scholarly journals Morfologi Kota Ternate

2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Maulana Ibrahim

Ternate City as an old city and has a long history of experiencing a change in character that damages the authenticity and uniqueness of the city, the heritage of the city and its cultural heritage. This study aims to find the spatial pattern of Ternate city, with the approach of spatial morphology, so that the conditions of the original space and its changes can be found. The method used is literature study in the form of old maps and new maps, comparing changes in space from time to time, analyzing the diachronic and synchronic processes of change to find spatial structures so that they can be used as references in the city's architectural preservation efforts. Keywords: morphology, character, city, Ternate

Kebudayaan ◽  
2019 ◽  
Vol 14 (1) ◽  
pp. 27-42
Author(s):  
I Made Sutaba

Archaeological researches in Indonesia have discovered a number of various historical and archaeological artifacts that belong to cultural heritage. As historical evidences, this cultural heritage is an important source of the plural information and messages of the past life of our society. It is remarkable that this cultural heritage has some problems for example problem of typology, function, meanings, and the other for the society. Studying the problems, it is interesting to do research on its function as a teller of the past history that contained various aspects of the life of our society that not yet studied until today. By learning the problems, this research goal is to find the answer of the problems. To reach this goal, we do this research gradually by collecting data through literature study and field observation along with interviews. The next step is analysis carried out through methods of typology analysis, contextual, functional analysis, ethno archaeological and ethno historical approach. Finally the result showed that the function of our cultural heritage is as teller of the many-sided aspects of the past history of our artifacts such as technological aspects, social, and religious aspects but it is impossible to get full completed information due to some reasons. Keywords: archaeological and historical artifacts, cultural heritages, teller of the past.  AbstrakPenyelidikan arkeologi di Indonesia sudah berhasil menemukan artefak sejarah dan arkeologi yang beraneka ragam, yang tergolong sebagai warisan budaya. Sebagai bukti-bukti sejarah, warisan budaya ini adalah sumber informasi dan pesan-pesan kehidupan masyarakat masa lalu yang bersifat pluralistik. Menarik perhatian, bahwa warisan budaya ini mempunyai permasalahan yaitu, permasalahan tipologi, fungsi dan makna dalam kehidupan masyarakat. Mempelajari masalah ini, sangat menarik untuk melakukan penelitian mengenai fungsinya sebagai penutur sejarah masa silam, yang mengandung aneka ragam, aspek kehidupan masyarakat, yang belum dikaji sampai sekarang. Dengan mencermati permasalahan ini, maka tujuan penelitian ini, adalah untuk meneliti permasalahan tadi. Untuk mencapai tujuan ini, penulis melakukan penelitian secara bertahap melalui pengumpulan data dengan metode kajian pustaka dan observasi lapangan yang disertai dengan wawancara. Langkah selanjutnya, adalah melakukan analisis dengan analisis tipologi, kontekstual, analisis fungsional, pendekatan etnoarkeologi dan etnohistori. Hasil penelitian ini menunjukkan bahwa cagar budaya itu berfungsi sebagai penutur kehidupan masa silam yang mengandung aspek yang bersfiat jamak, adalah aspek teknologi, sosial dan religi, tetapi tidak mungkin untuk mendapat informasi yang lengkap karena berbagai faktor.Kata kunci: peninggalan sejarah dan purbakala, warisan budaya, penutur masa silam.


2021 ◽  
Vol 6 (3) ◽  
pp. 133-145
Author(s):  
Sema Tuba Özmen ◽  
Beyza Onur

Architecture, which is associated with the practice of producing space, has always rendered the powers and ideologies visible. This study investigates the government houses in the 19th century Ottoman State with regard to the notions of power and ideology and focuses on the Government House of Safranbolu. It is known that, in the specified period, government houses were important ideological interventions to urban space. This study aims to address the ideological context of the Safranbolu Government House, which is positioned with the ideal of the state. Based on this, first, the urban history of Safranbolu was examined. The importance of Safranbolu Government House in the history of the city, its relationship with the city, its ideological message to the city-dwellers and its architectural style were analyzed through a method based on archival research. All government houses of the period are the artifacts of urban-spatial structures and their architectural style as well as a shared ideology. Safranbolu Government House, which is one of the structures symbolizing the Ottoman State, was also built with a similar ideological consideration. Thus, the readability of the dominant ideology through the production style of Safranbolu Government House, one of the final period architectural artifacts of the Ottoman State, was verified.


