César Vallejo in English: Stanley Burnshaw, Paul Muldoon, and Lawrence Venuti's Ethics of Translation

2013 ◽  
Vol 22 (1) ◽  
pp. 74-102
Author(s):  
Tom Boll
Keyword(s):  
Translation Studies ◽  
Modern Poetry ◽  
Source Text ◽  
Cesar Vallejo ◽  
Paul Muldoon ◽  
Literal Translation ◽  
Recent Developments ◽  
Foreign Text ◽  
Cultural Turn

The article reassesses Stanley Burnshaw's anthology of modern poetry, The Poem Itself (1960) in the light of more recent developments in Translation Studies. Burnshaw aimed to provide an alternative to the method of poetic recreation with a combination of source text, literal translation, and commentary. A comparison of the translation of Vallejo's ‘Piedra negra sobre una piedra blanca’ from Burnshaw's anthology with a poetic version by Paul Muldoon explores the effectiveness of Lawrence Venuti's critical vocabulary. Venuti's adoption of the target focus and cultural turn of Translation Studies creates obstacles for an understanding of Burnshaw's attempt to deliver an experience of the foreign text. Yet Venuti approves of The Poem Itself. The pedagogy outlined in his Scandals of Translation (1998) suggests a possible rehabilitation of Burnshaw's anthology as a vehicle for challenging interpretative norms.

Shared culture?

Target ◽  
2004 ◽  
Vol 16 (1) ◽  
pp. 143-156 ◽  
Author(s):  
Kaisa Koskinen
Keyword(s):  
European Commission ◽  
Empirical Evidence ◽  
Institutional Culture ◽  
Translation Studies ◽  
Previous Attempt ◽  
Personal Note ◽  
Recent Developments ◽  
Shared Culture ◽  
Cultural Turn ◽  
The Eu

Ever since the “cultural turn” in Translation Studies it has been commonplace to state that translation is an act of cultural mediation. However, the concept of culture as such has remained elusive. A number of questions remain unanswered: How can we define a culture? What kind of empirical evidence is needed to prove the existence of a particular culture? Looking for answers, I start with a personal note, with my own previous attempt at conceptualizing translators’ work in the European Commission by defining the EU institutions as a (multilingual and institutional) culture of its own. Responses to this model convey varying views of the concept of culture. By analyzing and contextualizing these responses it is my aim to provide some answers to the question of what kind of a construction culture is. The results of the analysis are then used to reflect on recent developments in Translation Studies.

scholarly journals Translation of Addressing Terms in The Novel This Earth of Mankind

2019 ◽  
Vol 2 (2) ◽  
pp. 119-127
Author(s):  
Ardik Ardianto
Keyword(s):  
English Language ◽  
Translation Studies ◽  
The Novel ◽  
Limited Data ◽  
Source Text ◽  
Rigorous Analysis ◽  
Ethical Attitude ◽  
Wide Range ◽  
Cultural Turn ◽  
Power Play

This paper is an attempt to approach the translational stylistics, aiming at identifying the equivalence and translation procedures used in translating the Toer’s authorial style from the Indonesian language to the English language in the novel This Earth of Mankind. A translational stylistics model proposed by Malmkjær was used to contrast the target text (TT) and the source text (ST), primarily focusing on the stylistic shift. Further, as to the model of translation procedures, it specifically employed Vinay and Darbelnet’s methodology for translation. Data used in this study were addressing terms found in two novels, the Indonesian novel Bumi Manusia and its translation This Earth of Mankind. The rigorous analysis demonstrated how the translation of addressing terms involved a wide range of aspects, such as sociocultural and historical values (including social identity and social strata) and power and solidarity relation. Therefore, it raised a number of noteworthy translation issues, i.e., its equivalence, stylistic shift, and translator’s strategies. Through the increasing awareness of ‘cultural turn’ in translation studies, the concept of equivalence is supposedly perceived not as an absolute assessment but as a mediating attempt to accommodate and transpose the inferred or perceived meaning from the ST to the TT as much as possible. However, the findings are not set out to appraise the translator’s ethical attitude, considering the limited data used in this study and numerous factors that are not yet taken into account, e.g. the power play of the translation industry, and culture-mediating agenda in the receiving culture.

scholarly journals The Variation of Image in Huang Jizhong’s Chinese translation of Uncle Tom’s Cabin

2021 ◽  
Vol 3 (8) ◽  
pp. 11-13
Author(s):  
Jiaying Guo
Keyword(s):  
African American ◽  
Translation Studies ◽  
Narrative Strategies ◽  
Source Text ◽  
Chinese Translation ◽  
Great Opportunity ◽  
Uncle Tom's Cabin ◽  
Cultural Turn

