The Rhetoric of Madness in Realist Film Theory

Author(s):  
Temenuga Trifonova

This chapter explores the rhetoric of madness and mental illness informing realist film theories. Hugo Münsterberg, author of the first work of film theory, The Photoplay: A Psychological Study, considered the following several features—reminiscent of the symptomatic language of dissociative identity disorder—essential to cinema: decentralization (the ability to assume alternate points of view), mobility (the ability to invert the past and the present, the real and the virtual), and derealization and disembodiment (characteristic of film reception). Epstein’s revelationist aesthetic and Balázs’s anthropomorphic film theory are both informed by animistic beliefs, translating into the realm of the aesthetic the symptoms of various types of delusional and anxiety disorders characterized by the inability to distinguish the living from the non-living. In Kracauer’s Theory of Film affective states commonly perceived as symptomatic of madness or mental illness—detachment from reality, ennui, melancholy, distraction, and disinterestedness/apathy—are posited as necessary to film’s ‘redemption of physical reality’. This chapter explores these and other formulations, focusing on Kracuer’s Theory of Film.

2020 ◽  
Vol 9 (2) ◽  
pp. 82-90
Author(s):  
Matthew J. Pesko

Anxiety disorders are commonly experienced by college and university students and should be routinely assessed in mental health settings. Epidemiological studies suggest that the burden of these illnesses has greatly expanded even over the past decade. Factors that contribute to the experience of an anxiety disorder in a young adult student population are considered herein. The best practice for evaluation and treatment of these disorders is presented based on the review of available literature in this field. Special attention is paid to the concept of resilience as it pertains to anxiety disorders in the student population.


Author(s):  
Rodrigo Figueiredo de Brito Resende

RESUMOO dente denominado incluso nada mais é que um dente retido ou impactado dentro do alvéolo dentário de maneira parcial ou completa que não conseguiu erupcionar por motivos patológicos ou simplesmente anatômicos após o período de rizogênese. O canino, em especial, é de suma importância sob os pontos de vista estético e funcional. O deslocamento do canino incluso ultrapassando, ou se aproximando da linha média antes da erupção dentária do mesmo, é mais frequente na mandíbula do que na maxila.  Este trabalho tem por objetivo descrever o caso de um paciente de 21 anos que apresentava um canino incluso na região mentual, em posição transversal, inicialmente visualizado em uma radiografia periapical e posteriormente submetido a radiografia com a técnica de Donavan. Através de uma radiografia oclusal, foi possível observar o posicionamento do dente para a vestibular mentoniana e íntima relação do dente retido com as raízes dos incisivos centrais decíduos do paciente. Foi realizada a extração do dente retido no mento, removendo o mesmo por completo sendo feitas osteotomias e odontossecções. O paciente está em acompanhamento clínico à 1 ano após o tratamento cirúrgico.Palavras – chave: Dente incluso; Cirurgia Oral; Imaginologia. ABSTRACTThe tooth inserted  is nothing more than a tooth retained or impacted within the dental socket partially or completely that failed to erupt for pathological or simply anatomical reasons after the period of rhizogenesis. The canine, in particular, is of the utmost importance from the aesthetic and functional points of view. The displacement of the canine, even surpassing or approaching the midline before tooth eruption, is more frequent in the mandible than in the maxilla. This work aims to describe the case of a 21 - year - old patient who had a canine included in the mental region, in a transverse position, which was initially visualized on a periapical radiograph and later submitted to radiography with the Donavan technique. An occlusal radiograph showed the positioning of the tooth for the mental vestibular and the intima relationship of the retained tooth with the roots of the patient's central deciduous incisors. Removal of the tooth retained in the denture was performed, removing the tooth completely and osteotomies and odontosections were performed. The patient is in clinical follow-up at 1 year after the surgical treatment. key words: Tooth included; Oral surgery; Imaginology.  


Author(s):  
Joseph N. Straus

The sorts of mental or affective states that are understood as madness (or medicalized as “mental illness”) vary with time and place. As with other culturally stigmatized bodily differences (i.e., disabilities), madness has been understood in three ways. First, madness has been understood in religious terms, as a mark of divine punishment or transcendent vision. Second, there is the medical model, which constitutes madness as “mental illness.” Third, in line with the sociocultural model of disability, madness is seen as a (potentially valuable) human difference rather than a deficit, pathology, or disease. Musical modernism represents madness in its divided consciousness (stratification into conflicting layers) and its hearing of voices (quotation of stylistically incongruous music).


2021 ◽  
pp. 105971232199468
Author(s):  
Jeannette Pols

The response asks about the relationship between artist and audience in the RAAAF artworks. Is the artist an Autonomous Innovator who breaches the ties with the past and the environment? Or is the aesthetic practice located in the creation of relationships around these objects, hence expanding the artwork by using know-how, experiences and enthusiasm of the audience/users?


