scholarly journals Ekspektasi Sosial Pemuda Sasak dalam Nasyid Ya Fata Sasak Karya Hamzanwadi

2018 ◽  
Vol 3 (3) ◽  
pp. 98-108
Author(s):  
Akhyar Rosidi

This study aims to describe the youth’s social expectations of the nasyid text Ya Fata Sasak by T.G.K.H. Muhammad Zainuddin Abdul Majid. The research method used is semiotic that is qualitative interpretive with content analysis techniques that focus to the research on the latent content of nasyid text Ya Fat Sasak as data research on the latent content of the nasyid Ya Fata Sasak research. This technique is carried out by copying the nasyid Ya Fata Sasak manuscript to Indonesian, reading, writing, and coding into five codes of Rolands Barthes such as hermeneutic code, action code, symbolic code, semantics code, and referential code. So the social expectations of the Sasak youth are defined. The result of this research shows that Sasak youth have equal opportunities with other young people in Indonesia to expect both individually and collectively. Every social expectation carried  out by Sasak youth is certainly related to the interest of the people, nation and the state which is realized through the strengthening of critical and independent discourses to  maintain  their  idealism,  such  as  building self-confidence (character building) and carrying out social and religious values as brotherhood and unity, managing natural resources that can be utilized optimally, participating in various competitions of contestations, and instilling a spirit of nationalism as the one of foundations for maintaining and advancing the Indonesian people.

Author(s):  
Touré Bassamanan

This paper highlights the different layers of meaning that characterize the notion of manhood in Gaines’ fiction. The quest for manhood represents an imperative for the frustrated men in the framework of the social context wherein they are emasculated. Here, manhood should be grasped through a binary paradigm. On the one hand, the expression of manhood equates with male domination and violence. On the other hand, due to social expectations, manhood refers to the struggle for freedom. It undermines the white racial superiority and it claims blacks’ humanity. Manhood fosters humanistic principles. Thus, it takes on a universal dimension.


2020 ◽  
pp. 127-132
Author(s):  
Nikolay PAPUCHIEV

The article presents the results from the study of one of the first movie projects concerning changing the names of the Bulgarian Muslims after 1989. Gori, gori, ogunche (Burn, Burn Fire) (1994), scenario – Malina Tomova, director – Rumyana Petkova, shows the picture of the life in Mugla – a small village settled high in the Rodopi Mountain, Bulgaria. In four series, the team created the movie revealing from a number of aspects one of the most painful processes in the Bulgarian history – changing the Turkish or Arabic names of Bulgarian followers of the Islam religion. The narrator’s point of view is presented through the conflict (in the beginning) between the visions of the main character in the scenario – the young female teacher Marina, who comes in the village from one of the biggest Bulgarian cities – on the one hand, and the traditional life and the communist ideology – on the other. In the article, this conflict that transforms the vision of Marina and turns her prejudices into compassion and understanding, is the main entrance into the psychology of the names changing processes and the social mechanisms, used by the people to relieve the pain and trauma. The movie is analysed in the light of the new tendencies in the Bulgarian cinema during the 70-ies – when the scenario was written, and the new political circumstances in the so-called Time of transition – when the movie was created.


2018 ◽  
Vol 10 (1) ◽  
pp. 7-20 ◽  
Author(s):  
Crina Leon

Originally written by Henrik Ibsen in 1882, An Enemy of the People was adapted in 1950 by the American playwright Arthur Miller, and this adaptation was the one taken into consideration by the director Claudiu Goga when staging the play at the “Vasile Alecsandri” National Theatre in Iași in 2016. In this paper, we aim to analyze the reception of the play in Iași by also pointing out the differences between Henrik Ibsen’s original, Arthur Miller’s adaptation and Claudiu Goga’s staging and showing that any adaptation of a text leads in fact to a new piece of work. Goga’s staging enjoyed favorable reviews, probably also due to the possible identification of the audience with the social-political realities in Romania.


