scholarly journals Citra Perempuan dalam Novel "Kala" Karya Stefani Bella dan Syahid Muhammad

2020 ◽  
Vol 9 (2) ◽  
pp. 164
Author(s):  
Hanif Ivo Khusri Wardani ◽  
Rina Ratih Sri Sudaryani
Keyword(s):  
The Novel ◽  
Main Character ◽  
Note Taking ◽  
Social Image ◽  
The People ◽  
Study Results ◽  
The Family ◽  
The One ◽  
Descriptive Qualitative

Penelitian bertujuan untuk mendeskripsikan citra perempuan pada tokoh utama dalam novel “Kala” karya Stefani Bella dan Syahid Muhammad dengan kajian feminisme ideologis. Penelitian dilakukan secara deskriptif kualitatif. Pengumpulan data dilakukan dengan teknik kepustakaan dan teknik baca-catat serta metode membaca sebagai perempuan. Hasil penelitian adalah sebagai berikut: (1) citra fisik Lara adalah perempuan dewasa yang sederhana, apa adanya, dan tidak suka bersolek, (2) citra psikis Lara adalah perempuan yang berjiwa kuat, tegar, tanggung jawab, dan mandiri, (3) citra sosial Lara dalam keluarga adalah anak perempuan yang berbakti kepada orang tuanya, dan (4) citra sosial Lara dalam masyarakat adalah perempuan yang ramah, mudah bergaul, dan aktif berkegiatan. Sosok perempuan dalam novel “Kala” ini menggambarkan sosok perempuan yang berhasil menyetarakan kedudukannya dengan laki-laki khususnya dalam bidang pekerjaan di ranah publik. Ketidakadilan yang dihadapinya karena jenis kelamin tidak menjadikan perempuan lemah dan terpuruk tetapi membangkitkan semangatnya menjadi perempuan yang mandiri.Katakunci: citra, perempuan, feminis ideologisAbstract:The study aimed to describe the woman’s image reflected by the main character of Kala, a novel written by Stefani Bella and Syahid Muhammad. The woman’s image was viewed from an ideological feminism approach. The research was descriptive qualitative of which the data were collected through library study and note-taking, as well as reading as woman. The study results in several findings. First, Lara’s physical image was described as modest, natural, and not keen on prinking herself. Second, psychologically, Lara’s image was strong, tough, responsible, and independent. Third, Lara’s social image in the family was filial to her parents, and fourth, Lara’s social image in society was described as friendly, sociable, and active. The woman’s figure in the novel shows the one who is able to equalize the position with men, especially in occupations related to the people. The inequality as experienced by the character should not weaken women. Instead, it should encourage women to be independent.Keywords: image, women, ideological feminism

scholarly journals Hegemonic Antagonistism as An Emancipative Effort in Dickens's A Christmas Carol (1843): A Study of Laclau-Mouffe Post-Marxism

2020 ◽  
Vol 8 (2) ◽  
pp. 182
Author(s):  
Muhammad Surahman Djunuhi
Keyword(s):  
Data Collection ◽  
Charles Dickens ◽  
Social Order ◽  
The Novel ◽  
Note Taking ◽  
The People ◽  
Descriptive Qualitative

This study aims to describe the dominant hegemony and antagonism or contestation of hegemony that occurred in the novel A Christmas Carol (1843) written by Charles Dickens. The method is descriptive qualitative with note-taking data collection techniques. The results of the study prove are (1) Scrooge, a banker who from the beginning was and acted egocentric, individualist, and likes to exploit his employee, is the representation of the dominant capitalist hegemony. This domination has become the enemy and triggered the existence of humanist religiosity, counter-hegemony, or the people which are a hegemony collaboration of discourses of anti-exploitation, anti-discrimination, anti-egocentrism, and anti-individualism represented through social order and figures around Scrooge. (2) Scrooge's identity and ideology which is dominated by Capitalism hegemony are not full and dynamic. The lack of identity fullness gives a possibility to the transformation of identity and ideology in Scrooge. This is reinforced by the presence of antagonism of dominant hegemony, capitalism, and counter-hegemony, humanist religiosity that has implications for changing the attitude of Scrooge to become a rich person who is generous, religious, friendly, humanist, anti-exploitative, and anti-individual. Thus, the figure of Scrooge has become the arena of antagonism of hegemony in which the presence of hegemonic antagonism is an emancipatory effort countering and undermining the dominance of capitalism.