Author(s):  
Peter Vorderer

This chapter aims to differentiate between two kinds of media use experiences that in the past twenty some years have uniformly been labeled entertainment experiences. In the background of four identified fundamental assumptions in entertainment theory (entertainment as reception phenomenon, disparity between what media users want and what they should want, entertainment between approaching and avoiding affective states, entertainment as self-transcendence) media experiences are dichotomized between those that serve users’ hedonic motivations, needs, and interests and others, more fundamental experiences of resonance (which in the recent past have often been labeled eudaimonic) that connect users to the content of a media narrative and ultimately changes them. The argument is made here for communication scholars and media psychologists to refer to entertainment experiences only in the first case in order to be less vague and ambiguous in explicating entertainment theory.


1934 ◽  
Vol 80 (331) ◽  
pp. 692-704 ◽  
Author(s):  
Erich Wittkower

Within the past few years a series of papers emanating from this laboratory has dealt with the respiration of normal subjects and psychotic patients from psychological and physiological points of view. Linking up the chain of these investigations, we have tried in this study to get some information about the respiratory type and the ventilation in different groups of mental patients, especially of schizophrenics.


2012 ◽  
Vol 18 (2) ◽  
Author(s):  
Rodney Taveira

The combination of melodramatic and art cinematic techniques and influences in AMC’s television series Mad Men (2007¬–) reveals how a melodramatic televisuality can image novel modes of social and intimate relations and an alternative to the archetypal American narrative of the self-made man. Set in 1960s’ America, the series uses a contemporaneous and cosmopolitan California to triangulate the formal and narrative insistence of the past on the present. This triangulation is played out by Don Draper’s relations with his family, women, and his former identities and by the representation of homosexuality throughout the series. The application of Lee Edelman’s concept of “sinthomosexuality” and Richard Rorty’s “liberal ironist” reveal a queer, visual rhetoric to the show’s narrative and formal structures, forming a queer irony that allows the show to straddle the aesthetic extremes of “quality TV” (Jane Feuer) and soap opera, which, in turn, queers the exemplary American heterosexuality of Don Draper.


2006 ◽  
Vol 6 ◽  
pp. 2092-2099 ◽  
Author(s):  
Kimberly K. McClanahan ◽  
Marlene B. Huff ◽  
Hatim A. Omar

Holistic health, incorporating mind and body as equally important and unified components of health, is a concept utilized in some health care arenas in the United States (U.S.) over the past 30 years. However, in the U.S., mental health is not seen as conceptually integral to physical health and, thus, holistic health cannot be realized until the historical concept of mind-body dualism, continuing stigma regarding mental illness, lack of mental health parity in insurance, and inaccurate public perceptions regarding mental illness are adequately addressed and resolved. Until then, mental and physical health will continue to be viewed as disparate entities rather than parts of a unified whole. We conclude that the U.S. currently does not generally incorporate the tenets of holistic health in its view of the mental and physical health of its citizens, and provide some suggestions for changing that viewpoint.


LOGOS ◽  
2021 ◽  
Vol 18 (1) ◽  
pp. 1-16
Author(s):  
Albertus Joni

This paper will elaborate the different Platonic elements of dialogue as philosophical basis for Gadamerian hermeneutical structures. The intersubjective cross-examination found in Plato’s Dialogue shows that the real meaning comes from the real encounters between speakers; or in Gadamer’s term: encounters between text and the reader. For Gadamer, it is always important in this pursuit of meaning and truth that we examine our own prejudice. Cross-examining our own claim of truth and belief is an essential element in Gadamer’s hermeneutics. I argue that we can see how the Platonic model of dialogue is easily aligned with the Gadamerian positive approach towards ‘traditions.’ There is a constant dialogue at work in interpretation, a dialogue between the past and the present, between different traditions and points of view. Dialogue is an important keyword for both Plato and Gadamer in their efforts to their existential quest of wisdom.


Author(s):  
Worod Hamed Abdul Samad

There is no doubt that his words industry and distinctiveness in the selection of meanings for the formulation of meaning may have contributed to the elaboration of poetic language ideas through text vocabulary, and to allocate the aesthetic with its own standards led to perceptions of a more profound, and more comprehensive eloquence .This is exemplified by the reflections of Hamid Al- Basrawi between Single divulge, and other harbor and everything in between lies your taste, as it formed the language of the manifestations of memory, qualifying on the past and charged the reality that clinch meaning through those narrow lanes, barbed, the continuity of a sense of the past is only a translation of the poet's life conscious of reality through them, because the reality is often a deadlock to focus upon hassles and continuous effort, the escape to a fantasy world and the anniversary is a movement and vitality that will restore the poet and the receiver to a hidden phenomenon worlds, between the points (ego), (they are) and (we), artistic the vision specifically lies in the spontaneous behavior that brought him poet and vocabulary that guided the meaning of the privacy of its model and method put forward and how awareness of the breakdown of titles ranging from the first poem in the book until the conclusion as such an integrated living units in the context of essentially poetic duplicates the former by later.


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