Some Remarks on Konrad Bayer: Dark Romanticism and Surrealism in Postwar Vienna

October ◽  
2019 ◽  
Vol 170 ◽  
pp. 61-68
Author(s):  
Oswald Wiener
Keyword(s):  
Literary Work ◽  
The Other

In “Some Remarks on Konrad Bayer” Oswald Wiener reflects on his deceased friend and collaborator. Arguing that Bayer's personal presence was more influential than his literary work, Wiener focuses on experiments Bayer conducted in his milieu, which aimed at predicting and manipulating the behavior of others. If the other proved hard enough to predict, according to Wiener, such experiments could complicate the participants' representations of the situation to such an extent that they would induce ecstatic states. Wiener connects these experiments to epistemological questions and relates them to different literary and artistic traditions including Dark Romanticism, Surrealism, and dandyism.

scholarly journals «Маґнат» Г. Погутяк художній роман чи квазібіографія Яна Щасного Гербурта?

2016 ◽  
Vol 7 ◽  
pp. 31-42
Author(s):  
Олександр Андрійович Галич
Keyword(s):  
Literary Work ◽  
The Other

The character in H. Pohutiak’s novel Severyn Nyklovs’ky is represented as a person who does his best to be incarnated in the image of real historical person Yan Shchasny Herburt changing into his look-alike for some time. Literary work «Magnate» («Magnat») in that part, which deals directly with the life and activity of the lordly man, is documental. The other plot line, which is connected to the life and activity of look-alike, is totally based on fiction and wild fantasy of H. Pohutiak. Here we can definitely speak about the imitation of biography or about quasi biography.

scholarly journals Traditions of franciscanism and pilgrimage in the life and work of A. Dobrolyubov

2021 ◽  
Vol 2 (25) ◽  
pp. 19-30
Author(s):  
Ekaterina V. Kuznetsova ◽  
Keyword(s):  
Literary Work ◽  
The Other ◽  
Early 20Th Century ◽  
Religious Literature ◽  
Silver Age ◽  
The Poor ◽  
The Gift ◽  
Artistic Interpretation ◽  
Historical Phenomenon ◽  
The Individual

The fate and personality of Alexander Dobrolyubov gave rise to a kind of Dobrolyubov myth about the eternal wanderer in the culture of the Russian Silver Age and in many ways unfairly obscured his literary work. The article traces the influence of Francis of Assisi on Dobrolyubov's own life-creating strategy and his contemporaries' perception of him as a «Russian Francis. The author considers the peculiarities of artistic interpretation of the whole complex of motifs associated with the fate and personality of the Italian saint in the last collection of Dobrolyubov's works, From the Book Invisible (1905). The author analyzes the image of the pilgrim, glorification (preaching) of the poor, hermit’s life and the unity of man and wildlife, plants and the elements of nature in the context of teachings of St. Francis and the Russian franciscanism of the modernist era; the features of their modernist reception are traced in Dobrolyubov’s works written after his «departure». On the other hand, the author reveals evidence that the poet implements the individual author's interpretation of the characteristic Russian cultural and historical phenomenon of pilgrimage (real, metaphysical and spiritual), which was reflected, for example, in N. S. Leskov’s works, and philosophically interpreted in science and criticism of the early 20th century (V. Rozanov, N. Berdyaev, etc.). The author suggests that the poet was influenced by an anonymous work of Russian religious literature «A Pilgrim's Confessional Stories to his Spiritual Father». As a result, the author concludes that the poet creates a modern variation of the Franciscan image of the «simple man» and the divine man, possessing the gift of communication with nature, who combines the features of an Italian ascetic preacher with the type of a Russian pilgrim-god-seeker.

DISCUSSION ON “AYKOL MANAS” IN THE CONTEXT OF THE HISTORICAL RELATIONSHIP BETWEEN SHAMANISM AND STORYTELLING AMONG THE KYRGYZ PEOPLE

2020 ◽  
Vol 3 (4) ◽  
pp. 12-34
Author(s):  
Nestor A. Manichkin ◽  
Keyword(s):  
Literary Work ◽  
The Other ◽  
Islamic Culture ◽  
Social Field ◽  
Public Discussion ◽  
The Public ◽  
The World ◽  
Historical Relationship ◽  
Characteristic Features ◽  
The One

The article dwells upon connection between the two most important Kyrgyz traditions: shamanism ( bakshylyk ) and storytelling ( zhomokchuluk ). It considers the general cultural and social field that forms some features that are characteristic of both shamans and storytellers, as well as the traces of pre-Islamic culture that can be found in the world of the Kyrgyz epic. Special attention is paid to the post-folklor version of the epic “Manas” – the dastan “Aykol Manas” and the public discussion around that literary work. The discussion reflects, on the one hand, specific aspects of the understanding of the Kyrgyz epic tradition, and on the other hand, a number of characteristic features that accompany modern transformations of Kyrgyz shamanism.

