scholarly journals Globa:Local Architecture

2021 ◽  
Author(s):  
Amir N. Ahmadi

How essential is it to understand the local context in a globalized world? Globalization is a rapid traversing of ideas, attitudes and values across national borders that lead to an interconnectedness and interaction between peoples of diverse cultures and ways of life. What if the local architectural mosaic depends on strengthening the capacity to invite people with different backgrounds and ideas to establish a connection to their heritage, whilst at the same time complying with globalized architecture? Is there a way to combine the freedom and flexibility of local cultures with the restrictive and regulatory influence of a globalized hierarchy? This thesis explores the architecture that emerges out of the hybridization of multiple forces to be both locally unique and globally adaptable.

2021 ◽  
Author(s):  
Amir N. Ahmadi

How essential is it to understand the local context in a globalized world? Globalization is a rapid traversing of ideas, attitudes and values across national borders that lead to an interconnectedness and interaction between peoples of diverse cultures and ways of life. What if the local architectural mosaic depends on strengthening the capacity to invite people with different backgrounds and ideas to establish a connection to their heritage, whilst at the same time complying with globalized architecture? Is there a way to combine the freedom and flexibility of local cultures with the restrictive and regulatory influence of a globalized hierarchy? This thesis explores the architecture that emerges out of the hybridization of multiple forces to be both locally unique and globally adaptable.


2020 ◽  
Vol 28 (2) ◽  
pp. 219-248
Author(s):  
Efri Arsyad Rizal ◽  
Luthfi Rahman ◽  
Salmah Fa'atin

The paper discusses the teachings of nationalism by KHR. Ahmad al-Hadi bin Dahlan al-Falaky in his poems. This research tried to explore aspects of local wisdom and accordingly to figure out the values of nationalism within the poems of a traditional Kiai living in the Balinese society where the majority were Hindu’s people. Data were primarily sourced and collected from “Kumpulan Sya’ir KHR. Ahmad al-Hadi bin Dahlan al-Falaky (1895-1976).”It uses discourse analysis to reveal the meaning of the poems. This finding shows that the poems firmly teach and emphasize the values of nationalism to society. In this regard, such values are vital to fostering the people’s nationalism for living side by side and in harmony with “the others” in the Balinese local context to the Indonesian national context and dealing with the challenging globalized ways of life.


TERRITORIO ◽  
2009 ◽  
pp. 119-123
Author(s):  
Michel Péraldi

- The general term criminal economy usually denotes those activities which involve the production, circulation and sale of products that are prohibited from a moral or legal viewpoint, where the organisation and production of these includes a component of physical violence either actually or potentially present in the organisation and in the production process. Finally it is conducted by marginal or deviant individuals and groups under conditions of total or relative clandestinity. In the case of Tangiers, the weak traits of criminal networks stand out against a strong urban background where local cultures and the convenience of commerce in cannabis combine. The negotiated and temporary nature of both the cultural and the organisational arrangements emerge, which are also consistent with a complex urban community, projected at the same time onto the local context and transnational networks.


2020 ◽  
Vol 69 (2) ◽  
pp. 141-157
Author(s):  
Kedilezo Kikhi ◽  
Daveirou Lanamai

Borders are not to be understood merely as lines where one society or state ends and another begins, but they reflect of how societies get constituted and configured through them. Societies do not constitute borders, but borders constitute societies. The article revisits the northeast as a ‘borderland’, as a land with many visible and invisible borders. It is an attempt to probe into the complexities of ethnic boundaries by the enforcement of arbitrary dividing lines without cognisance of the local context. The article also endeavours to set a discourse on the proposed Naga ‘Framework Agreement’ (FA) which requires a deep-seated understanding of its historicity and unique cultural identity. It intends to question the possibility of Nagas nurturing a common supra-national or transnational structure that offers an accepted platform to their life patterns and customs. Very crucially, the article also attempts to explore the several nuanced exemplary models seen elsewhere, amongst those geographically bordering people with analogous but delicately diverse cultures.


Author(s):  
Koichi Iwabuchi

Cultural globalization has promoted seemingly opposing forces simultaneously, such as recentering and decentering, standardization and diversification, and renationalization and transnationalization. The intensification of transnational flows of media culture and the associated cross-border connection and communication has been destabilizing national cultural borders and engendering the formation of diverse mediated communities among hitherto marginalized people and groups within and across national borders. At the same time, we have observed the increasing pervasiveness of the inter-nationalized modes of media culture flows and communication—“inter-nationalized” with a hyphen is intentional—in the sense of highlighting the nation as the unit of global cultural encounters that resolidify exclusive national boundaries. The synergism of the process of market-driven glocalization and the state’s policy of soft power and nation branding has further instituted a container model of the nation, as the inter-nationalized circulation and encounter of media culture have become sites in which national identity is mundanely invoked, performed, and experienced. In this process, national cultural borders are mutually reconstituted as transnational cultural flows and encounters are promoted in a way to accentuate a nation-based form of global cultural encounter and exchange. While lacking in a historically embedded, coherent narrative of the nation, it works to institute a new, container form of the nation in which cultural diversity within national borders is not given its due attention and thus sidelined. Facilitation of border crossing of culture and communication does not necessarily accompany the transgression of clearly demarcated national cultural borders.


