National Graphic Design of the 1960s in the Context of World Achievements in this Field

2021 ◽  
Vol 2021 (02) ◽  
pp. 162-174
Author(s):  
N. Sbitnieva ◽  
Keyword(s):  
Graphic Design ◽  
Evaluation Criteria ◽  
The United States ◽  
Graphic Art ◽  
Art And Design ◽  
Technological Gap ◽  
Design Activities ◽  
The 1960S ◽  
The One ◽  
Professional History

Peculiarities of national graphic design formation in the 60s of the 20th century in comparison with achievements of the leaders of the world design movement are considered in the article. The aim of the article is to identify peculiarities of Soviet graphic design formation in the 1960s in the context of world achievements in this field. The research methodology combines the methods of comparative, figurative and stylistic analysis, which are based on historical and systematic approaches. The materials of the article proved that in the 1960s professional development of national design took place in conditions of significant economic and technological gap with the leading countries of Europe and the United States. At the same time, due to the tendency to stylistic inertia and imitation of forms and means of graphic art, including aesthetic evaluation criteria, there also was a stylistic gap with progressive trends represented by the Swiss Printing School, the Polish Poster School and American commercial design. The author concludes that the development of Soviet graphic design in the 1960s was in line with opposite trends. On the one hand an impact of world design achievements was obvious, along with significant progress in certain fields of science and technology, the creation of design universities; on the other hand, there were traditions of applied graphics and aesthetic criteria; ideologization of society and state control over all spheres of creative activity. These factors hindered the perception of graphic design as an independent and specific field of art and design activities. Nevertheless, the period of the 1960s was an important stage in the development of design profession in the USSR. The first design educational institutions were established, including the Kharkiv Institute of Arts and Industrial Design; the All-Union Research Scientific Institute of Technical Aesthetics appeared; the publication of the journal “Technical Aesthetics” began. All these changes were of great importance for the development of graphic design, as they marked the beginning of its professional history, formation of the basis, awareness of a fundamentally new type of activity with its own tools and professional tasks.

The ‘Brazilian Connection’ in the History of American Linguistics

1999 ◽  
Vol 26 (3) ◽  
pp. 355-382
Author(s):  
Cristina Altman
Keyword(s):  
New York ◽  
The United States ◽  
South American ◽  
Columbia University ◽  
Structural Linguistics ◽  
History Of ◽  
Roman Jakobson ◽  
The 1950S ◽  
The 1960S ◽  
The One

Summary When mention is made of Brazil in connection with American linguistics, it usually amounts to a reference to the Linguistic Circle of New York, where Roman Jakobson (1896–1982) and Claude Lévi-Strauss (b.1908), who had come from Brazil where he had done ethnological work, met and exchanged ideas. This singular event has cast a shadow on other contacts between Brazil and American linguistics, of which, the one between Jakobson and the Brazilian linguist Joaquim Mattoso Câmara (1904–1970) was much more consequential, at least as far as the implementation of structural linguistics in Brazil and in South America generally during the 1950s and the 1960s is concerned. Mattoso Câmara came to the United States and spent most of his time in New York City (September 1943 till April 1944), where he got exposure to Praguean type structuralism, notably through Jakobson’s lectures he attended at Columbia University and at the École Libre of New York, which had been established by European refugees at the time. He also participated in the first meetings of the Linguistic Circle of New York in 1943 as one of its co-founders. Following his return to Rio de Janeiro, Mattoso Câmara proposed, in 1949, as his doctoral thesis a phonemic description of Brazilian Portuguese. The work was published a few years later, in 1953. His most influential work, Princípios de Lingüística Gerai, first published in 1954, had two more revised and updated editions (1958, 1967) and served to introduce several generations of Brazilian as well as other South American students to structural linguistics during the 1950s and 1960s.

The Democratic Deficit of United States Federalism? Red State, Blue State, Purple?