9. An introduction to copyright

2019 ◽  
pp. 173-176
Author(s):  
Paul Torremans
Keyword(s):  
Literary Work ◽  
The Other ◽  
Printing Press ◽  
Other Hand ◽  
Key Concepts ◽  
The One ◽  
Exclusive Right ◽  
First Time

This chapter first discusses the two roots of copyright. On the one hand, copyright began as an exclusive right to make copies—that is, to reproduce the work of an author. This entrepreneurial side of copyright is linked in with the invention of the printing press, which made it much easier to copy a literary work and, for the first time, permitted the entrepreneur to make multiple identical copies. On the other hand, it became vital to protect the author now that his or her work could be copied much more easily and in much higher numbers. The chapter then outlines the key concepts on which copyright is based.

Unzuverlässigkeit bei heterodiegetischen Erzählern: Konturierung eines Konzepts an Beispielen von Thomas Mann und Goethe

2018 ◽  
Vol 12 (1) ◽  
pp. 77-92
Author(s):  
Matthias Löwe
Keyword(s):  
Fairy Tale ◽  
Literary Work ◽  
Thomas Mann ◽  
The Other ◽  
Niklas Luhmann ◽  
Essential Information ◽  
Other Hand ◽  
The One ◽  
Definition Of ◽  
Psychic System

Abstract Heterodiegetic narrators are not present in the story they tell. That is how Gérard Genette has defined heterodiegesis. But this definition of heterodiegesis leaves open what ›absence‹ of the narrator really means: If a friend of the protagonist tells the story but does not appear in it, is he therefore heterodiegetic? Or if a narrator tells something that happened before his lifetime, is he therefore heterodiegetic? These open questions reveal the vagueness of Genette’s definition. However, Simone Elisabeth Lang has recently made a clearer proposal to define heterodiegesis. She argues that narrators should be called heterodiegetic only if they are fundamentally distinguished from the ontological status of the fictional characters: Heterodiegetic narrators are not part of the story for logical reasons, because they are presented as inventors of the story. This is, for example, the case in Johann Wolfgang Goethe’s novel Elective Affinities (1809): In the beginning of this novel the narrator presents himself as inventor of the character’s names (»Edward – so we shall call a wealthy nobleman in the prime of life – had been spending several hours of a fine April morning in his nursery-garden«). Based on that recent definition of heterodiegesis my article deals with the question whether such heterodiegetic narrators can be unreliable. My question is: How could you indicate that the inventor of a fictitious story tells something which is not correct or incomplete? In answering this question, I refer to some proposals of Janina Jacke’s article in this journal. Jacke shows that the distinction between homodiegetic and heterodiegetic narrators should not be confused with the distinction between personal and non-personal narrators or with the distinction between restricted and all-knowing narrators. If you make such differentiations, then of course heterodiegetic narrators can be unreliable: They can omit some essential information or interpret the story inappropriately. Heterodiegetic narrators of an invented story can even lie to the reader or deceive themselves about some elements of the invention. That means: A heterodiegetic narration cannot only be value-related unreliable (›discordant narration‹), but also fact-related unreliable. My article delves especially into this type of unreliability and shows that heterodiegetic narrators of a fictitious story can be fact-related unreliable, if they tell something which was not invented by themselves. In that case, the narrator himself sometimes does not really know whether he tells a true or a fictitious story. Such narrators are unreliable if they assert that the story is true, although they are suggesting at the same time that it is not. I call this type of unreliable narrator a ›fabulating chronicler‹ (›fabulierender Chronist‹): On the one hand, such narrators present themselves as chroniclers of historical facts but, on the other hand, they seem to be fabulists who tell a fairy tale. This type of unreliability occurs especially if a narrator tells a legend or a story from the Bible. My article demonstrates this case in detail with two examples, namely two novels by Thomas Mann: The Holy Sinner (1951) and Joseph and His Brothers (1933–1943). My article also discusses some cases where it is not appropriate or counter-intuitive to call a heterodiegetic narrator ›unreliable‹: i. e. the narrator of Thomas Mann’s novel The Magic Mountain (1924) and the narrator of Johann Wolfgang Goethe’s novel Wilhelm Meister’s Apprenticeship (1795/1796). On the one hand, these narrators show some characteristics of unreliability, because they omit essential pieces of information. On the other hand, these narrators are barely shaped as characters, they are nearly non-personal. However, in order to describe a narrator as unreliable, it is – in my opinion – indispensable to refer to some traces of a narrative personality: Figural traits of a narrator provoke the reader to identify all depicting, describing and commenting sentences of a narration as utterances of one and the same ›psychic system‹ (Niklas Luhmann). Only narrators who can be interpreted as such a ›psychic system‹, provoke the reader to assume the role of an analyst or ›detective‹, who perhaps identifies the narrator’s discordance or unreliability. In my article the unreliability of a narration is understood as part of the composition and meaning of a literary work. I argue that a narrator cannot be described as unreliable without designating a semantic motivation for this composition by an act of interpretation. Therefore, my suggestion is that a narration should be merely called unreliable if it encourages the reader not only to imagine the told story, but also to imagine a discordant or unreliable storyteller.