Hubungan Intertekstual Novel Candra Kirana dan “Tjerita Panji Angreni”: Perspektif Riffaterre

ATAVISME ◽  
2020 ◽  
Vol 23 (1) ◽  
pp. 104-116
Author(s):  
Muhammad Rosyid H.W.
Keyword(s):  
Content Analysis ◽  
Gender Equality ◽  
The Novel ◽  
Main Character ◽  
The People

Penelitian ini bertujuan membahas hubungan intertekstual novel Candra Kirana karya Ajip Rosidi dengan "Tjerita Panji Angreni". Unsur apa saja dan bagaimana novel Candra Kirana memiliki hubungan intertekstual dengan "Tjerita Panji Angreni' sebagai teks hipogramnya adalah pertanyaan penelitian ini. Dalam menelaah hubungan intertekstual ini, penulis menggunakan teori intertekstual Michael Riffaterre yang menitikberatkan pada analisis isi dengan metode pembacaan heuristik dan hermeneutik. Temuan penelitian ini adalah bahwa novel Candra Kirana menunjukkan hubungan intertekstual dengan Tjerita Panji Angreni melalui unsur tema, citra tokoh, dan alur cerita. Meskipun demikian, novel Candra Kirana juga mentransformasikan makna-makna progresif yang berbeda dengan "Tjerita Panji Angreni", seperti makna nasionalisme yang berupa cinta akan kerajaan, makna kesetaraan gender yang berupa kesetiaan laki-laki, keberanian, kekuatan, perjuangan dan ketidakpasrahan perempuan, makna kerakyatan dengan pelibatan tokoh utama dari kalangan rakyat dan makna religiusitas yang berbentuk dasar niat Panji dalam mencari pasangan hidup.[Intertextuality on Novel Candra Kirana and "Tjerita Panji Angreni": Riffaterres Perspective] This research aims to discuss the intertextuality of Candra Kirana novel by Ajip Rosidi with "Tjerita Panji Angreni". What elements and to what extend Candra Kirana novel has an intertextual relationship with Tjerita Panji Angreni as the hipogram text were the questions of this research. In examining this intertextual relationship, the writer used Michael Riffaterre's intertextual theory which focused on content analysis with heuristic and hermeneutic readings. The findings of this study were that the novel Candra Kirana showed intertextuality with the "Tjerita Panji Angreni" through elements of themes, character images, and story lines. Even so, Candra Kirana's novel also transformed progressive meanings that differ from the Tjerita Panji Angreni such as the meaning of nationalism in the form of love for the kingdom, the meaning of gender equality in the form of male loyalty, courage, strength, struggle and women's insecurity, the meaning of populist with engagement the main character of the people and the meaning of religiosity in the form of Panji's intention in finding a life partner.Keywords: intertextuality; novel; "Tjerita Panji Angreni"

TYPES OF HEDONISM ON THE MAIN CHARACTER SIR WALTER ELLIOT IN THE NOVEL PERSUASION BY JANE AUSTEN

2020 ◽  
Vol 8 (1) ◽  
pp. 30-43
Author(s):  
Enggin Valufi ◽  
Retno Budi Astuti
Keyword(s):  
Qualitative Method ◽  
Jane Austen ◽  
18Th Century ◽  
The Novel ◽  
Main Character ◽  
Philosophical Approach ◽  
High Culture ◽  
Descriptive Qualitative

Hedonism is a view of life in philosophy that seeks to avoid pain and make pleasure as the main goal in life. People who embrace hedonism tend to over-pursue pleasure. The hedonism lifestyle is mostly carried out by 18th century people especially the nobles who live in high culture. They are as close to hedonism as they are in the Persuasion novel by Jane Austen. Sir Walter Elliot the main character is a nobleman who did a lot of hedonism. Hedonism which is seen as too glorifying personal pleasure to ignore others. The purpose of this study was to find out the types of hedonism done by Sir Walter Elliot in Persuasion. This research uses descriptive qualitative method because all data are in the form of sentences. The researcher uses a philosophical approach and analyzes data using Weijers' theory as the main theory. The results of this study found that Sir Walter Elliot performed two types of hedonism, namely aesthetic hedonism and selfish hedonism.

