Kharkiv Art History School (1900s – early 2020s)

2021 ◽  
Vol 2021 (02) ◽  
pp. 55-70
Author(s):  
L. Sokolyuk ◽  

The article attempts to outline the activity of Kharkiv art history school from the time of its formation in the 1900s to the present day. The author reveals the main directions of research of university art history in Kharkiv, as well as figures of museum institutions who were engaged in the study of topical problems of art before the outbreak of Stalinist terror, when Kharkiv art history school was completely destroyed, and its representatives were either shot (F. Shmit, P. Fomin, K. Slipko-Moskaltsiv) or sent into exile (S. Taranushenko, P. Zholtovsky, D. Gordeiev, O. Berladina). It is emphasized that none of them ever returned to Kharkiv. This became a serious obstacle in the restoration of the scientific art history school in the city. This process lasted for a very long time in comparison with other artistic centers, Kyiv and Lviv in particular. The article reveals the traditions of art history science in Kharkiv, laid down in the first third of the 20th century before its destruction in the Stalinist period. The author also shows the changes in the organization of research activities in modern conditions, when university art history has become a thing of the past, and the scientific center has moved to the higher art institution of the city, which became the Kharkiv Institute of Art and Industry (the Kharkiv State Academy of Design and Arts from 2001).The main directions of the development of art history in this higher educational institution of art in Kharkiv are revealed. It is shown that, first of all, Ukrainian studios were resumed as a separate direction and such an outstanding phenomenon of Ukrainian national art as M. Boichuk’s school, destroyed during the Stalinist repressions, was reconstructed. Separate pages about some figures of the glorious cohort of Ukrainian masters who, with their work, personified the bright and tragic era for the Ukrainian creative intelligentsia of the 1920s, namely artist-writer M. Zhuk as well as representatives of the avant-garde phenomenon in the artistic culture of the 20th century in Kharkiv (V. Yermilov, B. Kosarev, A. Petrytsky), were also revealed. Not only was the range of Oriental studies restored, but to some extent expanded, the study of Far and Middle Eastern art was introduced, and the study of Ukrainian art Judaica and Jewish art was brought to the wider modern world. In the Soviet period this was impossible due to the policy of the Soviet power. Ukrainian theater decoration art, Ukrainian school of art photography, contemporary art became new directions. The development of established traditions and deepening of the study of the sacred art and modern art forms are among the prospects for further directions.

Author(s):  
A. A. Troshin

In this article, the author concludes that recent projects of digitalisation of the urban environment have initially been projects of the fundamental science of modernity, i. e. predominantly 1970s. In modern urban practise in Russia, their implementation is mainly superimposed on the structure of the city, formed at the same time, but already perceived as the past. Bridging this gap is in understanding what exactly the architectural modernism of the late Soviet period left us. As the initial stage of this, necessary for the classification of artefacts, the author proposes a reasoned periodisation of Soviet urbanism in the second half of the 20th century.


Author(s):  
Aleksei A. Soloviev

The article is devoted to the history of creation and development of Ivanovo-Voznesensk Public Library in the second half of the 19 - early 20th century. There are analyzed the qualitative and quantitative composition of the library, the financial position of the library, the necessity for such educational institution for the city.