From a Literary Work to a Movie and Back. Literary and Literary Studies Contexts for the Art of Screenplay

Tekstualia ◽  
2020 ◽  
Vol 1 (60) ◽  
pp. 43-54
Author(s):  
Rafał Koschany
Keyword(s):  
Literary Work ◽  
The Other ◽  
Literary Studies ◽  
Literary Genre ◽  
Other Hand ◽  
The One ◽  
Literary Phenomenon

Screenplays are a paradoxical and ambivalent phenomenon. On the one hand, a screenplay is a literary genre and its development attests to the process of its emancipation from the power of fi lm and fi lm theory. On the other hand, however, the screenplay read as the text „is becoming a movie” already during the act of reading. The screenplay – as a quasi-literary phenomenon – can be a useful and inspiring tool in fi lm interpretation, as it opens up a variety of methodological possibilities.

Homogeneity, “glocalism” or somewhere in between?

2014 ◽  
Vol 48 (1/2) ◽  
pp. 288-313 ◽  
Author(s):  
Helene Cecilia de Burgh-Woodman
Keyword(s):  
Literary Criticism ◽  
Research Question ◽  
Literary Work ◽  
The Self ◽  
The Other ◽  
Marketing Theory ◽  
Content Type ◽  
Pierre Loti ◽  
The Individual ◽  
The Impact

Purpose – This paper aims to expand current theories of globalisation to a consideration of its impact on the individual. Much work has been done on the impact of globalisation on social, political and economic structures. In this paper, globalisation, for the individual, reflects a re-conceptualisation of the Self/Other encounter. In order to explore this Self/Other dimension, the paper analyses the literary work of nineteenth-century writer Pierre Loti since his work begins to problematise this important motif. His work also provides insight into the effect on the individual when encountering the Other in a globalised context. Design/methodology/approach – Drawing from literary criticism, the paper adopts an interpretive approach. Using the fiction and non-fiction work of Pierre Loti, an integrated psychoanalytical, postcolonial analysis is conducted to draw out possible insights into how Loti conceptualises the Other and is thus transformed himself. Findings – The paper finds that the Self/Other encounter shifts in the era of globalisation. The blurring of the Self/Other is part of the impact of globalisation on the individual. Further, the paper argues that Loti was the first to problematise Self/Other at a point in history where the distinction seemed clear. Loti's work is instructive for tracing the dissolution of the Self/Other encounter since the themes and issues raised in his early work foreshadow our contemporary experience of globalisation. Research limitations/implications – This paper takes a specific view of globalisation through an interpretive lens. It also uses one specific body of work to answer the research question of what impact globalisation has on the individual. A broader sampling and application of theoretical strains out of the literary criticism canon would expand the parameters of this study. Originality/value – This paper makes an original contribution to current theorisations of globalisation in that it re-conceptualises classical understandings of the Self/Other divide. The finding that the Self/Other divide is altered in the current era of globalisation has impact for cultural and marketing theory since it re-focuses attention on the shifting nature of identity and how we encounter the Other in our daily existence.

scholarly journals Profesor Klonimir Škalko

2018 ◽  
Vol 24 (1) ◽  
Author(s):  
Mate Zaninović
Keyword(s):  
High School ◽  
Literary Work ◽  
Teaching Profession ◽  
The Other ◽  
Preparatory School ◽  
The Social ◽  
Social Realm ◽  
The Village

