-century city planning was an orderly affair leading to an orderly expansion. However, the second half of the nineteenth century brought Trieste into a period of great instability, where projects approved by the government of Vienna clashed with guidelines proposed by the city's elite The projects presented in this period do not follow any general plan. They are neither broad-range nor long-term. The city developed through partial plans. These plans tried to exploit the plains areas between the sea and the high karst plateau that dominated the city. In addition, they went towards reinforcing the interests of the local economic powers.

Author(s):  
Lusine Sargsyan ◽  
◽  
Davit Ghazaryan ◽  
◽  

This study is dedicated to the Armenian manuscript and printed Amulet1 of the Armenian Diocese of Baghdad (DAOB). In this collection of early printings, there are two printed Amulets in scroll (Pr. n. 14, second half of the 19th century and Pr. n. 15, A.D. 1716). The third Amulet is a manuscript written in 1736 in the city of Erzrum (Karin) for a certain Ohan (Ms. n. 13). The scanned copies of these amulets are currently available through the website of Hill Museum and Manuscript Library (HMML).2 Since this paper is the first study of these amulets, it presents them in terms of codicology and bibliographical study and discusses their decoration. The study of some iconographic details will help to reveal the practice of using amulets and their meaning, considering them as a representation of Armenian “folklore-art”, since scribes and miniaturists were partly free to choose texts and decorate them, even they were mostly works of the priesthood.3 It should be noted that as artifacts of the same genre, having a purpose of protection of their owners using incantations and prayers, very often the content and decoration of these three Amulets have similarities. From this point of view, Ms. n. 13 (A.D. 1736) and Pr. n. 15 (A.D. 1716) are more relevant to each other both in content and, accordingly, in decoration. A selection of prayers and illustrations to them show almost the same structure, and for the printed Amulet, we can certainly argue that such structure was typical (but not limited) for the printed Amulets in the Armenian tradition from the 18th to 19th centuries. Despite some similarities with two previous Amulets, the Pr. n. 14 (19th century) represent another structure of content and its decoration. It is enriched with prayers and illustrations which does not exist in mentioned above two examples of the 18th century. E.g. engravings depicting the life of Christ (Annunciation, Birth of Jesus Christ, Baptism, Resurrection, etc.), or portraits of the evangelists, accompanied by the passages from their Gospels. Our research shows that the publishers of this Amulet had an eighteenth-century prototype and took an innovative approach using Western art engravings.


Politeja ◽  
2021 ◽  
Vol 18 (5(74)) ◽  
pp. 225-239
Author(s):  
Paweł Kubicki

Urban Resilience and New Urban Policies The article analyses new urban policies and the question of urban resilience. The author focus on two case studies: the examples of “superblocks” idea in Barcelona and the idea of “15-minute city” in Paris. Both initiatives are now becoming model solutions, providing inspiration for other cities adapting to the new challenges. Moreover, both cities in the middle of the 19th century, as a result of the revolutionary reconstruction of the urban fabric, have also become model examples for other cities and symbols of the new urban way of life. The analysis, based on such examples, allows the phenomena to be explained in a long-term perspective, indicating the role of the city and urbanity in the process of initiating social change processes.


Author(s):  
Fairchild D. Ruggles

The Alhambra (from al-hamra, meaning “red”) is a complex of palaces and gardens that stands on the Sabika Hill overlooking the city of Granada, in southern Spain (the last remnant of the larger Muslim-ruled territory known as al-Andalus). The original palace was built to serve as the seat of the Zirid dynasty (r. 1012–1090), on even older Roman remains, but little remains of the ancient and Zirid phases. Most of the standing architecture dates to the 13th and 14th centuries and was built under the patronage of the Nasrid dynasty (1232–1492). The patrons who made the biggest impact on the palace-city were the Nasrid sultans Muhammad III (r. 1302–1309), Ismaʾil I (r. 1314–1325), Yusuf I (r. 1333–1354) and Muhammad V (r. 1354–1359 and 1362–1391). Built in phases by them, the Alhambra consists of not one but many palaces, including the so-called Comares Palace, the Palace of the Lions, the Partal, and others of which only archaeological traces remain, all enclosed by a great wall. The Alhambra’s various structures included massive gates, formal reception halls, less formal halls for entertainment, residential rooms and towers, a congregational mosque and smaller oratories, multiple bathhouses, courtyards with central fountains and pools, an aqueduct, gardens, service buildings, and a highly fortified area for the military. Across a ravine stands the Generalife (built between 1302 and 1319), a pleasure palace for the Nasrid sultan and his family. When Granada was conquered by the Catholic Monarchs Isabel and Ferdinand in 1492, the Nasrids were sent into exile and the Alhambra and Generalife became property of the Crown. But, aside from brief visits, the Spanish rulers did not reside at the palace and made few changes to it, with the exception of the enormous palace added by Charles V in 1533. In the 19th century, as the complex attracted more visitors, the government began to restore the crumbling fabric. By 1870 the Alhambra was declared a Monumento Histórico Artístico Nacional and placed under the protection of the state. The complex became a UNESCO World Heritage monument in 1984.


