scholarly journals NATIONAL ROMANTICISM IN WALT WHITMAN POEMS

Lire Journal ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 14-20
Author(s):  
Tomi Arianto
Keyword(s):  
Western Europe ◽  
Walt Whitman ◽  
18Th Century ◽  
Leaves Of Grass ◽  
Three Samples ◽  
State Of Affairs ◽  
The Right ◽  
19Th Century America ◽  
National Romanticism ◽  
The 19Th Century

Romanticism is often misunderstood as something genuine love and merely about romance. In fact, romanticism is an understanding of great ideas that also be delivered great ideas. The development of Romanticism delivered a new orientation that called National Romanticism by maintaining the freedom of individual, sovereignty, and independent of human rights. This study took data from three Walt Whitman poems; Patriotic, War Democracy, and Poem of America. Researcher was using the concept of interpretation to explore the meaning of poetry and the influence of romanticism in Whitman poetry. Researchers use Isaiah's theory in his book “the root of romanticism” to explore the influence of the romanticism idea on Whitman's poems. From the three samples of poetry, it is found that romanticism is very influential in Whitman poetry, especially the idea of romantic nationalism. Patriotic themes, nationalities and egalitarian concepts are reflected in Whitman's collection of "Leaves of grass" poems. Patriotic themes and nationalities are seen from the struggle for the right of individual freedom in opposing slavery and aristocratic government. The egalitarian concept is seen from the struggle to promote equality, as well as the democracy system that promotes people's sovereignty. The role of the idea of romanticism has evolved in American territory because it shares the same pattern and state of affairs as revolutions against noble, social, and political norms and rationalization of nature. Thus, the representation of romantic ideas originating from Western Europe of the 18th century has penetrated into the 19th century America which is reflected in the works that carried Whitman.

The development of nursing care of the sick in Western Europe in the 18th and the first half of the 19th centuries

2019 ◽  
Vol 6 (1) ◽  
pp. 24-28
Author(s):  
Jerzy Supady
Keyword(s):  
19Th Century ◽  
French Revolution ◽  
Nursing Care ◽  
Western Europe ◽  
18Th Century ◽  
Negative Impact ◽  
Religious Congregations ◽  
The Right ◽  
Napoleon I ◽  
The 19Th Century

The Enlightenment ideology and the French Revolution had a very negative impact on the activities of religious congregations in respect of nursing care of the sick in hospitals in the 18th century. Emperor Napoleon I attempted to improve the existing situation by restoring the right for nursing care to nuns. In the first half of the 19th century, in Germany catholic religious orders had the obligation to provide nursing care and in the 30’s of the 19th century the Evangelical Church also joined charity work in hospitals by employing laywomen, i.e. deaconesses.

Edward C. Thaden, with the collaboration of Marianna Forster Thaden, Russia's Western Borderlands, 1710-1870. Princeton, New Jersey: Princeton University Press. 1984. Pp. 278.

2004 ◽  
pp. 339-339
Author(s):  
L. R. Lewitter
Keyword(s):  
18Th Century ◽  
Point Of View ◽  
Western Civilization ◽  
Martial Law ◽  
Power Politics ◽  
Princeton University ◽  
Economic Stagnation ◽  
International Power ◽  
State Of Affairs ◽  
The Right

This chapter evaluates Edward C. Thaden's Russia's Western Borderlands, 1710–1870 (1984). The territories in question are Finland, Estonia, Livonia, Courland, Lithuania, White Russia, the right bank Ukraine and the Kingdom of Poland. The fate of the areas whose eastern portion had been the ‘borderlands of Western civilization’ is all too familiar: annexation, attempts at integration with the Empire, Russification fiercely resisted by the Poles, repeated insurrections, a recurrent state of crisis marked by the frequent imposition of martial law, economic stagnation (except for the Kingdom) or plain backwardness, and undue delay in the emancipation of the peasantry. All this was due to the state of affairs which Polish lethargy, Russian expansionism, and international power politics had engendered in the latter part of the 18th century to the subsequent detriment in varying degrees of Russians, White Russians, Lithuanians, Poles and Jews. Such advantages as may have accrued to sectional interests, the bureaucracy and the official Church for example, are not clearly shown. The ease and empathy with which the authors of this piece of administrative history adopt a Russocentric, indeed Petropolitan point of view and enter into the rigid and narrow frame of mind of tsarist officialdom is both astonishing and disturbing.