2018 ◽  
Vol 46 (4) ◽  
pp. 645-667
Author(s):  
Vicki C Jackson
Keyword(s):  
United States ◽  
State Legislatures ◽  
The United States ◽  
State Legislature ◽  
Democratic Deficit ◽  
The Us ◽  
The 1960S ◽  
Us Senate ◽  
The One ◽  
Over Time

Aspects of an entrenched constitution that were essential parts of founding compromises, and justified as necessary when a constitution was first adopted, may become less justifiable over time. Is this the case with respect to the structure of the United States Senate? The US Senate is hardwired in the Constitution to consist of an equal number of Senators from each state—the smallest of which currently has about 585,000 residents, and the largest of which has about 39.29 million. As this essay explains, over time, as population inequalities among states have grown larger, so too has the disproportionate voting power of smaller-population states in the national Senate. As a result of the ‘one-person, one-vote’ decisions of the 1960s that applied to both houses of state legislatures, each state legislature now is arguably more representative of its state population than the US Congress is of the US population. The ‘democratic deficit’ of the Senate, compared to state legislative bodies, also affects presidential (as compared to gubernatorial) elections. When founding compromises deeply entrenched in a constitution develop harder-to-justify consequences, should constitutional interpretation change responsively? Possible implications of the ‘democratic’ difference between the national and the state legislatures for US federalism doctrine are explored, especially with respect to the ‘pre-emption’ doctrine. Finally, the essay briefly considers the possibilities of federalism for addressing longer term issues of representation, polarisation and sustaining a single nation.

Queer Legal History: A Field Grows Up and Comes Out

2011 ◽  
Vol 36 (02) ◽  
pp. 537-559 ◽  
Author(s):  
Felicia Kornbluh
Keyword(s):  
Cold War ◽  
Legal History ◽  
The United States ◽  
Recent Scholarship ◽  
History Of ◽  
The 1960S ◽  
Military Law ◽  
The One ◽  
The Cold War ◽  
The New Deal

This essay examines recent scholarship on the legal history of sexuality in the United States. It focuses on Margot Canaday's The Straight State: Sexuality and Citizenship in Modern America (2009) and Marc Stein's Sexual Injustice: Supreme Court Decisions from Griswold to Roe (2010). It also reviews recent work on the history of marriage, including Sarah Barringer Gordon's The Spirit of the Law: Religious Voices and the Constitution in Modern America (2010) and George Chauncey's Why Marriage? The History Shaping Today's Debate Over Gay Equality (2004), and the history of military law Defending America: Military Culture and the Cold‐War Court Martial (2005), by Elizabeth Lutes Hillman. The essay argues that this scholarship is significant because it offers a different view of sex and power than the one derived from the early writing of Michel Foucault. “Queer legal history” treats the liberalism of the 1960s‐1970s as sexually discriminatory as well as liberatory. It underlines the exclusions that were part of public policy under the federal G.I. Bill and the New Deal welfare state.

The Right to Asylum: Britain's 1905 Aliens Act and the Evolution of Refugee Law

2014 ◽  
Vol 32 (2) ◽  
pp. 309-350 ◽  
Author(s):  
Alison Bashford ◽  
Jane McAdam
Keyword(s):  
Forced Migration ◽  
The United States ◽  
Global Context ◽  
Anti Semitism ◽  
Refugee Law ◽  
History Of ◽  
The Russian Empire ◽  
The 1960S ◽  
The One ◽  
The Right