Author(s):  
N. U. Babinovich ◽  
E. V. Sitnikova

The paper considers the general trends in classicism and city planning in Russia and Siberia. The prerequisites for the classicism development are studied on the example of the famous architectural monuments; the main style characteristics are considered. This study concerns the problems of preserving historic buildings in the cities of Russia and the loss of valuable building elements. Classical architecture offers simple clean design widely used in the 19th century and recognized as a background building in all cities of the country. It was most of all subject to destruction during the Soviet period. At present, these objects are rare and identify the architectural era. Although many authors study classicism in the cities of Russia and Siberia, the city of Tomsk has not been studied enough.Comparative and architectural analyses are used to study the classicism development in the capitals of Russia, Siberia and in Tomsk, in particular. It is shown how the main public buildings are designed and built in the cities of Russia and in the city of Tomsk in accordance with the approved projects.It is shown that having passed the main formation stages, classicism becomes the national style by the middle of the 19th century. The need to build public buildings in all provincial cities of the country, new types of buildings such as magistrates, seats, banks, stock exchanges and others, change the architectural style in Russia. The model projects allow in a short time to carry out a large-scale economical and technically correct construction, which contributes to the stylistic integrity of the Russian cities.


Author(s):  
Liubomyr Ilyn

Purpose. The purpose of the article is to analyze and systematize the views of social and political thinkers of Galicia in the 19th - beginning of the 20th centuries. on the right and manner of organizing a nation-state as a cathedral. Method. The methodology includes a set of general scientific, special legal, special historical and philosophical methods of scientific knowledge, as well as the principles of objectivity, historicism, systematic and comprehensive. The problem-chronological approach made it possible to identify the main stages of the evolution of the content of the idea of catholicity in Galicia's legal thought of the 19th century. Results. It is established that the idea of catholicity, which was borrowed from church terminology, during the nineteenth century. acquired clear legal and philosophical features that turned it into an effective principle of achieving state unity and integrity. For the Ukrainian statesmen of the 19th century. the idea of catholicity became fundamental in view of the separation of Ukrainians between the Russian and Austro-Hungarian empires. The idea of unity of Ukrainians of Galicia and the Dnieper region, formulated for the first time by the members of the Russian Trinity, underwent a long evolution and received theoretical reflection in the work of Bachynsky's «Ukraine irredenta». It is established that catholicity should be understood as a legal principle, according to which decisions are made in dialogue, by consensus, and thus able to satisfy the absolute majority of citizens of the state. For Galician Ukrainians, the principle of unity in the nineteenth century. implemented through the prism of «state» and «international» approaches. Scientific novelty. The main stages of formation and development of the idea of catholicity in the views of social and political figures of Halychyna of the XIX – beginning of the XX centuries are highlighted in the work. and highlighting the distinctive features of «national statehood» that they promoted and understood as possible in the process of unification of Ukrainian lands into one state. Practical significance. The results of the study can be used in further historical and legal studies, preparation of special courses.


2020 ◽  
Vol 58 ◽  
pp. 161-168
Author(s):  
Alexander D. Gronsky

The article examines the relationship between Western Russianism (Zapadnorusizm) and Byelorussian nationalism. Byelorussian nationalism is much younger than Western Russianism, finally shaping only in the end of the 19th century. Before 1917 revolution Byelorussian nationalism could not compete with Western Russianism. The national policy of the Bolsheviks contributed to the decline of Western Russianism and helped Byelorussian nationalism to gain stronger positions. However, Byelorussian nationalists actively cooperated with the occupation authorities during the Great Patriotic war. That caused distinctly negative attitude of Byelorussians towards the movement and collaborators. Currently, Byelorussian nationalism is supported both by the opposition and by the government. Western Russianism has no political representation, but is supported by the majority of Byelorussian population.


2020 ◽  
Vol 58 ◽  
pp. 293-317
Author(s):  
Protopriest Alexander Romanchuk

The article studies the system of pre-conditions that caused the onset of the uniat clergy’s movement towards Orthodoxy in the Russian Empire in the beginning of the 19th century. The author comes to the conclusion that the tendency of the uniat clergy going back to Orthodoxy was the result of certain historic conditions, such as: 1) constant changes in the government policy during the reign of Emperor Pavel I and Emperor Alexander I; 2) increasing latinization of the uniat church service after 1797 and Latin proselytism that were the result of the distrust of the uniats on the part of Roman curia and representatives of Polish Catholic Church of Latin church service; 3) ecclesiastical contradictions made at the Brest Church Union conclusion; 4) division of the uniat clergy into discordant groups and the increase of their opposition to each other on the issue of latinization in the first decades of the 19th century. The combination of those conditions was a unique phenomenon that never repeated itself anywhere.


2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.


2021 ◽  
pp. 095792652110131
Author(s):  
Michael Billig

This paper examines how the British government has used statistics about COVID-19 for political ends. A distinction is made between precise and round numbers. Historically, using round numbers to estimate the spread of disease gave way in the 19th century to the sort precise, but not necessarily accurate, statistics that are now being used to record COVID-19. However, round numbers have continued to exert rhetorical, ‘semi-magical’ power by simultaneously conveying both quantity and quality. This is demonstrated in examples from the British government’s claims about COVID-19. The paper illustrates how senior members of the UK government use ‘good’ round numbers to frame their COVID-19 goals and to announce apparent achievements. These round numbers can provide political incentives to manipulate the production of precise number; again examples from the UK government are given.


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