Author(s):  
Julita Markiewicz-Patkowska ◽  
Krzysztof Widawski ◽  
Piotr Oleśniewicz

The cultural heritage of the city of Wrocław provides a perfect opportunity to practice educational tourism. It can serve to shape the desirable attitudes of acceptance and tolerance based on closer cognition of diverse cultures. The aim of this chapter is to indicate the tourist potential inherent in the Jewish cultural heritage of Wrocław. The culturally complex history of the city is analyzed, and then the most essential elements of the cultural output of Wrocław are presented in order to better recognize the background of the Jewish heritage. The following step is to locate the presented assets within the operating tourist products fulfilling educational function assumed to be within the city's tourist strategy. The products arise the interest of receivers of any age: from kindergarten children to seniors. Also, in this chapter, the authors observe good practices of the Four Denominations District (depicting a close coexistence of the Jewish heritage and the Christian world – Catholic, Protestant, and Orthodox) or the City Museum of Wrocław, with the Old Jewish Cemetery as its division. The pedagogical, training, and cultural educational functions fulfilled with the implementation of the cultural product are emphasized.


2020 ◽  
Vol 3 (1) ◽  
pp. 51-74
Author(s):  
I Wayan Sutama

In contemporary development, the penjor is increasingly being used both as a means of religious rituals and as a profane means. This research focuses on 3 questions 1). What is the process of the emergence of penjor in the city of Mataram? 2). What are the types, functions, and meanings of penjor in the city of Mataram? 3). How is penjor a symbol of the self-image of Hindus in the city of Mataram? This study uses a qualitative descriptive approach that emphasizes the interpretation of denotative and connotative meanings by using the theory of symbolic and semiotic interactionism. Data collection techniques by observation, interview, literature study, and documentation. The results of the analysis include: 1) The appearance of penjor in the city of Mataram began with the history of the attack of the Karangasem kingdom to Lombok. The increasingly safe situation of Lombok encourages the transfer of the Karangasem community to Lombok which carries Balinese Hindu traditions, including penjor, 2) Penjor is divided into 2 types namely ceremonial penjor and ornamental penjor. Penjor ceremony is made from bamboo with curved edges, the trunk is decorated with Ambu (young palm leaves) or Busung (young coconut leaves) filled with accessories. Penjor ceremony functioned as a means of religious rituals (god yadnya) and Manusa yadnya. The meaning of penjor symbolizes the mountain and its contents where the gods come from, as a form of expression of gratitude for the gift given by God and the celebration of Galungan. The commodification of penjor in the city of Mataram is still in a standard form but has begun to use a combination of natural and synthetic ingredients. 3) Penjor is a symbol of the self-image of Hindus, showing internal solidarity with other Hindus and externally to present the front stage as a Hindu that refers to the aesthetic and artistic values ​​of religious ritual symbols that contain the values ​​of the Satyam, Siwam, Sundaram.


Author(s):  
E. V. Sitnikova

Purpose: The aim of this work is to describe the architecture of Minusinsk, a small Siberian town, in line with the interests of the local merchants. The paper is relevant because of the low level of knowledge of the historical and cultural heritage of small towns in Siberia and the problems of preserving their cultural heritage.Methodology/approach: The related literature review, comparative analysis of the architecture and systems structural analysis of information. Theoretical works of scholars, historians and architects and the author’s literature and materials.Practical implications: The obtained results can be used for preparation of lectures and reports on the history of Siberian architecture. Preservation and efficient use of merchant buildings will contribute to the improvement of the city status and the development of its tourist attractiveness.Originality/value: The study of historical and cultural heritage of Minusinsk, a large merchant capital with mansion construction and industrial and commercial buildings.Findings: Minusinsk is of great interest as a historical merchant city. In the old city, there are numerous wooden and brick buildings of the late 19th and early 20th centuries. They locate in central streets and squares of the old city and have specific appearance.