Author(s):  
Anne Humpherys

The 19th century saw the rise of the world’s first great metropolis, London, and the transformation of several northern British small towns into the first major industrial cities. These great cities offered the pleasures of anonymity and the dangers of alienation. Urbanization was both a great leveler and a producer of new classes such as the merchant, the professional classes, and the gentry. Perhaps the most important element in these developments was the railway, the building of which transformed the landscape, the cityscape, and individual lives. Though at the beginning of the century little could be recognized as modern, by the end all the elements that would identify the modern world were in place—seemingly infinite variety, endless change in the built environment, and startling contrasts, as well as overcrowding, dirt, noise, crime, poverty, and ostentatious display. New opportunities of all sorts also arose in these cities—for work, for criminal activity, for adventure, and for pleasure and distress. The Victorians themselves were both fascinated and horrified by their cities, especially London, which, though not an industrial city, also presented the combined effects of rapid and uncontrolled growth. The contradictory responses generated by all this change and development resulted in an impressive amount of writing, especially in the periodical press, which itself was a product of urbanization. Journalists, a new class dubbed the Fourth Estate, tried to gain an overview of the constantly changing city, and novelists devised narrative and symbolic ways to represent the totality of the city. Much of this work was about the social problems, but there were also many sketches that were full of delight at the variety and oddity of city life. Most serious scholarship on the Victorian city, however, began only after World War II, partly due to early-20th-century negative responses to the Victorians’ perceived moralistic values and limitations on personal development. Among the first to react against anti-Victorianism were campaigners seeking to preserve Victorian buildings—the founding of the Victorian Society in 1957 was a sign of this shift. Historians were not far behind in collecting and mining the archives not only of London but of all the great cities, especially Manchester. Literary scholars also began to analyze the impact of the city on literary and artistic production. Though the scholarly interest in urban history never ceased, later-20th-century scholars and critics also began to write about more specific aspects of the city—gender, nationalism, race, and sectarianism. Finally, the subject of the problematics of representing the city, in particular London, came under critical attention in the first decade of the 21st century.


Discourse ◽  
2021 ◽  
Vol 7 (6) ◽  
pp. 42-61
Author(s):  
O. V. Andreeva

Introduction. In the last third of the 20th century new trends appeared in various spheres of public life. That made possible to characterize this time period as the era of postmodern. The culture processes of this period were called postmodernism. Despite significant research on the topic and phenomenon of postmodernism, it remains a subject of discussion, which makes the problem of its further study actual. The article reveals postmodernism through the prism of new accents in the disclosure of artistic images in world and national cinema. Transformation of artistic imageries in the cinema is analyzed in the historical, cultural and philosophical terms, which is an element of novelty of the article.Methodology and sources. The methodology is based on the analysis of sources and literature, taking into account interdisciplinary approaches. Historical, comparative, systemic and semiotic research approaches are used. The author also used an integrated approach (formational and civilizational), which gives us a new perspective in understanding cultural phenomenon.Results and discussion. The artistic images of the world cinema are conceptually considered in a comparative analysis with the pre-war and post-war eras. The theoretical basis is the work of foreign (F. Jameson, J. Lacan) and domestic researchers (V.M. Dianova, I.P. Ilyin, N.A. Khrenov). National cinematography in the postmodern era is studied in the context of global and European processes, which makes possible to identify its general and specific feature.The results of the study show that in the last third of the 20th century, a significant transformation of artistic imageries took place in the world and in the national cinematography. It was based on unprecented social and cultural processes that led to profound behavioral and discursive changes. National cinematography reflected in its development global trends. However, the cultural development of Russian society in the postmodern era coincided with a systemic crisis and the collapse of statehood. That determined the specificity of Russian postmodernism, its philosophical and cultural orientation. In this regard, the urgency of the problem of studying the cultural dynamics of spiritual processes of the late Soviet period and post-Soviet Russia, including in cinematography, is obvious.Conclusion. Cinematography as one of the most important phenomena fully reflects the dynamics of modern spiritual processes. Therefore, the study of artistic imageries of the world and national cinematography in the postmodern era is of significant research interest. The use of interdisciplinary and integrated approaches, taking into account the achievements of foreign and national researches, allows us to get a multidimensial picture of the spiritual transformation of the society. An unbiased understanding of the cultural and historical experience of the last third of the 20th century makes it possible to better understand the modern world, because without an analysis of the past, both the present and the future are inconceivable.