In the 1980s, the cultural turn appeared in translation studies, which brought translation studies a great opportunity to draw nutrients from different disciplines. Narratology and Imagology take part in translation studies, which offers hope for the cultural turn in translation studies. Metalepsis is a term in Narratology that Genett defines that any intrusion by the extradiegetic narrator or narratee into the diegetic universe(or by diegetic characters into a metadiegetic universe, etc.), or the inverse (as in Cortazar), produces an effect of strangeness that is either comical (when, as in Sterne or Diderot, it is presented in a joking tone) or fantastic. This paper contrasts Uncle Tom’s Cabin with its translation Tang Mu Da Bo De Xiao Wu by Huang Jizhong in order to explore the variation of the image of African American based on lexicon and Metalepsis, in the hope of finding out the reason for variation of the image. The variation exists in translations so that the target readers could misunderstand the image in the source text. As for translators, attaching much importance to translating the source language's image should be caught first. The cliché and narrative strategies in the source text could be highly recognized.

scholarly journals Translation Studies Today: Old Problems and New Challenges

2019 ◽  
Vol 23 (2) ◽  
pp. 295-327
Author(s):  
Vadim V Sdobnikov
Keyword(s):  
Human Activity ◽  
Cultural Adaptation ◽  
Translation Studies ◽  
Functional Approach ◽  
Literary Translation ◽  
Main Element ◽  
Source Text ◽  
Interdisciplinary Science ◽  
New Challenges ◽  
Cultural Turn

The article presents a review of the key trends in modern Translation Studies (TS) made after thorough analysis of the most fundamental works written in various fields of TS. The review proves that not only the range of problems within TS is now more diversified, which is related to many changes in the nature of translation activity, but Translation Studies are an interdisciplinary science now and uses data from neighboring disciplines. Specific “turns” have occurred in Translation Studies, and new paradigms of translation investigation have emerged. The most important phenomena in Translation Studies include “cultural turn” and the so called “anthropocentric turn” that has given birth to communicative-functional approach to translation. This approach implies “plunging” into the communicative situation of translation, and its analysis aimed at realizing the goal of translation by the translator/interpreter. It allows a more precise formulation of tasks solved by translators in both traditional types of translation (literary translation, religious translation, interpreting) and relatively new kinds of translation activity (audiovisual translation, localization). The article proves that translation proper is the main element of any activity performed by translators while any translation activity implies cultural adaptation of the text to the perception of the source text audience. The principal feature of Translation Studies is being practice-oriented, and their focus on the study of objective laws of translation activity. It enables translation scholars to understand peculiarities of various types of translation and to realize the essence of translation as a human activity.

ACCESS TO THE SOURCE: CICERO, BEN SIRA, THE SEPTUAGINT AND THEIR AUDIENCES

2003 ◽  
Vol 34 (1) ◽  
pp. 1-27 ◽  
Author(s):  
Benjamin Wright
Keyword(s):  
Translation Studies ◽  
Hebrew Text ◽  
Social Contexts ◽  
Source Text ◽  
Ben Sira ◽  
Literal Translation ◽  
The Relationship

AbstractThis article tries to apply some insights from the modern field of Translation Studies to the relationship between translation, source text and audience in Cicero, Sirach and the Septuagint. Cicero's very free translations are possible because his audience is able to read the Greek originals that he translates. Sirach's rather literal translation is the result of adopting an approach to the Hebrew text that the grandson found operative in the Septuagint, but he is not really trying to provide his audience access to the original Hebrew. The Septuagint translators were trying to give access to the Hebrew original by producing an "interlinear" translation, which could have originated in several social contexts.

scholarly journals Text Linguistics and translation: Redefining the concept of "cultural mark"

Tradterm ◽  
2008 ◽  
Vol 14 ◽  
pp. 51
Author(s):  
João Azenha Júnior
Keyword(s):  
Translation Studies ◽  
Point Of View ◽  
Source Text ◽  
Text Linguistics ◽  
Analytical Procedures ◽  
Brazilian Students ◽  
Demand Shifts ◽  
Theoretical Considerations ◽  
Concrete Reality ◽  
Cultural Turn

Since the works of Nida and Taber (1964, 1969) on the influence of target cultures on texts to be translated, theoretical considerations on the presence of ‘cultural marks’ and consequently on analytical procedures that would serve to identify these marks have been more systematically studied as a result of the so-called ‘cultural turn’ in Translation Studies (Reiss 1971, 1983; Nord 1988, 1993; Snell-Hornby 1986) and heavily criticized by the Deconstruction approach to translation (for instance, Arrojo 1986, 1992). The development of Text Linguistics has also contributed to enlarge the boundaries of the concept, bringing it, so to speak, from the outside world – where it seemed to be embedded in the 60s – to the inner domain of the text itself and discourse. This paper aims at briefly revising this conceptual turn and at discussing its consequences for translation teaching. Examples taken from German texts translated by Brazilian students shall demonstrate how efficient the systematic use of text linguistics concepts can be to help students in identifying layers of meaning which, distant from the idea of ‘cultural marks’ as a reference to a concrete reality, define a point of view in the source text, legitimate interpretations that demand shifts in the target text and therefore can also be taken as cultural in a broader sense.