2019 ◽  
Vol 5 (2) ◽  
pp. 103-119
Author(s):  
Indra Rukmana

Museum Benteng Vredeburg merupakan salah satu daya tarik wisatawarisan budaya yang sedang dikembangkan di Kota Yogyakarta yangmemiliki fungsi reservasi, konservasi, koleksi, rekreasi, dan edukasi.Namun, dalam perkembangannya kunjungan wisatawan ke MuseumBenteng Vredeburg masih sangat rendah dibandingkan dengan daya tarikwisata lainnya di Kota Yogyakarta, untuk itu diperlukan adanya upayamerumuskan strategi pengelolaan yang tepat sehingga dapat berfungsioptimal. Penelitian ini bertujuan untuk mengetahui: 1) cara pengelolaanMuseum Benteng Vredeburg sebagai daya tarik wisata warisan budaya pada dewasa ini, 2) faktor-faktor yang menjadi pendorong dan penghambat upaya meningkatkan pengelolaan Museum Benteng Vredeburg sebagai daya tarik wisata warisan budaya, dan 3) strategi yang dapat dilaksanakan untuk meningkatkan pengelolaan Museum Benteng Vredeburg sebagai daya tarik wisata warisan budaya supaya berfungsi optimal. Data dikumpulkan dengan metode observasi, wawancara mendalam, angket/kuisioner, dan studi kepustakaan. Teknik analisis data dalam penelitian ini yaitu analisis deskriptif kualitatif, analisis matriks IFAS dan EFAS, serta analisis SWOT. Hasil penelitian menunjukkan bahwa operasional pengelolaan Museum Benteng Vredeburg dikelola oleh sebuah Badan Pengelola Museum yangsecara struktural bertanggung jawab langsung kepada Pemerintah KotaYogyakarta sebagai Pembina.AbstractThe Fort Vredeburg Museum is one of the cultural heritage tourist attractions being developed in the city of Yogyakarta that has the functions of reservation, conservation, collection, recreation and education. However, in the development of tourist visits to the Fort Vredeburg Museum is still very low compared to other tourist attractions in the city of Yogyakarta, for this reason it is necessary to formulate an appropriate management strategy so that it can function optimally.This research aims to determine: 1) how to manage the Fort Vredeburg Museum as a cultural heritage tourist attraction today, 2) the factors that are driving and inhibiting efforts to improve the management of the Vredeburg Fort Museum as a cultural heritage tourist attraction, and 3) strategy which can be implemented to improve the management of the Vredeburg Fort Museum as a tourist attraction for cultural heritage in order to function optimally. Data were collected by observation,in-depth interviews, questionnaires, and literature study. Data analysis techniques in this research were qualitative descriptive analysis, IFAS and EFAS matrix analysis, and SWOT analysis. The results showed that the operational management of the Fort Vredeburg Museum was managed by a Museum Management Agency that was structurally responsible directly to the Yogyakarta City Government as a Trustee.


2020 ◽  
Vol 30 (2) ◽  
pp. 121-134
Author(s):  
Erond Litno Damanik

The article aims to explore and to discuss strategies for nurturing collective memory and identity in Medan City. The problem is focused on strategies to care for the collective memory and identity of the city while preserving cultural heritage buildings in Medan City. The theoretical references used are the collective memory and city identity approaches of Kusno. The study found that the collective memory and identity of the plantation are attached to the grandeur of the shape and variety of building architecture. The variety of architecture refers to masterpieces of internationally renowned architects, while the forms and patterns represent the climate, aesthetics, and success of the plantation. Novelty studies that the lack of protection of cultural heritage buildings has implications for the waning of collective memory and city identity. Economic and business battles, lack of government political will, and synergy with the private sector have an impact on the destruction of cultural heritage buildings. Cultural heritage buildings are an integral part of the history of Medan City with plantations. The study concluded that maintaining collective memory and plantation identity is a preservation activity of cultural heritage buildings. The strategy of nurturing for cultural heritage buildings is not enough through local regulations, utilization as public spaces, but also providing incentives for cultural heritage building owners. Artikel bertujuan mengeksplorasi dan mendiskusikan strategi merawat memori kolektif dan identitas perkebunan di Kota Medan. Permasalahan difokuskan pada strategi merawat memori kolektif dan identitas kota sekaligus melestarikan bangunan pusaka budaya di Kota Medan. Acuan teoritis dipergunakan adalah  pendekatan memori kolektif dan identitas kota dari Kusno. Kajian menemukan bahwa memori kolektif dan identitas perkebunan terlampir pada kemegahan bentuk dan ragam arsitektur bangunan. Ragam arsitektur menunjuk pada mahakarya arsitek kenamaan mancanegara; sedang bentuk dan pola merepresentasi iklim, estetika dan keberhasilan perkebunan. Novelty kajian bahwa kurangnya perlindungan bangunan pusaka budaya berimplikasi bagi memudarnya memori kolektif dan identitas kota. Pertarungan ekonomi dan bisnis, kurangnya political-will pemerintah serta sinergi dengan swasta berdampak bagi pemusnahan bangunan pusaka budaya. Bangunan pusaka budaya merupakan bagian integral sejarah Kota Medan dengan perkebunan. Kajian menyimpulkan bahwa memelihara memori kolektif dan identitas perkebunan adalah aktifitas pelestarian bangunan pusaka budaya. Strategi merawat bangunan pusaka budaya tidak cukup melalui Peraturan Daerah, pemamfaatan sebagai ruang publik, tetapi juga pemberian insentif bagi pemilik bangunan pusaka budaya. 