2021 ◽  
Vol 229 ◽  
pp. 56-63
Author(s):  
N.I. Kobseva ◽  

Currently, the main activity of the University is to meet the needs of the individual in knowledge, knowledge acquires the status of an “independent value” that allows it to adapt and function successfully in the modern world. This requires proper personnel support, development and implementation of a targeted program for creating teaching staff, including modern forms of management of the development of professional competencies of teachers of higher education institutions. The aim of the research is to develop a procedural model for the development of professional competencies of a teacher at a multidisciplinary University. The experience of numerous practices and observations allowed me to say that the professional competence of a teacher is formed based on the directions of his activity, provided that knowledge is updated, the development of value-motivational orientations of the teacher’s personality and the activation of research activities. Under the professional competencies of a University teacher, I see an integrative system of values, personal qualities, professional orientations, motivational activity, abilities, and a set of knowledge aimed at achieving a high-quality result of a teacher’s multifunctional activities (educational, educational, methodical, tutoring, scientific, administrative, social, and managerial). Based on my theoretical research, I have constructed a procedural model for the development of professional competencies of a teacher at a multidisciplinary University. The model is developed taking into account the key clusters of professional competencies of the teacher in the context of the main activities of the formation of personnel policy and strategic development of the educational institution. Summarizing the results of the research, I came to the conclusion that the implementation of the competence model contributes to the implementation of the main goals of continuous professional development of a higher school teacher in the context of education management and the achievement of the final quality result of his activity — a professional, competitive, in-demand University graduate. In my opinion, the development of professional competencies of teachers is focused on the quality of students ‘ education, which is one of the most important indicators of not only the accreditation of an educational institution, but also its image.


2019 ◽  
pp. 101-109
Author(s):  
Anna Hedo ◽  
Anastasia Kaluzhyna

In scientific research on the basis of analytical and synthetic criticism of the memoirs of Ukrainian scientists S. Yefremov, M. Hrushevskyi, K. Kharlampovych, A. Krymskyi, N. Polonska-Vasylenko is made an attempt to analyze the daily life of the scientific elite in the conditions of the establishment of Soviet power and to trace the influence of cultural transformations and the scientific atmosphere of Kyiv of 20–30s of the 20th century on the socio-legal status of scientists and their further destiny.In the brutal conditions of the Soviet system writing letters and memoirs, it was the only way of expressing a person of intellectual work that could not accept the loss of a sovereign right on free labor.Soviet propaganda had created an attractive image of Kyiv as an All-Union scientific center, attracting more and more attention to VUAN as the only institution capable of meeting the intellectual requirements of scholars. Dozens of emigre scholars had believed in the demagogy of the Bolsheviks, made a fateful step in their lives back to their homeland, because crossed the Soviet border was difficult to remain a rebellious person with preserved principles and views on morality, without losing their own lives. However, in such conditions there were people who, despite all the obstacles, tried to serve the Ukrainian people as long as possible in the bosom of science, to preserve its identity and historical heritage at the cost of their own lives. With the establishment of Soviet power, the Bolsheviks tried to "re-educate" and conquer the scientific elite as the main generator of democratic and national ideas for a totalitarian system. On the way to this goal, the Soviet authorities used any methods, starting with material domestic pressure, and ending with open repressions against the scientific elite of Kyiv, in order to destroying its authority as a sociocultural phenomenon. The result of this policy was a sharp decline in living standards and productivity of Ukrainian scientists, numerous repressions against so-called "bourgeois nationalists" as a symbol of the impoverishment of the Ukrainian idea. Thus, the transformation of the cultural and scientific atmosphere of Kyiv under the influence of the Soviet ideology turned it from the All-Union scientific center into the city of thousands of ruined fates.