Professor Klonimir Škalko came from a family of teachers so that he also decided upon a teaching profession. He was born in Olib in 1895 and after completing elementary and preparatory school which in those days was equivalent to the lower grades of high school, he enrolled at the Male School of Teaching in Arbanasi near Zadar, this being the title by which the school went at that period. He graduated in 1914 and bis first teaching post was in the village of Ba- njevci, the Benkovac district. He remained here from October 1, 1914 to September 30, 1919. Because the threat existed of being arrested when the Italians occupied Dalmatia after WWI, he left for Zagreb where he worked in the publishing-informative department of the People’s council in Zagreb. After a short while a letter arrived from Ivko Radovanović, who had become the provincial school supervisor in 1920, informing him to return to Zadar and assume the teaching duties in the School of teaching. Although to return was difficult he took over the the duties of teacher in the school and of prefect in the pupil’s dorm. After the Rapallo agreement of November 12, 1920 he departed with the other teachers of the school for Dubrovnik, enrolling afterwards at the Higher School of Pegagogy in Zagreb. For a certain period of time he worked in Vis and upon graduating from the Higher School he received a teaching post at the School of Teaching in Šibenik. He went on with his studies in Zagreb — College of Pedagogy — and after graduating became the professor for the pedagogical group of subjects at the School of Teaching in Šibenik. Before the outbreak of WWII he became the principal of this school, but when the Italian forces entered Šibenik he was arrested and sent off to a prisoner’s camp where he remained till the end of 1943. After the liberation of tire country he took up residence and worked in Zagreb where he passed away in 1961. Professor Klonimir Škalko did literary work and, as an excellent pedagogue, he wrote a number of prominent pedagogical monographs and treatise. According to his convictions he was liberal and democratic, as well as being a great patriot, while he was also active and engaged in the social realm up to the time of his death.

scholarly journals A Cognitive Stylistic Analysis of Characterization in Golding’s Lord of the Flies

2021 ◽  
Vol 60 (1) ◽  
pp. 21-40
Author(s):  
Ahmed Srieh ◽  
Mahdi Kareem
Keyword(s):  
Cognitive Process ◽  
Literary Work ◽  
The Other ◽  
Stylistic Analysis ◽  
The Novel ◽  
Human Beings ◽  
Fictional Character ◽  
Lord Of The Flies ◽  
The One

Characterization is commonly known in stylistics to be the cognitive process in the readers' minds when comprehending a fictional character in a literary work .In one approach, it is assumed that characters are the outcome of the interaction between the words in the text on the one hand and the contents of our heads on the other. This paper is an attempt to understand how characterization is achieved by applying Culpeper’s (2001) model which seems to be to present a method of analysis that is more objective and more systematic in analyzing characters. Two characters are selected for discussion; Ralph and Jack from Golding’s (1954) Lord of the Flies. The novel talks about the corruption of human beings and the capacity of evil they have. The results show that Ralph and Jack are antithetical in many aspects; Ralph represents the rational civilized boy whereas Jack represents the savage brutal boy.

scholarly journals Essays and Short Stories From Nikolai Naumov’s Collection Strength Breaks the Straw in the Context of the Tchaikovtsy Ideas

2020 ◽  
pp. 22-42
Author(s):  
Vladislav A. Przhigotskiy ◽  
Keyword(s):  
Short Stories ◽  
Public Service ◽  
Mutual Influence ◽  
Literary Work ◽  
The Other ◽  
Relevant Aspect ◽  
Social Fields ◽  
Ideological Influence ◽  
Reality Effect ◽  
Means Of Transmission

The collection Strength Breaks the Straw, published in St. Petersburg in 1874 by the Circle of Tchaikovsky, marked the heyday of the literary work of Nikolai Ivanovich Naumov, a Siberian writer and official. The works of this collection were originally published in leading democratic journals of this period and later entered the pantheon of populist fiction and won the attention of many contemporaries and researchers in the future. A relevant aspect in the study of Naumov’s creative heritage of the first half of the 1870s, i.e. the mentioned collection, is the understanding of the mutual influence of the various social fields he was engaged in during these years sequentially or in parallel and, accordingly, of his various institutional activities closely connected with literary ones, in particular, with the aesthetics and poetics of the collection. The article explores the mechanisms of influence of these various social fields on Naumov’s literary activities during this period. It reveals the poetic and aesthetic features of the works of the collection caused by the historical and literary trends, by the ideological influence of populism, and by Naumov’s own tasks as a Siberian writer and official. The analysis showed that the features of the works are caused not only by the main trends of populist ideology and fiction, but also by the tasks that Naumov tried to solve in the course of his institutional activities. His works of the first half of the 1870s, which the Tchaikovtsy used to spread their ideology, aimed at satisfying the demands of the mass reader and also at creating his “ideal” reader, which regionalists sought from Naumov. The exceptional documentary nature creating a “reality effect” and directly related to the author’s ubiquitous voice permeating the structure of each essay was a means for Naumov to form the reader’s reception, primarily that of a reader from people and from Siberia. On the other hand, the documentary nature of Naumov’s essays is caused not only by the trends associated with the flourishing of realism and the search for means of transmission of the truth of life in fiction, but also by the writer’s previous public service, which provided him with rich factual material and influenced the nature of its presentation in literature. This mutual influence was largely supported by the fact that, in the considered period, Naumov occupied homologous positions in various social fields.

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