scholarly journals On the Reflection of Naturalism in the Main Character in The Call of the Wild

2018 ◽  
Vol 8 (11) ◽  
pp. 1530
Author(s):  
Xiu Zeng
Keyword(s):  
American Literature ◽  
Jack London ◽  
The Novel ◽  
Main Character ◽  
Human Beings ◽  
Literary Naturalism ◽  
Artistic Creation ◽  
Fighting Spirit ◽  
The Will ◽  
The One

Jack London is one of the most outstanding and celebrated critical realists in American literature in the 20th century, he is well recognized in his artistic creation of literary works with the feature of naturalism. The Call of the Wild is one of his naturalistic works filled with adventure and fighting spirit. The main character of the novel is a dog named Buck. By concentrating on Buck's gradual reversion from a civilized pet to a primordial beast, Jack London demonstrates the power of heredity and environment in determining and shaping one’s mind and behaviors. Naturalists believe that mankind is the product of environment, the power of heredity and force of environment are greater than the will of human beings. It is not the strongest of the species that can survive, but the one most responsive to changes. Humans have to adapt themselves to the environment for survival. In The Call of the Wild, the principle of literary naturalism is mainly reflected in the effects of the hereditary and environmental factors on the fate of the main character, Buck.

scholarly journals Ravitsejad Siberi eesti kogukondades

Mäetagused ◽  
2020 ◽  
Vol 78 ◽  
pp. 89-110
Author(s):  
Anu Korb ◽  
Keyword(s):  
Folk Medicine ◽  
Folk Healing ◽  
Video Recordings ◽  
The People ◽  
God's Word ◽  
The Family ◽  
Leading Position ◽  
The One ◽  
The 19Th Century ◽  
Healing Tradition

The article is based on manuscripts as well as sound and video recordings on folk medicine collected during fieldwork conducted by the researchers of the Estonian Folklore Archives in 1991–2013 from Estonians born and raised in different Siberian Estonian communities. The ancestors of the visited Estonians had either left their homeland in search of land in the last decades of the 19th and the beginning of the 20th centuries or were descendants of those deported and exiled by the Russian tsarist authorities in the first half of the 19th century. Fieldwork at Siberian Estonians in the last decade of the 20th century enriched the Estonian Folklore Archives with invaluable lore material, including the material related to folk medicine. Although the advance of the state medicine system with small hospitals and first aid posts had reached Siberian villages half a century before, and the activity of healers had been banned for decades, the collectors were surprised by the number of healers in villages and the extent of the practical use of folk medicine. The folk medicine tradition was upheld mostly by older women (as was the case also with other fields of lore), which resulted, on the one hand, from the demographic situation, and, on the other hand, from women’s leading position in the preservation of communal traditions. In the older Siberian Estonian communities, which had been established by the deportees (e.g. Ülem(Upper)-Suetuk, Ryzhkovo), it was believed that healing words and skills were available and could be learned by anyone; they were often compared to God’s word. Some people thought that knowledge and skills could only be shared with those younger than yourself. In the villages established by exiles people were considerably more cautious about passing on healing words and the like. In most villages with southern Estonian background, healing charms were kept in secret, as it was believed that when sharing their knowledge, the healers would lose their abilities. It was only at their death’s door that the healers selected their successor. Not all the people who were offered to learn the healing skills were ready to accept the responsibility. The first or last child in the family was thought to have more prerequisites for becoming a good healer. In the first decade of the 21st century, the situation with passing on the healing words and skills had changed considerably in older Siberian villages. Many of the healers had passed away, and there were not enough young people who were interested in continuing the tradition. So the healing skills inevitably concentrated into the hands of a few wise women. Currently, the folk healing tradition in Siberian Estonian communities is fading away, above all, due to the fast aging and diminishing of the communities.

scholarly journals Offervilje. Om ret og rimelighed blandt venner og fjender og om at komme og dømme levende og døde i Max Kestners film "I am Fiction"

2013 ◽  
Vol 28 (70) ◽  
Author(s):  
Louise Brix Jacobsen ◽  
Henrik Skov Nielsen ◽  
Rikke Andersen Kraglund
Keyword(s):  
Freedom Of Expression ◽  
Publishing House ◽  
The Other ◽  
The Novel ◽  
Main Character ◽  
Artistic Collaboration ◽  
Other Hand ◽  
The Dead ◽  
The One ◽  
Alleged Victim

