scholarly journals METROLOGICAL SUPPORT MEANS OF MEASUREMENTS OF Q FACTOR AND INDUCTIVITY

Author(s):  
Nadezhda A. Vikhareva ◽  

The article discusses the metrological support of enterprises with reference instruments for measuring the quality factor and inductance, which is very important for our country. The production of these measuring instruments (measures) and the approval of their type is currently an effective solution to this problem. Considered technical devices developed by the West Siberian branch of FSUE "VNIIFTRI", which act as a standard designed to reproduce a number of inductance and Q-factor values in the frequency range from 0.1 to 1000 kHz. The proposed range of frequencies for the developed measures is much higher than that of other tools designed to measure Q-factor and inductance. The reference means under consideration are included in the scope of government regulation. A comparative analysis of their characteristics with the characteristics known technical devices for this type of measurement is carried out. The results of tests are given, which showed that the frequency applicability of the LQ-2408-3 measure is significantly higher than the previously released measures P596 and 1482 and corresponds to the working standards of the 1st category in accordance with the verification circuit for inductance and Q-factor.

2017 ◽  
Vol 26 (05) ◽  
pp. 1750075 ◽  
Author(s):  
Najam Muhammad Amin ◽  
Lianfeng Shen ◽  
Zhi-Gong Wang ◽  
Muhammad Ovais Akhter ◽  
Muhammad Tariq Afridi

This paper presents the design of a 60[Formula: see text]GHz-band LNA intended for the 63.72–65.88[Formula: see text]GHz frequency range (channel-4 of the 60[Formula: see text]GHz band). The LNA is designed in a 65-nm CMOS technology and the design methodology is based on a constant-current-density biasing scheme. Prior to designing the LNA, a detailed investigation into the transistor and passives performances at millimeter-wave (MMW) frequencies is carried out. It is shown that biasing the transistors for an optimum noise figure performance does not degrade their power gain significantly. Furthermore, three potential inductive transmission line candidates, based on coplanar waveguide (CPW) and microstrip line (MSL) structures, have been considered to realize the MMW interconnects. Electromagnetic (EM) simulations have been performed to design and compare the performances of these inductive lines. It is shown that the inductive quality factor of a CPW-based inductive transmission line ([Formula: see text] is more than 3.4 times higher than its MSL counterpart @ 65[Formula: see text]GHz. A CPW structure, with an optimized ground-equalizing metal strip density to achieve the highest inductive quality factor, is therefore a preferred choice for the design of MMW interconnects, compared to an MSL. The LNA achieves a measured forward gain of [Formula: see text][Formula: see text]dB with good input and output impedance matching of better than [Formula: see text][Formula: see text]dB in the desired frequency range. Covering a chip area of 1256[Formula: see text][Formula: see text]m[Formula: see text]m including the pads, the LNA dissipates a power of only 16.2[Formula: see text]mW.


2018 ◽  
Vol 7 (1) ◽  
pp. 13 ◽  
Author(s):  
Carol Boon Peng Loy-Ee ◽  
Patricia Mui Hoon Ng

Studies have pointed to the benefits of physical activity (PA), yet the level of PA participation among preschoolers islow. This in turn could have resulted in the limited research literature on the PA level or physical educationcurriculum (PEC) of preschool children. Those reviewed here are mostly from countries in the West, as those fromAsia are unavailable. To fill this gap, the present study was carried out to investigate the effectiveness of a formalPEC on the physical ability of a sample of five-year old children from several preschools in Singapore. Using aPhysical Ability Assessment (PAA) tool with five variables, a pre-test/post-test quasi-experimental design was usedto measure the effectiveness of the PEC with control and experimental groups for the comparative analysis. Theresults of the PAA are presented and the implications from the findings and analysis are discussed.


1999 ◽  
Vol 14 (2) ◽  
pp. 500-502
Author(s):  
Seungbum Hong ◽  
Eunah Kim ◽  
Han Wook Song ◽  
Jongwan Choi ◽  
Dae-Weon Kim ◽  
...  