Institutional reversals and economic growth: Palestine 1516–1948

2011 ◽  
Vol 8 (1) ◽  
pp. 119-141 ◽  
Author(s):  
ANDREW SCHEIN
Keyword(s):  
Economic Growth ◽  
Private Property ◽  
18Th Century ◽  
First World War ◽  
World War ◽  
The People ◽  
The First World War ◽  
The Right ◽  
The 19Th Century ◽  
First World

Abstract:This study examines the type and quality of institutions in Palestine and the correlation between the institutions and economic growth in Palestine from 1516 to 1948. Initially in the 16th century, with the Ottoman conquest of the area, institutions in Palestine involved de facto private user-rights. The level of expropriation by elites was low, and this enabled the people to develop the lands that they had acquired the right to cultivate. In the 17th and 18th centuries, with the exception of the Galilee in the middle of the 18th century, institutions became extractive due to tax farming, rapacious governors and Bedouin raids. From the middle of the 19th century until 1948, there was a second reversal back to private property institutions, first slowly until the First World War, and then more rapidly under the British Mandate after the First World War. When there were private property institutions the economy prospered, while when there were extractive institutions, the economy stagnated.

A.YE. BEIDEMAN’S MURALS IN ST. ALEXANDER NEVSKY CATHEDRAL IN PARIS IN CONNECTION WITH THE CRIMEAN PERIOD OF THE ARTIST’S OEUVRE

2021 ◽  
pp. 149-162
Author(s):  
Vitalii V. Zherdiev ◽  
Keyword(s):  
Western Europe ◽  
Field Research ◽  
Research Experience ◽  
Mary Magdalene ◽  
John The Baptist ◽  
John Chrysostom ◽  
The Right ◽  
The 19Th Century ◽  
First Time ◽  
The Temple

The article is about the little-known murals in St. Alexander Nevsky Cathedral in Paris (1859– 1861, architect R.I. Kuzmin), painted by Alexander Yegorovich Beideman (1826–1869). The scientific novelty of the results obtained is in the fact that for the first time A. Beideman’s religious works from the Parisian cycle are introduced and placed into scientific circulation. This cycle is master’s most significant preserved religious work and unique in the Orthodox ecclesiastical art of Western Europe of the second half of the 19th century. Although such brilliant masters as E.S. Sorokin, P.S. Sorokin, M.N. Vasilyev and F.A. Bronnikov worked on the creation of the polychrome ensemble of the Parisian cathedral together with Beideman, his murals in Paris became one of the first in the academic period of Russian ecclesiastical art, in which the transition to the traditions of Byzantine iconography was manifested. Beideman painted eighteen images in the lower part of the temple and on the pillars. Images of Our Lady of Akhtyr with St. Mary Magdalene and St. John are in the niche to the left of the central apse; the Deesis with the Virgin and St. John the Baptist is in the niche to the right of the central apse. Images of Christ the Great Bishop, St. Jacob the Apostle, St. John Chrysostom, St. Basil the Great and St. Gregory the Theologian are in the central apse. Images of St. Mitrofan of Voronezh and St. Joseph the Songwriter are in the sacristy. The image of New Testament Trinity is in the conch. Images of Metropolitans of Moscow Peter, Alexius, Jonah, and Philip are on the pillars below the evangelists. The artist avoided a bright palette, working mainly in the ocher-silver gamma, which, along with the frontality and pronounced statics, gave a sense of “incorporeity” to the figures of the saints. The closeness to the traditional iconography was given by the monumental architectonics of the flowing robes and the almost iconographic austerity of the faces. But, nevertheless, there is a big difference in the style solution of Beideman’s paintings in the Parisian cathedral compare to his easel and monumental works of different years. Especially comparing to Beideman’s watercolor etudes for the murals in the Holy Cross Exaltation Church in Livadiya (architect I.A. Monighetti) and St. Olga church of in Mikhailovka near Strelna (architect D.I. Grimm). The author of the article comes to the conclusion, based on the field research materials, his own restoration and research experience and the comparison of Beideman’s surviving works, in particular, in Livadiya, that the painting in the Parisian cathedral could have been somewhat modified over time. But the artist’s conscious stylistic manner is also possible. The chronology of Beideman’s creative path, the exact period of his work in Paris, has been clarified in comparison with the period of his work in the Livadiya church in Crimea.