2021 ◽  
pp. 1143-1154
Author(s):  
Valeria V. Sliskova ◽  

The publication aims to introduce into scientific use the letter written by Russian geneticist Yuri A. Filipchenco. It was sent to the head of the Institute of Experimental Biology, Nikolai K. Koltsov on 29 August 1923. The published document thematically falls within the field of the history of science — Soviet biomedicine — in the early Soviet period. One of the documents attached to the letter was the Yu. A. Filipchenco’s response to the Rejuvenation: Collected papers published under N. K. Koltsov’s editorship in 1923. The collection included works of leading foreign specialists who had studied aging processes and rejuvenation in the second half of the 19th and early 20th century. The popularity of the idea of rejuvenation increased and scientists attempted to achieve it venturing into methods of biology and medicine. Their efforts contributed to the development of scientific disciplines focusing on the idea. By early 1920s, rejuvenation had become one of the most popular ideas — there were numerous publications in periodicals devoted to biomedical methods for preventing aging processes. The major scientific center was Institute of Experimental Biology founded in 1917. Another document attached to the letter was Yu. A. Filipchenco’s review of the work of American geneticist R. Goldschmidt. By contrast to the Rejuvenation: Collected papers, this work directly related to his professional interests, as in collaboration with N. K. Koltsov he took part in institutionalization of genetics and eugenics in the first post-revolutionary years. The unpublished materials deposited in the archives of both scientists are important for history of Soviet science in 1920s. The published document has been found in the Archive of the Russian Academy of Sciences (ARAN) in the fond of N. K. Koltsov (fond 450). The letter adds to the history of national genetics and rejuvenation studies in the early Soviet period. It also illustrates some nuances of the scientists’ everyday life, as they are mentioned in the letter. The document is published in compliance with current spelling and punctuation rules. The author’s notes and underlining are preserved. Information on the mentioned persons and works is given in the footnotes. Commentary, preceding the publication of the document, assesses its significance.


1970 ◽  
pp. 36-47
Author(s):  
Fadwa Al-Labadi

The concept of citizenship was introduced to the Arab and Islamic region duringthe colonial period. The law of citizenship, like all other laws and regulations inthe Middle East, was influenced by the colonial legacy that impacted the tribal and paternalistic systems in all aspects of life. In addition to the colonial legacy, most constitutions in the Middle East draw on the Islamic shari’a (law) as a major source of legislation, which in turn enhances the paternalistic system in the social sector in all its dimensions, as manifested in many individual laws and the legislative processes with respect to family status issues. Family is considered the nucleus of society in most Middle Eastern countries, and this is specifically reflected in the personal status codes. In the name of this legal principle, women’s submission is being entrenched, along with censorship over her body, control of her reproductive role, sexual life, and fertility.


This article analyzes the main problems of urban public spaces, because today public spaces can determine the future of cities. It is noted that parks are multifunctional public spaces in the urban environment, as they are an important element of the citywide system of landscaping and recreation, perform health, cultural, educational, aesthetic and environmental functions. The article notes that the need for easily accessible and well-maintained urban parks remains, however, the state of parks in many cities of Russia remains unsatisfactory, requiring reconstruction. A brief historical background of the Park of Culture and Rest of the Soviet period in Omsk is expounded, the analysis of the existing territory of the Park is presented. It is revealed that the Park, being the largest public space in Omsk, does not meet the requirements of modern urbanism, although it represents a great potential for designing the space for the purpose of recreation of citizens. Performed functional zoning scheme of the territory of the Park in question, where its division into functional areas destined for active recreational users of the Park is presented, considered the interests of senior citizens, people with limited mobility, etc. Reconstruction of Parks of the Soviet period can provide the city with additional recreational opportunities, as well as increase its tourist attractiveness.


2020 ◽  
Vol 58 ◽  
pp. 219-236
Author(s):  
Andrey Yu. Dvornichenko

The abundant Russian historiography of the medieval history of Grand Duchy of Lithuania (Lithuanian-Russian State) has become in the last decades the centre of the discussions and is often subject to groundless criticism. This historiography was not very lucky in the Soviet period of the 20th century either, as it was severely criticized from the Marxist-Leninist position. When discussing Russian historiography the author of this article is consciously committed to the Russian positions. There are no reasons to consider this historiography branch either Byelorussian or Ukrainian one, as that was really Russian historiography, - the phenomenon that formed under the favorable specific conditions of Russian Empire before the beginning of the 20th century. The said phenomenon can be studied in different ways: according to the existing then main trends and schools or according to their affiliation with specific universities of Russian Empire. But according to the author of this article the best way to study the issue is in accordance with the main concepts of history. And then the pre-revolutionary historiography appears as an integral scientific paradigm that turns out to be the most divaricate branch of the Lithuanian studies of the time. It created, in its turn, the most vivid and objective historical picture that can still serve as the basis for the studies of Lithuanian-Russian state.


Sign in / Sign up

Export Citation Format

Share Document