It has been generally accepted that the product of the unloaded quality factor and resonant frequency is the universal parameter for comparison of dielectric resonators with different size.1,2 However, it is suggested in this study that this universal parameter should be modified due to the presence of the polarons. From the frequency dependence of the unloaded quality factor, it is possible to extract the factor determined only by the phonon scattering effects, and we denoted this parameter by Qs. It was found that the Qs parameter for ZrxSnzTiyO4 (ZST) and Ba(Zn1/3Ta2/3)O3 (BZT) ceramics showed constancy in the frequency range of 2–12 GHz, which supports the idea of polaron conduction loss contribution to the dielectric loss.


1995 ◽  
Vol 85 (5) ◽  
pp. 1359-1372
Author(s):  
Hsi-Ping Liu

Abstract Because of its simple form, a bandlimited, four-parameter anelastic model that yields nearly constant midband Q for low-loss materials is often used for calculating synthetic seismograms. The four parameters used in the literature to characterize anelastic behavior are τ1, τ2, Qm, and MR in the relaxation-function approach (s1 = 1/τ1 and s2 = 1/τ2 are angular frequencies defining the bandwidth, MR is the relaxed modulus, and Qm is approximately the midband quality factor when Qm ≫ 1); or τ1, τ2, Qm, and MR in the creep-function approach (s1 = 1/τ1 and s2 = 1/τ2 are angular frequencies defining the bandwidth, and Qm is approximately the midband quality factor when Qm ≫ 1). In practice, it is often the case that, for a particular medium, the quality factor Q(ω0) and phase velocity c(ω0) at an angular frequency ω0 (s1 < ω0 < s2; s1 < ω0 < s2) are known from field measurements. If values are assigned to τ1 and τ2 (τ2 < τ1), or to τ1 and τ2 (τ2 < τ1), then the two remaining parameters, Qm and MR, or Qm and MR, can be obtained from Q(ω0). However, for highly attenuative media, e.g., Q(ω0) ≦ 5, Q(ω) can become highly skewed and negative at low frequencies (for the relaxation-function approach) or at high frequencies (for the creep-function approach) if this procedure is followed. A negative Q(ω) is unacceptable because it implies an increase in energy for waves propagating in a homogeneous and attenuative medium. This article shows that given (τ1, τ2, ω0) or (τ1, τ2, ω0), a lower limit of Q(ω0) exists for a bandlimited, four-parameter anelastic model. In the relaxation-function approach, the minimum permissible Q(ω0) is given by ln [(1 + ω20τ21)/(1 + ω20τ22)]/{2 arctan [ω0(τ1 − τ2)/(1 + ω20τ1τ2)]}. In the creep-function approach, the minimum permissible Q(ω0) is given by {2 ln (τ1/τ2) − ln [(1 + ω20τ21)/(1 + ω20τ22)]}/{2 arctan [ω0(τ1 − τ2)/(1 + ω20τ1τ2)]}. The more general statement that, for a given set of relaxation mechanisms, a lower limit exists for Q(ω0) is also shown to hold. Because a nearly constant midband Q cannot be achieved for highly attenuative media using a four-parameter anelastic model, a bandlimited, six-parameter anelastic model that yields a nearly constant midband Q for such media is devised; an expression for the minimum permissible Q(ω0) is given. Six-parameter anelastic models with quality factors Q ∼ 5 and Q ∼ 16, constant to 6% over the frequency range 0.5 to 200 Hz, illustrate this result. In conformity with field observations that Q(ω) for near-surface earth materials is approximately constant over a wide frequency range, the bandlimited, six-parameter anelastic models are suitable for modeling wave propagation in highly attenuative media for bandlimited time functions in engineering and exploration seismology.


