scholarly journals Armenian Amulets from the Collection of Armenian Orthodox Diocese in Baghdad

Author(s):  
Lusine Sargsyan ◽  
◽  
Davit Ghazaryan ◽  
◽  

This study is dedicated to the Armenian manuscript and printed Amulet1 of the Armenian Diocese of Baghdad (DAOB). In this collection of early printings, there are two printed Amulets in scroll (Pr. n. 14, second half of the 19th century and Pr. n. 15, A.D. 1716). The third Amulet is a manuscript written in 1736 in the city of Erzrum (Karin) for a certain Ohan (Ms. n. 13). The scanned copies of these amulets are currently available through the website of Hill Museum and Manuscript Library (HMML).2 Since this paper is the first study of these amulets, it presents them in terms of codicology and bibliographical study and discusses their decoration. The study of some iconographic details will help to reveal the practice of using amulets and their meaning, considering them as a representation of Armenian “folklore-art”, since scribes and miniaturists were partly free to choose texts and decorate them, even they were mostly works of the priesthood.3 It should be noted that as artifacts of the same genre, having a purpose of protection of their owners using incantations and prayers, very often the content and decoration of these three Amulets have similarities. From this point of view, Ms. n. 13 (A.D. 1736) and Pr. n. 15 (A.D. 1716) are more relevant to each other both in content and, accordingly, in decoration. A selection of prayers and illustrations to them show almost the same structure, and for the printed Amulet, we can certainly argue that such structure was typical (but not limited) for the printed Amulets in the Armenian tradition from the 18th to 19th centuries. Despite some similarities with two previous Amulets, the Pr. n. 14 (19th century) represent another structure of content and its decoration. It is enriched with prayers and illustrations which does not exist in mentioned above two examples of the 18th century. E.g. engravings depicting the life of Christ (Annunciation, Birth of Jesus Christ, Baptism, Resurrection, etc.), or portraits of the evangelists, accompanied by the passages from their Gospels. Our research shows that the publishers of this Amulet had an eighteenth-century prototype and took an innovative approach using Western art engravings.

Author(s):  
Kate Boehme

In India, as in much of the world, the 19th century witnessed the emergence of urban capitalist classes, effected by the rapid growth of global mercantile capitalism and, later, industrial manufacturing. As a colonial city, Bombay—like its eastern counterpart, Calcutta—developed two connected, but distinct business communities: one, a European community with foreign, imperial connections, and the other, an Indian community with roots in long-standing regional networks. In Bombay, the latter took the form of a class known as the “Merchant Princes,” who capitalized on long-standing commercial traditions in western India and their ability to command both Indian and colonial networks to establish themselves as commercial powerhouses. These commercial networks and patterns of behavior, established before the arrival of the British, had an indelible impact on the character of Indian business in colonial Bombay. The business community brought such traditions with them when they migrated to Bombay at the end of the 18th century and used them to build the famous mercantile firms of the early 19th century. The Indian business elite likewise built collaborative links within their own community to expand their business interests; when barriers erected by the colonial establishment sought to limit their expansion, Indian businessmen used the resources at their disposal (both in the Indian hinterland and within the city itself) to circumvent them. Class identity similarly began to emerge as they cooperatively campaigned for particular agendas, intended to improve the fortunes of the entire community. They fought for greater influence in the Bombay government—in line with the wealth they then commanded—and used their financial resources to mold the physical and intellectual landscape of the city in their favor.


Criminologie ◽  
2005 ◽  
Vol 26 (1) ◽  
pp. 165-175
Author(s):  
André Cellard

Like most areas of health that interested medicine in the 19th century, it was almost without opposition that insanity was to become a new medical specialty during the past century. The aim of this article is to shed some light on the dynamics that have allowed doctors since the I7tl% and 18th century to share their point of view with the general public for whom the existential causes of madness seem to have been taken for granted.