Author(s):  
W.M.T Yudhaa ◽  
R. Fadli R. Fadli ◽  
S. Astari S. Astari ◽  
S. Yulisma S. Yulisma ◽  
R. M. Siahaan R. M. Siahaan ◽  
...  

Istana Maimun adalah istana kebesaran Kerajaan Deli yang dibangun pada tahun 1888. Saat ini istana maimun sudah beralih fungsi menjadi museum dan hunian untuk keluarga keturunan sultan. Istana Maimun memiliki daya tarik tersendiri terutama sebagai bukti perjalanan sejarah kebudayaan Kota Medan. Dalam Penelitian ini Peneliti menggunakan metode deskriptif kualitatif yaitu dengan menguji signifikansi kondisi Istana Maimun sebagai bangunan bersejarah Kota Medan melalui nilai sejarah, nilai ilmu pengetahuan, nilai agama dan nilai kebudayaan seperti yang ditetapkan dalam UU No.11 Tahun 2010. Dengan pengumpulan data melalui wawancara, dokumentasi dan konservasi lapangan. Hasil dari penelitian ini diharapkan dapat menjadikan Istana Maimun menjadi bangunan bersejarah cagar budaya Nasional.   Maimun Palace is an oversized palace of the Kingdom of Deli which was built in 1888. At present Maimun Palace has turned into a museum and residence for families of descendants of the Sultan. Maimun Palace has its own charm, especially as evidence of the journey of the history of the city of Medan. In this study the researcher used a qualitative descriptive method, namely by testing the significance of Maimun Palace as a historical building in Medan through historical values, the value of science, religious values and cultural values as stipulated in Law No.11 of 2010. By collecting data through interviews, field documentation, and conservation. The results of this study are expected to make Maimun Palace a historic building of national cultural heritage.


2018 ◽  
Author(s):  
Véronique Lambert

Bruges, middle of the 15th century. Anselm Adornes, scion of a rich patrician family, creates a magnificent domain in the heart of the city : an elegant mansion, beautiful gardens, several charitable almshouses and the spectacular Chapel of Jerusalem. It is a place that every right-minded resident of Bruges and every tourist must see. The history of the Adornes domain is truly remarkable, remaining in the unbroken possession of the same family for six centuries. It has survived storms and setbacks, the secularism of the French Revolution, the fury of two world wars and inevitable periods of disinterest. 'In this book Véronique Lambert allows us to share in the hopes and fears, joys and sorrows, trials and tribulations that mark the milestones in the Adornes family saga. Within the boundaries of historical interpretation and based on extensive research, she unfolds a fascinating tale of ambitious adventurers, charismatic personalities, flamboyant lords and ordinary mortals, but each imbued with the family's traditional willpower and energy'. Let yourself be enchanted by this fascinating piece of our cultural heritage, which deserves to be more widely known.


2015 ◽  
Vol 5 (3) ◽  
pp. 41-46
Author(s):  
Irina Aleksandrovna KOTENKO ◽  
Alina Valer'evna SERJANTOVA ◽  
Anastasya S. KHARITONOVA

The article describes the history of one of the first classical architectural ensembles of Sovietera, that of Samara square situated within the boundaries of Galaktionovskaya, Yarmarochnaya and Sadovaya streets. Particular attention is paid to the appearance of the administrative building of Hydroproject - a major compositional dominant of the ensemble. The paper emphasizes the exceptional importance of the ensemble in the architectural and cultural heritage of the city. The authors use a wide range of bibliographic sources and provide unique documents about the architects of this urban ensemble, including personal testimonies of the authors about their work on the project.


Sign in / Sign up

Export Citation Format

Share Document