scholarly journals Filming the Historical Geography: Story from the Realm of Maps in Regensburg

2021 ◽  
Vol 10 (11) ◽  
pp. 764
Author(s):  
Beata Medyńska-Gulij ◽  
Tillmann Tegeler ◽  
Hans Bauer ◽  
Krzysztof Zagata ◽  
Łukasz Wielebski

Research on a specific topic requires the individualized cartographic methods of work that may be defined as the Realm of Maps. The double dimensionality in the Realm of Maps is understood here as a physical place—a studio workroom—and as a research method. In this study, we focused on the way of presenting a research method designed to study the topic of historico-geographical space in the form of a short film story. The second purpose is to indicate the legitimacy of combining two dimensions of working with maps, the real one and the virtual one, to be able to collect cartographic and descriptive sources in one scientific center. Our research on the Story from the Realm of Maps in Regensburg: ‘People Movement in Southeast Europe’ included a concept adopted by cartographical, historical, and geographical sources; the construction of a studio workroom; a script draft; individual sequences of the story in different types of media; editing the video, along with publishing it on an online video-sharing platform. We used as many different types of geomedia as possible, which, on the one hand, boosts the attractiveness of the film and, on the other, may hamper the proper perception of the main film plot. Finally, we recommend principles of map design for the film, with analog maps and maps created specifically for the short film, published using online video-sharing platforms.

Author(s):  
Donatella della Porta ◽  
Massimiliano Andretta ◽  
Tiago Fernandes ◽  
Eduardo Romanos ◽  
Markos Vogiatzoglou

The second chapter covers the main characteristics of transition time in the four countries: Italy, Greece, Spain, and Portugal. After developing the theoretical model on paths of transition, with a focus on social movement participation, the chapter looks at social movements and protest events as turning points during transition, covering in particular the specific movement actors, their organizational models, and their repertoires of action and frames. The chapter focuses on two dimensions: the role of mobilization in the transition period, which implies the analysis of how elites and masses interact, ally, or fight with each other in the process, and the outcome of transitions as continuity versus rupture of the democratic regime vis-à-vis the old one. It concludes by elaborating some hypotheses on how different modes of transition may produce different types and uses of (transition) memories.


1985 ◽  
Vol 4 (4) ◽  
pp. 349-364 ◽  
Author(s):  
Roni Beth Tower

In a study of forty-three preschool children, ratings of four types of the children's imaginativeness were correlated with observational, behavioral, and interview measures. Research questions were: 1) Do correlates of imaginativeness found in observational studies replicate if trait rather than state measures are examined? 2) Do different types of imaginativeness have different correlates? and 3) What characteristics distinguish children at the maladaptive extremes of imaginativeness from those at more moderate levels? The conceptual and empirical utility of considering imaginativeness to have two dimensions, Expressive and Constructive, was demonstrated. While optimal levels of Constructive Imaginativeness correlated significantly with other indices of healthy child development, the correlations were fewer and tended to be weaker for Expressive Imaginativeness. The negative implication of extremes was documented.


Author(s):  
Yichen Liao ◽  
Jing Zhu ◽  
Qinli Zhai
Keyword(s):  

1964 ◽  
Vol 42 (8) ◽  
pp. 1564-1572 ◽  
Author(s):  
D. D. Betts

Statistical mechanical ensembles of interacting systems localized at the sites of a regular lattice and each having four possible states are considered. A set of lattice functions is introduced which permits a considerable simplification of the partition function for general nearest-neighbor interactions. The particular case of the Potts four-state ferromagnet model is solved exactly in two dimensions. The order–disorder problem for a certain quaternary alloy model is also solved exactly on a square net. The quaternary alloy model has the interesting property that it has two critical temperatures and exhibits two different types of long-range order. The partition function for the spin-3/2 Ising model on a square net is expressed in terms of graphs without odd vertices, but has not been solved exactly.


2018 ◽  
Vol 11 (3) ◽  
pp. 534-548 ◽  
Author(s):  
Ke Xu ◽  
Tong Li ◽  
Haiyang Wang ◽  
Haitao Li ◽  
Wei Zhu ◽  
...  