Author(s):  
Mordechai Zalkin

The Jewish community in Vilna began in the middle of the 16th century, when the Polish king, Zygmunt August, allowed the Jews to settle in the city and operate mainly in the commercial sphere. From this stage onward, the local Jewish community developed rapidly, the community synagogue was established and the Jews lived in the space allocated to them, and later became recognized as the Jewish quarter. From the middle of the 18th century Vilna became a community of unique importance in eastern European space, due to the development of a religious scholarly center, the most prominent of which was Rabbi Eliyahu Kremer, known as the Gaon of Vilna. Since the beginning of the 19th century, there has been a significant increase in the city’s Jewish population, which has spread to other neighborhoods in the city. At the same time, various circles among local Jews underwent a gradual process of cultural change, manifested in the absorption of the worldview of the Enlightenment. Several social circles operated in this spirit, among them poets, writers, and educators. The latter initiated the establishment of modern schools, and in the middle of the 19th century Vilna became the most important center of Jewish enlightenment in eastern Europe. In the second half of the century, Vilna became one of the main centers of the spread of nationalist and socialist ideologies, as well as one of the worldly most known center of Jewish books printing and publication. At the beginning of 1880, the first association of Hovevei Zion was organized in the city, and in 1897, the General Federation of Jewish Workers in Russia, Lithuania, and Poland, better known as the Bund, was also established in Vilna. During the First World War many of the Jews of Vilna left the city, and at the beginning of 1920 the city was annexed to Poland. In the period between the world wars, most of the local Jewish population suffered from considerable economic difficulties, and at the same time they experienced a significant cultural and educational flowering. The Institute for Jewish Research, known as YIVO, was established in Vilna in 1925. Likewise, during those years there was an impressive diversity in the local Jewish educational system, both for boys and girls, and especially for those with a Zionist orientation. Hundreds of Jewish students studied at the various faculties of the local university, despite manifestations of hostility and violence by militant groups of Polish students. With the outbreak of World War II, many refugees from Poland arrived in Vilna, and with the German invasion in the summer of 1941, all city Jews were concentrated in two ghettos. During the war, most of the Vilna’s Jews were murdered in Ponary, and other murder sites. After the war, a small Jewish community lives in the city.


2020 ◽  
Vol 18 (4) ◽  
pp. 059-082
Author(s):  
Mykola Bevz

The palace in Kukizów of King of Poland John III Sobieski is known only to a narrow group of architecture and art historians. The palace and park complex ceased to exist in the 19th century. The architecture of the palace is known especially from the descriptions in the inventory documents from the early 18th century. Although the authorship of the palace design belongs to the well-known artists of the era – Augustyn Wincenty Locci and Piotr Beber, its architecture has not yet been reconstructed. A specific feature of the royal residence in Kukizów was the construction of royal buildings and town buildings in a wooden material. The intention to create a city complex and an entirely wooden residence was a unique experiment in the field of European architecture and urban planning of the 17th century. In the paper we present the results of our research on the architecture of the palace and town for the end of the 17th century.


Author(s):  
Néhémie Strupler

When: Karum Period: First centuries of the 2nd millennium B.C. when Assyrian and Anatolian merchants took part in large-scale commercial exchanges between Aššur and central Anatolia. Most of the epigraphic finds come  from the 19th century BC, and the 18th century is less known. We don’t know how the commercial exchanges came to an end. Until the establishment of the administration at the Hittite capital Hattuša/Boğazköy (1650), there is a hiatus in the epigraphical records for more than a century. Who: Anitta, son of Pithana, an ambitious ruler who created one of the first Kingdom in Central Anatolian (modern Turkey) in the mid 18th century.Where: Boğazköy (modern name, in Central Anatolia) was a city called Ḫattuš and was an exchange place in the Anatolian Network of the Karum period. The site was selected as the capital of the Hittites around 1650 by Ḫattušili I, the first well attested Hittite King.


Arabica ◽  
2004 ◽  
Vol 51 (4) ◽  
pp. 462-477 ◽  
Author(s):  
Carsten-Michael Walbiner

AbstractA thematic analysis of the manuscripts which were read, copied and written by the monks, the paper raises the issue of education and knowledge amongst the members of the Greek Catholic congregation of the Basilians of al-Šuwayr (Mount Lebanon) during the 18th century, a time in which the order constituted an intellectual centre in Syria, although its influence remained mainly restricted to the own communiy. Despite all efforts the level of knowledge remained—compared with European standards—low. But the monks nevertheless developed a basic attitude, which was important for the introduction of modernity to the Arab world in the 19th century. They had broad interests beyond the narrow limits of their own religion and did not assume from the start a disapproving attitude towards the knowledge and inventions of the West. These were decisive preconditions for a process of learning that had become imperative if the Orient wanted to close the quickly widening scientific gap between East and West.