The Kazakhs, 16th–19th Centuries

2021 ◽  
Author(s):  
Jin Noda
Keyword(s):  
18Th Century ◽  
Qing Empire ◽  
Social Unrest ◽  
15Th Century ◽  
Close Relationship ◽  
Unique Identity ◽  
The Russian Empire ◽  
The Right ◽  
The 19Th Century ◽  
The Impact

The Kazakh khans considered themselves the descendants of Juchi, the son of Chinggis Khan. Leading a group of Turkic Muslim nomads, they established their own authority on the Kazakh steppe (previously called the Qipchaq steppe) by the end of the 15th century. During the 16th century, the Kazakhs further expanded their territory, by fighting with the Shibanid Uzbek dynasty, the Noghays, and the Moghuls. However, the 17th century found the Kazakhs in turn being pressured from without by the Junghars, a group of Mongolian nomads. While it was through this struggle with the Junghars that the Kazakhs gradually attained a unique identity, this identity came at the price of a loss of unity between the three clan confederations (known as Zhuz). After the fall of the Junghars during the mid-18th century, the Kazakhs began conducting a policy of “bilateral diplomacy” with the Russian Empire and Qing China. Simply put, the Kazakh khans sent envoys to both Russia and the Qing court. The relations between the Kazakhs and the Qing are worthy of particular attention as several members of the Kazakh dynasty were even bestowed official titles by the Qing emperor. This bestowal guaranteed the right to trade in Xinjiang and further strengthened Kazakh authority throughout the steppe as well. During the 19th century, the territory of the Kazakh nomads was split up by the Russian and Qing empires. This fracturing was mainly caused by Russia’s expansion into Central Asia. From this time, great political changes began occurring on the Kazakh steppe, leading to mass rebellions and other social unrest. During this tumultuous period under Russian influence, however, Kazakh society also produced many intellectuals, further strengthening their national identity. Significant changes in Kazakh historiography after the onset of the Soviet era are characterized by a focus on two elements: namely, the close relationship between the Kazakhs and the Qing Empire, and the impact of Islam on Kazakh society. Historical research on these topics has been influenced by newly available archival sources in both Russia and China.

scholarly journals FROM TYRANNY TO DESPOTISM: THE ENLIGHTENMENT'S UNENLIGHTENED IMAGE OF THE TURKS

2001 ◽  
Vol 33 (1) ◽  
pp. 49-68 ◽  
Author(s):  
Asli Çirakman
Keyword(s):  
Ottoman Empire ◽  
Western Europe ◽  
18Th Century ◽  
Radical Change ◽  
The Public ◽  
European Experience ◽  
European Public ◽  
The Government ◽  
The 19Th Century ◽  
Century Thought

This study aims to examine the way in which European writers of the 16th, 17th, and 18th centuries represented Ottoman government. The Ottoman Empire had a special place in European experience and thought. The Ottomans were geographically close to Western Europe, yet they were quite apart in culture and religion, a combination that triggered interest in Turkish affairs.1 Particularly important were political affairs. The Ottoman government inspired a variety of opinions among European travelers and thinkers. During the 18th century, the Ottomans lost their image as formidable and eventually ceased to provoke curiosity in the European public. They were no longer dreaded as the “public calamity”; nor were they greatly respected as the “most modern government” on earth. Rather, they were regarded as a dull and backward sort of people. From the 16th century to the 19th century, the European observers employed two similar, yet different, concepts to characterize the government of the Ottoman Empire. The concept of tyranny was widely used during the 16th and 17th centuries, whereas the concept of despotism was used to depict the regime of the Ottomans in the 18th century. The transition from the term “tyranny” to that of “despotism” in the 18th century indicates a radical change in the European images of the Ottoman Empire. Although both of these terms designate corrupt and perverse regimes in Western political thought, a distinction was made between tyranny and despotism, and it mattered crucially which term was applied to the Ottoman state. European observers of the empire gave special meanings to these key concepts over time. “Tyranny” allowed for both positive and negative features, whereas “despotism” had no redeeming features. Early modern Europeans emphasized both admirable and frightening aspects of Ottoman greatness. On the other hand, the concept of despotism was redefined as inherently Oriental in the 18th century and employed to depict the corruption and backwardness of the Ottoman government. This transformation was profoundly reflected in the beliefs of Europeans about the East. That is, 18th century thought on Ottoman politics contains a Eurocentric analysis of Oriental despotism that is absent from the discussions of Ottoman tyranny in earlier centuries.