Abdi Seni ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 47-55
Author(s):  
Sukesi Sukesi

AbstrakPengembangan  Potensi  Seni  Masyarakat  Desa  Caruban,  Kecamatan  Kandangan,  Kabupaten Temanggung adalah salah satu program pengabdian pada masyarakat tematik yang bertujuan untuk mengembangkan potensi seni yang dimiliki suatu daerah. Program pengabdian ini dilatar belakangi oleh potensi desa tersebut terutama potensi seninya, dan juga sosial masyarakat yang berkembang tetapi belum ada suatu arahan yang tersetruktur. Desa Caruban, Kecamatan Kandangan Kabupaten temanggung, adalah salah satu desa yang memiliki berbagai potensi yang berkembang antara lain karawitan, tari, pedalangan dan didukung geliat sosial masyarakat dan pemuda desa. Tujuan pengabdian ini adalah mengatasi permasalahan mitra yang terjadi di lapangan, diantaranya adalah kurangnya tenaga pelatih yang memiliki kemampuan praktis dan akademis, untuk menjelaskan dan menciptakan bentuk kesenian baru sebagai alternatif garapan, maupun pembangun karakter bagi siswa-siswa di sekolah dan masyarakat umum. Metode pengabdian ini dilakukan dengan memberikan pelatihan-pelatihan dengan cara pelatihan secara langsung maupun apresiasi bentuk kesenian melalui rekaman audio-visual yang berguna sebagai penambah pengetahuan serta pemacu semangat berkesenian, sekaligus sebagai tawaran terhadap bentuk baru dalam berkesenian yang sesuai dengan kebutuhan dan kepribadian masyarakat  Desa  Caruban, Kecamatan,  Kandangan  Kabupaten  Temanggung.  Adapun  hasil luaran dari program pengabdian pada masyarakat ini adalah pementasan drama tari, karawitan, pengenalan wayang dan membuat desain bank sampah.Kata kunci: Desa Caruban Potensi Kesenian, Drama tari, Pengenalan Wayang, Bank Sampah. AbstractThe  Development  of  Community Art  Potential  in  Caruban  Village,  Kandangan,  Temanggung  is one of the service programs for thematic communities that aims to develop the artistic potential of an area.  This service  program is motivated  by the  potential of the  village, especially  its artistic potential, and also the social community that develops but there is no structured direction yet. Caruban  is  one  of  the  villages  that  has  a  variety  of  developing  potentials  including  karawitan, dance, puppetry and supported by social and community stretching of village youth. The purpose of this service is to overcome the problems of partners that occur in the field, including the lack of trainers who have practical and academic abilities, to explain and create new forms of art as an alternative claim, as well as character building for students in schools and the general public. This dedication method is  carried out by providing training by means  of hands-on training and appreciation  of  the  art  form  through  audio-visual  recordings  that  are  useful  as  an  addition  to knowledge  and  stimulating  enthusiasm  for  the  arts,  as  well  as  an  offer  for  new  forms  of  art  in accordance  with  the  needs  and  personalities  of  the  people  of  Caruban  . The  outputs  from  the community service program are staging dance dramas, musical performances, introducing puppets and making garbage bank designs.Keywords: Caruban Village Artistic Potential, Dance Drama, Puppet Introduction, Garbage Bank.


2021 ◽  
Vol 14 (4) ◽  
pp. 127-153
Author(s):  
Pablo Baisotti

This article presents an overview of Buenos Aires, city and neighbourhoods, from the viewpoints of several authors who participated in the literary life of the 1920s and 1930s, portraying the evolution of modernity and the social question –inequalities. Novels, short stories, poems and magazines from the period in question were used to frame these issues and unravel the objectives set. It concludes by exposing the variety and diversity of the city and the neighbourhoods of Buenos Aires, as well as the people who inhabited them and the Buenos Aires literary currents of the period, headed by Jorge Luis Borges, on the one hand (Florida group), and Roberto Arlt (Boedo group), on the other.


1986 ◽  
Vol 76 ◽  
pp. 1-11 ◽  
Author(s):  
Fergus Millar

The purpose of this paper is to present a particular model of how Roman politics worked, and of what Roman politics before the Social War was ‘about’. In essence I want to place in the centre of our conception the picture of an orator addressing a crowd in the Forum; a picture of someone using the arts of rhetoric to persuade an anonymous crowd about something. The most important subject of oratory, and the most important fundamental right exercised by whoever came to vote, was legislation. Yet the greatest of all the extraordinary distortions which have been imposed on our conception of Republican politics in the twentieth century is that the process of legislation, and the content of the legislation passed by the people, have both ceased to be central to it. With that we have ceased to listen sufficiently to the actual content of oratory addressed to the people, to the arguments from rights, from the necessities of the preservation of the res publica, from historical precedents, both Roman and non-Roman, and from social attitudes and prejudices. In the second century above all, we can see how the prestige which the office-holding class derived from family descent and personal standing on the one hand was matched on the other by popular demands for appropriate conduct, and by popular suspicions of private luxury, of profiteering from the conduct of public affairs, and of improper collaboration with wrong-doers both at home and abroad.


