scholarly journals Anime tourism in Italy: Travelling to the locations of the Studio Ghibli films

2021 ◽  
pp. 217-250
Author(s):  
Giulia Lavarone ◽  
Marco Bellano
Keyword(s):  
Fan Studies ◽  
Media Sociology ◽  
The Past ◽  
Academic Scholarship ◽  
The Social ◽  
The World ◽  
Studio Ghibli ◽  
Japanese Animation ◽  
The Relationship

Film-induced tourism, intended as travelling to places where films and TV series have been shot or set, has been extensively studied in the last two decades in several disciplinary fields. For example, the term ‘media pilgrimage’ emerged in media sociology to highlight the sacred dimension these practices may assume, while fan studies have focused on the narrative of affection built upon specific places. Calling forth the relationship between film and landscape, these phenomena have been also explored in the light of film semiotics and media geography. In the past decade, the representation of landscape and the construction of the sense of place in animation benefited from increased scholarly attention; however, the links between tourism and animation still appear under-explored. Japanese animation, because of its prominent use of real locations as the basis for the building of its worlds and the tendency of its fanbases to take action (even in the form of animation-oriented tourism), is an especially promising field, in this respect. In the last fifteen years, a debate on ‘content(s) tourism’ has involved the Japanese government as well as academic scholarship, referring to a wide variety of contents, from novels to films and TV series, anime, manga, and games. The article presents a case study: a discussion of the experience of anime tourists who visited the Italian locations featured in the films by the world-famous animator and director Miyazaki Hayao, especially in Castle in the Sky (1986) and Porco Rosso (1992). The experiences of anime tourists were collected from images and texts shared through the social network Twitter.

scholarly journals Learning to Die: Analysis of The Cultural Role of Voluntary Death

2020 ◽  
Vol 3 (4) ◽  
pp. 38-49
Author(s):  
Niccolò Martini
Keyword(s):  
Assisted Suicide ◽  
Structured Interview ◽  
Even Start ◽  
General Law ◽  
The Social ◽  
The World ◽  
Real Education ◽  
The Relationship

Voluntary death is a morally and legally grey area in many countries around the world. In my research I studied the topic of euthanasia and assisted suicide in Italy. Specifically, I analyzed the relationship between collective law and individual morality using as case study the phenomenon of voluntary death, which has been making people talk about itself in recent years precisely because of its as yet undefined nature. Using a qualitative approach i.e., semi-structured interview, I listened the voices of a representative sample of Italian doctors in order to collect the opinion of the medical class i.e., the social group that would be most affected by the possible legalization of euthanasia. It has emerged, among other things, that Italy lacks a real education to death. The research has opened a reflection on the range of voluntary death within a Nation where it is illegal. Numerous studies have determined the enormous symbolic baggage present within the concept of death, but in the study of the legalization of voluntary death a new factor has emerged: a legalization is not desired until the population receives a real education on the idea of having to die. Like sex, death is still a taboo in many societies around the world. Is it therefore necessary to fulfill a death education before even start to talk about creating a general law. This research has exalted not only a cultural deficiency but also the desire to remedy it through education, in order to exorcise the fear of an event that sooner or later everyone has to face.

Ethics and aesthetics: the social theory of barbershop harmony

Popular Music ◽  
1999 ◽  
Vol 18 (1) ◽  
pp. 41-61 ◽  
Author(s):  
Liz Garnett
Keyword(s):  
Mass Media ◽  
Social Theory ◽  
Musical Life ◽  
The Public ◽  
Relative Paucity ◽  
The Social ◽  
The World ◽  
The Relationship ◽  
The Way

Until recently, the world of the British barbershop singer was a self-enclosed community whose existence went largely unrecognised both by musicians involved in other genres and by the public at large. In the last few years this has started to change, chiefly due to the participation of barbershop choruses in the televised competition ‘Sainsbury's Choir of the Year’. Encouraged by the success of Shannon Express in 1994, many other choruses entered the 1996 competition, four of them reaching the televised semi-finals, and two the finals. During this increased exposure, it became apparent that television commentators had little idea of what to make of barbershoppers, indeed regarded them as a peculiar, and perhaps rather trivial, breed of performer. This bafflement is not surprising given the genre's relative paucity of exposure either in the mass media or in the musical and musicological press; the plentiful articles written by barbershoppers about their activity and its meanings are almost exclusively addressed to each other, to sustain the community rather than integrate it into wider musical life. The purpose of this paper, however, is not to follow the theme of these intra-community articles in arguing that barbershop harmony should actually be regarded as a serious and worthy art, or to explain to a bewildered world what this genre is actually about; rather, it aims to explore the way that barbershop singers theorise themselves and their activity to provide a case study in the relationship between social and musical values. That is, I am not writing as an apologist for a hitherto distinctly insular practice, but exploiting that very insularity as a means to pursue a potentially very broad question within a self-limited field of enquiry.