From the 1880s, states and self-governing colonies in North and South America, across Australasia, and in southern Africa began introducing laws to regulate the entry of newly defined “undesirable immigrants.” This was a trend that intensified exclusionary powers originally passed in the 1850s to regulate Chinese migration, initially in the context of the gold rushes in California and the self-governing colony of Victoria in Australia. The entry and movement of other populations also began to be regulated toward the end of the century, in particular the increasing number of certain Europeans migrating to the United States. It is perhaps unsurprising, then, that Britain followed this legal trend with the introduction of the 1905 Aliens Act, although it was a latecomer when situated in the global context, and certainly within the context of its own Empire. The Aliens Act was passed in response to the persecution of Eastern European Jews and their forced migration, mainly from the Russian Empire into Britain. It defined for the first time in British law the notion of the “undesirable immigrant,” criteria to exclude would-be immigrants, and exemptions from those exclusions. The Aliens Act has been analyzed by historians and legal scholars as an aspect of the history of British immigration law on the one hand, and of British Jewry and British anti-Semitism on the other. Exclusion based on ethnic and religious grounds has dominated both analyses. Thus, the Act has been framed as the major antecedent to Britain's more substantial and enduring legislative moves in the 1960s to restrict entry, regulate borders, and nominate and identify “undesirable” entrants effectively (if not explicitly) on racial grounds.

scholarly journals La predicción del fracaso empresarial en el sector hotelero

2020 ◽  
pp. 33-59
Author(s):  
Antonio Álvarez-Ferrer ◽  
Fernando Campa-Planas
Keyword(s):  
United States ◽  
The United States ◽  
Business Failure ◽  
Z Score ◽  
Hospitality Sector ◽  
The 1960S ◽  
The One

El objetivo de este estudio es analizar las empresas concursadas del sector hotelero en España,desde el año 2007 hasta el 2017, empleando fórmulas de predicción del fracaso empresarial que sean aplicables a este tipo de actividad económica. La elaboración de modelos de predicción de la insolvencia se inició en Estados Unidos con los trabajos pioneros de Beaver y Altman en la década de los años sesenta. Después de años de mejoras metodológicas y de estudios aplicados a diferentes sectores, no se ha conseguido unificar un método por la comunidad científica, por lo que para la realización de este estudio se utilizarán las fórmulas Z de Altman de los años 1968 y 1983 y se compararán con la fórmula de Amat et al. de 2017. Los dos métodos de Z-Score aplicados a las empresas del sector hotelero en concurso de acreedores en España nos muestran un alto porcentaje de coincidencias en los ejercicios previos a la declaración oficial del concurso, siendo el de Altman el que obtiene una mejor aproximación al número total de empresas concursadas. The main goal of this study is to carry out an analysis about the bankrupt of companies in the hospitality sector in Spain from 2007 to 2017, applying prediction formulas of business failure. The development of models for insolvency prediction began in the United States with the pioneering works of Beaver and Altman in the 1960s. After years of methodological improvements and studies applied to different sectors, it has not been possible to unify amethod applicable bythe Academia. Therefore, the realization of this study has been using the formula Z of Altmanof 1968 and1983and compare them with the formula Z of Amat et al. of 2017. The two methods of Z-Score applied to the companies of the hospitality sector in Spain in bankruptcy process show us a highly percentage of matches in the exercises before the official bankruptcy process, being Altman the one that obtains a better approach to the total number of bankruptcy companies.

scholarly journals ENHANCING SCIENTIFIC SUPPORT FOR NATIONAL SECURITY POLICY MAKING: INTERNATIONAL EXPERIENCE

2021 ◽  
Vol 18 (1) ◽  
pp. 6-28
Author(s):  
T. Alekseeva ◽  
V. Nazarov ◽  
D. Afinogenov
Keyword(s):  
Strategic Planning ◽  
National Security ◽  
Policy Making ◽  
Security Policy ◽  
The United States ◽  
Early 21St Century ◽  
International Environment ◽  
Wide Range ◽  
The 1960S ◽  
The One