scholarly journals On Children’s Literature Translation from the Perspective of Manipulation Theory—A Case Study of the Ren Rongrong’s Chinese Translation of Charlotte’s Web

2019 ◽  
Vol 9 (6) ◽  
pp. 666
Author(s):  
Wenjia Zhou ◽  
Yuying Li
Keyword(s):  
Children's Literature ◽  
Children’S Literature ◽  
Translation Studies ◽  
Source Text ◽  
Chinese Translation ◽  
Cultural System ◽  
Translation Strategies ◽  
Meaning Equivalence ◽  
Cultural Turn

With the cultural turn in translation studies in 1970s, the focus of translation studies was gradually changed from traditional linguistics to culture. André Lefevere put forward to Manipulation Theory that has further broadened the field of translation studies. It holds that translation is not to realize the meaning equivalence between source text and target text, but to realize the compromise between the source cultural system and the target cultural system, in which the translation will be manipulated by some factors. Because Children’s Literature is classified specially, it may be influenced by different cultural system. Therefore, this paper chooses Chinese translation of Charlotte’s Web as a case study from the perspective of Manipulation Theory, which draws a conclusion that ideology, poetics and patronage have impacts on translation strategies of children’s literature, in order to facilitate new theoretical researches and improve Chinese translations of Children’s Literature.

TRANSLATION ANALYSIS OF PROMISING AND OFFERING UTTERANCES IN FORREST GUMP MOVIE

2018 ◽  
Vol 6 (1) ◽  
pp. 10-17
Author(s):  
Anita Dwianasari
Keyword(s):  
Qualitative Method ◽  
Speech Act ◽  
Source Text ◽  
Dynamic Equivalence ◽  
Literal Translation ◽  
Translation Technique ◽  
Translation Analysis ◽  
Translation Techniques

The purpose of the paper is to analyze the promising and offering utterances in commissive of speech act, translation techniques and its equivalences in Forrest Gump movie subtitles. The method used is qualitative method. The results showed several techniques employed, such as adaptation, borrowing, established equivalent, linguistic compression, literal translation, modulation, particularization, reduction, transposition, and variation. The translation technique mostly used is established equivalence. For the shift rendering in source text and target text in Forrest Gump movie subtitles, it is concluded that mostly the data do not occur any shift in promising or offering utterances. Also, in terms of translation equivalence, the dominant kind of translation equivalence in this research is dynamic equivalence.

On Not Being an Author: De Quincey's ‘Confessions’ and the Performance of Romantic Translatorship

Romanticism ◽  
2021 ◽  
Vol 27 (3) ◽  
pp. 262-271
Author(s):  
Brecht de Groote
Keyword(s):  
Literary Criticism ◽  
Translation Studies ◽  
Thomas De Quincey ◽  
Recent Developments ◽  
Successes And Failures

Through his ‘Confessions of an English Opium-Eater’, Thomas De Quincey effects a meticulously crafted entrance onto the literary scene: less a series of confidential notes than a stage-managed performance, the ‘Confessions’ serve as a stage on which he announces his literary ambitions. One such set of performative acts has received little attention: it pertains less to establishing a ground from which to authoritatively create, than it does to laying down a structure through which to mediate. Acting on recent developments within literary criticism and translation studies, this article examines the ways in which the ‘Confessions’ launch their writer on a career in interlingual and intercultural transfer, and how this performance of minority is designed to operate alongside other Romantic writers. The article ponders the successes and failures of mediation on display in emblematic scenes, and attends to how these chart the uneasy relationship between authorship and translatorship.

Translating the gay identity in audiovisual media

2021 ◽  
Vol 34 (1) ◽  
pp. 201-225
Author(s):  
Antonio Jesús Martínez Pleguezuelos
Keyword(s):  
Translation Studies ◽  
Original Version ◽  
Gay Identity ◽  
Time And Space ◽  
Audiovisual Media ◽  
Audiovisual Translation ◽  
Cultural Turn

Abstract In this study we analyse different linguistic elements in the TV series Will & Grace that shape the gay identity of the main characters of the show. We will base the analysis on the inclusion of the cultural turn into the field of audiovisual translation studies and on the technical time and space constraints that may emerge when conveying the message in this type of texts. Therefore, we will focus on the treatment of cultural references associated to the LGBTQI community that are shown on the series, as well as the linguistic variant of gayspeak and the comic elements included in the dialogues in order to observe whether the information that viewers of the Spanish dubbed version receive regarding gay identity is the same that is portrayed in the original version in English.

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