Author(s):  
María Baudot Monroy

La implantación de las reformas administrativas para controlar y rentabilizar el Imperio, promovidas por la Corona española para las Filipinas durante el siglo XVIII, se realizó con muchas dificultades y retrasos, debido a le férrea oposición de la oligarquía manilense a perder privilegios, el control de las instituciones y la gestión del Galeón de Manila, principal fuente de ingresos de la colonia. Este trabajo trata sobre la construcción de la Real Armada en Filipinas, cuya implantación y desarrollo no fue posible hasta que se encomendó a marinos del Cuerpo General de la Armada a partir de la segunda mitad del siglo XVIII. El esfuerzo de estos hombres sentó las bases para que la Armada contribuyera a la conservación de las Filipinas durante el siglo XIX.mada contribuyera a la conservación de las Filipinas durante el siglo XIX.     AbstractThe implementation of administrative reforms to control and make profitable the Empire, promoted by the Spanish Crown in the Philippines, were carried out with many difficulties and delays due to the strong opposition of the Manila oligarchy who were afraid to lose their privileges and control of the institutions. Especially that of the Manila Galleon, the main source of income for the colony. These article deals with the construction of the Royal Navy, whose implantation and development was not possible until it was entrusted to officers of the Navy from the second half of the 18th century. The effort of these men laid the foundations for the Navy to contribute to the conservation of the Philippines during the 19th century.


Author(s):  
Tymofii HAVRYLIV

For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, and the modernist city from the second half of the 19th century, but especially in the early 20th century through dialectical denial and overcoming the «city of enlightenment». The metaphor of the sea and the semantics of the element, usually water, characterize expressionist speech. Expressionist lyrics are imbued with apocalyptic visions. Urban modernist poetry is an extrapolation of the inner world (states of consciousness) to the outer world. Negative fascination is a defining feature of urbanistic discourse in expressionist poetry. Expressionist urbanistic lyricism is a romantic revolt against urbanization as a defining structural element of the civilizational evolution of mankind, and demonization is the main instrument of criticism of the city in expressionist lyricism. Special attention is paid to the function of memory and remembrance in big-city modernist poetry. While in Heym, a representative of early expressionism in German literature, the city appears as a topos of the apocalypse, in Antonych, the picture of the city is significantly more differentiated – and figuratively, and tonally, and substantial. The thematic blurring of Heym's urban landscapes is opposed by Antonychʼs structural urban subtopoi, the key one being the square. Antonychʼs poetics moves from the concrete to the abstract; his apocalypse is more mundane, aestheticized and playful, and the trumpets of the last day trumpet in the squares, which lovers meet. Antonychʼs city is more vitalistic than Heimʼs, even when the lyrical subject inflicts a flood on him. Not only expressionist but also formalistic and cubist melodies are heard in it. The article uses methods of textual, paratext, and contextual analysis, method of distributive analysis, method of poetic analysis, method of semantic analysis, method of stylistic analysis, method of phonological analysis, hermeneutic and post-structuralist methods. Keywords: modernism, expressionism, urbanistic lyrics, urban landscape, memory, remembrance.


2020 ◽  
Vol 10 (21) ◽  
pp. 1-10
Author(s):  
Katalin Simon

This study aims to demonstrate sanitary aspects of the outskirts of Buda on the southern Gellért Hillside, which separated itself markedly from the city centre in the 18th century. This area, by its separation, was a proper place for establishing temporary hospitals during the two major plague epidemics of the century (1709–1710 and 1738–1740). Similarly, the small nearby island of Danube used earlier as a meadow, served as a place for separation of patients at the same time. The name of the two contemporary hospitals, the plague cemetery and the chapel founded in memoriam of the plague victims commemorate the raving pestilence. On the other hand, the area played a key role in bathing culture by the so-called ’Muddy Bath’ (Sáros fürdő, Blockbad, the predecessor of today’s Gellért Bath). Close to the bath, popular among soldiers, there was founded a garrison branch hospital at the end of the century, as a result of which the area was gradually transformed into a military-sanitary centre in the 19th century.


Author(s):  
Emília Ferreira

After several failures in the artistic education in Portugal, throughout the 18th century, the 19th century was still to bring a few setbacks. Social and political upheavals marked the first years of the century, with the invasions of Napoleonic armies and the civil war. In this chapter I will tell the history of the birth of the first public art museum, created in Porto in 1833. The meeting of the future king D. Pedro IV and the artist Baptista Ribeiro was about to make history. Indeed, when Baptista Ribeiro delivered the prince a report on the need to create a public art museum in the city, the prince couldn't be happier. He then invited Baptista Ribeiro to organize it, giving all his support to the creation of the first public art museum in the nation. It would, in fact, take more than a 100 years to match the dream of its first director. But in the meantime, it surely achieved more than he could expect.


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