Points
The closing scene of Hamletentangles the play’s tragedy in a series of problems relating to intention, accident, and physical dexterity. Showing how many of the epistemological difficulties intrinsic to the play’s climax arise from legal and social issues around the status and purpose of the early modern duel, this chapter argues that Shakespeare used the occasion of swordplay to launch a daring formal experiment. Hamlet’s subjectivity disappears into the fencing-match, and it is uncertain whether he achieves his revenge against Claudius by accident, in spontaneous reaction, or with full intent. The sovereignty of Hamletthe artwork is thus connected inextricably to its realization on the stage. For it is only in a specific performance of Hamlet that the problem of Hamlet’s intention can be provisionally resolved.