Per Musi ◽  
2019 ◽  
pp. 1-20
Author(s):  
Tânia Mello Neiva ◽  
Isabel Porto Nogueira ◽  
Camila Durães Zerbinatti

In this article we discuss two initiatives involving women, music and collaborative and creative work in Brazil as possibilities of breaking with and / or weakening hegemonic logics of knowledge production and ways of life / coexistence according to the political dimension of decolonial feminism. They are “Mostra XX” (XX Show) and Isabel Nogueira and Leandra Lambert duo. We propose a reflexive and critical look at our local context and possible creative and political outings of the traps that are imposed on us and that we also help to arm.


Ensemble ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 174-182
Author(s):  
Md Sarfaraj Nawab ◽  
◽  
Dr. Arpana Jha ◽  

Globalization has brought about an unprecedented interconnectedness between people, made possible a neoliberal economy, and has challenged the citizens of the world with a clash between multiple cultures across the continents. The ecumene of the planet is home to myriad peoples with maverick cultures, languages, etc., scattered throughout on its plane. Scientific or technological achievements have helped us as the citizens of this globalized world, to come closer physically but not without some effet de bord. Xenophobia, racial violence, the clash between different civilizations, etc., are the challenges that accompany globalization. The arguments here exude the colossal responsibility that lies presently on the shoulder of a writer to connect peoples internally or psychologically by exposing them to different cultures, peoples, etc., and facilitate a global negotiation between diverse people. In this time of globalization, we can't be truly globalized unless we lend our ears patiently to the writers across the globe. With such standpoints, the paper argues how Khaled Hosseini, an Afghan-American writer, has enlightened the global audience about Afghanistan through his novels. The paper examines two novels of Hosseini and tries to evaluate their contribution towards familiarizing the Afghan ways of life by suggesting Hosseini as a communication bridge between the people of Afghanistan and beyond.


2016 ◽  
Vol 24 (4) ◽  
pp. 509-522
Author(s):  
Svend Erik Larsen

More often than not, memory is taken to be the storehouse of past experiences situated in a local context. However, recent theories have moved the focus to the process of memory which, in any present moment, allows the past, collective or individual, to emerge as a construction that works as a strong driving force of identity formation. In this perspective the memory process selects features of the past and turns them into more or less coherent structures, which then will have to be checked out with others in order for them to exercise their role as valid interpretations of the past and building blocks of present and future identity. Memories are therefore dialogical phenomena shaped by discussion, or more broadly by exchanges in various media, concerning the selected features, their configuration and the identities they promote. Today, the globalized flows of migration open up a new set of problems for the understanding of memories and their functions. When migration becomes a dominant experience across the globe, the concepts of locality and of local experiences changes and raise a new question: can we imagine and attach any meaning to globalized memories? Today, a huge amount of literatures from all corners of the world takes issue with this question, the so-called literatures of migration, where the literary imagination suggests answers to the open question of what memory might mean in a globalized world. To address this question, the Greek-Australian writer Christos Tsiolkas’ novel The Slap (2008) and the Australian context will serve as my point of reference.


Author(s):  
Glen E. Bodner ◽  
Rehman Mulji

Left/right “fixed” responses to arrow targets are influenced by whether a masked arrow prime is congruent or incongruent with the required target response. Left/right “free-choice” responses on trials with ambiguous targets that are mixed among fixed trials are also influenced by masked arrow primes. We show that the magnitude of masked priming of both fixed and free-choice responses is greater when the proportion of fixed trials with congruent primes is .8 rather than .2. Unconscious manipulation of context can thus influence both fixed and free choices. Sequential trial analyses revealed that these effects of the overall prime context on fixed and free-choice priming can be modulated by the local context (i.e., the nature of the previous trial). Our results support accounts of masked priming that posit a memory-recruitment, activation, or decision process that is sensitive to aspects of both the local and global context.


1965 ◽  
Vol 10 (2) ◽  
pp. 52-53
Author(s):  
IRVIN L. CHILD
Keyword(s):  

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