Author(s):  
Yi. Zhou

Background. The category of style is one of the most used in modern musicology. This is due to objective reasons: the attention of the “consumer” of a cultural product is mostly not focused on its author recently. The coexistence of individual performance versions of composer’s works is one of the reasons that problems of stylistic attribution of musical art do not lose their relevance. In different areas of musical practice these problems are interpreted in different ways and get various degrees of theoretical understanding. The area of vocal art deserves special attention. An analysis of specialized literature suggests that the ever-increasing number of appropriate studies has not yet influenced the crystallization of the definition of “vocal style” in the scientific sense. This is due to the fact that the meaning of the term “vocal style” has many dimensions that reflect technological, aesthetic, historical, individual and national parameters of creativity. This resulted in the purpose of proposed article – to identify the singular and general in the interpretation of the category “vocal style” in Western European and Chinese art discourse. The research methodology is determined by its objectives; it is integrative and based on a combination of general scientific approaches and musicological methods. The leading research methods are historical, genre-stylistic and interpretative analyzes. Results. The word style first appeared in ancient Greece, where it was called a tool for writing on wooden tablets covered with wax. Later, the word style began to be used to describe not only human activity, but himself. At the same time, there is no case in Confucius’s “Analects” of using this definition. Central to the aesthetic block of Confucius’ teaching is not the question of the style of art, but the degree of influence that it has on the formation of the five moral qualities. As for questions directly about the style of artistic creation, Chinese scholars believe that they were first addressed by a contemporary and follower of Confucius, literary theorist Liu Xie, in whose works for the first time in the history of Chinese culture the word “style” was used. We note that in both Europe and China the studies of ancient thinkers have become the foundation for centuries and millennia that determined the essential parameters of the worldview of peoples and civilizations and stimulated the development of human thought. So nowadays style is similarly understood as a certain set of features that characterize either a particular person or the results of his activities. As for a narrower understanding of style (in our case – vocal style), it historically developed much later, which was preceded by a long evolution of vocal art and the accumulation of relevant scientific works. In addition, it is necessary to take into account the specific of vocal performance, the essence of which involves working with verbal texts, their artistic representation, and, consequently, the determinism of not only musical but also artistic embodiment of the work. Thus, in European treatises of Renaissance and Baroque periods it is not about the performer, but about the style of specific musical works, basic parameters of which are determined by the place of performance and the appropriate type of expression. At the same time, there are studies which examine the national aspect of the phenomenon of vocal performance, that is perceived as a consequence of the interaction of several factors: temperament, climate and landscape. It is interesting that even in the baroque treatises maxims about the advantages of the Italian school bel canto can be found; and nowadays it continues to determine the development of not only European but also world vocal art. We emphasize that we can not find Chinese treatises dating from the XVII–XVIII centuries, which are devoted to the comprehension of vocal art in the European sense of the word. After all, academic vocal culture in this country has begun to develop only in the early twentieth century and therefore imitated and appropriated the aesthetic and technology of the dominant European vocal style bel canto. It is known that the definition of bel canto is most often used in two cases: as a designation of a certain historical style, which is most vividly embodied in works of V. Bellini and G. Donizetti, and as a designation of singing technique. So we see that, as in other performing arts, the definition of style contains two interdependent parameters: technological and artistic and aesthetic. And the latter in the case of exactly vocal schools can be interpreted as a mobile factor. The similarity of interpretation of the definition of vocal style (namely one of its varieties – bel canto) in European and Chinese art literature is the result of the fact that eastern and western cultures are gradually approaching each other in the process of historical development. Conclusions. A comparative analysis of European and Chinese scientific sources suggests that the issues of musical stylistics occupied an important place in the minds of thinkers even before our era. And although both in the East and in the West the category of style was perceived as a mean of realization of the individual worldview of the man-creator, we can still talk about the difference in vectors of study of this problem. For example, if in the East it was perceived as a fundamental part of the ethical, in the West – the aesthetic. The formation of the phenomenon of “vocal style” was a natural consequence of the development of European vocal culture, where concepts of “technique” and “style” gradually crystallized. They became the basis of European vocal art, the assimilation of which has led to the phenomenal success of the modern Chinese school bel canto.


2013 ◽  
Vol 94 (1) ◽  
pp. 56-63
Author(s):  
Trevoho I.S. ◽  
Tsyupak I.M.

Abstract This paper gives brief information on existing metrological support for the Yavoriv of scientific of the geodetic of test field (SGTF) for testing of modern of surveying equipment (rangefinders, electronic total stations and GNSS receivers). Analyzed ways to improve the fundamental geodetic network and the standard linear of basis, as working standards for testing, in accordance, GNSS receivers and a rangefinders, as well as for study an accuracy technology of GNSS leveling.