scholarly journals We Can Be Heroes: A Study of Mythistoric Genealogies in the Roman Republic

2021 ◽  
Author(s):  
◽  
Steven Thomas
Keyword(s):  
Social Capital ◽  
Social Influence ◽  
Social History ◽  
Natural Evolution ◽  
Social Constructs ◽  
The Past ◽  
The Social ◽  
The Republic ◽  
The Relationship

<p>Mythistoric genealogies, the claims of divine or heroic ancestry made by the Roman elite during the Republic, provide an alternative lens through which to understand social constructs and political experiences of Romans. However, the relationship between mos maiorum and these mythistoric genealogies remains unexplored in modern scholarship in a detailed and focused manner. This research sets out to demonstrate that mythistoric genealogies were a natural evolution of the Romans’ ancestral veneration which is implicit in mos maiorum.  This thesis focuses on three of the most politically prolific gentes whose social influence spanned the 500 years of the Republic. First, each case study assembles and analyses the evidence (numismatics, literature, sculpture and architecture) that preserved the claims made by each gens and arranges them in such a way as to furnish a linear account of the genealogies. Second, each case study presents and analyses a member of each gens to demonstrate how he exemplifies, retains, or emulates the attributes, instructions and morality of their described genealogy. The historical person is analysed through the lenses of mythistoric genealogy, Paradigmatic Pressure, and Social Capital.  The three case studies demonstrate that the clans of Aemilius, Fabius, and Valerius used their mythistoric genealogies to anchor themselves to the majesty of Rome’s past and that mythistoric genealogy was an integral part of mos maiorum. Furthermore, the connection of mythistoric genealogy, as an evolved element of mos maiorum, is emphasised through the following factors: they serve an educational function; serve as binding instructions; display the retention of events, lives and deeds of heroes; serve as examples meant for the emulation of the past morality; and, finally, can be shaped and reconstructed to suit present situations or political agendas. The results of this research contributes directly to the ongoing discussion of mos maiorum, discusses the social concepts held by elite Romans during the Republic, demonstrates how inter-generational connections were crucial to ideals held by the nobiles, and engages with mos maiorum in-depth (in terms of myth and legend) in a way that has not been done in a ‘per gens’ manner in scholarship, filling a gap in the study of social history during the Republic.</p>

scholarly journals Memahami Hubungan Orang Ruimba dan Waris-Jenang dalam Konteks Teori Praktek

2018 ◽  
Vol 2 (1) ◽  
pp. 1
Author(s):  
Adi Prasetijo
Keyword(s):  
Indigenous People ◽  
Symbolic Power ◽  
Social Agents ◽  
The Past ◽  
The Social ◽  
The World ◽  
Practice Approach ◽  
The Relationship

In the past, the relationship between the Orang Rimba and the outside world had to be through intermediaries or middleman commonly referred to as waris-jenang, appointed by the Jambi Sultanate. Eventually this function gradually changes. With the world increasingly open, and intermediary functions also decreasing, they can interact directly with outside communities. By using a theory practice approach by Bourdieu (1977), we can understand that Orang Rimba of Jambi cannot be seen as victims but more than that, they are active social agents to play a role with the capital they have. They play in the social arena that they understand and have experience in. Their relationship with various parties, including corporations, NGOs, and outside communities gives them symbolic power about how they play their identity as a group of indigenous people.

scholarly journals Sustainable Architecture of the Bazaar of Tabriz and its relation with the social and cultural aspects

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
A. Mohammadi Kalan ◽  
E. Oliveira
Keyword(s):  
Social Economic ◽  
Future Generations ◽  
Historical Time ◽  
Sustainable Architecture ◽  
Cultural Aspects ◽  
Architectural Elements ◽  
The Past ◽  
The Social ◽  
The Relationship

