scholarly journals Fact Checkers Facing Fake News and Disinformation in the Digital Age: A Comparative Analysis between Spain and United Kingdom

Publications ◽  
2021 ◽  
Vol 9 (3) ◽  
pp. 36
Author(s):  
Casandra López-Marcos ◽  
Pilar Vicente-Fernández

The current media ecosystem, derived from the consolidation of Information and Communication Technologies, shows a scenario in which the relationship between the media and their audience is being redefined. This represents a challenge for journalistic practice. In the digital age, the public actively participates in the construction and dissemination of news through social networks. Faced with this loss of control by the media, fake news and disinformation are emerging as one of the main problems of journalistic practice in a competitive business context, and with a high saturation of news content. In this situation, fact checkers emerge as key players in the information verification process. This research comparatively analyses the main fact checkers in Spain and the United Kingdom through content analysis applied to their corporate websites to understand their characteristics and working methodologies. The results underline that they are concerned with the concepts of transparency and honesty, along with showing their funding streams. The rigorousness of the verification process also stands out, as well as the importance of dialogue with the audience in their work. While in Spain they are featured by their non-profit nature and their international coverage, UK fact checkers focus on national information and are sometimes conceived as a business.

Journalism ◽  
2018 ◽  
Vol 19 (9-10) ◽  
pp. 1380-1396 ◽  
Author(s):  
Ke Li

The existing literature broadly suggests that newsrooms are adapting to the media convergence world at the cost of traditional quality journalism. However, based on my ethnographic study of the Beijing News, I propose a convergence and de-convergence model of journalistic practice. The model explains how one Chinese newspaper preserves the legacy of critical journalism, on the one hand, while negotiating the challenges of adapting to the converging trends on the other. I argue that a well-established organizational culture and a working routine are crucial in the newspaper’s transformation, which makes it impossible to redesign the newsroom and redefine journalism with technology alone. Moreover, the article calls for a more nuanced understanding of the transformation of legacy media in the digital age, especially considering a non-Western context. I argue that the Chinese newspaper’s response to technological and economic impacts brought by the Internet is in fact mediated by political concerns.


Author(s):  
D. Likarchuk

In the modern political world, information and technological principles are important, which form the media space – factors of manipulation, fake news, support for political actors. The media, in the XXI century, not only manipulate society and create confrontational moments, but also in their activities mix politics, commercial advertising, criminal aspects. The modern product of media culture is media reality, which forms new boundaries of the socio-cultural space of each state. Media reality is one of the elements of communication technologies that influence society, but also individual state institutions. Focusing on important political problems and issues in the modern world is reduced to public (mass) attention, coverage of incorrect (fake) information about the opponent – and so is the process of manipulation of citizens and the creation of conflicts in society. All this is accompanied by an imbalance of communication interaction and information noise, which leads to distortion of the information space of the state, new hybrid wars, information disputes, fake news. In Ukraine, there are difficulties in maintaining the media space in the international arena, because we have a number of open and latent conflicts. Accordingly, the media space – connections and interaction, as well as gaps and opposition between agents in the political arena. Ukraine should understand that it is necessary to develop and integrate into new communication technologies. This will give an opportunity not only to orient oneself politically and to understand the advantages and disadvantages of one or another political force, but also to form one’s own integral and effective state interest and values. The rapid process of information and communication technologies in all spheres of society has caused global transformations, opened new opportunities for the information space. A popular model of integrated political technologies in Europe is social management in a real communication network. For example, Estonia has a progressive model of e-government in Europe, which means that communication technologies and a minimized level of conflict factors function accordingly in the country.


2020 ◽  
Author(s):  
Sulaiman A. Osho

The deliberate publication of fake news by any media organisation or online network is an aberration in journalism practice. And such sophist intentions and dissemination of falsehood to the people through the virtual media, social media and old media is a depravity against humanity to spread mischief, acrimony, crises, disease, corruption, and squalor. It is total negation of journalism values and news values. Thus, this chapter seeks to examine the concept of newsworthiness in the wake of resurrection of the ghost of fake news in this digital age, which was the practice in the age of ignorance when unlettered men abound as journalists. It investigates the ideological constructs of news because it is a violation of journalism practice for any organisation to base its ideology on the publication of fake news. This study highlights news production process in tandem with the socio-cultural interests, political philosophy, and economic interests of the sponsors, financiers, and owners of the media. The chapter critically examines factors of news or factors of newsworthiness in relation to the concept of fake news. If the twelve factors of news are frequency, threshold, unambiguity, meaningfulness, consonance, unexpectedness, continuity, composition, reference to elite nations, reference to elite people, reference to elite persons, and reference to something negative, should there be anything fake called News? In narrative and argumentative form, the study concludes that anything fake or any information that is based on falsehood cannot be regarded as News. If it is news, it must be based on Truth and Facts. If it is news, it must be new. If it is news, it must be based on actualities. If it is news, it must be based on evidences. If it is news, it must be fair. If it is news, it must be based on realities. If it is news, it must not be based on vendetta. If it is news, it must not be hoax. If it is news, it must not be fallacy. If it is news, it must not be innuendoes.