Materials ◽  
2019 ◽  
Vol 12 (23) ◽  
pp. 4005 ◽  
Author(s):  
Angelats Lobo ◽  
Ginestra

The classic cell culture involves the use of support in two dimensions, such as a well plate or a Petri dish, that allows the culture of different types of cells. However, this technique does not mimic the natural microenvironment where the cells are exposed to. To solve that, three-dimensional bioprinting techniques were implemented, which involves the use of biopolymers and/or synthetic materials and cells. Because of a lack of information between data sources, the objective of this review paper is, to sum up, all the available information on the topic of bioprinting and to help researchers with the problematics with 3D bioprinters, such as the 3D-Bioplotter™. The 3D-Bioplotter™ has been used in the pre-clinical field since 2000 and could allow the printing of more than one material at the same time, and therefore to increase the complexity of the 3D structure manufactured. It is also very precise with maximum flexibility and a user-friendly and stable software that allows the optimization of the bioprinting process on the technological point of view. Different applications have resulted from the research on this field, mainly focused on regenerative medicine, but the lack of information and/or the possible misunderstandings between papers makes the reproducibility of the tests difficult. Nowadays, the 3D Bioprinting is evolving into another technology called 4D Bioprinting, which promises to be the next step in the bioprinting field and might promote great applications in the future.


2020 ◽  
Vol 6 (12) ◽  
pp. 355
Author(s):  
Júnior Olair CHAGAS ◽  
Fabiana Aparecida LOBO ◽  
José Luiz GONÇALVES

RESUMONeste trabalho é relatado o processo de elaboração e aplicação de um roteiro de atividade prática para professores do ensino médio como uma forma de estratégia didática para o ensino da teoria cinética dos gases na disciplina de química. Esta estratégia foi caracterizada por uma abordagem específica, aula expositiva do conteúdo seguida do vídeo experimental para a discussão do tópico. Optou-se por utilizar o Youtube por ser uma das plataformas mais acessadas por qualquer estudante. Escolheu-se um vídeo que continha um experimento claro e objetivo correlacionado com o conteúdo acima citado. Em seguida, elaborou-se o vídeo da aula prática que conteve com uma breve contextualização no cotidiano dos alunos, seguida do vídeo experimental do Youtube e por fim algumas perguntas discursivas. Os resultados indicam que a abordagem do vídeo experimental apresenta uma vantagem significativa sobre as aulas teóricas, reforçando a importância da utilização de práticas experimentais extras na sala.Ensino de Química. Aula prática. Teoria dos gases. Termodinâmica. Vídeo experimental.ABSTRACTIn this work, the process of elaborating and applying a script of practical activity for high school teachers is reported as a form of didactic strategy for teaching the kinetic theory of gases in the discipline of chemistry. This strategy was characterized by a specific approach, expository class of content followed by the experimental video for the discussion of the topic. We decided to use YouTube as it is one of the most online video-sharing platform accessed by any student. A video was chosen which contained a clear and objective experiment correlated with the above-mentioned content. Then, the video of practical class was elaborated, which contained a brief contextualization in the students' daily lives, followed by experimental YouTube video and finally some discursive questions. The results indicate that the experimental video approach has significant advantage over the analytical classes, reinforcing the importance of using extra experimental practices in classroom.Chemistry teaching. Practical class. Gas theory. Thermodynamics. Experimental vídeo.RESUMENEn este trabajo se reporta el proceso de elaboración y aplicación de un guión de actividad práctica para profesores de secundaria como una forma de estrategia didáctica para la enseñanza de la teoría cinética de los gases en la asignatura de la química. Esta estrategia se caracterizó por un enfoque específico, una clase expositiva del contenido seguida del video experimental para la discusión del tema. Optamos por utilizar Youtube ya que es una de las plataformas más visitadas por cualquier estudiante. Se eligió un video que contenía un experimento claro y objetivo correlacionado con el contenido mencionado anteriormente. Luego, se elaboró el video de la clase práctica, que contenía una breve contextualización en la vida cotidiana de los estudiantes, seguido del video experimental de YouTube y finalmente algunas preguntas discursivas. Los resultados indican que el enfoque de video experimental presenta una ventaja significativa sobre las clases teóricas, lo que refuerza la importancia de utilizar prácticas experimentales adicionales en el aula.Enseñanza de la Química. Clase práctica. Teoría de los gases. Termodinámica. Video experimental.SOMMARIOIn questo lavoro viene riportato il processo di elaborazione e applicazione di uno script di attività pratica per insegnanti di scuola secondaria come una forma di strategia didattica per l'insegnamento della teoria cinetica dei gas in materia di chimica. Questa strategia è stata caratterizzata da un approccio specifico, una classe espositiva del contenuto seguita da un video sperimentale per la discussione dell'argomento. Abbiamo scelto di utilizzare YouTube in quanto è una delle piattaforme più visitate da qualsiasi studente. È stato scelto un video che conteneva un esperimento chiaro e oggettivo correlato ai contenuti sopra menzionati. Quindi è stato prodotto il video della lezione pratica, che conteneva una breve contestualizzazione nella vita quotidiana degli studenti, seguito dal video sperimentale di YouTube e infine da alcune domande discorsive. I risultati indicano che l'approccio video sperimentale ha un vantaggio significativo rispetto alle lezioni, rafforzando l'importanza dell'utilizzo di pratiche sperimentali aggiuntive in classe.Insegnamento di chimica. Lezione pratica. Teoria dei gas. Termodinamica. Video sperimentale.