ABSTRACT - Sustainable architecture aims to design buildings and infra-structures, such as squares and bazaars, adapted to the social, economic, cultural and environmental contexts of certain place. The practice of sustainable architecture contributes to sustainable development, therefore for the development of future generations. The concept must integrate not only bioclimatic strategies, but also economic, social and cultural facets. Sustainable architecture research is either carried while the designing process takes place (the present) but is also focused on the built environment through the historical time of a place (the past). The aim of this article is to bring to the academic discussion new perspectives on sustainable architecture and debate the relationship between the architectural elements and the social and cultural aspects by taking the Tabriz Historic Bazaar Complex as case study. Infra-structures like Bazaars are geographically placed all over the world, from Turkey to Egypt, from Tajikistan to Iran. In Iranian cities, the bazaar keeps playing an important role as economic and social engine. Thus, research the main elements that keep the Bazaar of Tabriz so actively dynamic in the present will be discussed.

scholarly journals ‘That Used to be a Famous Village’: Shedding the past in rural north India

2013 ◽  
Vol 48 (1) ◽  
pp. 159-187 ◽  
Author(s):  
PETER PHILLIMORE
Keyword(s):  
Cumulative Effect ◽  
North India ◽  
Social Changes ◽  
The Past ◽  
The Social ◽  
Social Entity ◽  
The World ◽  
The Village ◽  
The Relationship

AbstractThis paper examines the changing reputation of one village in Himachal Pradesh, India, looking back over 30 years. This village has long had a singular identity and local notoriety for its association with jadu (‘witchcraft’). I argue that in this village today the idea of ‘witchcraft’ as a potent malignant force is losing its old persuasiveness, and with this change the village is also shedding its unwanted reputation. Against claims for ‘the modernity of witchcraft’ in various parts of the world, I argue that, in this case at least, witchcraft is construed as distinctly unmodern. The capacity of jadu to cause fear and, equally, its value as an explanatory idiom are, I suggest, being overwhelmed by social changes, the cumulative effect of which has been to reduce the previous insularity of this village and greatly widen the social networks of its members. I pose two main questions. Why should this village have held such a particular reputation? And why should it now be on the wane? Linked to the second question is the relationship between this decline and local understandings of ‘modernity’. In developing my argument around the specificity of an unusual village, I also consider the significance of ‘the village’ as both social entity and, formerly, one cornerstone of the anthropological project. Finally, I reflect on the methodological opportunities of long-term familiarity with a setting, exemplified in the iterative nature of learning ethnographically, as the children known initially in early fieldwork become the adult conversationalists of today, partners in interpreting their own village's past. In exploring their explanations for the decline in the salience of jadu, the pivotal impact of education and the pressures of ‘time’ created by the ‘speed’ of modernity are both salient.

scholarly journals Digital authorship and social media: French digital authors’ attitudes towards Facebook

2019 ◽  
Vol 30 (2) ◽  
pp. 121-137
Author(s):  
Erika Fülöp
Keyword(s):  
Social Network ◽  
Public Sphere ◽  
World Wide ◽  
The Public ◽  
The Social ◽  
The World ◽  
The Public Sphere ◽  
Different Response ◽  
The Relationship

Social networks have changed our relationship to the world wide web and the ways in which we communicate. This applies to the relationship between authors and readers and affects the ways in which authors can and need to be present in the public sphere and enact their authorship. Digital authors experience this particularly acutely, and the present article proposes an overview of the three main types of attitude they have chosen facing the largest social network, Facebook: using, refusing and abusing, each presented through a case study. François Bon embraces the platform and encourages authors to take advantage of the tools it offers in order to reach readers, network with authors, and become independent of traditional infrastructures. After years of almost addictive use, Neil Jomunsi came to quit the network and explained his decision, but also the dilemma upon his return, until eventually leaving again. Jean-Pierre Balpe’s ‘digital installation’ ‘Un Monde Uncertain’, finally, abuses the website by circumventing its terms and conditions and animating a series of fictional author profiles whose Facebook statuses are created by Balpe’s text generator software. Each of the three approaches represents a different response to the constraints and opportunities offered by the social network in light of the author’s situation, their political stance regarding Facebook, and objectives as an author.

scholarly journals We Can Be Heroes: A Study of Mythistoric Genealogies in the Roman Republic