scholarly journals In the “Mirror” of Press: Preparation and Conduct of the First “Russian Season” by S. P. Diaghilev (1906)

2020 ◽  
Vol 19 (6) ◽  
pp. 48-58
Author(s):  
Natalia D. Melnik
Keyword(s):  
19Th Century ◽  
Large Scale ◽  
Western Europe ◽  
18Th Century ◽  
Russian Art ◽  
The Public ◽  
Cultural Activities ◽  
Russian Symbolism ◽  
The Press ◽  
The 19Th Century

Purpose. The purpose of this study is to examine the coverage in the Russian and foreign press the preparation and conduct of the first Russian season in Paris (then in Berlin) by S. P. Diaghilev in 1906, which became the beginning of implementation of large-scale activities of impresario in Western Europe, whose main objective was the promotion of almost unknown at the time for the Europeans the Russian art. Results. Quoting the correspondence of artists-friends of Diaghilev, memoirs of contemporaries, publications in the press, as well as modern research, allows the author to assert that the basis of this cultural project of the impresario was the exhibition “Two centuries of Russian painting and sculpture”, where he exhibited ancient Russian icons, works of Russian artists of the 18th century – the first half of the 19th century, as well as paintings by members of the art Association “World of Art” who were the representatives of Russian symbolism and modernism. Conclusion. The studied materials indicate that the success of the first Russian season set the stage for further cultural activities to acquaint Western Europe with a variety of achievements of Russian art and their success among critics and the public.

scholarly journals Nation-building oraz nation-preserving w Polsce w dobie transformacji i integracji europejskiej

2020 ◽  
Vol 48 (1) ◽  
pp. 99-123
Author(s):  
Tomasz Grzegorz Grosse
Keyword(s):  
European Integration ◽  
19Th Century ◽  
18Th Century ◽  
Nation Building ◽  
Political Transformation ◽  
Right Wing ◽  
First Case ◽  
The Right ◽  
The 19Th Century ◽  
The Eu

The aim of the article is to show the centuries-old tradition of Polish elites working for nation-building and nation-preserving purposes. It dates back to at least the 18th century. The nation-preserving formula was developed in the 19th century, that is, during the partitions, when the Polish nation did not have its own statehood. In the first part of the article, I describe the specificity of Poles’ historical experiences, primarily after the partitions that took place at the end of the 18th century. I try to indicate three main approaches to nation-building (and nation-preserving) activities during this period. In the next part of the article, I try to show that this tradition lasted during the period of political transformation and European integration. While the nation-building approach, related to the reconstruction of sovereign statehood, democracy and a political nation, was dominant in the first case, the nation-preserving policy was observed more often, especially among the right-wing elites, after joining the EU, primarily due to the experiences of subsequent European crises.

Nineteenth-Century American Magazines

2021 ◽  
Author(s):  
Ashlyn Stewart ◽  
Kenneth M. Price
Keyword(s):  
19Th Century ◽  
Book History ◽  
18Th Century ◽  
Distribution Networks ◽  
Business Practices ◽  
Literature History ◽  
The Many ◽  
Definition Of ◽  
19Th Century America ◽  
The 19Th Century