The article examines evolution of scholarly approaches towards the phenomenon of the “national security.” By the early 21st century this notion found its way in the official strategic documents of a wide range of states. The authors examine the Russian and international record of analysis in the field of national security, and assess the adequacy of existing views on this subject taking in the account emerging threats, risks and challenges, as well as the tasks of sustainable development of a country in the social, economic, political, information, spiritual and other areas. They start by presenting the early conceptualizations of this term in the debates of American experts in the 1950s and the 1960s. An important innovation of that period was disentanglement of the national security from purely territorial and military threat, by preparing for other types of contingencies. The article additionally examines the struggle between two alternative approaches towards protecting the national security in the United States: the one founded on unilateral domination and the other prioritizing collective actions. It demonstrates that the one important result of the Western debates was the emergence of a new field of study defined by policy relevant studies, which produce useful, original, and verifiable inferences, which are then injected in decision-making process. In order to promote a similar institutionalized expertise, the article suggests seceding the study of the national security in a separate discipline. This step will enable to further promote the training of specialists not only in the field of national security and strategic planning, but also political scientists and future specialists for the public service. The need for this is obviously related to the tasks of improving the quality of policy making and strategic planning in the Russian Federation, the implementation of national projects in an extremely complex international environment.

Memories in memoirs: Mykhailo (Moisey) Fradkin

2021 ◽  
Vol 2021 (02) ◽  
pp. 306-328
Author(s):  
V. Myzgina ◽  
Keyword(s):  
United States ◽  
Art Education ◽  
The United States ◽  
Art Museum ◽  
Graphic Art ◽  
The 1960S ◽  
Educated Person ◽  
Applied Arts

The artist Moisey Fradkin (1904–1974) was a bright talented person in a brilliant galaxy of Ukrainian artists of the late 1920s – mid 1930s. He was a direct participant in the process of forming a special national “face” of graphic art. His works, which were exhibited at numerous foreign exhibitions in Europe and the United States, were noted as “strong and magical.” However, the further Fradkin’s creative destiny was not triumphant – after a very bright surge of original talent, his art was muted in the Procrustean bed of the Stalinist ideology, from about the end of the 1930s to the 1960s. He did not lose his skills, but only at the end of his life, full of wise experience, Fradkin again acquired bright energy and youthful enthusiasm in his work. Fradkin was a widely educated person, he taught at the Kharkiv Art Institute, was an active illustrator, author of easel compositions and graphic miniatures-exlibrises, worked in the field of industrial graphics for many years, headed the section of decorative and applied arts of the Kharkiv Club of Exlibrisists, collected a huge library. He and his wife, H. Krieger put together a unique collection of paintings, graphics and decorative and applied arts (more than 4000 items), which was later inherited by the Kharkiv Art Museum. The museum’s archives contain scattered sheets with fragments of Fradkin’s memoirs about his years of study at the Kharkiv Art College-Institute, which emotionally describe the time of the rapid reform of art education, which was full of contradictions. The article is based on these, not completely deciphered notes, and on the personal memoirs of the author of the article, who was familiar with the artist in the last four years of his life.

Immigrant Integration, Naturalization, and Citizenship

2010 ◽  
Author(s):  
Martin A. Schain
Keyword(s):  
United States ◽  
Western Europe ◽  
The United States ◽  
Immigrant Integration ◽  
The European Union ◽  
Social Scientists ◽  
National Differences ◽  
The 1960S ◽  
The One ◽  
The Impact

The impact of immigration on socioeconomic stability, the challenge of integration, and issues surrounding citizenship has generated the interest of scholars for years. The literature is generally focused on the challenge (rather than the benefits) of immigration for social cohesion, identity, and the well-established rules of citizenship. For social scientists and analysts in Western Europe and the United States, the destabilizing aspects of immigration appear to have largely displaced class as a way of understanding sources of political instability. Scholarly interest in questions of immigrant integration on the one hand and naturalization and citizenship on the other, first emerged in the social sciences in the 1960s. In the United States, integration and citizenship questions have often been explored in the context of race relations. In Europe, the debates on issues of citizenship have been much more influenced by questions of identity and integration. As interest grew in comparison, scholars increasingly turned their attention to national differences that crystallized around national models for integration. However, such models are not always in congruence with aspects of public policy. There are a number of research directions that scholars may consider with respect to immigrant integration, naturalization, and citizenship, such as the relationship between immigrant integration and class analysis, the careful development of theories of policy change, the role of the European Union in the policy process, and the impact of integration and citizenship on the political system.