2021 ◽  
Author(s):  
◽  
Steven Thomas
Keyword(s):  
Social Capital ◽  
Social Influence ◽  
Social History ◽  
Natural Evolution ◽  
Social Constructs ◽  
The Past ◽  
The Social ◽  
The Republic ◽  
The Relationship

<p>Mythistoric genealogies, the claims of divine or heroic ancestry made by the Roman elite during the Republic, provide an alternative lens through which to understand social constructs and political experiences of Romans. However, the relationship between mos maiorum and these mythistoric genealogies remains unexplored in modern scholarship in a detailed and focused manner. This research sets out to demonstrate that mythistoric genealogies were a natural evolution of the Romans’ ancestral veneration which is implicit in mos maiorum.  This thesis focuses on three of the most politically prolific gentes whose social influence spanned the 500 years of the Republic. First, each case study assembles and analyses the evidence (numismatics, literature, sculpture and architecture) that preserved the claims made by each gens and arranges them in such a way as to furnish a linear account of the genealogies. Second, each case study presents and analyses a member of each gens to demonstrate how he exemplifies, retains, or emulates the attributes, instructions and morality of their described genealogy. The historical person is analysed through the lenses of mythistoric genealogy, Paradigmatic Pressure, and Social Capital.  The three case studies demonstrate that the clans of Aemilius, Fabius, and Valerius used their mythistoric genealogies to anchor themselves to the majesty of Rome’s past and that mythistoric genealogy was an integral part of mos maiorum. Furthermore, the connection of mythistoric genealogy, as an evolved element of mos maiorum, is emphasised through the following factors: they serve an educational function; serve as binding instructions; display the retention of events, lives and deeds of heroes; serve as examples meant for the emulation of the past morality; and, finally, can be shaped and reconstructed to suit present situations or political agendas. The results of this research contributes directly to the ongoing discussion of mos maiorum, discusses the social concepts held by elite Romans during the Republic, demonstrates how inter-generational connections were crucial to ideals held by the nobiles, and engages with mos maiorum in-depth (in terms of myth and legend) in a way that has not been done in a ‘per gens’ manner in scholarship, filling a gap in the study of social history during the Republic.</p>

From a “pornographic” book to a classic

Babel ◽  
2018 ◽  
Vol 64 (5-6) ◽  
pp. 671-691 ◽  
Author(s):  
Ge Bai
Keyword(s):  
Social Activity ◽  
Historical Context ◽  
Chinese Society ◽  
Translation Product ◽  
Source Text ◽  
The Past ◽  
The Social ◽  
Target Readership ◽  
The Relationship

Abstract This article aims to investigate the relationship between paratexts and the translation product with a case study of Lolita translations in China. Since Lolita has been one of the most frequently retranslated literary works in China over the past three decades, it can serve as a bellwether of the changes that have taken place in the translation field as well as those in the social, cultural and historical context. Therefore, a comparative study of the paratextual elements of Lolita translations acts as a reflection of the negotiations between the translation activity and the changing socio-political context. The analysis of paratexts locates translation as a social activity in which many agents are involved other than simply the translator and the source text. Through their organic integration with the translation products, the paratextual elements, functioning as genre indicators, work to promote the translation while potentially predicting its target readership. In the translation and retranslation of the same source text, a discussion of the paratexts may provide new insights into understanding the relationship between translations and retranslations as well as the evolution of the translation field in relation to Chinese society.

Social Design for Services Framework

2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Melanie SARANTOU ◽  
Satu MIETTINEN
Keyword(s):  
South Africa ◽  
Sustainable Development ◽  
Research Group ◽  
Design Research ◽  
Service Design ◽  
Social Design ◽  
Practical Action ◽  
The Social ◽  
The World

This paper addresses the fields of social and service design in development contexts, practice-based and constructive design research. A framework for social design for services will be explored through the survey of existing literature, specifically by drawing on eight doctoral theses that were produced by the World Design research group. The work of World Design researcher-designers was guided by a strong ethos of social and service design for development in marginalised communities. The paper also draws on a case study in Namibia and South Africa titled ‘My Dream World’. This case study presents a good example of how the social design for services framework functions in practice during experimentation and research in the field. The social design for services framework transfers the World Design group’s research results into practical action, providing a tool for the facilitation of design and research processes for sustainable development in marginal contexts.

Sign in / Sign up

Export Citation Format

Share Document