Louise Brix Jacobsen, Rikke Andersen Kraglund & Henrik Skov Nielsen: “Selfsacrifice. On Right and Reasonableness among Foes and Friends, and on Judging the Living and the Dead in Max Kestner’s film I am Fiction”In 2011, the performance artist Thomas Skade-Rasmussen Strøbech lost a lawsuit against his former friend and collaborator Helge Bille Nielsen and the publishing house of Gyldendal. This led to a debate about copyright, freedom of expression, identity, and the line between fiction and reality. In 2008, Nielsen or Das Beckwerk published the novel The Sovereign where Strøbech – seemingly without his knowledge and apparently against his will – is the main character. About a year after losing the lawsuit Strøbech and film director Max Kestner gives his version of the events before, during, and after the trial in the film I am Fiction (Identitetstyveriet). This article analyzes I am fiction in order to show how the film on the one hand outlines Strøbech’s version of the events as a story about a victim but on the other hand undermines this version with humor and irony and points towards an artistic collaboration between alleged victim and villain.

scholarly journals INSTING PERILAKU PURPOSIF BERPENGARUH PADA CALON WAKIL RAKYAT MENGAMBIL KEPUTUSAN DALAM NOVEL NAMAKU SUBARDJO KARYA HAPSARI HANGGARINI

ALAYASASTRA ◽  
2021 ◽  
Vol 17 (1) ◽  
pp. 107-120
Author(s):  
Medita Chrysan ◽  
Purwati Anggraini
Keyword(s):  
Decision Making ◽  
The Novel ◽  
Main Character ◽  
Data Source ◽  
The Impact ◽  
Purposive Behavior ◽  
Descriptive Qualitative

ABSTRAKPenelitian ini bertujuan: (1) mendeskripsikan insting perilaku purposif tokoh dalam konteks keputusan menjadi seorang caleg, (2) mendeskripsikan dampak insting perilaku purposif tokoh terhadap diri tokoh mengambil keputusan novel Namaku Subardjo karya Hapsari Hanggarini. Metode yang digunakan deskriptif kualitatif. Teori yang digunakan penelitian ini teori psikologi sastra insting purposif McDougall. Sumber data secara eksplisit berupa dokumen, yaitu novel Namaku Subardjo karya Hapsari Hanggarini terbitan tahun 2015. Data penelitian berupa kalimat atau dialog, satuan cerita yang mengarah pada insting perilaku purposif yang dilakukan tokoh. Pemerolehan data menggunakan teknik membaca dan mencatat informasi terkait insting kutipan novel. Hasil penelitian dalam novel Namaku Subardj menunjukkan:  (1) bentuk perilaku insting purposif tokoh utama berupa insting menyelamatkan diri, insting penasaran, insting berkontruksi, insting penuntutan, dan insting tertawa dan (2) dampak perilaku dalam pengambilan keputusan, yakni insting perubahan perilaku purposif tokoh dengan lebih meningkatkan kualitas diri melalui literasi untuk menjadi caleg. Kata Kunci: insting, perilaku, psikologi, purposif   AbstractThe research aims to (1) describe the character’s purposive behavior instincts in the context of the decision to become a legislative candidate, (2) describe the impact of the character’s purposive behavior instincts in the novel Namaku Subardjo by Hapsari Hanggarini. The method used descriptive qualitative. The theory used research is McDougall’s purposive instinct pschology theory. The data source is explicity, the novel Namaku Subardjo by Hapsari Hanggarini published in 2015. The data of this research is in the form of sentence or dialogue, a story unit that leads to the character’s. The results of the research can be understood Namaku Subarjo’s Novel, (1) The form of purposive instinct behavior in the main character is the instict to save oneself, The curios instinct, the construct instict, the instict for prosecution and the laugh instinct, and (2) The impact of behavior in decision making is the instinct for purposive behavior. Keywords: behavior, instinct, psychology, pusposive

scholarly journals The Russian China in the Last D. A. Prigov’s Novel

2020 ◽  
Vol 15 (1) ◽  
pp. 146-165
Author(s):  
E. V. Kapinos
Keyword(s):  
Far East ◽  
Main Task ◽  
The Novel ◽  
Main Character ◽  
The Far East ◽  
The People ◽  
The Gift ◽  
Pass Through ◽  
John Wilkins