Most of the research work to test the fast processors is carried out using external devices as testers;but it was not technically & financially workable. To fulfill the required performance along with providing efficient functionality, an appropriate testingism must be employed by the digital circuits. The best way is to follow testing as an integral part that is self-test. Conventionally large amount of data was stored in an external tester.But there was a difficulty in at speed testing performance using these external hardware. Hence, Builtin-self-test was invented which verifies failure free nature of circuit under test (CUT) with a test mechanism as a part of system itself. It is observed that, if testing of any hardware is carried out with the help of built-in self test, it increases the requirement of additional area and indirectly responsible for forfeits due to degradation in performance.. If a powerful and power optimized core is to be designed, hardware BIST cannot be afforded due to these limitations. To overcome these disadvantages, a new software based BIST techniques is introduced which relies on software test patterns. Here this paper focuses on rooting of software test routines which works using optimization of scheduling and also a Q- factor is proposed to evaluate the nature of proposed method.


2020 ◽  
Vol 11 (2) ◽  
pp. 155-162
Author(s):  
A. F. Sabitov ◽  
I. A. Safina

The spectral method for establishing dynamic response of measuring instruments basically requires determining the amplitude spectrum of the signal in its informative part that includes the amplitude spectrum at zero frequency. The operating frequency range of existing low-frequency spectrum analyzers is above zero frequency that leads to an uncertainty in dynamic response of measuring instruments determined by the spectral method. The purpose of this paper is to develop a program for calculating the signal amplitude spectrum, starting from zero frequency, to implement a spectral method for determining the dynamic response of measuring instruments on computers equipped with the MatLab package.To implement the spectral method for determining the dynamic response of measuring instruments, we developed a program in the MatLab 2013b environment that determines the signal amplitude spectrum from zero Hertz. The program reads the source data from Excel tables and presents the calculated amplitude spectrum as a chart and a report table.It is shown that the developed program calculates the signal amplitude spectrum with a standard deviation of not more than 3.4 % in the frequency range of 0 to 10 rad/s. The calculated amplitude spectrum allows determining the time constant of first-order aperiodic measuring instruments with an uncertainty of not more than 0.166 % at any noise level, if their frequencies are outside the information part of the spectrum.We demonstrated the claimed advantage of the spectral method for determining dynamic response using the developed program by the example of a high-frequency noise in the transient response of some measuring instruments.


2019 ◽  
Author(s):  
◽  
Jerrin Zachariah Mohan

In the current era, there is an ever-growing demand for data hungry applications and services that need large amounts of bandwidth to send digital information at very high speeds. In order to meet this challenge for higher bandwidth capacity, Dense Wave Division Multiplexing (DWDM) is used as the strategy to transmit multiple high-bit rate channels at extremely narrow channel spacings over a single fiber core. However, this gives rise to detrimental transmission impairments such as linear effects and non-linear effects. The dissertation minimises the impairments by optimally designing a new DWDM system that produces a detectable and acceptable quality of signal at the receiver. In this dissertation, a comparative analysis is performed on the simulative design of a 48-channel DWDM system that has a 25 Gb/s bit rate and a 100 km transmission distance. The research mitigates the effects of transmission impairments such that an error-free matched communication link is produced for equally spaced (ES) channels of 100 GHz, 50 GHz, 25 GHZ and 12.5 GHz and 6.25 GHz. Various design parameters are used to create the comparative analysis model to optimise the 48 channel DWDM network. The design is simulated using the Optisystem simulation platform and the signal analysis is based on the bit error rate (BER) and quality (Q) factor of the received signal’s eye diagrams. It is established in the desertion that modified networks with matched active components has ES frequency channels that are aligned to each other and has a higher optical signal to noise ratio (OSNR) than mismatched networks. The maximum signal power and OSNR of the 3-erbium doped fiber amplifier (EDFA)-post symmetric compensation technique is always higher than the 1-EDFA post compensation technique for all channel spacings in any type of network. Modified duobinary return to zero (MDRZ) when compared to non-return to zero (NRZ) and return to zero (RZ) has a greater dispersion tolerance, higher fiber non-linearity tolerance and a higher acceptable signal transmission over longer distances with the least amount of errors. The optimised design parameter configurations produce the highest signal performance (highest Q factor > 6 and lowest BER > 10-9) and the highest bandwidth efficiency for the RZ Modulation (at 100 GHz, 50 GHz and 25 GHz channel spacings) and MDRZ Modulation (at 12.5 and 6.25 GHz channel spacing).


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