2021 ◽  
Author(s):  
◽  
Rosina Hickman

<p>Home movies are now viewed in a variety of public contexts, a shift that entails a loss of their original meanings. In order to consider the impact of exhibiting these private documents, this thesis analyses the use of home movies within recycled footage productions, archival curation and online video-sharing. Investigating a variety of formal and informal screening contexts through close readings and archival research, it asks: what meanings do home movies acquire in new contexts? How might the reuse of home movies affect our understandings of their production and the past they portray? Does a perception that home movies could appear boring influence how they are framed or altered for public audiences?  Due to their form and content, home movies may seem ill-suited to public exhibition. Popular discourses about home movies during their heyday of production reveal a widespread belief that they were boring (for outsiders) to watch. While recent literature has assessed home movies more favourably, it has tended to overlook their potential to bore viewers who have no personal relationship to them. Drawing upon theories of boredom, this study argues meaningfulness is the principal factor determining whether a viewer finds a particular film interesting or boring. In their original form, home movies may appear relatively meaningless and therefore boring to public audiences. Recycled footage films re-edit images, however, to create engaging viewing experiences through narrative and affect. While more experimental productions frequently question the evidential value of home movie images, television documentaries tend to encourage audiences to perceive footage as authentic or nostalgic. Narrative and affect also feature in the exhibition strategies of moving image archives. Curated public programmes provide informative and enjoyable viewing for general audiences, but almost inevitably promote certain understandings of the past by offering specific interpretations of selected films. Moreover, the affective appeal of home movie images may outweigh other forms of meaning for viewers, particularly in community or participatory screening contexts. Online video-sharing platforms such as YouTube, which are curated by algorithms rather than human expertise, feature numerous home movies without any kind of framing or description. While this might seem profoundly boring, viewer comments suggest meaninglessness can foster imaginative and empathetic responses to home movies, often expressed as nostalgic longing. This propensity of home movie footage within different screening contexts to encourage nostalgic sentiments, or a belief that life was better in the past, has implications for collective memory and understandings of history. Moreover, the ability of at least some viewers to enjoy home movies in relatively contextless spaces suggests that in certain instances qualities associated with boredom may not be a significant impediment to meaningful experience after all.</p>


Electronics ◽  
2021 ◽  
Vol 10 (18) ◽  
pp. 2276
Author(s):  
Jia-Lien Hsu ◽  
Shuh-Jiun Chang

With the prevalence of online video-sharing platforms increasing in recent years, many people have started to create their own videos and upload them onto the Internet. In filmmaking, background music is also one of the major elements besides the footage. With matching background music, a video can not only convey information, but also immerse the viewers in the setting of a story. There is often not only one piece of background music, but several, which is why audio editing and music production software are required. However, music editing is a professional expertise, and it can be hard for amateur creators to compose ideal pieces for the video. At the same time, there are some online audio libraries and music archives for sharing audio/music samples. For beginners, one possible way to compose background music for a video is “arranging and integrating samples”, rather than making music from scratch. As a result, this leads to a problem. There might be some gaps between samples, in which we have to generate transitions to fill the gaps. In our research, we build a transformer-based model for generating a music transition to bridge two prepared music clips. We design and perform experiments to demonstrate that our results are promising. The results are also analysed by using a questionnaire to reveal a positive response from listeners, supporting that our generated transitions conform to background music.


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