2020 ◽  
Vol 138 (1) ◽  
pp. 98-117
Author(s):  
Beatriz Valverde Jiménez ◽  
Marta Pérez-Escolar

AbstractDrawing upon mass communication theories, concretely Walter Lippman’s theory of stereotypes, Erving Goffman’s theory of frames, and Jean Baudrillard’s theory of simulacra and simulation, we examine the fictional representation of manipulated and fake news in three novels by Graham Greene, Stamboul Train (1932), The Quiet American (1955), and A Burnt-Out Case (1960). In this paper, within the frame of one of the key concepts in his work, the ‘virtue of disloyalty’, we argue that Greene’s fictional representation of journalism (mal)practice constitutes a piece of grit in the machinery of the western press, questioning the political and cultural dominant discourse conveyed to the public. In this line, Greene’s literary representations of the journalistic practice can be read as indicators (and, in turn, shapers) of the western culture’s prevailing perceptions of the reported news and the professionals that convey the facts to a general public. With his fictional representation of the profession of journalism, Greene makes readers aware of the way information can be manipulated and the necessity of developing a critical mind concerning the news and how they are conveyed through the media.


2020 ◽  
Vol 22 (2) ◽  
pp. 361-377 ◽  
Author(s):  
Christian Schwarzenegger

While the perils of social media, fake news, and an alleged distrust in legacy media have attained considerable public attention, the implications of these public narratives for their audiences have remained understudied. The aim of this article is to identify consequences of an emerged “fake news and post truth-era-narrative” for media users’ personal epistemologies, media beliefs, and news navigation practices from a media repertoire perspective. Forty-nine in-depth media-biographical interviews with people from three different age groups and with different media repertoires were conducted. Based on the study, the three interrelated dimensions (1) selective criticality, (2) pragmatic trust, and (3) competence–confidence were developed to analyze users’ media and news navigation. These three dimensions can be applied to other scenarios to investigate how people navigate their media repertoires and interact with the news in general.


Author(s):  
O. Bondar

<p><em>In this study, I have collected and summarized the functional aspects of a literary prize, contest, and rating, which indicate their affiliation with the marketing complex of the publishing house for the first time. For this purpose, I have analyzed and summarized the common concepts of the functioning of literary prizes and contests as advertising tools for publishing activity. Because the previous studies are only focused on the fact of the impact of the prize on the promotion of editions but do not explain it, these aspects have been considered and introduced by me from the book production’s point of view. I investigated that the prizes and the contests in the literary field are effective marketing tools, which meet many publisher’s needs at the same time and can be considered a non-profit form of capital. I have reviewed the works of other authors, who accept that the economic success of the book is rising if the author is a winner of the literary prize or contest. I have found out that the book prize activates the demand for the book, and the literary contest is a tool to track the reader’s reaction to a future publication. In this way, literary prizes and contests can be considered as a way of conducting a marketing dialogue with the target audience. I have focused on the information support of literary national and international prizes and contests by the media, which attracts attention to the book and forms the reader’s interest. The literary prizes and contests are also considered as a way of exploring trends and their changes, familiarization the popular genres among the target audience and fixation the current choice of modern readers. Literary prizes and contests motivate the authors to improve their literary excellence, are the source of new authors and works, and assist in increasing sales of books. However, further research is recommended.</em></p><strong><em>Key words:</em></strong><em> book prize, book rating, literary contest, literary prize, functions of the literary prizes.</em>


SPIEL ◽  
2019 ◽  
Vol 4 (1) ◽  
pp. 13-23
Author(s):  
Bernhard Pörksen

Resentment toward the media establishment is on the move – from the far right towards the centre of society. With fatal effect: it turns media criticism and journalism debates into ideologically entrenched battles which in turn lead to reciprocally escalating crises of trust and, subsequently, funding in journalism. An essay on this new power dynamic and a vision of communication in the digital age.


2019 ◽  
Vol 8 (1) ◽  
pp. 114-133

Since the 2016 U.S. presidential election, attacks on the media have been relentless. “Fake news” has become a household term, and repeated attempts to break the trust between reporters and the American people have threatened the validity of the First Amendment to the U.S. Constitution. In this article, the authors trace the development of fake news and its impact on contemporary political discourse. They also outline cutting-edge pedagogies designed to assist students in critically evaluating the veracity of various news sources and social media sites.


Author(s):  
Jun Liu

Over the past decades, waves of political contention involving the use of information and communication technologies have swept across the globe. The phenomenon stimulates the scholarship on digital communication technologies and contentious collective action to thrive as an exciting, relevant, but highly fragmentary and contested field with disciplinary boundaries. To advance the interdisciplinary understanding, Shifting Dynamics of Contention in the Digital Age outlines a communication-centered framework that articulates the intricate relationship between technology, communication, and contention. It further prods us to engage more critically with existing theories from communication, sociology, and political science on digital technologies and political movements. Given the theoretical endeavor, Shifting Dynamics of Contention in the Digital Age systematically explores, for the first time, the influence of mobile technology on political contention in China, the country with the world’s largest number of mobile and Internet users. Using first-hand in-depth interview and fieldwork data, it tracks the strategic choice of mobile phones as repertoires of contention, illustrates the effective mobilization of mobile communication on the basis of its strong and reciprocal social ties, and identifies the communicative practice of forwarding officially alleged “rumors” as a form of everyday resistance. Through this ground-breaking study, Shifting Dynamics of Contention in the Digital Age presents a nuanced portrayal of an emerging dynamics of contention—both its strengths and limitations—through the embedding of mobile communication into Chinese society and politics.


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