The article relates to the last novel by D. A. Prigov “Katya the Chinese” (published in 2007), based on the memories of the writer’s wife, N. G. Burova from Harbin, who was born and grew up in the Russian China and left it in 1950s. The main task of the article is to show what stylistic techniques, plots, motives, subtexts allow to recreate the atmosphere of the Russian China and the generalized image of the East. The narration synthesizes the memories of the people of Harbin and recognizable storylines of D. A. Prigov’s work (such, for example, as a fantastic bestiary). In the subtext of the novel the following works are found: feuilleton by I. Ilf and E. Petrov “Nikudykin the Commtied”, pro- totyped by the “futurist of life” V. Goltsshmidt, who traveled in 1918–1920s with lectures on Siberia and the Far East, V. Nabokov’s novel “The Gift” with his father’s Asian journey (the plot about his father in “The Gift” influenced the plot about the girl’s father in “Katya the Chinese”), the “Chinese” stories by J. L. Borges “The Garden of Forking Paths” and “The Analytical language of John Wilkins”, etc. In Prigov’s narrative, a particular role is played by an autobiographical excerpt about the Tashkent artist A. N. Volkov and an insertion novel about the “Monastery of Flying Cats”, in- tentionally inaccurately stylized by Prigov as a Chinese legend. Many motifs and subtexts of the novel pass through the prism of the child’s consciousness (the “girl’s”, who is the main character of the novel), which gives the image of the Russian East, along with documentary, fantastic features.

scholarly journals THE ANALYSIS OF RACIAL DISCRIMINATION IN SOLOMON NORTHUP’S 12 YEARS A SLAVE

LINGUISTICA ◽  
2018 ◽  
Vol 7 (1) ◽  
Author(s):  
Sarmita Utami Harahap And Fauziah Khairani Lubis
Keyword(s):  
Racial Discrimination ◽  
Qualitative Method ◽  
Black People ◽  
The Novel ◽  
Main Character ◽  
Descriptive Qualitative

The research was focused on racial discrimination faced by the major characters and their resistances in 12 Years A Slave novel. This study was aimed This study was aimed to investigate the racial disrimination and the resistances in the novel. This study was conducted by applying descriptive qualitative method. The source of data was taken from 12 Years A Slave novel. The data are collected by using documentary techniques. Instrument for collecting the data is using documentary sheet. The results of this research were the racial discrimination and resistances happened in 12 Years A Slave. The racial discrimination in this novel happened towards the Black People and all discriminated people do the resistances to make their life better. As Northup is the main character so he got the most discrimination, then in the second position is Patsey and the last is Eliza Berry. Meanwhile the resistances done the most by Northup until he finally got freedom, and Patsey also did it twice and Eliza Berry did it three times. It can be concluded that the three major character who are slaves got discriminated and they did the resistances to save their life, even its only Northup who got the freedom in the end.

scholarly journals A Study of Meaning and Messages With Reference to the Novel Rage of Angel

HUMANIS ◽  
2021 ◽  
Vol 25 (3) ◽  
pp. 277
Author(s):  
Ni Made Devi Sudiarta Putri ◽  
Ni Wayan Sukarini ◽  
Putu Weddha Savitri
Keyword(s):  
Qualitative Method ◽  
The Novel ◽  
Note Taking ◽  
Connotative Meaning ◽  
Affective Meaning ◽  
Biographical Approach ◽  
Approach Theory ◽  
Conceptual Meaning ◽  
Descriptive Qualitative

This study was aimed to identify and analyze the meaning and message in several sentences found in the novel Rage of Angels by Sidney Sheldon published in 1980. The selected sentences in the novel, which are the data of this study, were collected by applying the documentation method and note-taking technique which then were analyzed using the descriptive qualitative method. The data were presented informally in descriptive form. This study analyzes the types of meaning based on the theory proposed by Leech (1974) and the messages of the novel based on the biographical approach theory by Wellek and Warren (1962). As a result, all the seven types of meaning, namely connotative meaning, conceptual meaning, affective meaning, stylistic meaning, reflected meaning, collocative meaning, and thematic meaning, were found in the novel. In relation to the message of the novel, based on the biographical approach, there were five messages that the author delivered.

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