1982 ◽  
Vol 20 (4) ◽  
pp. 571-594 ◽  
Author(s):  
Zaki Ergas

By the time most African countries achieved independence in the early 1960s, education had become a sacred cow for both the governments and the people. For the former, education represented a major tool for nation-building and development which, in those days, meant essentially rapid industrialisation; for the latter, education–especially at the post-primary levels–was the main vehicle for social mobility, primarily because it made possible the acquisition of a well-paid job in the modern sector. For a few years it looked as if there was no contradiction between the aspirations of the people and the goals of the governments, on the one hand, and the socio-economic realities, on the other. Soon the bubble burst, however: industrialisation turned out to be no panacea; the limits of Africanisation were rapidly reached in the civil service, but proved to be a protracted affair in the economy. As the ugly scourge of youth unemployment started to spread in Africa by the mid-1960s, attention was focused on educational systems which began to be perceived as ‘dysfunctional’–i.e. as incompatible with the social and economic realities which were largely agricultural and rural. But more ominously, schools came also under attack as serving mainly the interests of the emerging bourgeoisies.


2019 ◽  
Vol 19 (2) ◽  
pp. 215
Author(s):  
Roudhotul Jannah ◽  
Arya Mahdi ◽  
Harjianto Harjianto

The traditional game of karetan / pelencatan is the term of traditional game for Using tribe in Banyuwangi Regency. The traditional game of karetan / pelencatan uses a simple materials or tools from woven rubber bands (rubber bands strands). According to the size of agreement, usually about 3 or 4 meters in length, which is played in an open space and quite wide. The method used in this research is the ethnographic qualitative. This research examines the values of character building in traditional game of karetan / pelencatan in the community of Kemiren and Kabat village, whose the majority population is Using tribe. Data collection techniques used is observation, interview, and documentation. The result of the research on children's traditional  games of karetan / pelencatan not only as a playing facility, but also as a medium to shape the children's character, such as; belief in the power of the One Almighty God, honesty in the game, hard work in achieving victory, national spirit, and interaction with the social environment.


2021 ◽  
Vol 1 (2) ◽  
pp. 119-134
Author(s):  
Alfa Tirza Aprilia ◽  
Hendi Irawan ◽  
Yusuf Budi

This research discusses the practice of forced cultivation in the Dutch East Indies in the period 1830 to 1870. The method used in this research is the historicalmethod and its presentation in the form of a narrative description. The results ofthis study explain that the practice of forced cultivation in the Dutch East Indieshad a very large influence on the Netherlands and the people of the NetherlandsIndies. The system of forced cultivation changed the role of the colonialgovernment and native rulers, changed the social conditions of rural communitiesby giving birth to the concept of communal land and the introduction of the moneyeconomy system in the countryside. The forced cultivation system also succeededin filling the empty treasury of the Netherlands, but on the one hand it causedsuffering for the people of the Dutch East Indies. The famine caused byexploitation of land and human resources is a consequence of the implementationof the forced cultivation policy. The other side of the implementation of the forcedcultivation policy was the entry and introduction of export commodity crops to thepeople of the Dutch East Indies. Keyword: forced cultivation, colonial government, people, farmersAbstrak


2021 ◽  
Vol 2 (1 (339)) ◽  
pp. 148-158
Author(s):  
Serhii Savchenko ◽  

The article deals with the analysis of the experience of the organization of social and pedagogical work on patriotic education of the youth in the displaced higher educational establishment – Luhansk Taras Shevchenko National University. It has been stated that the role of patriotism in the process of socialization of young people is greatly preconditioned by its versatility as a social phenomenon, by the polysemanticism of its manifestation, by its integrated interrelations with other personal formations significant for an individual. It has been stressed that patriotic education must be aimed at the formation and development of an individual who possesses the qualities of a citizen and a patriot, the one who is ready and eager to fulfill his civil obligations in peacetime and wartime. The authors arrive at the conclusion that the priority direction in the organization of the social and pedagogical work of displaced higher educational establishments is the patriotic education of an individual aimed at the formation of his national and patriotic awareness, personal identification with his nation, belief in his moral strengths and confidence in the future of his country, striving for work for the benefit of the people, understanding the moral and cultural values of Ukraine.


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