scholarly journals Proposing a framework for evaluating digital creativity in social media and multimedia-based art and design education

2019 ◽  
Vol 9 (2) ◽  
pp. 48-62 ◽  
Author(s):  
Sama'a Al Hashimi ◽  
Nasser Mahdi ◽  
Ameena Al Muwali ◽  
Yasmina Zaki
Keyword(s):  
Social Media ◽  
Pilot Study ◽  
Digital Media ◽  
Graphic Design ◽  
Design Education ◽  
Evaluation Criteria ◽  
Teaching Approaches ◽  
Current Generation ◽  
Art And Design

The usage of emerging social and digital applications is growing rapidly among the current generation of students and academics, and researchers started exploring their effectiveness in enhancing students’ creativity. However, examining the most effective criteria for evaluating digital-media-enhanced creativity in art and design still needs further exploration. This pilot study seeks to develop a framework to assess students’ creativity and another framework to assess the effectiveness of multimedia-based teaching approaches in art and design educational contexts. Sixteen design instructors participated in a survey, which aimed to identify their experiences with multimedia-based pedagogy as a potentially effective approach in fostering students’ creativity as well as educators’ innovation in teaching. The paper identifies and ranks the criteria, which they thought are effective in assessing digitally-stimulated creativity in each field of graphic design. The ultimate goal is to provide educators with a set of evaluation criteria to guide the appropriate teaching and assessment of digital creativity. Keywords: Creativity, multimedia, pedagogy, innovation, digital creativity.

scholarly journals Stylistics of Ukrainian Fine Art, Architecture and Design in the Second Half XIX – Early XXI Centuries’ Period

2021 ◽  
Vol 4 (2) ◽  
pp. 291-298
Author(s):  
Olga Shkolna ◽  
Olga Sosik ◽  
Alla Buigasheva
Keyword(s):  
Graphic Design ◽  
Industrial Design ◽  
Fine Arts ◽  
Environmental Design ◽  
High Tech ◽  
Graphic Art ◽  
Art Deco ◽  
Avant Garde ◽  
The Past ◽  
Design Activities

The aim is to explore the key concepts of stylistics of Ukrainian fine arts, architecture and various types of design of the second half of the XIX – early XXI centuries in the relationship of individual fields of knowledge. Research methods – hermeneutic, axiological, historical-genetic, historical-chronological, comparative, culturological, formal-stylistic, art analysis. The selected tools allow you to compare the stylistic features of different types of design (industrial, graphic, clothing, environment), fine arts and architecture. A novelty is an overview of evolutionary processes in terms of styles in painting, graphics, architecture, various types of design activities (in particular, environmental design, industrial, graphic, clothing). The points of intersection of the conceptual and categorical sphere of the indicated branches of creativity are outlined, both common and different tendencies concerning the identification of stylistic features are observed. Conclusions. The differences of separate branches of knowledge of artistic creativity and common features of some types of design-designing, -construction, -modeling, art technologies bordering on graphic art and painting (graphic design, partly industrial design), architecture (environmental design and partly industrial design) are traced. Since the era of modernism, art deco, avant-garde, constructivism, functionalism, Stalin’s empire, which affected all forms of artistic activity, in the late twentieth – early twenty-first century established the classic, minimalism, high-tech, fusion, low-tech, shabby chic, provence, glamour, some oriental stylizations in the interior associated with architecture. Instead, clothing design, in addition to the classics, over the past few decades has creatively adapted the sports-classic style, manga, country, western, boho, military, glamour and etc. over the past few decades. If the shapes of the silhouettes of the cut look at the general tendencies of industrial design, the drawings of fabrics partially appeal to the visions of graphic design, which are related to the tendencies of fine arts – tendencies of modernism, avant-garde, postmodernism. Namely, they tend to functionalism, constructivism, boychukism, art deco, socialist realism, Stalinist empire, Ukrainian soviet empire, neo-functionalism, neo-primitivism, neo-folk style, polystylism, glamour.

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