Studying the literature, history, or culture of 19th-century America often requires one to read magazines from the time period. Even more so than today, 19th-century magazines were a place for readers of all kinds across the growing nation to consume news, literature, entertainment, advice, illustrations, and more. Therefore, they provide a valuable record of what the 19th century was like for various segments of society and make for a compelling topic of research in their own right. As printing machinery, distribution networks, and business practices advanced, magazines evolved from short-lived, largely local affairs in the 1830s to long-lasting, wide-reaching publications in the 1880s. Magazines grew in their reach, influence, and sometimes page count; improved in quality of contributor content, presentation, and illustrations; and became more numerous, stable, and enduring. Despite all the changes magazines underwent during the 19th century, one characteristic remained consistent: they were essential forums for 19th-century print culture. For the purposes of this bibliography, we rely on the Oxford English Dictionary definition of “magazine”: the term has been used since at least the early 18th century to describe “a periodical publication containing articles by various writers”—particularly ones that are prepared for a readership with a specialized interest. This definition is broad enough to capture other serialized print publications, and we embrace the inclusive interpretation. The line dividing newspapers from magazines is especially unclear because these media have elastic boundaries; the line has become even more muddied within modern magazine scholarship because studies treating marginalized groups often rely heavily on newspapers. Therefore, we have chosen to be expansive in our treatment of magazines, meaning our sources occasionally consider other serial forms of print because they were an integral part of the wider print landscape of the 19th century. We often use the term “periodical” to include these serialized publications that weren’t strictly magazines. In this bibliography, some studies make heavy use of newspapers oriented toward readers with specific cultural, racial, or ethnic identities. Similarly, scholarship about books is not the focus of this bibliography; however, magazines were often printed in the same shops as books by the same publishers and were distributed along the same routes. Therefore, information about the larger book market and distribution is frequently essential to the works included here. Finally, studying magazines usually requires a multidisciplinary approach that draws on the established fields of literature, history, book history, and cultural studies. It also can require several methodological lenses, including close reading of texts; consideration of historical contexts; biographies of writers and publishers; sensitivity to class, gender, and race; concern for material and economic constraints in production; an eye for audience; thought about distribution; and attention to both niche and mass cultures. This bibliography attempts to wrangle sources from disparate fields and approaches to provide a starting place for those curious about the many facets of 19th-century American magazines.

ЦИРКОВЕ МИСТЕЦТВО У ПРОСТОРІ ТА ЧАСІ: ВІД КОЛІЗЕЮ ДО АМФІТЕАТРУ ЕСТЛІ; ВІД СКОМОРОХІВ ДО СУЧАСНОСТІ

2020 ◽  
Author(s):  
Admink Admink
Keyword(s):  
19Th Century ◽  
Art History ◽  
Western Europe ◽  
18Th Century ◽  
History Of ◽  
Reasonable Ground ◽  
The 19Th Century ◽  
Further Development ◽  
New Time

У контексті дослідження особливостей розвитку циркового мистецтва і циркової справи на західноукраїнських землях кінця ХVІІІ–ХІХ ст. поставлено завдання простежити процес становлення циркового мистецтва на етнічній території України. Розглянуто проблематику визначення зв’язку сучасного циркового мистецтва України з мистецтвом скоморохів; зроблено спробу визначення ступеню «спорідненості» зв’язку цирку Нового часу з давньоримським цирком.З’ясовано, що через брак історичних відомостей не існує підстав пов’язувати творчість скоморохів із ґенезою професійного циркового мистецтва в Україні. Більш коректним є визначення витоків сучасного циркового мистецтва в перших гастрольних виступах на етнічній території України західноєвропейських акробатичних і циркових труп, які належать до другої пол. XVIII ст., виходячи зі значущості їх впливу на системність подальшого розвитку циркових жанрів і циркового мистецтва. Розглянуто і визначено спільні риси, відмінності і особливості цирку Нового часу і давньоримського цирку.Ключові слова: цирк, циркове мистецтво, історія цирку, витоки циркового мистецтва, мистецтво скоморохів, давньоримський цирк. In the context of the study of the features of the development of Circus Art and the functioning of Circus business at the Western Ukrainian lands at the end of the 18th – during the 19th century, the author set the task to track down the processes of the inception of Circus Art at the ethnic territory of Ukraine.In this article, the problems of determining the continuity of contemporary circus art of Ukraine with the art of Scomorochs are considered; an attempt is made to determine the degree of «kinship» of the connection of the circus of New time with the ancient Roman circus. It turned out that today, due to the lack of historical documental evidences, there is no reasonable ground for the scientists to relate the art of Scomorochs with the genesis of the professional Circus Art in Ukraine. It seems more correct to determine the origins of the modern Circus Art in the first guest performances of the acrobatic and circus troupes from Western Europe at the ethnic territory of Ukraine, which belong to the second half of the 18th century, based on the significance of their influence on the further development of Circus genres and the Circus Art.The similarities, differences, and features of the Circus of the New Time and the ancient Roman circus have been considered and determined.Key words: circus, circus art, history of the circus, the origins of circus art, the art of scomorochs, the ancient Roman circus.

Sign in / Sign up

Export Citation Format

Share Document